"Welcome to the Jungle" | |
---|---|
Song by Jay-Z and Kanye West | |
from the album Watch the Throne | |
Released | August 8, 2011 |
Recorded | 2011 |
Studio |
|
Genre | Hip hop |
Length | 2:54 |
Label | |
Songwriter(s) |
|
Producer(s) | Swizz Beatz |
"Welcome to the Jungle" is a song by American rapper Jay-Z and Kanye West from their collaborative studio album, Watch the Throne (2011). The song features additional vocals from Swizz Beatz and Acapella Soul. It was produced by Swizz Beatz, who served as a co-writer with West, Jay-Z, and Mike Dean. The rappers engaged in recording sessions with the producer for the song at The Mercer Hotel in 2011. A hip hop song, it features a simplistic beat with rock elements.
Lyrically, Jay-Z touches on his personal losses and overcoming struggles on the song. Jay-Z makes a lyrical reference to Guns N' Roses' song of the same name and West contributes few vocals, discussing the problems of his environment in his performance. "Welcome to the Jungle" received generally positive reviews from music critics, who mostly highlighted Jay-Z's rapping and placed focus on his lyricism. Some complimented the production, though a few critics were negative towards Swizz Beatz's vocals. In the United States, the song peaked at number four on the Billboard Bubbling Under R&B/Hip-Hop Singles chart. Jay-Z and West performed it during their Watch the Throne Tour (2011–2012).
Jay-Z and West are both American rappers who have collaborated on several tracks together, such as the singles "Swagga Like Us" (2008), "Run This Town" (2009), and "Monster" (2010). [1] [2] In 2010, the two began production and recording together for a collaborative record titled Watch the Throne. [2] Record producer Swizz Beatz, who worked on the production of "Welcome to the Jungle" and fellow album track "Murder to Excellence", described working with Jay-Z and West as akin to being in the studio with Quincy Jones and Michael Jackson at the same time. Swizz Beatz explained that despite the majority of people not feeling the same way, this comparison would be made in hip hop history within 10 to 15 years. The producer recorded with Jay-Z and West during their sessions at The Mercer Hotel in SoHo, Manhattan for Watch the Throne in 2011. [3] [4] The rappers and Swizz Beatz co-wrote the song with Mike Dean. [5]
Musically, "Welcome to the Jungle" is a hip hop song. [6] The song features a simplistic, abrasive beat that incorporates elements of rock music. [4] [7] [8] Mournful synths enter at the point of West's performance, [7] [9] alongside Swizz Beatz's groove. [6] The song also contains the producer's signature snares, [10] Dean's keys, and additional instruments from Ken Lewis. [5] It includes a short outro, which is used on others tracks of the album. [8] Additional vocals are contributed from Swizz Beatz and Acapella Soul, with the former delivering the ad-lib "Welcome to the jungle, well?" [5] [11]
In the lyrics of "Welcome to the Jungle", Jay-Z discusses personal losses and overcoming his struggles as he admits to experiencing depression. [7] [12] [13] Jay-Z details the impact of his uncle and father's deaths, recalling the pain left him paralyzed. [11] [14] He begins a verse with a description of the death of Tupac Shakur, [7] as well as paying tribute to fellow rappers Pimp C and the Notorious B.I.G.. [4] [11] Jay-Z also references Jackson's death: "Rest in peace to the leader of the Jackson 5". [4] [15] Despite sharing the title of hard rock band Guns N' Roses' single "Welcome to the Jungle", the song does not sample it or have a similar sound, although Jay-Z describes himself as "black Axl Rose" in reference to the lead vocalist. [16] Contributing few vocals to the song, West mostly addresses his problems faced from the environment around him, rather than focusing on himself. [4] [8] He references André 3000's story from rap group Outkast's "Da Art of Storytellin' (Pt. 1)" of asking a girl during their teenage years where she wanted to be when she grew up and her answering by saying alive in the introduction, rapping that he received this answer after asking a female where she wanted to be aged 25. [7]
On August 8, 2011, "Welcome to the Jungle" was included as the eighth track on Jay-Z and West's collaborative studio album Watch The Throne, released by their record labels Def Jam, Roc Nation, and Roc-A-Fella. [17] During the two's Watch the Throne Tour that ran from 2011 until 2012, they performed the song. [18] Jay-Z and West performed it for Samsung Galaxy's South by Southwest concert at the Austin Music Hall in Austin, Texas on March 12, 2014, accompanied by a 12-foot video cube at the center of the stage. [19] [20] The performance generated heavy cheers for the crowd and Jay-Z responded by telling them, "Oh, we're just getting started." [19]
