The Weight of Chains 2 | |
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Directed by | Boris Malagurski |
Produced by | Boris Malagurski |
Starring | Noam Chomsky Carla Del Ponte Mlađan Dinkić Vuk Jeremić Diana Johnstone Ivo Josipović Slavko Kulić Miroslav Lazanski Igor Mandić Michael Parenti Oliver Stone R. James Woolsey |
Music by | Milan Janković Ilija Stevanović Stefan Drndarski Novo Sekulović |
Production companies | |
Release dates |
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Running time | 124 minutes |
Country | Canada |
Languages | English, Serbian |
Budget | $45,049 |
The Weight of Chains 2 is a 2014 Canadian-Serbian [1] documentary film about the political and economic situation in the countries of the former Yugoslavia. [2] Directed and produced by Boris Malagurski, the film was released on November 20, 2014, at the Serbian Film Festival at Montecasino in Johannesburg, South Africa. [3]
As the sequel of The Weight of Chains , [4] the film deals with neoliberal economic reforms in the Balkans [2] [5] and discusses the effects of these reforms on all aspects of life in the former Yugoslavia, from politics, economics, military, culture and education to the media. "Through stories of stolen and sold off companies, corrupt politicians, fictional tribunals, destructive foreign investors and various economic-military alliances, the film deconstructs modern myths about everything we've been told will bring us a better life", Malagurski told Tanjug. [6]
The film aired on Radio Television of Serbia in July 2016. [7]
The film starts with events that led to the overthrow of Slobodan Milošević on 5 October 2000. It analyzes the National Endowment for Democracy's financing of the Otpor! resistance movement, together with the West's training of Serbian activists and politicians in Budapest and discusses the row between the government and the opposition concerning electoral fraud accusations. The film continues to assess Serbia's economy after the fall of Milošević. [8] [ unreliable source? ]
As the concept of neoliberalism is explained in the film, from the teachings of Friedrich Hayek and Ludwig von Mises, to Milton Friedman and the Chicago Boys, and the spread of neoliberalism from the overthrow of Salvador Allende in the 1973 Chilean coup d'état, which brought Augusto Pinochet to power, to Margaret Thatcher's reforms in the United Kingdom and Ronald Reagan's reforms in the United States, [9] Malagurski argues that a 'shock-economy' based on the Washington Consensus led Serbia and other countries to the edge of existence, [10] with the United States imposing these policies by installing puppet regimes. The film asserts that non-governmental organizations, with multimillion-dollar budgets and direct connections with Washington, help keep U.S.-friendly regimes in power and the people in line. Noting that Russia demanded that NGOs register as "foreign agents" in that country to solve this problem, Malagurski mentions that the United States also passed the Foreign Agents Registration Act. [8] [ unreliable source? ] "Institutions like the International Monetary Fund", Malagurski said in a discussion, "act like hitmen", whose policies "destroyed the economies of many countries". [5] The destruction of the education system in the former Yugoslavia is assessed in the film as well, with Malagurski arguing that adopting the neoliberal model led to a drastic decrease in quality of learning, combined with vulgar television shows that aim to dumb down the populace. [8] [ unreliable source? ]
Malagurski then briefly tackles the topic of the Yugoslav wars, claiming that Slobodan Milošević and Franjo Tuđman, leaders on opposite sides of the conflict, had several common banks abroad where they hid money that was stolen during the war. The film argues that Croatian general Ante Gotovina amassed enormous wealth during the war as well. [8] [ unreliable source? ] Carla Del Ponte then discusses the case of Ramush Haradinaj, saying that he was freed because of political pressure from the United States. She also says that UNMIK refused to send evidence of organ theft in Kosovo, arguing that "since NATO and the Kosovo Liberation Army were partners during the war, they couldn't act against each other after the war." [9]
The 2002 Venezuelan coup d'état attempt is analyzed in the film, with Hugo Chávez, who previously changed Venezuela's neoliberal constitution and defied the IMF, briefly being replaced with a President loyal to the United States, arguing that the coup d'état failed because many people went to the streets to demand Chávez back, with Chávez quickly being re-installed as president. [9] Malagurski then presents his recommendations for how a country can free itself from Western control – by protecting local industry, as the film argues that foreign investments destroy local production (noting the examples of South Korea, which restricted foreign investments, as well as Finland from 1930 to 1980), [11] creating a welfare state and making protesting a way of life. [8] [ unreliable source? ]
The film was produced with support from the Serbian government Office for Kosovo and Metohija, [12] the Serbian Ministry of Youth and Sport, the Belgrade Secretariat for Culture, Radio Television of Serbia, [13] as well as individual donors worldwide, such as the . [14]
Following the World Premiere in Johannesburg, The Weight of Chains 2 had its European Premiere on November 29, 2014, at the Swedish Film Institute in Stockholm, Sweden, as a part of BANEFF – the Balkan New Film Festival. [15] In an interview, Malagurski said that the film was shown at the Monterrey Institute of Technology and Higher Education [16] and the film was also screened at the Museo Nacional de las Culturas [17] in Mexico City, Mexico.
