Supercop

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Police Story 3: Supercop
Policestory poster.jpg
Film poster
Chinese name
Traditional Chinese 警察故事3超級警察
Simplified Chinese 警察故事3超级警察
Transcriptions
Standard Mandarin
Hanyu Pinyin Jǐngchá Gùshì Sān Chāojí Jǐngchá
Yue: Cantonese
Jyutping Ging2 Chaat3 Gu3 Si6 Saam1 Ciu1 Kap1 Ging2 Chaat3
Directed by Stanley Tong
Written byEdward Tang
Ma Fibe
Yee Lee Wai
Produced by Willie Chan
Edward Tang
Jackie Chan
Leonard Ho
Starring
CinematographyArdy Lam
Edited by Cheung Ka-Fai
Peter Cheung
Music byMac Chew
Jenny Chinn
Richard Lo
Jonathan Lee
Joel McNeely (U.S)
Toru Takemitsu (Japan)
Distributed by Media Asia
Golden Harvest
Golden Way Films Co. Ltd.
Dimension Films
Miramax (U.S)
Toho (Japan)
Release date
  • 4 July 1992 (1992-07-04)
Running time
95 minutes
91 minutes (U.S)
CountryHong Kong
LanguagesCantonese
Mandarin
English
Malay
Budget$900,000
Box officeUS$34.4 million (est.)

Police Story 3: Supercop (Chinese :警察故事3超級警察; Cantonese Yale :gíng chaat gu sih sāam: Chīu kāp gíng chaat), released as Supercop in the United States and also known as Jackie Chan's Supercop, is a 1992 Hong Kong action comedy film directed by Stanley Tong. It is the third installment in the Police Story series, with Jackie Chan, Maggie Cheung and Bill Tung reprising their roles from the first two films, and Michelle Yeoh introduced as a new co-lead alongside Chan.

Contents

In Supercop, series protagonist Chan Ka-kui (Chan) is selected as Hong Kong's "supercop" to work undercover with elite Chinese policewoman Jessica Yang (Yeoh) and take down a drug cartel. It is the last film in the series to feature Cheung, and the first not directed by Chan, although he returns as action director and is now also a producer. [1]

Chan, Tung and Tong would return for the direct sequel First Strike (1996), which would conclude the original series before two reboots in 2004 and 2013; Yeoh would also receive her own spin-off film Supercop 2 in 1993, again directed by Tong.

Plot

Ka-Kui is the "supercop" of the Hong Kong police with amazing martial arts skills. He is sent to Guangzhou, where the Chinese police force's Interpol director, Superintendent Jessica Yang, briefs him on his next assignment. The target is Chaibat, a drug lord based in Hong Kong. To infiltrate Chaibat's organization, Ka-Kui must get close to Panther, Chaibat's henchman, who is being held in a Chinese prison camp. Ka-Kui, posing as a fellow prisoner, aids Panther's escape. A grateful Panther invites Ka-Kui to go with him to Hong Kong and join Chaibat's gang. Panther meets up with some of his other men, and vouches for Ka-Kui. The group heads for Hong Kong.

On the way, they pass through Ka-Kui's supposed home village, and Panther insists that Ka-Kui visit his family there. He does not actually know anyone in the village, but is pleasantly relieved to be greeted by undercover police posing as his family, with Yang as his sister. After a confrontation with local police - who are unaware of the undercover operation - in a restaurant, Ka-Kui and Yang (who is also a skilled martial-artist) escape after a big fight, which concludes with Yang faking the killing of a policeman. This secures Panther's trust in the pair.

In Hong Kong, Chaibat welcomes Ka-Kui and Yang to his luxurious hide-out. He takes them with him to a big opium grower's fortified compound in the Golden Triangle military camp of Thailand, for a meeting of big-time heroin traffickers. During the meeting, Chaibat's gang attack from outside while Ka-Kui and Yang protect him inside. In a huge gun battle, Chaibat's gang kill the rival traffickers and their guards, and smash up the compound. The grower survives, but will now sell only to Chaibat at Chaibat's price.