"Welcome to the Jungle" was met with general acclaim from music critics, with Jay-Z's performance mostly garnering praise. Tom Breihan from Pitchfork, highlighted the rapper, "never a tortured pop star", admitting to being depressed as an example of "address[ing] matters beyond their bank accounts" on the album. [13] The New York Times journalist Jon Caramanica found Jay-Z's pain to be "deeply ingrained", discussing the deaths of family that affected him. [14] Steve Jones of USA Today picked the song as one from the album to download, saying that the rapper addresses his own losses and struggles. [12] Ranking it as the 20th best song of 2011, Rolling Stone staff asserted that Jay-Z compares himself to Rose over Swizz Beatz's "groove that slams like a hip-hop GnR". [6] In Cokemachineglow , Calum Marsh called the song an unexpected album highlight for the rapper's "disarmingly introspective therapy session verse" that, combined with synths invoking " Assault on Precinct 13 (2003), surpasses its "chest-beating seriousness". [9] Jesal "Jay Soul" Padania from RapReviews saw the song's "societal subject matter" as a highlight of Watch the Throne, hailing how Swizz Beatz returns the excitement of his teenage years with an "unstoppable and insistent beat" for Jay-Z's impressive lyricism. [21] Writing for American Songwriter , Matt Popkin praised his Rose reference and Swizz Beatz's "trademark stuttering snares". [10] Brian Josephs of Complex named the song as the 13th best from the album and he felt that despite the producer's ad-libs being the "glue at the center of this b-boy bop", Jay-Z dominates with his biographical lyricism across two emotional verses. [11] Rolling Stone's Matthew Perpetua observed that as a consolation for it not sounding like Guns N' Roses' "Welcome to the Jungle", he mentions Rose "over a jittery, treble-heavy Swizz Beatz production". [16] At Urb , James Shahan commended the song's strength for its "quasi-rock Swizz Beats score" with some of Jay-Z and West's best lyrical performances from their separate sources of struggle; the former's comes from himself and the latter's from what has happened in his environment. [8] In PopMatters , David Amidon lauded how the song alludes to "raw New Yorkian street rap" such as Nas' "Made You Look" (2002). [22]
Providing a mixed review for Entertainment Weekly , Kyle Anderson expressed that the song delivers "a lot of bluster but little heart". [23] HipHopDX 's Edwin Ortiz commented that the song is lacking the majority of the album's execution and creativeness as Swizz Beatz's recognizable "sharp, bouncing production fall[s] to the wayside". [24] Beats Per Minute critic Sean Highkins commented that although the song's rapping is among the best on Watch the Throne, it is ruined by Swizz Beatz's "grating production and contractually-insured ad-libbing". [25] He considered these ad-libs to be so cancerous to mainstream hip hop that a law should be passed by the United States Congress prohibiting Swizz Beatz or rapper will.i.am from using a microphone at all for any artist's tracks they produced. [25] For Tiny Mix Tapes , Ross Green offered that swapping the song and "Lift Off" for the bonus tracks "The Joy" and "Illest Motherfucker Alive" would have improved Watch the Throne, singling out the producer's vocals as annoying. [26] In a similar review, the staff of XXL looked at it as "forced in comparison to the rest of the material". [27]
In the US, the song peaked at number four on the Billboard Bubbling Under R&B/Hip-Hop Singles chart. It lasted for three weeks on the chart. [28]
Credits are adapted from the album's liner notes. [5]
Recording
Personnel
Chart (2011) | Peak position |
---|---|
US Bubbling Under R&B/Hip-Hop Singles ( Billboard ) [29] | 4 |
Kasseem Daoud Dean, known professionally as Swizz Beatz, is an American record producer, rapper, and DJ. Born and raised in the Bronx borough of New York City, Dean initially embarked on his musical career as a DJ. At the age of 18, he gained recognition in the music industry through his family's record label Ruff Ryders Entertainment and his affiliation with its flagship artist, Yonkers-based rapper DMX. Working with DMX as his producer, DJ, and hype man helped Dean gain prominence as a high-profile figure in hip hop in the following years.
Mashonda Karima Dean is an American R&B singer from Boston, Massachusetts. In 2004, she married record producer Swizz Beatz and signed with his record label Full Surface Records, an imprint of J Records to release her debut studio album, January Joy (2005). In 2011, Dean joined the first season of VH1's reality show Love & Hip Hop: New York.
"So Appalled" is a song by American hip hop recording artist Kanye West from his fifth studio album, My Beautiful Dark Twisted Fantasy (2010). The song was produced by West, along with No I.D. and Mike Dean, and features verses by Jay-Z, Cyhi the Prynce, Pusha T, Swizz Beatz, and RZA respectively, who all receive writing credits. Lyrically, the song explores topics such as the troubles produced from being famous, social concerns and features numerous pop culture references.