Subsequent screenings took place in Vancouver [18] and Toronto [19] in Canada, Innsbruck [20] in Austria and Stuttgart [10] and Berlin [10] in Germany. The Balkan premiere took place in Banja Luka, [21] [22] while the Serbian premiere was in Subotica. [23] The film opened in cinemas in Belgrade, [24] Vienna, [25] Novi Sad, [26] Linz, [27] Niš, [28] Kraljevo [29] and was shown in Čačak, [30] Kozarska Dubica, [31] Teslić, [32] Gračanica [33] and Sombor. [34]
The film was also shown in Prague, Czech Republic, [8] [ unreliable source? ] and as part of the 2015 BANEFF in Oslo, Norway. [35] It was also screened at the Subversive Festival in Zagreb, Croatia, [1] [36] as well as in Ljubljana, Slovenia, [37] Sarajevo, Bosnia and Herzegovina, [38] Podgorica, Montenegro, [39] and other cities. [40]
In September 2015, the film had its United Kingdom premiere at the 23rd Raindance Film Festival in London. [41]
Serbian film critic Dubravka Lakić [42] wrote a review of the film in Politika following the Belgrade premiere of The Weight of Chains 2, in which she wrote that "it's not necessary for you to agree with Malagurski's ideology to notice that he indisputably made a full-blooded and, for our cinematic terms, unsurpassed documentary". She described the film as "exciting and dynamic", adding that, in regards to both content and form, it is a "complex film", which could have been "even better if it had been more concise". Lakić points out that, by "confronting claims made by the interviewees", the message of the film is clearly presented – "resistance to neoliberalism is no longer a matter of ideology, but of common sense". [43]
Agata Tomažič, who interviewed Malagurski in the Slovenian newspaper Delo , described the film as "a Yugoslav version of The Shock Doctrine by Michael Winterbottom … … or a cross between Moore's Capitalism: A Love Story and Gibney's Casino Jack and the United States of Money". [44]
The interviewees in the film include: [2] [45] [46]
Two of the interviewees were featured only in the film trailer: [46] [47]
Serbia, officially the Republic of Serbia, is a landlocked country at the crossroads of Southeast and Central Europe, located in the Balkans and the Pannonian Plain. It shares land borders with Hungary to the north, Romania to the northeast, Bulgaria to the southeast, North Macedonia to the south, Croatia and Bosnia and Herzegovina to the west, and Montenegro to the southwest. Serbia claims a border with Albania through the disputed territory of Kosovo. Serbia has about 6.6 million inhabitants, excluding Kosovo. Its capital Belgrade is also the largest city.
Subotica is a city and the administrative center of the North Bačka District in the autonomous province of Vojvodina, Serbia. Formerly the largest city of Vojvodina region, contemporary Subotica is now the second largest city in the province, following the city of Novi Sad. According to the 2022 census, the city itself has a population of 94,228, and the population of metro area stands at 123,952 people.
Bunjevci are a South Slavic sub-ethnic group of Croats living mostly in the Bačka area of northern Serbia and southern Hungary, particularly in Baja and surroundings, in Croatia, and in Bosnia-Herzegovina. They presumably originate from western Herzegovina. As a result of the Ottoman conquest, some of them migrated to Dalmatia, from there to Lika and the Croatian Littoral, and in the 17th century to the Bácska area of Hungary.
Slobodan Jovanović was a Serbian and Yugoslav writer, historian, lawyer, philosopher, literary critic, diplomat, politician and one of the most prominent intellectuals of his time. He was the professor at the University of Belgrade Faculty of Law (1897—1940), Rector of the University of Belgrade, and the President of the Serbian Royal Academy (1928–1931). He took part at the Paris Peace Conference (1919) as an expert for the Yugoslav Government.
