Stephen Duneier | |
---|---|
Born | July 1967 57) | (age
Education | MBA in finance and economics |
Alma mater | New York University, Stern School of Business |
Occupation(s) | Founder and CEO of Bija Advisors LLC, Lecturer at University of California, Artist, Author |
Known for | Incorporating Cognitive Science with Investment Management, [2] Yarnbombing in the Wilderness, [3] Extreme Goal Achievement |
Spouse | Barbara |
Website | yarnbomber |
Stephen Duneier is an American professional investment manager, strategy consultant, speaker, lecturer, author, artist and Guinness World Record holder.
Duneier attended the University of Florida from 1985 to 1987 before leaving to pursue a career in financial management with Drexel Burnham Lambert and then Prudential-Bache. He finished his undergraduate education at Florida Atlantic University with a BBA in finance and economics and received an MBA in finance and economics from New York University's Stern School of Business. [4]
While still attending graduate school at NYU, Duneier worked as a foreign exchange option trader specializing in exotic derivatives at Credit Suisse in New York City. He was later hired by Bank of America to expand their foreign exchange business into European crosses and Emerging Markets and eventually promoted to Global Head of Currency Option Trading. Soon after Bank of America merged with Nations Bank, Duneier moved to AIG International where he was eventually named managing director in charge of Emerging Markets trading and based out of London, England. In 2002, Duneier launched a proprietary trading portfolio known as "TIP" for AIG International. [5] Shortly after the firm merged with Banque AIG, Duneier became a global macro portfolio manager at London Diversified Fund Management in London and later at Peloton Partners in Santa Barbara, California. [6] In 2008, he was one of the founding partners at Grant Capital Partners [7] which grew to $1.25 billion in assets under management. [8] He left in 2012 to launch Bija Capital Management and eventually Bija Advisors LLC, a consulting firm which advises experienced hedge fund managers, CIO's and asset allocators. Through Bija Advisors, he speaks on and publishes a subscription based newsletter covering topics on economics, [9] [10] cognitive science, [11] and investment management. [12] [13] Duneier's book, AlphaBrain was released in March 2019 (Wiley & Sons).
In 2001, Duneier began to apply his approach to decision making, which he calls "Bija", to his personal life, leading to a long string of eccentric goals and resolutions being set and achieved. [14] In 2012, it reached fever pitch when he embarked upon 12 for 2012, [15] a New Year's resolution which included 12 Learning Resolutions and 12 Giving Resolutions. [16] As part of his resolutions, he has performed at comedy clubs; learned to fly a helicopter; climbed iced waterfalls; raced cars; had root canal without anesthetic; learned to speak German; read 50 books in 52 weeks; [17] participated in the Pier to Peak half marathon; learned to unicycle; used jumping stilts to hike; fostered a pit bull; built homes for families in Arizona; learned ballroom dancing, how to drum, slackline, parkour, skydive; and flown planes aerobatically. [18]
He set the Guinness World Record for the largest crocheted granny square. It is 1,311 square feet, incorporates more than 30 miles of yarn and weighs over 60 pounds. It took 2 years, 7 months and 17 days to create, and required more than 500,000 double crochet stitches. [19] [20] [21] [22]
Duneier now speaks [23] and writes about his experience and how others can take insights from research conducted in the field of cognitive science in order to make better decisions and achieve bigger goals. [24]
Duneier teaches undergraduate and graduate level courses on Decision Analysis in the College of Engineering at the University of California in Santa Barbara. [25]
Duneier is an installation artist, part of the fiber-art movement known as Yarnbombing. [26] His installations exist for just 9 days typically in Los Padres National Forest. [27]
As part of his 2012 resolution to learn 12 new skills, Duneier learned how to knit. His first project was the covering of a 40-foot tall eucalyptus tree, 2.6 miles up the Cold Spring Trail in Santa Barbara, California. [28] It required 450 square feet of knitted material. The installation remained for just 9 days and all material used was donated to Warm Up America, a charity in North Carolina.
The following year he wrapped a massive boulder atop the Saddlerock hiking trail above Montecito, California. [29]
His third installation was a large spiderweb made out of yarn which covered Sasquatch Cave in The Playgrounds at Lizard's Mouth.