Watch the Throne is a collaborative studio album by American rappers Jay-Z and Kanye West, collectively known as The Throne. It was released on August 8, 2011, by Roc-A-Fella Records, Roc Nation, and Def Jam Recordings. Prior to its release, Jay-Z and West had collaborated on various singles, and with the latter as a producer on the former's work. They originally sought to record a five-song collaborative extended play, which evolved into a full-length album. The album features guest appearances from Frank Ocean, The-Dream, Beyoncé and Mr Hudson. It also features vocal contributions from Kid Cudi, Seal, Justin Vernon, Elly Jackson, Connie Mitchell, Charlie Wilson, and Pete Rock, among others; samples of vocals by soul musicians Otis Redding and Curtis Mayfield are both credited as guest features on the album.
"Start It Up" is a song by American hip hop recording artist Lloyd Banks, released on November 2, 2010 as the third single from his third studio album H.F.M. 2 . The song, which features vocals from fellow American rappers Swizz Beatz, Kanye West, Ryan Leslie and Fabolous, was produced by American music producer Cardiak.
"H•A•M" is a song by American rappers Jay-Z and Kanye West from the deluxe edition of their collaborative studio album, Watch the Throne (2011). The song features additional vocals from Aude Cardona and Jacob Lewis Smith. It was produced by Lex Luger and co-produced by West, with additional production from Mike Dean and the three of them served as co-writers with Jay-Z. The song's beat was first provided to West by Lex Luger during the recording sessions for his fifth studio album, My Beautiful Dark Twisted Fantasy (2010). West then added his production work up until the release and would not preview it to Lex Luger, who considered this was due to his perfectionist approach. The song was released for digital download in the United States as the lead single for the album on January 11, 2011, through Roc-A-Fella and Def Jam.
"Otis" is a song by American rappers Jay-Z and Kanye West from their first collaborative album Watch the Throne (2011). The song samples soul singer Otis Redding's version of "Try a Little Tenderness". The production was covered solely by West. The track was premiered by Funkmaster Flex's Hot 97 radio show and was released onto the Internet the day afterward. Lyrically, the song has the two rappers sharing lines discussing wealth, decadence and fame. The track received highly positive reviews from music critics who praised the trading off of verses by the two rappers and the Redding-sampled beat, which was compared to the style heard on West's The College Dropout. Several publications placed the song amongst the best of the year.
"Lift Off" is a song by American rappers Kanye West and Jay-Z featuring the latter's wife, American singer Beyoncé. It was written by rappers, Jeff Bhasker, Mike Dean, Bruno Mars, and Seal, while production was handled by West, Bhasker, and Mike Dean with Pharrell, Q-Tip, and Don Jazzy receiving co- and additional production credits. It was originally released on August 8, 2011 as a track from Jay-Z's and West's collaborative album Watch the Throne before being sent to urban contemporary radio on August 23, 2011. The song was rumored to be released as the lead single from the album containing additional vocals by Bruno Mars. However, Mars never appeared on the song.
"Niggas in Paris" is a song by American rappers Jay-Z and Kanye West from their collaborative studio album, Watch the Throne (2011). The song was produced by Hit-Boy with West and Mike Dean, while Anthony Kilhoffer contributed additional production. The producers served as co-writers with Jay-Z and Reverend W.A. Donaldson, the latter of whom was credited due to a sample of his work. Jay-Z envisioned the song's concept as how the two obtained their wealth instead of showing it off, using it as a momentary question of their status. Pusha T was originally offered the beat, yet rejected it due to the playful sound. The beat was crafted by Hit-Boy in five minutes and went unused until he was called by Don C, then he provided it for the song. On September 13, 2011, the song was released to US rhythmic and urban contemporary radio stations as the album's fourth single, through Def Jam, Roc Nation, and Roc-A-Fella
"Who Gon Stop Me" is a song by American hip hop recording artists Kanye West and Jay-Z, from their first collaborative album Watch the Throne (2011). The song is the ninth song on the official track list for the album. Music critics praised the song.
"Why I Love You" is a song by American hip hop artists Kanye West and Jay-Z, from their first collaborative album Watch the Throne (2011). The song features pop musician Mr. Hudson who is signed to West's GOOD Music label. "Why I Love You" heavily samples French house duo Cassius' 2010 single "I <3 U So", which itself is based upon a sample from the original 1971 version of "I Feel a Song " by Sandra Richardson. The song almost entirely features Jay-Z rapping and only contains a few lines provided by West. Lyrically, the song is about the people who have stood in the way of Jay-Z throughout the year and expresses themes of victory and anger. The song received generally positive reviews from music critics, who normally praised the production.
