The music of Latin America refers to music originating from Latin America, namely the Romance-speaking regions of the Americas south of the United States. Latin American music also incorporate the Indigenous peoples of the Americas. Due to its highly syncretic nature, Latin American music encompasses a wide variety of styles, including influential genres such as cumbia, bachata, bossa nova, merengue, rumba, salsa, samba, son, and tango. During the 20th century, many styles were influenced by the music of the United States giving rise to genres such as Latin pop, rock, jazz, hip hop, and reggaeton.
The Music of Puerto Rico has evolved as a heterogeneous and dynamic product of diverse cultural resources. The most conspicuous musical sources of Puerto Rico have primarily included African, Taino Indigenous, and European influences. Puerto Rican music culture today comprises a wide and rich variety of genres, ranging from essentially native genres such as bomba, jíbaro, seis, danza, and plena to more recent hybrid genres such as salsa, Latin trap and reggaeton. Broadly conceived, the realm of "Puerto Rican music" should naturally comprise the music culture of the millions of people of Puerto Rican descent who have lived in the United States, especially in New York City. Their music, from salsa to the boleros of Rafael Hernández, cannot be separated from the music culture of Puerto Rico itself.
Plena is a genre of music and dance native to Puerto Rico.
Parang is a popular folk music originating from Venezuela and Trinidad and Tobago that was brought to Trinidad and Tobago by Venezuelan migrants who were primarily of Amerindian, Spanish, Mestizo, Pardo, and African heritage, something which is strongly reflected in the music itself. The word is derived from two Spanish words: parranda, meaning "a spree”, and parar meaning "to stop".
A tiple, is a plucked typically 12-string chordophone of the guitar family. A tiple player is called a tiplista. The first mention of the tiple comes from musicologist Pablo Minguet e Irol in 1752. Although many variations of the instrument exist, the tiple is mostly associated with Colombia, and is considered the national instrument. The Puerto Rican version characteristically has fewer strings, as do variants from Cuba, Mallorca, and elsewhere among countries of Hispanic origin.
The Bordonua (Bordonúa) is a large, deep body bass guitar which is native to Puerto Rico. They are made using several different shapes and sizes.
Misa de Gallo is the Midnight Mass celebrated in Spain and many former Spanish colonies on Christmas Eve and sometimes in the days immediately preceding Christmas.
Vicente Carattini was a singer and composer of Puerto Rican Christmas-related songs.
Jíbaro is a word used in Puerto Rico to refer to the countryside people who farm the land in a traditional way. The jíbaro is a self-subsistence farmer, and an iconic reflection of the Puerto Rican people. Traditional jíbaros were also farmer-salesmen who would grow enough crops to sell in the towns near their farms to purchase the bare necessities for their families, such as clothing.
Fray Íñigo Abbad y Lasierra (1745–1813), born in Estadilla, Spain, was a Benedictine monk and the first historian to extensively document Puerto Rico's history, nationality, and culture.
A parranda is a Puerto Rican music tradition that takes place in Puerto Rico during the Christmas holiday season. Parrandas are social events that feature traditional Puerto Rican music, food, and drinks. The traditional events have been likened to Christmas caroling, but the contents of the songs are secular rather than religious. They are sometimes carried out in the evening, but most traditionally occur in the night, even into the wee hours of the morning. The songs sung are almost exclusively aguinaldos. In this tradition, people go to their friends' or relatives' homes "singing songs, eating pasteles and arroz con dulce, sipping coquito and picking up people along the way" who then join in to proceed to the next home.
The cuatro is a family of Latin American string instruments played in Colombia, Puerto Rico, Venezuela and other Latin American countries. It is derived from the Spanish guitar. Although some have viola-like shapes, most cuatros resemble a small to mid-sized classical guitar. In Puerto Rico and Venezuela, the cuatro is an ensemble instrument for secular and religious music, and is played at parties and traditional gatherings.
Víctor Guillermo "Yomo" Toro was a Puerto Rican left-handed guitarist and cuatro player. Known internationally as "The King of the Cuatro," Toro recorded over 150 albums throughout a 60-year career and worked extensively with Cuban legends Arsenio Rodríguez and Alfonso "El Panameño" Joseph; salsa artists Willie Colón, Héctor Lavoe and Rubén Blades; and artists from other music genres including Frankie Cutlass, Harry Belafonte, Paul Simon, Linda Ronstadt and David Byrne.
William Richard Cumpiano is a builder of stringed musical instruments and is known for his writing and teaching of the art of luthiery. He has been involved in the preservation and understanding of the fading musical and musical craft traditions of his native Puerto Rico. Cumpiano was instrumental in the development of the first feature-length documentary about the cuatro and its music, Our Cuatro: The Puerto Ricans and Stringed Instruments, Volumes 1 and 2.
The Puerto Rican cuatro is the national instrument of Puerto Rico. It belongs to the lute family of string instruments, and is guitar-like in function, but with a shape closer to that of the violin. The word cuatro means "four", which was the total number of strings of the earliest Puerto Rican instrument known by the cuatro name.
The cuatro of Venezuela has four single nylon strings, tuned (ad'f#'b). It is similar in shape and tuning to the ukulele, but their character and playing technique are vastly different. It is tuned in a similar fashion to the traditional D tuning of the ukulele, but the A and B are an octave lower. Consequently, the same fingering can be used to shape the chords, but it produces a different inversion of each chord. A cuatro player is called a cuatrista.
Tomás Rivera Morales, simply known as "Maso Rivera", was a Puerto Rican musician and a major exponent of Puerto Rico's Jíbaro music. Rivera composed over 1,000 instrumental compositions for the Cuatro, Puerto Rico's national instrument.
Edwin Colón Zayas, is a Puerto Rican cuatro player from Puerto Rico. He joins a large number of Puerto Rican artists, "innovative tradition-bearing," who focus their talents in extolling the virtues of the Puerto Rican creole and Jíbaro way of life.
Andrés Jiménez Hernández, popularly known as "El Jíbaro", is a composer and singer of traditional Puerto Rican folk music and is that music genre's best known contemporary trovador linked to the Neofolkloric movement of the Nueva Canción.
Cachi Cachi music, also spelled Kachi Kachi, Kachi-Kachi and Katchi-Katchi, is a term that was coined to refer to music played by Puerto Ricans in Hawaii, after they migrated to Hawaii in 1901.
