Willard Park | |
---|---|
Type | Urban park |
Location | Cleveland, Ohio, U.S. |
Coordinates | 41°30′20″N81°41′33″W / 41.5055°N 81.6925°W Coordinates: 41°30′20″N81°41′33″W / 41.5055°N 81.6925°W |
Area | 0.72 acres (0.29 ha) |
Operated by | Cleveland Public Parks District |
Public transit access | East 9th–North Coast |
Willard Park is a public park in downtown Cleveland, in the U.S. state of Ohio. The park sits at the northwest corner of East 9th Street and Lakeside Avenue, adjacent to Cleveland City Hall, and is within the boundaries of the Cleveland Mall historic district. It is the location of the public sculpture Free Stamp, and is the home of the original Cleveland Fire Fighters Memorial.
Willard Park is named after the artist Archibald Willard. A copy of Archibald's painting The Spirit of '76 hangs in the Rotunda of the neighboring Cleveland City Hall. [1]
The Free Stamp is an outdoor sculpture located in Willard Park. Created by Claes Oldenburg and his wife Coosje van Bruggen, it has been called the "world's largest rubber stamp". [2] [3] The dimensions of the sculpture are 28 ft 10 in (8.79 m) by 26 ft (7.9 m) by 49 ft (15 m). [4] The sculpture depicts a rubber stamp with the word "FREE" in its stamping area.
The work was commissioned by The Standard Oil Company (Ohio) in 1982 [2] for display at its soon-to-be-constructed headquarters building on Public Square, which became the BP America Tower. [5] The piece was originally designed to stand upright, with the lettering of the stamp hidden from view on its "stamp pad". According to one of the executives working with Oldenburg, the message on the stamp was intended as a reference to the Civil War-era Soldiers' and Sailors' Monument, located across the street. [6] In an interview with WKYC-TV at the sculpture's 1991 dedication, Oldenburg said the stamp's message, "Free," referred to the emancipation of American slaves during and after the Civil War.
Controlling interest in Standard Oil had previously been acquired by British Petroleum as part of the financing arrangements for construction of the Trans Alaska pipeline and oil rights to Prudhoe Bay reserves. BP executive Robert Horton took over the management of the retitled company, BP America, before the sculpture was installed. He believed that the stamp was "inappropriate" for the location, and that Oldenburg actually intended to mock British Petroleum about Sohio's loss of corporate freedom and the lack of freedom in office work. [7] The company gave the artists permission to move the sculpture to another part of the city, but they refused. As a result, the stamp was placed in storage in a facility in Whiting, Indiana. [2] Over the next several years, BP America, the artists, and the city consulted to find a new site for the sculpture. Several sites were proposed, including the Cleveland Museum of Art. The artists, who wanted the sculpture to remain near Public Square, finally chose Willard Park. [8]
In 1991, BP donated the sculpture to the city of Cleveland. [5] The stamp was modified to sit on its side, and it was dedicated in its new location on November 15, 1991. [8] At the dedication, Oldenburg told a WKYC-TV producer that it looked as if a giant hand had picked up the sculpture from its intended location at the BP Tower and angrily hurled it several blocks, where it ended up on its side. [6]
The year 2002 in art involves various significant events.
The Minneapolis Sculpture Garden is an 11-acre (4.5 ha) park in Minneapolis, Minnesota, in the United States. It is located near the Walker Art Center, which operates it in coordination with the Minneapolis Park and Recreation Board. It reopened June 10, 2017 after a reconstruction that resulted with the Walker and Sculpture Garden being unified as one 19-acre campus. It is one of the largest urban sculpture gardens in the country, with 40 permanent art installations and several other temporary pieces that are moved in and out periodically.
Spoonbridge and Cherry is a sculptural fountain designed by Claes Oldenburg and Coosje van Bruggen. It was funded by a $500,000 donation from art collector Frederick R. Weisman and is permanently located in the Minneapolis Sculpture Garden. The piece was completed and installed in 1988 for the Sculpture Garden's opening and consists of a large cherry resting atop a large spoon partially straddling a small pond.
Westendstraße 1 is a 53-storey, 208 m (682 ft) skyscraper in the Westend-Süd district of Frankfurt, Germany. The structure was completed in 1993 and together with the nearby City-Haus, forms the headquarters of DZ Bank. In 1995, it won the "Best Building of the Year" award by the American Chamber of Architects in the multifunctional skyscraper category. As of 2023, the tower is the third-tallest skyscraper in Frankfurt and also in Germany.
200 Public Square is a skyscraper in Cleveland, Ohio. The building, located on Public Square in Downtown Cleveland, reaches 45 stories and 658 feet (201 m) with 1.2 million square feet (110,000 m2) of office space. It is the third-tallest building in Cleveland and fourth-tallest in the state of Ohio. The building opened in 1985 as the headquarters for Standard Oil of Ohio or Sohio, and was known as the Sohio Building or Standard Oil building. After British Petroleum (BP) rebranded Sohio as BP in the early 1990s, the building was often called the BP America Building, BP America Tower, BP Tower, or BP Building, and those earlier names are still regularly used even after BP moved its North American headquarters to Chicago in 1998. It was officially renamed 200 Public Square in 2005 and since 2010, has been Cleveland's regional headquarters for Huntington Bancshares.
