Tired of Hanging Around | ||||
---|---|---|---|---|
Studio album by | ||||
Released | 17 April 2006 | |||
Recorded | 2005 | |||
Studio | Olympic, Townhouse (London) | |||
Genre | ||||
Length | 40:29 | |||
Label | Deltasonic | |||
Producer | Stephen Street | |||
The Zutons chronology | ||||
| ||||
Singles from Tired of Hanging Around | ||||
|
Tired of Hanging Around is the second studio album by the British rock band The Zutons, released in the UK on 17 April 2006. Produced by Stephen Street, the album was recorded at Townhouse and Olympic Studios in 2005. The album charted at 2 on the UK album charts. [1]
By October 2004, the band had accumulated ten tracks for their second album. [2] In February 2005, McCabe said the band had been making demos using MiniDisc during their touring schedule. [3]
Tired of Hanging Around was recorded in late 2005 with producer Stephen Street in London, who was known for working with Britpop acts. McCabe thought it was "good for him [to work with us] cause he must be sick of the pork pie hats and all that. I don’t not like British music, but I’m not into that whole London thing [... so] it’s probably good for him to do a band like the Zutons cause we’re not really like anything else in Britain". [4] During this, they performed at Iceland Airwaves festival in October 2005. [5]
Musically, the sound of Tired of Hanging Around has been described as Northern soul, [6] [7] rock [6] [8] and indie pop. [9] Pete Cashmore of NME said the songs could be divided into two sets: "'feeling threatened' and 'being threatening'. The former camp houses the melodically gorgeous," such as "Tired of Hanging Around" and "Someone Watching Over Me". The second group, meanwhile, featured "Oh Stacey (Look What You've Done!)" and "You've Got a Friend in Me". [10] The Guardian writer Mat Snow said the Zutons' "stylistic palette has moved on to 1972 (imagine early Roxy Music without [Bryan] Ferry or [Brian] Eno); the drums have punch, the instrumental textures a rounded warmth, and the band work hard to accentuate the songs with telling detail and ear-catching hooks". [11]
Tired of Hanging Around featured less guitarwork and more saxophone, courtesy of member Abi Harding. [12] The Phoenix writer Brian E. King said McCabe's voice fluctuated between that of U2 frontman Bono and Soundgarden singer Chris Cornell, [8] while Snow thought it sat between Take That's Robbie Williams and Paul Heaton of the Beautiful South, "sound[ing like] a troubled soul, expressing frustration and dyspepsia in cleverly written kitchen-sink fantasies". [11] McCabe explained that many of the album's songs were "about giving yourself a bit of a hard time [...] 'cause you've gone out and got drunk or let someone down". [13] He mentioned that several of them were influenced by promoting Who Killed...... The Zutons? on tour; "Valerie" and "Oh Stacey (Look What You've Done!)" in particular were inspired by the band meeting people when they supported Keane and Muse. [4]
The album's opening track, "Tired of Hanging Around", was written by McCabe while on a plane in the US, tackling the theme of transportation: "waiting for someone to pick you up and they don’t turn up on time [...] and people that are "being ignorant when they do turn up, [coming] with attitudes and bringing it with them". [4] PopMatters contributor Michael Keefe wrote that it is a story of "anxiety in a fast-paced world [that] pivots around an actual bus", [14] reminiscent of the Teardrop Explodes. [10] McCabe explained that it was described being at a bus stop waiting for someone that's "ignoring you – and getting annoyed about not being taken seriously". [13] "It's the Little Things We Do" discusses dealing with a hangover, [15] drawing comparison to the work of the Bees. [16] The intro section to "Valeria" was borrowed from "Everybody Wants to Rule the World" (1985) by Tears for Fears. [17] "Someone Watching Over Me" has a gospel-country atmosphere that evoked the work of the Rolling Stones. [15] "Secrets" is akin to the sound of the Shangri-Las. [15]
"Why Won't You Give Me Your Love?" merges glam rock with pop-punk, [14] earning a comparison to "Tiger Feet" (1974) by Mud. [18] musicOMH contributor John Murphy wrote that it initially seemed to be a "conventional lover's plea. On closer inspection though, it's got black humour stamped right through it, with McCabe telling tales of locking his intended in a cellar and feeding her rodent hair". [16] "Oh Stacey (Look What You've Done!)" describes a daughter using her dead father's money for alcohol, [16] and was compared to "Too Much Too Young" (1980) by the Specials. [6] "You've Got a Friend in Me" is a duet between McCabe and Harding, detailing the perspective of a stalker following a victim, [16] echoing "You Keep It All In" (1989) by the Beautiful South. [18] The album's closing track, "I Know I'll Never Leave", is a homage to the band's hometown of Liverpool; [16] Nick Hasted of Uncut said the song was about a "private dystopia in which the singer’s trapped inside a ghetto flat with floors that slash his skin". [18] The song overall was Led Zeppelin-esque, [14] while one of its verse sections recalled "Ain't No Sunshine" (1971) by Bill Withers. [15]
