"So You Want to Be a Rock 'n' Roll Star" | ||||
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Single by the Byrds | ||||
from the album Younger Than Yesterday | ||||
B-side | "Everybody's Been Burned" | |||
Released | January 9, 1967 | |||
Recorded | November 28 –December 1, 1966 | |||
Studio | Columbia, Hollywood, California | |||
Genre | Rock | |||
Length | 2:05 | |||
Label | Columbia | |||
Songwriter(s) | Jim McGuinn, Chris Hillman | |||
Producer(s) | Gary Usher | |||
The Byrds singles chronology | ||||
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Audio sample | ||||
"So You Want to Be a Rock 'n' Roll Star" | ||||
Music video | ||||
"So You Want to Be a Rock 'n' Roll Star" (audio) on YouTube |
"So You Want to Be a Rock 'n' Roll Star" is a song by the American rock band the Byrds. Written by Jim McGuinn and Chris Hillman,it was included on the band's 1967 album, Younger Than Yesterday . [1] The song was inspired by the manufactured nature of the Monkees and was released as a single on January 9,1967,reaching number 29 on the Billboard Hot 100,but failing to chart in the United Kingdom. [2] [3]
Written in late 1966, [4] "So You Want to be a Rock 'n' Roll Star" has been described by Byrds expert Tim Conners as "an acerbic,but good-natured swipe at the success of manufactured rock bands like the Monkees." [5] The Monkees television series had debuted in America in September 1966,and had launched the pre-fabricated band to international fame. [6] The manufactured nature of the group caused the Byrds' bassist,Chris Hillman,and lead guitarist,Jim McGuinn,to look upon the current state of the pop world with more than a little cynicism—something that was reflected in the song's lyrics. [6]
Musically,"So You Want to be a Rock 'n' Roll Star" features a driving,circular Rickenbacker guitar riff by McGuinn [7] and what Conners has called an "unstoppable bass hook" from Hillman. [5] Hillman has stated that he composed the song's bass part during a recording session for South African musician Hugh Masekela. [5] The song also features Masekela's trumpet playing,which represents the first use of brass on a Byrds recording. [5] [8] In addition,"So You Want to Be a Rock 'n' Roll Star" features the sound of hysterical teenage pop fans screaming. These screams were recorded at a Byrds' concert on August 15,1965 in Bournemouth by the band's publicist,Derek Taylor,at McGuinn's request. [6] [9]
Rolling Stone editor David Fricke has written that although the song's lyrics are heavily sarcastic,beneath the playful cynicism there is a deeper,implicit irony to the song;The Byrds had,themselves,achieved almost overnight success with the release of their debut single,a cover of Bob Dylan's "Mr. Tambourine Man". [10] However,the band members all knew,from their common bitter personal experiences,that the most difficult part of success was in remaining successful,staying ahead of the curve artistically,and staying sane under the immense pressure of stardom. [10]
During an interview with music journalist Pete Frame,McGuinn said:
Some people have accused us of being bitter for writing that song,but it's no more bitter than "Positively 4th Street." In fact,it isn't as bitter as that. We were thumbing through a teen magazine and looking at all the unfamiliar faces and we couldn't help thinking:"Wow,what's happening …all of a sudden here is everyone and his brother and his sister-in-law and his mother and even his pet bullfrog singing rock 'n' roll." So we wrote "So You Want to Be a Rock 'n' Roll Star" to the audience of potential rock stars,those who were going to be,or who wanted to be,and those who actually did go on to realize their goals. [8]
Upon release, Billboard magazine described the song as a "powerful rocker with teen-oriented lyric about becoming a rock star and the outcome of that stardom",predicting that the song could be a "giant". [11] Cash Box said the single is a "wild,steady-moving pounder" that can be a bounce back hit for the Byrds. [12] To promote the song,the band performed it on a number of television programs,including Popside, Top of the Pops ,Drop In, The David Frost Show ,and Beat-Club . [13] The band also performed "So You Want to Be a Rock 'n' Roll Star" as the final song of their appearance at the Monterey Pop Festival,with the help of guest musicians Hugh Masekela and Big Black. [14] The Byrds' performance of the song at Monterey is included on the 1992 The Monterey International Pop Festival CD box set. [15]
In addition to its appearance on the Younger Than Yesterday album,"So You Want to Be a Rock 'n' Roll Star" also appears on several Byrds' compilations,including The Byrds' Greatest Hits ; History of The Byrds ; The Original Singles:1965–1967,Volume 1 ; The Byrds ; The Very Best of The Byrds ; The Essential Byrds ;and There Is a Season . [16] Live performances of the song are included on the live portion of The Byrds' (Untitled) album,as well as on the Live at the Fillmore - February 1969 and Live at Royal Albert Hall 1971 albums. [16]
The two earliest cover versions of "So You Want To Be A Rock 'n' Roll Star" were by the Royal Guardsmen,on their 1967 album The Return of the Red Baron,and the British band the Move,who included the song on their 1968 EP, Something Else from The Move . [17]
Hookfoot,the British group who served as Elton John's backing band for a number of years,also released the song as a single in 1974. [18] The song was covered by Scottish hard rock band Nazareth,as part of the track "Telegram",on their 1976 album Close Enough for Rock 'n' Roll. Black Oak Arkansas covered the song on their 1977 The Best of Black Oak Arkansas album,with the song later being included on the Hot &Nasty:The Best of Black Oak Arkansas compilation album in 1993. [19] [20]
In 1979,"So You Want to Be a Rock 'n' Roll Star" was recorded by the Patti Smith Group and released as the third single from their album Wave . The song was also covered by Tom Petty and the Heartbreakers during their Southern Accents tour,and it appears on the 1985 live album, Pack Up the Plantation:Live! [21]