In Kuala Lumpur, Malaysia, Chaibat's wife, Chen Wen-Shi, is sentenced to death for drug trafficking. Chaibat needs to get her out of prison, as only she knows the codes to his Swiss bank account, and will not reveal them unless freed. Chaibat brings his gang, now including Ka-Kui and Yang, to Kuala Lumpur to stage a jailbreak.

A new difficulty arises when Ka-Kui sees his girlfriend May, a tour guide, in Kuala Lumpur leading a party of Hong Kong tourists. After seeing Ka-Kui accompanying Yang at the luxurious hotel where Chaibat's gang are staying, May jealously confronts Ka-Kui, nearly blowing his cover. Later, Ka-Kui gets May alone and explains the situation. She manages to prevent him from inadvertently blowing his own cover, but is then overheard recounting the tale to a co-worker by one of Panther's men. Chaibat takes May hostage, and forces Ka-Kui and Yang – their cover now blown – to help free Chen as ransom.

Chen's jailbreak is successful, but May's release turns sour when Chaibat pushes her from his helicopter. May survives, and a furious Ka-Kui and Yang pursue Chaibat and his men over the roads, rooftops (where Ka-Kui and Yang defeat Panther and his partner), and skies of Kuala Lumpur. Atop a moving train, Chaibat is killed when his helicopter collides with a bridge and lands on him. Yang and Ka-Kui recapture Chen, with the trio collectively saving themselves from falling beneath the moving train. Chen decides to tell Yang and Ka-Kui the password to Chaibat's bank account. The two partners argue whether Hong Kong or China will get the money.

Cast

Production

A significant aspect of this film is that it was the first Jackie Chan film from Hong Kong to use sync sound, allowing all the actors' voices to be recorded as they spoke on scene, rather than dubbed over by different actors later.

Exterior scenes were filmed in Hong Kong Island, Shanghai and Kuala Lumpur. Interior scenes were shot in Kuala Lumpur.

In one scene of the film, Michelle Yeoh and a crewman were almost killed when she jumped onto a car while Jackie Chan was driving and accidentally slipped off the side. Chan grabbed Yeoh and attempted to lift her back onto the car while a crewman also jumped onto the car to help, but Yeoh slipped from Chan’s grasp and both Yeoh and the crewman fell into incoming traffic, prompting the entire crew to rush to help. Yeoh was almost run over but escaped with only minor injuries, while the crewman was knocked unconscious but recovered a few minutes later. The shot is included in the outtakes of the film. [2]

According to his book I Am Jackie Chan: My Life in Action, Chan dislocated his cheekbone during a stunt scene. [3]

Filming locations

Dimension version

The Dimension Films version, which was distributed theatrically in North America in 1996, was dubbed into American English with the participation of Jackie Chan and Michelle Yeoh.

Among the changes was the addition of a new score composed and conducted by composer Joel McNeely. Tom Jones' rendition of "Kung Fu Fighting" plays over the end credits, followed by a song specially written and performed for the film by the band Devo, entitled "Supercop".

This release was cut by approximately 10 minutes. These cuts include:

Home media

The film was given a theatrical and VHS release in the United Kingdom.

DVD and Blu-ray releases

Reception

Box office

Police Story 3 grossed HK$32,609,783 (US$4,212,833) in its Hong Kong theatrical run. [7] In Taiwan, it grossed NT$64,576,200 [8] (US$2,607,187). [9] In Japan, it earned ¥763 million (US$6.95 million) at the box office. [10] In South Korea, it grossed US$3.71 million, [11] adding up to US$17,530,020 grossed in East Asia.

In the United States, the film was screened in 1993 at the Hogg Memorial Auditorium in Austin, Texas, along with the original Police Story , with both films well-received among Austin audiences at the time. [12] After the North American success of Rumble in the Bronx , Police Story 3 received a wide release in North America on 25 July 1996. Opening at 1,406 theatres, it grossed US$5,503,176 ($3,914 per screen), on its way to a total gross of US$16,270,600 [13] from 3.7 million ticket sales. [14]

In France, the film sold 61,402 tickets in 1994, [15] equivalent to an estimated 276,309 (US$328,670) in gross revenue. [16] In Italy, the film sold 2,385 tickets in 1997, [17] equivalent to an estimated 11,925 (US$13,523) in gross revenue. [16] In Spain (released 1999), [14] it sold 61,402 tickets, [18] and 1,100 tickets in Romania, [19] equivalent to an estimated 233,328 [16] (US$248,681) in gross revenue.

