What's New!!! | ||||
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Studio album by | ||||
Released | 1966 | |||
Recorded | June 1966 | |||
Genre | Jazz | |||
Label | Roulette SR-25343 | |||
Producer | Henry Glover | |||
Sonny Stitt chronology | ||||
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What's New!!! (subtitled Sonny Stitt Plays the Varitone) is an album by saxophonist Sonny Stitt recorded in 1966 and released on the Roulette label. [1] The album represents Stitt's first recorded use of the varitone, an electronic amplification device which altered the saxophone's sound. [2]
Review scores | |
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Source | Rating |
Allmusic | [3] |
What's New!!! reached number 172 on the Billboard 200 in April 1967 and number 16 on the Jazz Albums chart. [4] Allmusic awarded the album 3 stars. [3]
All compositions by Sonny Stitt except as indicated
Edward F. Davis, known professionally as Eddie "Lockjaw" Davis, was an American jazz tenor saxophonist. It is unclear how he acquired the moniker "Lockjaw" : it is either said that it came from the title of a tune or from his way of biting hard on the saxophone mouthpiece. Other theories have been put forward.
Edward Hammond Boatner Jr., known professionally as Sonny Stitt, was an American jazz saxophonist of the bebop/hard bop idiom. Known for his warm tone, he was one of the best-documented saxophonists of his generation, recording more than 100 albums. He was nicknamed the "Lone Wolf" by jazz critic Dan Morgenstern because of his relentless touring and devotion to jazz yet rarely worked with the same musicians for long. Stitt was sometimes viewed as a Charlie Parker mimic, especially earlier in his career, but gradually came to develop his own sound and style, particularly when performing on tenor saxophone and even occasionally baritone saxophone.
Saxophonics is the creation of sounds through the use of a saxophone and one or more electronic effects units, often altering the acoustic sound of the horn beyond recognition. Additionally, saxophonics often entails the use of altissimo, overtones, growling, and other extended techniques. The electronic effects may include distortion, doublers, loops, wah-wah, and tone generators.
Don Patterson was an American jazz organist.
You Talk That Talk! is an album by saxophonists Gene Ammons and Sonny Stitt recorded in 1971 and released on the Prestige label.
The Battle of Birdland is a live album by saxophonists Sonny Stitt and Eddie Davis recorded at Birdland in New York City in 1954 and originally released on the Roost label.
Sonny Stitt Plays Arrangements from the Pen of Quincy Jones is an album by saxophonist Sonny Stitt recorded in 1955 and originally released on the Roost label.
The Sonny Side of Stitt is an album by saxophonist Sonny Stitt recorded in 1959 and originally released on the Roost label.
Move on Over is an album by saxophonist Sonny Stitt recorded in 1963 and released on the Argo label.
I Keep Comin' Back! is an album by saxophonist Sonny Stitt recorded in 1966 and released on the Roulette label. The album represents Stitt's second album featuring the varitone, an electronic amplification device which altered the saxophone's sound.
The Matadors Meet the Bull is an album by saxophonist Sonny Stitt recorded in 1965 and released on the Roulette label. The album was Stitt's first for the label; he had recorded many albums for Roost which Roulette had taken over.
Parallel-a-Stitt is an album by saxophonist Sonny Stitt recorded in 1967 and released on the Roulette label. The album represents Stitt's third featuring the varitone, an electronic amplification device which altered the saxophone's sound.
Soul Electricity! is an album by saxophonist Sonny Stitt recorded in 1968 and released on the Prestige label. The album features Stitt using the varitone, an electronic amplification device which altered the saxophone's sound.
Night Letter is an album by saxophonist Sonny Stitt recorded in 1969 and released on the Prestige label. The album features Stitt using the varitone, an electronic amplification device which altered the saxophone's sound.
Turn It On! is an album by saxophonist Sonny Stitt recorded in 1971 and released on the Prestige label. The album features Stitt using the varitone, an electronic amplification device which altered the saxophone's sound.
Deuces Wild is an album by saxophonist Sonny Stitt recorded in 1966 and released on the Atlantic label. The album featured Robin Kenyatta's recording debut. The 4 Stitt organ trio tracks can be found as bonus tracks to the My Mother's Eye's CD
Brothers-4 is an album by organist Don Patterson with saxophonist Sonny Stitt recorded in 1969 and released on the Prestige label. The album features guitarist Grant Green, who was credited as Blue Grant for contractual reasons, being then signed to Blue Note Records. The 2001 CD release added 6 bonus tracks recorded at the same session but issued on other albums.
Donny Brook is an album by organist Don Patterson with saxophonist Sonny Stitt recorded in 1969 and released on the Prestige label. The album features guitarist Grant Green who was credited as Blue Grant for contractual reasons, being then signed to Blue Note Records.
Made for Each Other is an album by saxophonist Sonny Stitt recorded in 1968 but not released by the Delmark label until 1972. The album represents Stitt's fourth recording featuring the varitone, an electronic amplification device which altered the saxophone's sound.
It's Magic is an album by saxophonist Sonny Stitt recorded in 1969 but not released by the Delmark label until 2005.