"A Lover's Complaint" is a narrative poem written by William Shakespeare, and published as part of the 1609 quarto of Shakespeare's Sonnets . It was published by Thomas Thorpe.
"A Lover’s Complaint" is an example of the female-voiced complaint, which is frequently appended to sonnet sequences. Other examples include Samuel Daniel's "Complaint to Rosamund", which follows Daniel's Delia (1592), Thomas Lodge's "Complaint of Elstred", which follows Phillis (1593), Michael Drayton's "Matilda the Faire", which follows Ideas Mirrour (1594), and Richard Barnfield's "Cassandra", which follows Cynthia with certaine sonnets. [1]
The poem consists of forty-seven stanzas of seven-lines each written in the form known as rhyme royal (rhyme scheme ABABBCC), a metre identical to that of Shakespeare's longer narrative poem The Rape of Lucrece .
The poem begins with a description of a young woman weeping at the edge of a river, into which she throws torn-up letters, rings, and other tokens of love. An old man nearby approaches the woman and asks the reason for her sorrow. She responds by telling him of a former lover who pursued, seduced, and finally abandoned her. She recounts in detail the speech her lover gave to her which seduced her. She concludes her story by conceding that she would fall for the young man's false charms again:
O, that infected moisture of his eye,
O, that false fire which in his cheek so glowed,
O, that forc'd thunder from his heart did fly,
O, that sad breath his spungy lungs bestowed,
O, all that borrowed motion seeming owed,
Would yet again betray the fore-betray'd,
And new pervert a reconciled maid! [2]
Few have questioned the authorship of the poem. Shakespeare's authorship was not questioned until the early 19th century, when Hazlitt expressed doubts. In 1917 Robertson suggested that the poem, and several plays, were written by Chapman. This idea was not widely accepted, and attributions based on general aesthetic impressions of a poem have since become less common among literary scholars. [3] "A Lover's Complaint" contains words and forms not found elsewhere in Shakespeare, including archaisms and Latinisms. Edmond Malone called the poem "beautiful", and suggested that Shakespeare may have been trying to compete with Edmund Spenser. [4] Critics have seen thematic parallels to situations in Shakespeare's All's Well That Ends Well and Measure for Measure . [4] According to John Kerrigan in Motives of Woe, the poem may be regarded as an appropriate coda to the sonnets, with its narrative triangle of young woman, elderly man, and seductive suitor paralleling a similar triangle in the sonnets themselves. [5] Stanley Wells and Paul Edmondson note that:
It was not unusual for sonnets to be followed by longer poems. Late sixteenth-century readers developed a taste for them and would not have been surprised to find complaints at the end of sonnet collections. Samuel Daniel's Delia is followed by The Complaint of Rosamund (1592), Thomas Lodge's Phillis is followed by The Complaint of Elstred (1593), Richard Barnfield's Cassandra succeeds Cynthia, with Certain Sonnets (1595). [6]
Shakespeare is widely accepted as the poems' author. This is supported by studies written by Kenneth Muir, Eliot Slater and MacDonald P. Jackson. [4]
One writer suggests that the author was an anonymous early Elizabethan poet. [7]
In 2007 Brian Vickers, suggested the poem was written by John Davies of Hereford, an author of theological pamphlets. [8] He details arguments for the non-Shakespearean nature of the poem and lists numerous verbal parallels between the "Complaint" and the known works of Davies: – such as 'What brest so cold that is not warmed heare' and 'What heart's so cold that is not set on fire'. On this evidence it was omitted from the 2007 RSC Complete Works. MacDonald P. Jackson, in his review of Vickers' book in the Review of English Studies , calls this omission a "mistake" and states that Vickers' evidence is "very meagre." Jackson adds:
Had Vickers keyed in "spongy", "outwardly", and "physic"—trying the various possible original spellings and selecting instances of "physic" as a verb—he would have found that in the whole of LION ["literature online" database], covering more than six centuries of English poetry, drama, and prose, four separate works contain all three words: Troilus and Cressida, Macbeth, Cymbeline, and "A Lover's Complaint".
Harold Love, in his The Times Literary Supplement review, has similar questions regarding Vickers' suggestion:
Vickers was led to Davies by the number of words from the "Complaint" he found during a computer search of the invaluable LION archive; but any such investigation is bound to favour such a voluminous author against the less prolific or minimally preserved. In similar work on Restoration poets, I continually found parallels with the verse of Ned Ward for works that it was chronologically impossible for him to have written. The reasons were that, like Davies, he wrote a vast amount of verse and that his style had a chameleonlike quality that brought it close to the poetic mean of the time.