The Vitra Design Museum is a privately owned museum for design in Weil am Rhein, Germany.
The Olympic Sculpture Park, created and operated by the Seattle Art Museum (SAM), is a public park with modern and contemporary sculpture in downtown Seattle, Washington. The park, which opened January 20, 2007, consists of a 9-acre (36,000 m2) outdoor sculpture museum, an indoor pavilion, and a beach on Puget Sound. It is situated in Belltown at the northern end of the Central Waterfront and the southern end of Myrtle Edwards Park.
Tokyo Big Sight, officially known as Tokyo International Exhibition Center, is a convention and exhibition center in Tokyo, Japan, and the largest one in the country. Opened in April 1996, the center is located in the Ariake Minami district of Tokyo Waterfront City on the Tokyo Bay waterfront. Its most iconic feature is the visually distinctive Conference Tower. The name Tokyo Big Sight in Japanese eventually became the official name, and it also became the name of the operator in April 2003.
The Binoculars Building is the common name of Google's Venice campus in Los Angeles, California. Originally known as the Chiat/Day Building, it was built in 1991 for the advertising agency Chiat/Day and designed by architect Frank Gehry. The building has a prominent public artwork entitled Giant Binoculars (1991), designed by artists Claes Oldenburg and Coosje van Bruggen, on its street-facing façade, hence the vernacular name.
The National Gallery of Art Sculpture Garden is the most recent addition to the National Gallery of Art in Washington, D.C. in the United States. It is located on the National Mall between the National Gallery's West Building and the Smithsonian Institution's National Museum of Natural History.
Skulptur Projekte Münster is an exhibition of sculptures in public places in the town of Münster (Germany). Held every ten years since 1977, the exhibition shows works of invited international artists for free in different locations all over town, thereby confronting art with public places. After every exhibition, the city buys a few of the exhibited sculptures which are then installed permanently.
Inverted Collar and Tie is a sculpture designed in 1994 by Claes Oldenburg and Coosje van Bruggen. It is located in Frankfurt's Westend in front of the Westend Tower. The DG Bank ordered the artwork in 1993. It was made in California.
The year 2009 in art involves various significant events.
Claes Oldenburg was a Swedish-born American sculptor best known for his public art installations, typically featuring large replicas of everyday objects. Another theme in his work is soft sculpture versions of everyday objects. Many of his works were made in collaboration with his wife, Coosje van Bruggen, who died in 2009; they had been married for 32 years. Oldenburg lived and worked in New York City.
Coosje van Bruggen was a Dutch-born American sculptor, art historian, and critic. She collaborated extensively with her husband, Claes Oldenburg.
Clothespin is a weathering steel sculpture by Claes Oldenburg, located at Centre Square, 1500 Market Street, Philadelphia. It is designed to appear as a monumental black clothespin. Oldenburg is noted for his attempts to democratize art with large stylized sculptures of everyday objects, and the location of Clothespin, above Philadelphia's City Hall subway station, allows thousands of commuters to view it on a daily basis. It was commissioned in May 1974 by developer Jack Wolgin as part of the Philadelphia Redevelopment Authority's percent for art program, and was dedicated June 25, 1976.
Lipstick (Ascending) on Caterpillar Tracks is a weathering steel sculpture by Claes Oldenburg. It is located at Morse College Courtyard, at Yale University, in New Haven, Connecticut.
Needle, Thread and Knot is a public artwork in two parts by Claes Oldenburg and Coosje van Bruggen in Piazzale Cadorna, Milan, Italy.
Cupid's Span is an outdoor sculpture by married artists Claes Oldenburg and Coosje van Bruggen, installed along the Embarcadero in San Francisco, California, in the United States. The 70-foot (21 m) sculpture, commissioned by Gap Inc. founders Donald and Doris F. Fisher, depicts a partial bow and piece of an arrow.
Carlson Baker Arts is an American company that provides custom fabrication and engineering services to artists, architectural firms and commercial companies. Based in Sun Valley, California, the company is most known for its work for artists such as Ellsworth Kelly, Jeff Koons, Christian Moeller, Isamu Noguchi, and Claes Oldenburg / Coosje van Bruggen, among others. The firm was founded by Peter Carlson in 1971, and has been headed by Carlson and John Baker as partners since mid-2010. Fabricators like Carlson Baker assist in producing technically challenging, large-scale industrial, labor-intensive, or otherwise complex artworks beyond the capacities of artists and companies. Their technical services may range from 3D scanning and modeling to advanced machining, milling, and finishing to assembly, shipping, and installation. Art writers describe the company as one of the field's pioneering and leading fabricators; in 2007, when Artforum gathered a roundtable to discuss the history and growth of art fabrication, it included Carlson and his partner of the time, Ed Suman, as leaders who had "helped realize some of the most technologically ambitious artworks" of the time. Art historian Michelle Kuo described the company as embodying "a growing convergence of artisanal craft, the factory model of production, and the organizational services and informatics that bind these elements together." Specific projects that Carlson Baker has fabricated include: Koons's Balloon Dog series (1996–2010); public sculptures by Oldenburg and van Bruggen, Moeller, and Tony Tasset ; and Kelly's "Panel" and "Totem" series.