Combined, the film grossed an estimated US$34,391,494(equivalent to $75,000,000 in 2023) from the worldwide box office.

Home media

In the United States, the home video release grossed US$14,430,000(equivalent to $27,000,000 in 2023) in video rental revenue during 1997, making it the year's second highest-grossing Dimension rental video (after Scream ). [20] This adds up to an estimated US$48,821,494(equivalent to $106,000,000 in 2023) grossed from the box office and US video rentals.

Awards and nominations

Critical reception

The North American release by Dimension was well received. The US version of the film holds a rating of 93% on review aggregator Rotten Tomatoes from 55 reviews. [21]

James Berardinelli of website ReelViews wrote: "As is usual in a Chan film, the end credits (which show out-takes of failed stunts) are one of Police Story 3's highlights. There are more laughs in this hilarious three-minute sequence than in the whole of Kingpin . I can't think of a better reason to stay through the entire movie. Ultimately, the closing montage points out one of the chief differences between Chan's stylized, fast-paced films and those of his American counterparts: this is action with a smile, not a grimace". [22]

In the Washington Post , Richard Harrington said: "Chan seems to have met his soul mate in Khan [Yeoh's credited name], Asia's top female action star. Like Chan, Khan does her own fighting and stunts. Unlike the Hollywood action contingent, Chan and Khan don't rely on cinematic trickery. Theirs are not special effects, just spectacular ones. Connoisseurs will find Chan's helicopter-train chase far riskier, more exciting and more believable than its mates in Mission: Impossible and The Living Daylights ". [23]

Furthermore, in 2009, director Quentin Tarantino named Police Story 3 as one of his favorite films of the past seventeen years. [24] He said that Supercop features the "greatest stunts ever filmed in any movie ever". [25] In 2016 during a roundtable discussion, when asked which movie scene he would love to save for the last of humanity to see, he named the final scene of the movie as his choice. [26] In 2014, Time Out polled several film critics, directors, actors and stunt actors to list their top action films. [27] Supercop was listed at 75th place on this list. [28]

Spin-off

Michelle Yeoh went on to star in a 1993 spin-off called Supercop 2 or Project S. Though it features a cameo appearance by Jackie Chan and Bill Tung reprises his role as "Uncle" Bill, this film is not a proper part of the Police Story series.[ citation needed ]

The film inspired two missions in the 2004 videogame Grand Theft Auto: San Andreas , both of which were taken from the film's final scenes. The game's last mission, "End of the Line", in which C.J must chase a firetruck with a red open-top car and catch Sean "Sweet" Johnson, was taken from the scene in which Jackie must chase a van using a red open-top car to catch Jessica Yang (Michelle Yeoh). That mission in turn inspired the final mission of Uncharted: The Lost Legacy, which has a similar design.

The mission "Wrong Side of the Tracks", in which the player must follow a train from a dirt bike, was taken from the scene in which Jessica Yang (Michelle Yeoh) follows the train on a similar dirt bike.

The film briefly appears in a scene in British police comedy film Hot Fuzz in which Danny Butterman sees the film in a supermarket's bargain bin and reads it while Nicholas Angel pursues a shoplifter.

Music

Two songs "I Have My Way" (我有我路向) sung by Jackie Chan and "I Just Want You to Understand" (我只想你懂) sung by Taiwanese musician Jonathan Lee, both lyricized by Hong Kong songwriter James Wong and composed by Lee, [29] are featured as theme songs for the Asian versions of the film.

A soundtrack containing alternative rock and hip hop song was released on 30 July 1996 by Interscope Records. It peaked at #133 on the Billboard 200.

See also

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References

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