Amazing (Kanye West song)

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Musically, "Amazing" is a stripped-down hip hop hype song, with influences of 1980s pop. [11] [12] [13] The song combines usage of tender piano with bass and drums for its style, [10] [11] [12] the former of which carries the harmonies. [13] Keyboards are also included, which are performed by Bhasker. [6] Throughout the song, West sings through auto-tune in a low-pitched and depressed voice, despite him showing arrogance. [13] [14] West has assistance from the grunting of background vocalists Mr Hudson and Tony Williams on the track. [6] [14] He performs the chorus, which features chants at every downbeat. [13] [15] [16] The song goes through a beat switch for Young Jeezy's verse, which is the only rapping present and is preceded by moaning sounds. [12] [13] [17] The rapper performs in a rough voice. [12] [18] [19] The track includes West boasting and trying to capture some of his former bravado. [10] [14]

In the lyrics of the song, West boasts while trying to capture some of his former bravado, including him muttering "I'm a problem that will never ever be solved". [14] This problem was partly created by bravado, as masculine pride has long been used as a force for the obliteration of vulnerability in rap, such as usage by DMX and the Geto Boys. [14] On the chorus, West repeatedly sings "so amazing". [15] West depicts a difficulty in dealing with himself on the song, showing hopelessness that he cannot "be solved" and his "rein is as far as your eyes can see". [13] Young Jeezy's verse features him worrying about his blood pressure and the inevitability of defeat, as well as applauding West who he believes "go[es] so hard". [16] [19]

Release and reception

Several writers applauded Young Jeezy's feature. Young Jeezy July 2005 (cropped).jpg
Several writers applauded Young Jeezy's feature.

On November 24, 2008, the track was released as the fourth track on West's fourth studio album 808s & Heartbreak. [20] Five months later, "Amazing" was serviced to US rhythmic contemporary and urban contemporary radio stations as the album's third single on March 10, 2009, and had been known to be scheduled for release as a single since February. [21] [22] [23] The song was met with generally positive reviews from music critics. In a positive review, Alex Macpherson of The Guardian pointed to Young Jeezy's guest appearance as being among "the isolated moments of levity" on 808s & Heartbreak that "are a relief". [24] Writing for NPR, Oliver Wang thought "the haunting cross-section of tender pianos" and the rapper's "menace" on the song showcase the album's "fantastic raw sounds". [11] The New York Times critic Jon Caramanica saw the "visceral" Young Jeezy collaboration as sounding like "it were recorded inside a whirring old grandfather clock, a collection of precisely moving parts neatly interlocking — classic Kanye". [25] The staff of NME remarked that the song is a "sizzurp-addled juggernaut closer", which sees the rapper quickly producing "some much-needed gruff machismo". [18] Spin journalist Charles Aaron noted the song's potential to be part of "a greatest-hits comp one day and be accepted as Kanyeezy standards", attributing this to Young Jeezy's "welcome bluster of sodium-deficient thug-you-can-hug". [26] For Urb , Brandon Perkins felt the song "delicately plods along beautiful builds" up to the point that "the bottom drops out" and the rapper performs his verse with a "monstrous (and yet understated) flair". [17] PopMatters ' Dave Heaton commented that the song is "filled with unusual sounds" and noticed the "coldness" of West's voice initially sings "a purposely repetitive tune" while "balanced by choir-ish vocals and keyboard", commenting how the "lower, growling backing vocals" ultimately "turn to a Chewbacca-like grunt". [27] He elaborated, chronicling that the background vocals combined with the beats "conveys a toughness even while the song creeps forward with gentle melancholy", going on to describe Young Jeezy's feature as perfectly chosen for "the cold atmosphere" of 808s & Heartbreak. [27]

