Friedrich Robert Donat was an English actor. He is best remembered for his roles in Alfred Hitchcock's The 39 Steps (1935) and Goodbye, Mr. Chips (1939), winning for the latter the Academy Award for Best Actor.
Sir John Mills was an English actor who appeared in more than 120 films in a career spanning seven decades. He excelled on camera as an appealing British everyman who often portrayed guileless, wounded war heroes. In 1971, he received the Academy Award for Best Supporting Actor for his performance in Ryan's Daughter.
Margaret Mary Day Lockwood, CBE, was an English actress. One of Britain's most popular film stars of the 1930s and 1940s, her film appearances included The Lady Vanishes (1938), Night Train to Munich (1940), The Man in Grey (1943), and The Wicked Lady (1945). She was nominated for the BAFTA Award for Best British Actress for the 1955 film Cast a Dark Shadow. She also starred in the television series Justice (1971–74).
Walter Greenwood was an English novelist, best known for the socially influential novel Love on the Dole (1933).
Bryan Neathway Brown AM is an Australian actor. He has performed in over eighty film and television projects since the late 1970s, both in his native Australia and abroad. Notable films include Breaker Morant (1980), Give My Regards to Broad Street (1984), F/X (1986), Tai-Pan (1986), Cocktail (1988), Gorillas in the Mist (1988), F/X2 (1991), Along Came Polly (2004), Australia (2008), Kill Me Three Times (2014) and Gods of Egypt (2016). He was nominated for a Golden Globe Award and an Emmy Award for his performance in the television miniseries The Thorn Birds (1983).
The Wooden Horse is a 1950 British Second World War war film directed by Jack Lee and starring Leo Genn, David Tomlinson and Anthony Steel. It is based on the book of the same name by Eric Williams, who also wrote the screenplay.
The Small Back Room, released in the United States as Hour of Glory, is a 1949 film by the British producer-writer-director team of Michael Powell and Emeric Pressburger starring David Farrar and Kathleen Byron and featuring Jack Hawkins and Cyril Cusack. It was based on the 1943 novel of the same name by Nigel Balchin. The theme is the unsung heroes of the last war, the 'backroom boys', gradually coming into their own.
Dora May Broadbent,, known as Dora Bryan, was a British actress of stage, film and television.
Nigel Patrick was an English actor and stage director born into a theatrical family.
The Guinea Pig is a 1948 British film directed and produced by the Boulting brothers, known as The Outsider in the United States. The film is adapted from the 1946 play of the same name by Warren Chetham-Strode.
The Magic Box is a 1951 British Technicolor biographical drama film directed by John Boulting. The film stars Robert Donat as William Friese-Greene, with numerous cameo appearances by performers such as Peter Ustinov and Laurence Olivier. It was produced by Ronald Neame and distributed by British Lion Film Corporation. The film was a project of the Festival of Britain and adapted by Eric Ambler from the controversial biography by Ray Allister.
Lady Godiva Rides Again is a 1951 British comedy film starring Pauline Stroud, George Cole and Bernadette O'Farrell, with British stars in supporting roles or making cameo appearances. It concerns a small-town English girl who wins a local beauty contest by appearing as Lady Godiva, then decides to pursue a higher profile in a national beauty pageant and as an actress.
Dorothy Renée Ascherson, known professionally as Renée Asherson, was an English actress. Much of her theatrical career was spent in Shakespearean plays, appearing at such venues as the Old Vic, the Liverpool Playhouse, and the Westminster Theatre. Her first stage appearance was on 17 October 1935, aged 20, and her first major film appearance was in The Way Ahead (1944). Her last film appearance was in The Others (2001).
The Perfect Woman is a 1949 British farce comedy film directed by Bernard Knowles and written by George Black, Jr and J. B. Boothroyd, based upon a play by Wallace Geoffrey and Basil Mitchell. The screenplay concerns a scientist who creates a robotic woman in his lab.
Madonna of the Seven Moons is a 1945 British drama film directed by Arthur Crabtree for Gainsborough Pictures and starring Phyllis Calvert, Stewart Granger and Patricia Roc. The film was produced by Rubeigh James Minney, with cinematography from Jack Cox and screenplay by Roland Pertwee. It was one of the Gainsborough melodramas.
Adam and Evelyne, released in the U.S. as Adam and Evalyn, is a 1949 romance film starring Stewart Granger and Jean Simmons. According to Robert Osborne, host of Turner Classic Movies, this suited the stars, as they were romantically involved at the time, despite their age difference. They married the next year.
Once a Jolly Swagman is a 1949 British film starring Dirk Bogarde, Bonar Colleano, Bill Owen, Thora Hird and Sid James. It is centred on the sport of motorcycle speedway racing, which was at its peak of popularity at the time. It was released in the U.S. as Maniacs on Wheels. The film is based on the 1946 novel by Montagu Slater.
As Long as They're Happy is a 1955 British musical comedy film directed by J. Lee Thompson and starring Jack Buchanan, Susan Stephen and Diana Dors. It is based on the 1953 play of the same name by Vernon Sylvaine. It was shot at Pinewood Studios near London with sets designed by the art director Michael Stringer.
A Town Like Alice is a 1956 British drama film produced by Joseph Janni and starring Virginia McKenna and Peter Finch that is based on the 1950 novel of the same name by Nevil Shute. The film does not follow the whole novel, concluding at the end of part two and truncating or omitting much detail. It was partially filmed in Malaya and Australia.
The Cure for Love is a comedy play by the British writer Walter Greenwood which premiered in 1945. Its West End run lasted for 219 performances at the Westminster Theatre between July 1945 and January 1946. Amongst the cast were Robert Donat, Renée Asherson, Charles Victor, Marjorie Rhodes and Joan White. The play portrays the return of an easy-going soldier to his Lancashire hometown after the Second World War. He falls in love with a young woman boarding at his mother's house, but struggles to break away from his faithless and calculating fiancée who intends to hold him to their engagement.