In November and December 2005, the Zutons played a small series of shows in the UK. [19] On 26 January 2006, Tired of Hanging Around was announced for released in three months' time. [20] Two weeks later, the band appeared at the KOKO venue in London for a one-off show as part of the NME Awards, where they played six songs from their forthcoming album. [21] In March 2006, the band performed at the South by Southwest music conference in Austin, Texas. [20] "Why Won't You Give Me Your Love?" was released as a single on 3 April 2006. [22] Tired of Hanging Around was released on 17 April 2006. [20] To promote it, the band embarked on a tour of the UK in May 2006. [4] "Valerie" was released as a single on 19 June 2006; the seven-inch vinyl version included "Get Up and Dance". Two versions were released on CD: the first with "April Fool" and the second with "I Will Be Your Pockets", "In the City" and the music video for "Valerie". [23]
Preceded by a show at the Hammersmith Apollo in London, [24] they appeared at various festivals over the next few months, including Creamfields, [25] Latitude, [26] T in the Park, [27] Wakestock [28] and Wireless. [29] Tired of Hanging Around was released in the US through Columbia on 22 August 2006. [4] "Oh Stacey (Look What You've Done!)" was released as a single on 18 September 2006. [30] They promoted this with appearances at The Secret Policeman's Ball and BBC Radio 2 Electric Proms festivals in October 2006. "It's the Little Things We Do" was released as a single on 27 November 2006. [31] They intended to close out the year with two performances at the Roundhouse venue in London, [32] until this was expanded into a UK tour covering November and December 2006. [31] The show in Brighton was originally cancelled as Payne suffered from a viral infection, [33] though was then moved to the end of the tour. [34]
Aggregate scores | |
---|---|
Source | Rating |
Metacritic | 70/100 [35] |
Review scores | |
Source | Rating |
AllMusic | [17] |
Gigwise | [15] |
musicOMH | [16] |
NME | 7/10 [10] |
The Observer | [36] |
The Phoenix | [8] |
Playlouder | [6] |
PopMatters | 8/10 [14] |
Uncut | [18] |
Yahoo! Launch | [37] |
Tired of Hanging Around was met with generally favourable reviews from music critics. At Metacritic, which assigns a normalized rating out of 100 to reviews from mainstream publications, the album received an average score of 70, based on 19 reviews. [35]
Critics largerly praised the songwriting. Cashmore called it "one seriously pissed-off, paranoid, twitchy record". [10] The Observer 's Rosie Swash wrote that it was "reassuringly familiar" as the "preference for substance over style that ensures Tired... puts their modish peers to shame". [36] Emily Mackay of Playlouder referred to it as an "assured, almost cocky album, as if they've just located the sports button on what was formerly a reliable family estate of a band". [6] AllMusic reviewer Sharon Mawer wrote that it was "even more assured" than its predecessor, "not that they had changed much -- they really didn't need to, for there was no one making music quite like the Zutons". [17] Murphy, meanwhile, saw it as "delightfully quirky, original and catchy as its predecessor, whilst also representing something of a leap forward", adding that it was "commercial enough to also rope in some new admirers". [16] Keefe wrote the band's varied influences "all congeal together in perfect proportions on this great sophomore release". [14] Gigwise writer Chris Taylor said that despite it coming across as a group "struggling to shake off the pressures of following up the far-reaching success of their debut," the follow-up features "enough decent songs to offer hope for the future". [15]
Some commentators highlighted Street's production work. Murphy wrote that Street "helps to shape a big, positive feel to the album"; [16] Mackay said this extended to Chowdhury's guitarwork, as it tries to "channel the spirit" of Led Zeppelin guitarist Jimmy Page, and to McCabe's vocals. [6] Alternative Press writer Erick Haight said Street's "crisp production keeps things smooth, yet big and ballsy, even if Abi Harding’s gritty sax takes a few steps back in the process". [7] Taylor noted that while the production was "turned up to 'big rock' levels," it only "succeeds in sounding a little hollow. The energy of the song when put in the context of a pumping Zutons live set is lost on record". [15] Gill was similarly let down by Street, "who does his usual solid, if unspectacular production job here", despite the poor writing, [37] which Stephen Ackroyd agree with as the "quirky edges have all been rounded off". [38]
Other reviewers were mixed on the songwriting. Ackroyd said that after the opening three songs, he was "yawning. Not just a little bit; Night Nurse never worked so well [...] somewhere the strangely endearing moments of the band’s debut have gone missing". [38] Noel Murray of The A.V. Club wrote that the Zutons went for the "big punch on album number two, and the result sounds like glam-rock without the glam—and pretty thin to boot, in spite of a preponderance of instrumentation". [39] King felt there was not enough quality songwriting to "make Tired of Hanging Around anything approaching a classic. But it’s evidence that there’s life left in this little band". [8] Hasted said that "little has changed" as the band continue to stay "four-square and a little flat. The boundary-trampling spirit that makes their music stretch out almost infinitely live remains barely tapped". [18] Yahoo! Launch's Jamie Gill wrote that it was "tired and tiring", that "small-minded whinging is the major characteristic of the album" from the first song onward, adding that it did not have "enough ideas or songs to make up for the overwhelmingly mean perspective" of the lyrics. [37]
All tracks by David McCabe and the Zutons except for tracks 5, 6 and 8 adding Sean Payne.