In Vibe , Jozen Cummings graded the song as the album's "true triumph" due to the "drums reminiscent of HBCU marching bands and haunting chants", which he said "bridges the gap" between West's love for pop and hip hop "while keeping his musical integrity intact". [16] Cummings further observed how the moment is "so good" that "even Jeezy has to give his boy props" on his "brief, but memorable verse". [16] Wilson McBee from Slant Magazine saw the song as taking "a ruminative piano riff, West's catchiest tune and a shuffling drumbeat evocative of a broomstick on marble to spin an eerie vision of a kingpin's braggadocio" that prominently shows "disgust and sarcasm" as "Lord Kanye surveys his minions of chipmunk-soul-producers and pink-polo-wearers" to realize "it's worth little more than peanuts". [19] McBee also regarded Young Jeezy's "joyless, snarling addendum" that features him worrying about his blood pressure and "the inevitability of defeat" to be a suitable "thank you" for West's appearance on "Put On". [19] The Washington Post 's Chris Richards picked "Amazing" as one of the album's tracks that should be downloaded, a sentiment also held by Steve Jones of USA Today and Josh Eells of Blender . [28] [29] [30] In a mixed review for No Ripcord, Cara Nash said although the song "may prove more commercially viable" than others on 808s & Heartbreak, she was disappointed in how Young Jeezy's vocals disrupt the album's "introspective flow". [31] Scott Plagenhoef from Pitchfork was negative about the song, calling it one of 808s & Heartbreak's "low points" and blaming Young Jeezy's appearance by opining that "when the mood is broken up by outsiders or actual rapping, the results aren't pretty". [32] The Boston Globe 's James Reed criticized West's songwriting on the "shockingly shallow hook" because of "so amazing" being repeated, complaining that not even the rapper's feature adds "much life" to the song, stating he "sound[s] like he's just snuffed out his 100th cigarette of the day". [15]

Accolades

"Amazing" was nominated for the Best Rap Performance by a Duo or Group at the 2010 Grammy Awards, which was the only nomination that 808s & Heartbreak earned West. [33] [34] The song ultimately lost the award to the single "Crack a Bottle" by Eminem featuring 50 Cent and Dr. Dre. [34] At the 2009 BET Hip Hop Awards, the song was nominated for the Verizon People's Champ Award, ultimately losing to "Throw It in the Bag" by Fabolous featuring The-Dream. [35] [36]

Music video

Background and synopsis

The music video was filmed in Kauai, Hawaii. 2006-08-02 - Kee Beach from Kalalau Trail.jpg
The music video was filmed in Kauai, Hawaii.

The music video for "Amazing" was filmed in Kauai, Hawaii and directed by frequent collaborator Hype Williams, who rented a helicopter with West for it; there was a high production value. [37] [38] West blogged about being in Hawaii on March 27, 2009, with Rap-Up reporting on April 13 that West had shot the video in the country. [39] [40] On the same day that the website reported him to be in Hawaii, West posted stills from the music video on his blog and wrote "AMAZING feat. YOUNG JEEZY directed by HYPE WILLIAMS coming soon. Here's some stills till then!" [41] On April 23, 2009, the video premiered on BET's music video show 106 & Park ; West had released multiple music videos for 808s & Heartbreak by this time. [42] [43]

The video includes a series of aerial shots of the Hawaiian Islands and sees West contemplating nature whilst feeling lonesome. [44] [43] Young Jeezy has a cameo in it, along with a girl wearing a bikini by the fire. [43]

Reception

For Stereogum , Amrit Singh claimed that the "aerial shots of Hawaii are inherently amazing" and wrote of West's appearance that "seeing him contemplating nature by his lonesome has a certain poetry to it". [43] Despite not being a fan of "Amazing" itself, shamz of Okayplayer praised the video, writing: "Hype Williams really put his foot in this video. I'm contemplating booking that flight to Hawaii as we speak." [45] The staff of Pitchfork looked at the music video as what "has some seriously high production values". [38] The music video ranked at number 91 on BET's Notarized: Top 100 Videos of 2009 countdown. [46]

Commercial performance

Despite not being initially released as a single, "Amazing" debuted at number 89 on the US Billboard Hot 100 following the album's release. [47] The song later exited the Hot 100 before re-entering to peak at number 81 on the issue dated May 14, 2009, after being released as a single. [48] It lasted for five weeks on the chart. [49] On March 28, 2009, the song opened at number 96 on the US Hot R&B/Hip-Hop Songs chart. [50] The song moved up four spaces to number 92 on the chart the following week, before it later peaked at number 65 on April 18. [51] [52] One week before achieving its peak on the Hot R&B/Hip-Hop Songs chart, the song entered the US Hot Rap Songs chart at number 22. [53] The song further peaked at number 32 on the US Rhythmic chart issue dated April 25, 2009. [54] "Amazing" was certified platinum by the Recording Industry Association of America (RIAA) on April 1, 2015, having amassed 1,000,000 certified units in the United States. [55] Elsewhere in North America, the song reached number 63 on the Billboard Hot Canadian Digital Singles chart. [56] On June 12, 2009, the song debuted on the Swedish Singles Chart at number 42. [57]

Live performances

During his performance of the song at the 2015 Hollywood Bowl, West stood in front of a group of shirtless men who wore white jeans and were covered in white powder. Kanye West's 808s & Heartbreak @ The Hollywood Bowl - Night 1 (09-25-15) (21549977769).jpg
During his performance of the song at the 2015 Hollywood Bowl, West stood in front of a group of shirtless men who wore white jeans and were covered in white powder.