For his fourth installation, Duneier created a giant starfish made with reflective yarn from Red Heart Yarns and hung it 40 feet above the Seven Falls Trail.
His fifth installation occurred at Santa Barbara City College where he laid out nearly 2,500 square feet of knitted and crocheted pieces on their lawn.
For his sixth installation, he invited fiber artists from around the world to collaborate with him by sending crocheted and knitted pieces of any size, shape, color and style to participate. He received contributions from 388 artists in 36 countries and all 50 US States. Combined with his own work, he wrapped 18 giant boulders at Lizards Mouth [30] in the Los Padres National Forest above Santa Barbara in California.
His most recent project was called the Alien Campsite [31] where he incorporated additional materials including fiberglass, wood, and metal in addition to yarn. [32] He created 10 aliens and 24 tents for the installation which lasted just 36 hours before being ripped apart by high winds in the canyon. The installation was permitted by the US Forest Service for the area just below the Davey Brown Trailhead. It incorporated Duneier's own work plus contributions from 656 fiber artists from 41 countries and all 50 states. [33] Duneier's work is represented by the Sullivan Goss Gallery. [34]
As part of his stated mission to build a global community of kind and creative people, [35] Duneier hosts the Yarnbomber podcast in which he features interviews with famous yarnbombers from around the world including Carol Hummel, London Kaye and Jessie Hemmons. [36]
Crochet is a process of creating textiles by using a crochet hook to interlock loops of yarn, thread, or strands of other materials. The name is derived from the French term croc, which means 'hook'. Hooks can be made from a variety of materials, such as metal, wood, bamboo, bone or even plastic. The key difference between crochet and knitting, beyond the implements used for their production, is that each stitch in crochet is completed before the next one is begun, while knitting keeps many stitches open at a time. Some variant forms of crochet, such as Tunisian crochet and broomstick lace, do keep multiple crochet stitches open at a time.
Knitting is a method for production of textile fabrics by interlacing yarn loops with loops of the same or other yarns. It is used to create many types of garments. Knitting may be done by hand or by machine.
Textile arts are arts and crafts that use plant, animal, or synthetic fibers to construct practical or decorative objects.
Knitting is the process of using two or more needles to pull and loop yarn into a series of interconnected loops in order to create a finished garment or some other type of fabric. The word is derived from knot, thought to originate from the Dutch verb knutten, which is similar to the Old English cnyttan, "to knot". Its origins lie in the basic human need for clothing for protection against the elements. More recently, hand knitting has become less a necessary skill and more of a hobby.
Nålebinding is a fabric creation technique predating both knitting and crochet. Also known in English as "knotless netting", "knotless knitting", or "single-needle knitting", the technique is distinct from crochet in that it involves passing the full length of the working thread through each loop, unlike crochet where the work is formed only of loops, never involving the free end. It also differs from knitting in that lengths must be pieced together during the process of nålebinding, rather than a continuous strand of yarn that can easily be pulled out. Archaeological specimens of fabric made by nålebinding can be difficult to distinguish from knitted fabric.
Acrylic fibers are synthetic fibers made from a polymer (polyacrylonitrile) with an average molecular weight of ~100,000, about 1900 monomer units. For a fiber to be called "acrylic" in the US, the polymer must contain at least 85% acrylonitrile monomer. Typical comonomers are vinyl acetate or methyl acrylate. DuPont created the first acrylic fibers in 1941 and trademarked them under the name Orlon. It was first developed in the mid-1940s but was not produced in large quantities until the 1950s. Strong and warm, acrylic fiber is often used for sweaters and tracksuits and as linings for boots and gloves, as well as in furnishing fabrics and carpets. It is manufactured as a filament, then cut into short staple lengths similar to wool hairs, and spun into yarn.
Daina Taimiņa is a Latvian mathematician, retired adjunct associate professor of mathematics at Cornell University, known for developing a way of modeling hyperbolic geometry with crocheted objects.