Richard Barnfield was an English poet. His relationship with William Shakespeare has long made him interesting to scholars. It has been suggested that he was the "rival poet" mentioned in Shakespeare's sonnets.
Samuel Daniel (1562–1619) was an English poet, playwright and historian in the late-Elizabethan and early-Jacobean eras. He was an innovator in a wide range of literary genres. His best-known works are the sonnet cycle Delia, the epic poem The Civil Wars Between the Houses of Lancaster and York, the dialogue in verse Musophilus, and the essay on English poetry A Defence of Rhyme. He was considered one of the preeminent authors of his time and his works had a significant influence on contemporary writers, including William Shakespeare. Daniel's writings continued to influence authors for centuries after his death, especially the Romantic poets Samuel Taylor Coleridge and William Wordsworth. C. S. Lewis called Daniel "the most interesting man of letters" whom the sixteenth century produced in England.
William Shakespeare (1564–1616) wrote sonnets on a variety of themes. When discussing or referring to Shakespeare's sonnets, it is almost always a reference to the 154 sonnets that were first published all together in a quarto in 1609. However, there are six additional sonnets that Shakespeare wrote and included in the plays Romeo and Juliet, Henry V and Love's Labour's Lost. There is also a partial sonnet found in the play Edward III.
John Davies of Hereford was a writing-master and an Anglo-Welsh poet. He referred to himself as John Davies of Hereford in order to distinguish himself from others of the same name, particularly the contemporary poet Sir John Davies (1569–1626).
Sonnet 6 is one of 154 sonnets written by the English playwright and poet William Shakespeare. It is a procreation sonnet within the Fair Youth sequence. The sonnet continues Sonnet 5, thus forming a diptych. It also contains the same distillatory trope featured in Sonnet 54, Sonnet 74 and Sonnet 119.
Sonnet 20 is one of the best-known of 154 sonnets written by the English playwright and poet William Shakespeare. Part of the Fair Youth sequence, the subject of the sonnet is widely interpreted as being male, thereby raising questions about the sexuality of its author. In this sonnet the beloved's beauty is compared to both a man's and a woman's.
Sonnet 22 is one of 154 sonnets written by the English playwright and poet William Shakespeare, and is a part of the Fair Youth sequence.
Sonnet 23 is one of a sequence of 154 sonnets written by the English playwright and poet William Shakespeare, and is a part of the Fair Youth sequence.
Sonnet 24 is one of 154 sonnets written by the English playwright and poet William Shakespeare, and is a part of the Fair Youth sequence.
Sonnet 36 is one of 154 Shakespeare's sonnets written by the English playwright and poet William Shakespeare. It's a member of the Fair Youth sequence, in which the speaker expresses his love towards a young man.
Sonnet 39 is one of 154 sonnets written by the English playwright and poet William Shakespeare. It is a member of the Fair Youth sequence, in which the poet expresses his love towards a young man.
Shakespeare's Sonnet 40 is one of the sequence addressed to a well-born, handsome young man to whom the speaker is devoted. In this poem, as in the others in this part of the sequence, the speaker expresses resentment of his beloved's power over him.
Shakespeare's Sonnet 47 is one of the Fair Youth sequence, addressed to a well-born young man. More locally, it is a thematic continuation of Sonnet 46.
Sonnet 49 is one of 154 sonnets written by the English playwright and poet William Shakespeare. It is a member of the Fair Youth sequence, in which the poet expresses his love towards a young man.
Shakespeare's Sonnet 58 is a syntactic and thematic continuation of Sonnet 57. More generally, it belongs to the large group of sonnets written to a young, aristocratic man, with whom the poem's speaker shares a tempestuous relationship. In this poem, the speaker complains of the beloved's voluntary absence, using the occasion to outline a more general lament against his own powerlessness and the indifference of the young man.
Sonnet 92 is one of 154 sonnets written by the English playwright and poet William Shakespeare. It is a member of the Fair Youth sequence, in which the poet expresses his love towards a young man.
Sonnet 143 is one of 154 sonnets written by the English playwright and poet William Shakespeare.
Sonnet 128 is one of William Shakespeare's sonnets.
Sonnet 78 is one of 154 sonnets published by the English playwright and poet William Shakespeare in 1609. It is one of the Fair Youth sequence, and the first of the mini-sequence known as the Rival Poet sonnets, thought to be composed some time from 1598 to 1600.
Sonnet 109 is one of 154 sonnets written by the English playwright and poet William Shakespeare. It's a member of the Fair Youth sequence, in which the poet expresses his love towards a young man.