No. | Title | Length |
---|---|---|
1. | "Tired of Hanging Around" | 3:34 |
2. | "It's the Little Things We Do" | 3:07 |
3. | "Valerie" | 3:56 |
4. | "Someone Watching Over Me" | 3:34 |
5. | "Secrets" | 3:16 |
6. | "How Does It Feel?" | 3:49 |
7. | "Why Won't You Give Me Your Love?" | 3:22 |
8. | "Oh Stacey (Look What You've Done!)" | 3:29 |
9. | "You've Got a Friend in Me" | 3:57 |
10. | "Hello Conscience" | 3:25 |
11. | "I Know I'll Never Leave" | 4:58 |
No. | Title | Length |
---|---|---|
12. | "Are We Friends or Lovers?" | 3:00 |
13. | "In the City" | 4:07 |
No. | Title | Length |
---|---|---|
12. | "I'll Be Your Pockets" | 2:48 |
13. | "Are We Friends or Lovers?" | 3:00 |
Country | Peak |
---|---|
UK Top 40 [1] | 2 |
Year | Single | Chart positions |
---|---|---|
UK [1] | ||
2006 | "Why Won't You Give Me Your Love?" | 9 |
"Valerie" | 9 | |
"Oh Stacey (Look What You've Done!)" | 24 | |
"It's The Little Things We Do" | 47 |
Primal Scream are a Scottish rock band originally formed in 1982 in Glasgow by Bobby Gillespie (vocals) and Jim Beattie (guitar). The band's current lineup consists of Gillespie, Andrew Innes (guitar), Simone Butler (bass), and Darrin Mooney (drums).
The Verve were an English rock band formed in Wigan in 1990 by lead vocalist Richard Ashcroft, guitarist Nick McCabe, bass guitarist Simon Jones and drummer Peter Salisbury. Guitarist and keyboard player Simon Tong later became a member in their first reunion only.
Urban Hymns is the third studio album by English rock band the Verve, released on 29 September 1997 on Hut Records. The group had broken up while promoting A Northern Soul in August 1995, though they reformed two weeks later without guitarist Nick McCabe. Frontman Richard Ashcroft moved to Bath, Somerset, where he made demos; Simon Tong joined the group soon afterwards. Following aborted recording sessions with producers John Leckie and Owen Morris, the band sought a new guitarist, contacting former Suede guitarist Bernard Butler, who played with them for a week before departing amidst creative differences. In 1996, The Verve started recording at Olympic Studios in London, first with producer Martin "Youth" Glover, followed by engineer Chris Potter. Ashcroft contacted McCabe in early 1997, inviting him back into the band, which McCabe accepted. Several songs were re-recorded to allow for the inclusion of McCabe's guitar parts, with sessions continuing into May 1997.
A Northern Soul is the second studio album by English rock band the Verve, released on 3 July 1995 through Hut Records. With the tumultuous promotion for their debut studio album, A Storm in Heaven (1993), combined with their friends in Oasis becoming popular, relationships between members of the Verve became strained. After connecting with Oasis producer Owen Morris, the Verve went to a rehearsal space in Wigan to write material for the next album, which they recorded at Loco Studios in Wales. The sessions gained notoriety for the stories that emerged from the time, including Ashcroft going missing for five days and him allegedly totalling a car on the studio's lawn. In the first three weeks, they had finished 15 tracks; after this point, the situation soured as guitarist Nick McCabe grew exhausted from dealing with the other members frequently partying and taking ecstasy, in addition to vocalist Richard Ashcroft and Morris screaming and destroying objects. Eventually, McCabe had a different working schedule from the others, starting at 10–11 a.m. while the rest of the band started at 6 p.m.