Amigurumi is the Japanese art of knitting or crocheting small, stuffed yarn creatures. The word is a compound of the Japanese words 編み ami, meaning "crocheted or knitted", and 包み kurumi, literally "wrapping", as in 縫い包み nuigurumi "(sewn) stuffed doll". Amigurumi vary in size and there are no restrictions about size or look. While the art of amigurumi has been known in Japan for several decades, the craft first started appealing to the masses in other countries, especially in the West, in 2003. By 2006, amigurumi were reported to be some of the most popular items on Etsy, an online craft marketplace, where they typically sold for $10 to $100.
A selvage or selvedge is a "self-finished" edge of a piece of fabric which keeps it from unraveling and fraying. The term "self-finished" means that the edge does not require additional finishing work, such as hem or bias tape, to prevent fraying.
The manufacture of textiles is one of the oldest of human technologies. To make textiles, the first requirement is a source of fiber from which a yarn can be made, primarily by spinning. The yarn is processed by knitting or weaving, which turns it into cloth. The machine used for weaving is the loom. For decoration, the process of colouring yarn or the finished material is dyeing. For more information of the various steps, see textile manufacturing.
Shannon Okey is an American writer and knit designer.
Knitta Please, also known as simply Knitta, is the group of artists who began the "knit graffiti" movement in Houston, Texas in 2005. They are known for wrapping public architecture—e.g. lampposts, parking meters, telephone poles, and signage—with knitted or crocheted material, a process known as "knit graffiti", "yarn storming" or "yarnbombing". The mission is to make street art "a little more warm and fuzzy."
Hand knitting is a form of knitting, in which the knitted fabric is produced by hand using needles.
Ravelry is a free social networking service and website that beta-launched in May 2007. It functions as an organizational tool for a variety of fiber arts, including knitting, crocheting, spinning and weaving. Members share projects, ideas, and their collection of yarn, fiber and tools via various components of the site.
Agata Oleksiak, known as Olek, is a Polish artist who is based in New York City. Their works include sculptures, installations such as crocheted bicycles, inflatables, performance pieces, and fiber art. They have covered buildings, sculptures, people, and an apartment with crochet and have exhibited in the United States, United Kingdom, Germany, Brazil, Turkey, France, Italy, Poland, and Costa Rica.
Yarn bombing is a type of graffiti or street art that employs colourful displays of knitted or crocheted yarn or fibre rather than paint or chalk. It is also called wool bombing, yarn storming, guerrilla knitting, kniffiti, urban knitting, or graffiti knitting.
Knit the City is a group of "graffiti knitting and crochet" street artists founded in London, England in 2009. The collective is credited with being the first to go beyond the simple 'cosies' of early graffiti knitting to tell 'stitched stories', using knitted and crochet amigurumi creatures and objects in their public installations. This practice has been taken up by groups internationally.
Eisaku Noro Company, Ltd. is a yarn manufacturer located in the Aichi Prefecture of Japan. The company produces yarns for handcrafting under the Noro brand name, as well as machine yarns for textile production using the Eisaku Noro label. The company was founded over forty years ago by Eisaku Noro. The handcrafting yarns in particular are well known for their vivid colors and combinations of diverse fiber types. They differ from a number of other manufactured yarns in the industry by having lengthier spans of color in the runs, causing distinctive striping patterns, as well as being partially spun by hand versus being produced completely by machines. In 2012, Noro Knitting Magazine initiated publication, which features knit and crochet patterns specifically designed for use with the yarns.
Yarnbombing Los Angeles (YBLA) is a group of guerrilla knitters that have been collaborating since 2010. They are based at the 18th Street Arts Center in Santa Monica, California. YBLA stages public installation art and performances to help expand the definition of public art to embrace street art, Urban Interventionism and ephemera. Collaborative art making, community building, public outreach, blurring boundaries between contemporary art practices, graffiti and craft are integral components to YBLA's practice.
The Tempestry Project is a collaborative fiber arts project that presents global warming data in visual form through knitted or crocheted artwork. The project is part of a larger "data art" movement and the developing field of climate change art, which seeks to exploit the human tendency to value personal experience over data by creating accessible experiential representations of the data.