Goran Paskaljević was a Serbian and former Yugoslav film director.
Miroslav Lazanski was а Serbian journalist, military analyst, politician, and a diplomat who served as ambassador of Serbia to the Russian Federation. Previous to his appointment, Lazanski was a Member of parliament. He wrote on political and military matters and was a correspondent and commentator for the Belgrade daily Politika. He was a member of the National Assembly of Serbia from 2016 to 2019 as member of the governing coalition led by the Serbian Progressive Party.
Slobodan Samardžić is a Serbian academic and politician who served as the Minister for Kosovo and Metohija from 2007 to 2008.
Branislav Lečić is a Serbian actor, director, academic, writer, politician. Known for his versatile portrayals of emotionally vulnerable characters with strong senses of moral justice, Lečić rose to prominence for his role as the rebellious Crni in twelve-episode mini-series Sivi dom (1986).
Küstendorf Film Festival is an annual event held during early January in the village of Drvengrad in the Mokra Gora region of Serbia.
Boris Malagurski is a Serbian-Canadian film director, producer, writer, political commentator, television host, and activist. His films include the documentary series The Weight of Chains.
Imlek a.d. is a Serbian food company based in Belgrade, Serbia. It is specialized in processing milk and produces dairy products.
Mara Đorđević-Malagurski was a Serbian writer and ethnographer. Alongside Lazarus Stipić, a librarian at the public library in Subotica, she was one of the few prominent figures from the Bunjevci.
The Presumption of Justice is a 2012 documentary film, directed by Boris Malagurski and Ivana Rajović, it deals with the September 2009 murder of Brice Taton, a fan of Toulouse FC, who travelled to Belgrade, Serbia in order to support his club in its UEFA Europa League away match versus FK Partizan. The film focuses on the subsequent court case in Serbia which, resulted in a dozen FK Partizan fans being convicted of the crime. It argues that the handling of the case was negligent at both its investigative and trial stages, resulting in a miscarriage of justice in the case of Stefan Veličković, one of the 12 convicted fans.
The Weight of Chains is a 2010 Canadian documentary film directed by Boris Malagurski. The film argues that the breakup of Yugoslavia was "orchestrated by Western powers in furtherance of imperial ambitions". According to the filmmaker, it also presents stories of "good people in evil times". It was released on December 17, 2010.
Revolucija is a Serbian satirical television series hosted by Boris Malagurski on Happy TV from January 2013 to January 2015. Three seasons were broadcast.
Ana Milodanović was a Serbian straw artist, or slamarka, of Bunjevka descent. She was the first artist to take the traditional folk art celebrating the harvest festival and turn it into two-dimensional pictures. As the first straw artist to join the Artist's Colony formed by the "Group of Six", she won acclaim with her picture Rit in 1962. Her works have been exhibited in over 100 group and solo showings. She has pieces held by several religious organizations and she was featured as one of the artists in a documentary about the craft in 2012.
Kosovo: A Moment in Civilization is a 2017 Serbian documentary film about Serbia's UNESCO heritage in Kosovo. Directed and produced by Serbian Canadian filmmaker Boris Malagurski, the film was released on September 15, 2017 in Paris, France. The film is Malagurski's second documentary film made about Kosovo, the first was 2009 film Kosovo: Can You Imagine?
Like Me a Million is a 2019 Serbian short comedy film by Serbian Canadian filmmaker Boris Malagurski about reality television shows and the value of human life in an online community. It stars Miloš Biković, Nikola Kojo and Maja Šuša. The film was released on March 29, 2019 at the 66th Belgrade Documentary and Short Film Festival.
Montenegro: A Land Divided is a 2021 Serbian documentary film about the history and social divisions of Montenegro. Directed and produced by Serbian Canadian filmmaker Boris Malagurski, the film was released on May 21, 2021, in Belgrade, Serbia.
Srpska: The Struggle for Freedom is a 2022 documentary film about the history of Serbs of Bosnia and Herzegovina. Directed and produced by Serbian Canadian filmmaker Boris Malagurski, the film was released on October 1, 2022, in Banja Luka, Bosnia and Herzegovina. The film includes an interview with Sarajevo-born film director Emir Kusturica.