In 1984,McGuinn joined R.E.M. on stage at the Capitol Theatre in Passaic,New Jersey,for a rendition of "So You Want to Be a Rock 'n' Roll Star". R.E.M.'s Peter Buck explained:"When we played 'Rock 'n' Roll Star',where it has that part where it goes 'la la la la la la la',he played C-F-G,and I said,'That's weird,we do C-D-G'. Then he played it that way and said,'You know,I like that better. I think I'll change it'. And I went,'You mean you're going to change the chord of the song?' and he went,'Yeah,I've never played it that way,and I like it a lot better'. Roger McGuinn's been playing that song for twenty years,and here I suggest he plays it this way,and he does!" [22]
Unrest recorded a version of "So You Want to Be a Rock 'n' Roll Star" in 1985 for their self-titled debut album. [23] They later re-recorded the song during the sessions for their fourth album, Malcolm X Park ,released in 1988. [24]
The Swedish pop group Roxette included the song in their 1993 MTV Unplugged show. [25]
The German alternative rock/punk band Beatsteaks covered the song on their 2004 "Hand in Hand" single. In 2006,Les Fradkin released a cover version of the song on his album Goin' Back. [26] Also,the Dutch rock band Golden Earring covered the song as a bonus track on their This Wheel's on Fire CD single. [27]
Pearl Jam have covered "So You Want to Be a Rock 'n' Roll Star" a number of times at live concerts. [28] Pearl Jam's singer,Eddie Vedder,also covered it during his 2012 American solo tour. [29]
The British rock band Charlie released a song titled "Killer Cut" in 1979,that is essentially a sequel to "So You Want to Be a Rock 'n' Roll Star" and begins with the lyrics "So you want to be a rock and roll star,well,times have changed/That's all I'll say/You still need an electric guitar but most of all you need that radio,radio play." Counting Crows have been known to perform a few lines from "So You Want to Be a Rock 'n' Roll Star" as an introduction to their song "Mr. Jones" during live performances. [30] [31]
Charly Garcia and Fito Paez recorded the song in Spanish as "Rock And Roll Star" for Charly Garcia's 2024 album La lógica del escorpión. [32]
The Byrds were an American rock band formed in Los Angeles,California,in 1964. The band underwent multiple lineup changes throughout its existence,with frontman Roger McGuinn being the sole consistent member. Although their time as one of the most popular groups in the world only lasted for a short period in the mid-1960s,the Byrds are considered by critics to be among the most influential rock acts of their era. Their signature blend of clear harmony singing and McGuinn's jangly 12-string Rickenbacker guitar sound was "absorbed into the vocabulary of rock" and has continued to be influential.
Sweetheart of the Rodeo is the sixth album by the American rock band the Byrds,released in August 1968 by Columbia Records. Recorded with the addition of country rock pioneer Gram Parsons,it became the first album widely recognized as country rock as well as a seminal progressive country album,and represented a stylistic move away from the psychedelic rock of the band's previous LP,The Notorious Byrd Brothers. The Byrds had occasionally experimented with country music on their four previous albums,but Sweetheart of the Rodeo represented their fullest immersion into the genre up to that point in time. The album was responsible for bringing Parsons,who had joined the Byrds in February 1968 prior to the start of recording,to the attention of a mainstream rock audience for the first time. Thus,the album is an important chapter in Parsons' crusade to make country music fashionable for a young audience.
Younger Than Yesterday is the fourth studio album by the American rock band the Byrds,released on February 6,1967,by Columbia Records. It saw the band continuing to integrate elements of psychedelia and jazz into their music,a process they had begun on their previous album,Fifth Dimension. In addition,the album captured the band and record producer Gary Usher experimenting with new musical textures,including brass instruments,reverse tape effects and an electronic oscillator.
Mr. Tambourine Man is the debut studio album by the American rock band the Byrds,released on June 21,1965,by Columbia Records. The album is characterized by the Byrds' signature sound of Jim McGuinn's 12-string Rickenbacker guitar and the band's complex harmony singing. The material on the album mostly consists of cover versions of folk songs,primarily composed by Bob Dylan,and originals written or co-written by singer Gene Clark. Along with the Dylan-penned single of the same name,Mr. Tambourine Man established the band as an internationally successful act and is widely regarded by critics as representing the first effective American challenge to the chart dominance of the Beatles and other British Invasion bands during the mid-1960s.
The Notorious Byrd Brothers is the fifth studio album by the American rock band the Byrds,released on January 15,1968,by Columbia Records. The album represents the pinnacle of the Byrds' late-'60s musical experimentation,with the band blending together elements of psychedelia,folk rock,country,electronic music,baroque pop,and jazz. With producer Gary Usher,they made extensive use of a number of studio effects and production techniques,including phasing,flanging,and spatial panning. The Byrds also introduced the sound of the pedal steel guitar and the Moog modular synthesizer into their music,making it one of the first LP releases on which the Moog appears.
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Byrds is the twelfth and final studio album by the American rock band the Byrds and was released in March 1973 on Asylum Records. It was recorded as the centerpiece of a reunion among the five original band members:Roger McGuinn,Gene Clark,David Crosby,Chris Hillman,and Michael Clarke. The last time that all five members had worked together as the Byrds was in 1966,prior to Clark's departure from the band. During the reunion,the current,latter-day lineup of the band continued to make live appearances until February 1973,with McGuinn being the only member common to both versions of the group.
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