West and Young Jeezy first performed "Amazing" live for BET's 106 & Park on November 25, 2008, where they segued from the performance into one of "Put On". [58] West delivered a performance of the former for his February 2009 VH1 show, which was released as his second live album VH1 Storytellers in January 2010. [59] A piano figure and finger snaps backed him for the performance, the latter of which the audience clapped along with. [60] West spoke about the story behind the song and in the middle of the performance, he complained about being scrutinized by the media, before issuing an apology for "acting like a bitch at award shows". [59] [60] He stated the song's title directly after his separate name-drops of Michael Jackson and Michael Phelps; the audience responded favorably on both occasions. [61] [62] However, the crowd were silent when West said "amazing" after mentioning O. J. Simpson, with West directly questioning if he was amazing or not for "what he did". [61] [62] West also made comments defending Chris Brown that caused controversy, though these were edited out of the broadcast. [61] [62]

On March 21, 2009, West opened his GOOD Music concert at Levi's/Fader Fort for South by Southwest (SXSW) by performing the song with a seven-piece band. [63] West's outfit for the performance consisted of a gold bullet necklace, black sunglasses, and a sleeveless denim vest. [63] While performing, he welcomed fans to his concert. [64] For his headlining set for the 2009 Wireless Festival at Hyde Park in London, West performed the song as he rocked his customary aviator shades and black suit jacket. [65] During West's two night concert of 808s & Heartbreak in its entirety at the 2015 Hollywood Bowl, he performed the song as the set's fourth number. [66] [67] This marked West's first performance of the song since July 2, 2009, with him wearing loose garments in white and off-white shades for it. [67] [68] Onstage bleachers rose behind him that had dozens of shirtless men with white jeans standing on them, who were covered in white powder and stood close to one another. [66] [68] The performance saw West pacing around the stage alongside fireworks being shot into the sky that were followed by Young Jeezy appearing to perform his verse from the song, accompanied by a piano melody. [66] Staging glitches impacted the show, with the rapper's microphone being switched off at parts, and West stopping and restarting the music towards the end of the song while attempting to complain, "This is one of the best dress rehearsals...so please excuse..." [69]

In the media

"Amazing" was used by the National Basketball Association (NBA) during the 2009 playoffs as part of their advertisement campaign, with players such as LeBron James and Kobe Bryant being sequenced playing basketball alongside the audio. [70] The song was used for the soundtracks of video games NBA 2K10 and NBA 2K13 . [71] [72] UFC fighter Frank Mir has used "Amazing" as his entrance music for his fights. [73] Kanye's daughter North West revealed in her first-ever interview on August 28, 2017 that the track is her favourite song by him, naming the reason behind this as it being "so amazing". [37] [74]

Credits and personnel

Information taken from 808s & Heartbreak liner notes. [6]

Recording

Personnel

Charts

"Amazing"
Kanyewestamazing.jpg
Single by Kanye West featuring Young Jeezy
from the album 808s & Heartbreak
ReleasedMarch 10, 2009
Recorded2008
Studio
Genre Hip hop
Length3:58
Label
Songwriter(s)
Producer(s) Kanye West
Kanye West singles chronology
"Go Hard"
(2008)
"Amazing"
(2009)
"Paranoid"
(2009)
Young Jeezy singles chronology
"Never Ever"
(2009)
"Amazing"
(2009)
"Fed Up"
(2009)
Chart performance for "Amazing"
Chart (2008–09)Peak
position
Hot Canadian Digital Singles ( Billboard ) [75] 63
Sweden (Sverigetopplistan) [76] 42
US Billboard Hot 100 [49] 81
US Hot R&B/Hip-Hop Songs ( Billboard ) [77] 65
US Hot Rap Songs ( Billboard ) [78] 22
US Rhythmic ( Billboard ) [54] 32

Certifications

Certifications for "Amazing"
RegionCertification Certified units/sales
United States (RIAA) [55] Platinum1,000,000Double-dagger-14-plain.png

Double-dagger-14-plain.png Sales+streaming figures based on certification alone.

Release history

Release dates and formats for "Amazing"
RegionDateFormatLabel(s)Ref.
United StatesMarch 10, 2009 Rhythmic contemporary radio [21]
Urban contemporary radio [22]

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