"No Church in the Wild" is a song by American rappers Jay-Z and Kanye West featuring American singers Frank Ocean and The-Dream, from the former two's first collaborative album Watch the Throne (2011). Opening the album, the song explores themes of religion and decadence. The track received highly positive reviews from music critics, who praised Ocean's vocal hooks, the depth of the verses, the cinematic production and the song's power as an opening track.
The Watch the Throne Tour was a co-headlining concert tour by American rappers Jay-Z and Kanye West that began on October 28, 2011, in Atlanta and continued until June 22, 2012, with its final show scheduled in Birmingham. Originally scheduled for 23 performances, the tour was expanded to 34 performances in North America due to heavy demand for tickets; 29 shows were confirmed in the United States with 5 shows in Canada. Following massive success in the United States and Canada, Jay-Z & Kanye West announced the European leg of the tour on February 21, 2012, which featured 23 performances, bringing the number of shows to 57 at the time.
"Gotta Have It" is a song by American hip hop artists Kanye West and Jay-Z from their collaborative album Watch the Throne (2011). The song was produced by West and the Neptunes, and samples three original compositions by James Brown: "Don't Tell a Lie About Me and I Won't Tell the Truth About You", "People Get Up and Drive Your Funky Soul" and "My Thang". The song explores themes of wealth, decadence and the economic stature in the US. The song received positive reviews from critics who complimented the production and the clever wordplay of the two rappers.
Joshua Howard Luellen, known professionally as Southside, is an American record producer, rapper and songwriter. Based in Atlanta, he is recognized in the music industry for his aggressive, trap-infused production work for prominent hip hop artists. His association with hometown rapper Waka Flocka Flame led Luellen to sign to his label Brick Squad Monopoly, an imprint of Gucci Mane's 1017 Records, as in-house talent in 2010. Luellen and labelmate, fellow producer Lex Luger established the production team 808 Mafia that same year, who were credited on several commercially successful releases throughout the remaining decade.
Magna Carta Holy Grail is the twelfth studio album by American rapper Jay-Z. It was made available at first for free digital download for Samsung customers via the Jay-Z Magna Carta app on July 4, 2013. It was released for retail sale on July 8, 2013 by Roc Nation, Roc-A-Fella, and Universal Music Distribution, as well as the final release by Roc-A-Fella before the label was shuttered. The album features guest appearances by Justin Timberlake, Nas, Rick Ross, Frank Ocean and Beyoncé. Most of the album was produced by Timbaland and Jerome "J-Roc" Harmon, while other producers included Boi-1da, Mike Will Made It, Hit-Boy, Mike Dean, No I.D., The-Dream, Swizz Beatz, and Pharrell Williams among others. The album was promoted through various commercials presented by Samsung and was not preceded by any retail singles.
"Pop Style" is a song by Canadian rapper Drake, featuring American rappers Kanye West and Jay-Z, collectively known as The Throne. The song was released alongside "One Dance", as singles promoting Drake's fourth studio album Views, initially for exclusive digital download on iTunes on April 5, 2016. The album version features only Drake with a new verse. The single version was nominated for Best Rap Performance at the 59th Grammy Awards.
"Illest Motherfucker Alive" is a song by American rappers Kanye West and Jay-Z. It is only available on their collaborative album Watch the Throne (2011) on the deluxe edition. The song features additional vocals by Kid Cudi, Bankulli, and Aude Cardona. It samples "Tristessa" by Orchestra Njervudarov for an interlude.
Poison is the second studio album by American hip hop recording artist and record producer Swizz Beatz, released on November 2, 2018 by Epic Records. It is Beatz' first album as a lead artist since his 2007 album One Man Band Man. Poison features collaborations with Nas, Lil Wayne, Kendrick Lamar, and Young Thug, among others. The music video for the song "Pistol on My Side (P.O.M.S.)", featuring Lil Wayne and keyboards by Alicia Keys, was released on September 14, 2018. The single "25 Soldiers" was released on October 3, 2018.
"Murder to Excellence" is a song by American rappers Kanye West and Jay-Z, from their collaborative album Watch the Throne (2011). It samples "La La La", an original song written and produced by Romanian-American duo Indiggo Twins, inspired by Romanian folklore.The voices in the song are from Moldavian singers "Surorile Osoianu". The song features additional vocals from Kid Cudi. The song was nominated for Impact Track at the 2012 Bet Hip Hop Awards. An edited version of the song featured in the trailer for 2022 film Black Adam.