Richard Paul Ashcroft is an English musician, singer, and songwriter. He formed the alternative rock band the Verve in 1989 and served as the lead singer and rhythm guitarist throughout the band's lifetime. Ashcroft was the sole songwriter of the group. In 1997, The Verve released the UK number one album Urban Hymns, that in present day is the 18th most sold album in the UK. In 1998, Ashcroft was awarded the Ivor Novello award for Songwriter of the Year. Following The Verve's disbandment in 1999, Ashcroft embarked on a successful solo career, releasing six UK top-three solo albums, including Alone with Everybody, Keys to the World and These People.
The Zutons are an English indie rock band, formed in 2002 in Liverpool. The band are currently composed of singer, songwriter, and guitarist Dave McCabe, drummer Sean Payne, and saxophonist Abi Harding.
Arctic Monkeys are an English rock band formed in Sheffield in 2002. The group consists of lead singer Alex Turner, drummer Matt Helders, guitarist Jamie Cook and bassist Nick O'Malley; bassist and co-founder Andy Nicholson left the band in 2006.
Hard-Fi is an English indie rock band, formed in 2003 in Staines-upon-Thames, Surrey. The band consists of Richard Archer, Ross Phillips, Kai Stephens and Steve Kemp.
If You've Never Been is the third studio album by English rock band Embrace. It was released on 3 September 2001 through Hut, Mobetta, and Virgin Records. Within a month of releasing their second studio album Drawn from Memory (2000), the band had started writing its follow-up. Recording took place at Soundworks in Leeds, with Ken Nelson and the band co-producing the sessions, which lasted from February to May 2001. If You've Never Been is a soft rock album that uses more strings and horns compared to its predecessor.
Out of Nothing is the fourth studio album by English rock band Embrace. It was released on 13 September 2004 through the label Independiente. Following the release of their third studio album If You've Never Been (2001), the band were dropped by Hut Records; around this time, the general public had lost interest in them. After signing to Independiente, they took time working on new material, until early 2004, when they recorded their next album at Olympic Studios in London with producer Martin "Youth" Glover. Out of Nothing is an indie rock album that drew comparison to the works of Coldplay and Keane.
Who Killed...... The Zutons? is the debut studio album by the English rock band the Zutons, released via Deltasonic on 19 April 2004. The album's last known sales are that of 581,088 as of July 2006.
Alexander David Turner is an English musician. He is the front man and lead singer-songwriter of the rock band Arctic Monkeys. Turner is known for his lyricism ranging from kitchen sink realism to surrealist wordplay, which has been praised by music critics and the public. All but one of Turner's studio albums have topped the UK Albums Chart. He has won seven Brit Awards, an Ivor Novello Award, and a Mercury Prize among other accolades.
"Valerie" is a song by English indie rock band the Zutons from their second studio album, Tired of Hanging Around (2006). The song was later covered by Mark Ronson, with lead vocals provided by Amy Winehouse, reaching number two on the UK Singles Chart in 2007.
"Oh Stacey " is a song by English rock band the Zutons, released in September 2006 as the third single from their second album Tired of Hanging Around. It is the band's eighth consecutive UK top 40 single, peaking at No. 24 on the UK Singles Chart.
David Alan McCabe is an English singer, songwriter and guitarist, the frontman of The Zutons and a former member of Tramp Attack.
The Last Shadow Puppets are an English supergroup consisting of Alex Turner, Miles Kane, James Ford, and Zach Dawes.
Miles Peter Kane is an English singer and musician, best known as a solo artist and the co-frontman of the Last Shadow Puppets. He was also the former frontman of the Rascals, before the band announced their break-up in August 2009.
You Can Do Anything is the third studio album by English rock band the Zutons. It was produced by Sunset Sound Studios in Los Angeles with producer George Drakoulias and was released on Monday 2 June 2008 in the United Kingdom. You Can Do Anything was released after the departure of original lead guitarist Boyan Chowdhury, and is the first album to feature the band's new lead guitarist Paul Molloy.
English rock band the Zutons have released four studio albums and 14 singles, nine of which entered the top 40 of the UK Singles Chart.
Everything You've Come to Expect is the second studio album by English supergroup the Last Shadow Puppets, released on 1 April 2016 by Domino Recording Company. It was written by band co-frontmen Alex Turner and Miles Kane in 2014 between London, Paris and Los Angeles. Production was done in Malibu by fellow member James Ford, alongside guest musician Matt Helders, new bass player, Zach Dawes and featuring once again string arrangements by Owen Pallett. The album artwork features a photo of singer Tina Turner dancing, as photographed by Jack Robinson Jr. in November 1969; the original picture was modified by illustrator Matthew Cooper, who gave it a gold tint.