| Ain't But a Few of Us Left | ||||
|---|---|---|---|---|
 | ||||
| Studio album by | ||||
| Released | 1981 | |||
| Recorded | November 30, 1981 [1] | |||
| Genre | Jazz | |||
| Length | 39:40 | |||
| Label | Pablo | |||
| Producer | Norman Granz | |||
| Milt Jackson chronology | ||||
| ||||
| Oscar Peterson chronology | ||||
| ||||
| Review scores | |
|---|---|
| Source | Rating |
| AllMusic |   [2] |
| The Penguin Guide to Jazz Recordings |  [3] |
Ain't But a Few of Us Left is an album by jazz musicians Milt Jackson and Oscar Peterson, released in 1981.
Oscar Emmanuel Peterson, was a Canadian jazz pianist, virtuoso and composer. He was called the "Maharaja of the keyboard" by Duke Ellington, simply "O.P." by his friends, and informally in the jazz community as "the King of inside swing". He released over 200 recordings, won eight Grammy Awards, and received numerous other awards and honours. He is considered one of history's great jazz pianists, and played thousands of concerts worldwide in a career lasting more than 60 years.
Coleman Randolph Hawkins, nicknamed "Hawk" and sometimes "Bean", was an American jazz tenor saxophonist. One of the first prominent jazz musicians on his instrument, as Joachim E. Berendt explained: "there were some tenor players before him, but the instrument was not an acknowledged jazz horn". Hawkins biographer John Chilton described the prevalent styles of tenor saxophone solos prior to Hawkins as "mooing" and "rubbery belches." Hawkins cited as influences Happy Caldwell, Stump Evans, and Prince Robinson, although he was the first to tailor his method of improvisation to the saxophone rather than imitate the techniques of the clarinet. Hawkins' virtuosic, arpeggiated approach to improvisation, with his characteristic rich, emotional, loud, and vibrato-laden tonal style, was the main influence on a generation of tenor players that included Chu Berry, Charlie Barnet, Tex Beneke, Ben Webster, Vido Musso, Herschel Evans, Buddy Tate, and Don Byas, and through them the later tenormen, Arnett Cobb, Illinois Jacquet, Flip Phillips, Ike Quebec, Al Sears, Paul Gonsalves, and Lucky Thompson. While Hawkins became well known with swing music during the big band era, he had a role in the development of bebop in the 1940s.
Milton "Bags" Jackson was an American jazz vibraphonist, usually thought of as a bebop player, although he performed in several jazz idioms. He is especially remembered for his cool swinging solos as a member of the Modern Jazz Quartet and his penchant for collaborating with hard bop and post-bop players.
The Modern Jazz Quartet (MJQ) was a jazz combo established in 1952 that played music influenced by classical, cool jazz, blues and bebop. For most of its history the Quartet consisted of John Lewis (piano), Milt Jackson (vibraphone), Percy Heath, and Connie Kay (drums). The group grew out of the rhythm section of Dizzy Gillespie's big band from 1946 to 1948, which consisted of Lewis and Jackson along with bassist Ray Brown and drummer Kenny Clarke. They recorded as the Milt Jackson Quartet in 1951 and Brown left the group, being replaced on bass by Heath. During the early-to-mid-1950s they became the Modern Jazz Quartet, Lewis became the group's musical director, and they made several recordings with Prestige Records, including the original versions of their two best-known compositions, Lewis's "Django" and Jackson's "Bags' Groove". Clarke left the group in 1955 and was replaced as drummer by Connie Kay, and in 1956 they moved to Atlantic Records and made their first tour to Europe.
Very Tall is a 1961 album by the jazz pianist Oscar Peterson and his trio, with the vibraphonist Milt Jackson.
Discography for jazz double-bassist and cellist Ray Brown.
"I Got It Bad " is a pop and jazz standard with music by Duke Ellington and lyrics by Paul Francis Webster published in 1941. It was introduced in the musical revue Jump for Joy by Ivie Anderson, who also provided the vocals for Duke Ellington and His Orchestra on the single Victor 27531. Recordings to reach the Billboard charts in 1941/42 were by Duke Ellington (#13) and by Benny Goodman (#25).
"If I Should Lose You" is a song composed by Ralph Rainger, with lyrics by Leo Robin. It was introduced in the 1936 film Rose of the Rancho.
Jazz Giants '58 is a 1958 album produced by Norman Granz featuring Stan Getz, Gerry Mulligan and Harry "Sweets" Edison, accompanied by Louis Bellson and the Oscar Peterson trio.
The Complete Last Concert is a double CD live album by American jazz group the Modern Jazz Quartet featuring performances recorded at Avery Fisher Hall in 1974 and released on the Atlantic label originally as a double album The Last Concert (1975) and More from the Last Concert (1981) before the complete edition was released in 1988.
Live at the North Sea Jazz Festival, 1980 is a 1980 album by Oscar Peterson, accompanied by Joe Pass, Toots Thielemans and Niels-Henning Ørsted Pedersen.
Two of the Few is a 1983 studio album by pianist Oscar Peterson and vibraphonist Milt Jackson.
Reunion Blues is a 1971 album by Oscar Peterson and Milt Jackson.
The Way I Really Play is a 1968 album by jazz pianist Oscar Peterson. It is the third part of Peterson's Exclusively for My Friends series.
Mellow Mood is an album by jazz pianist Oscar Peterson and his trio, released in 1968. The session was recorded in Germany at the private studio of Hans Georg Brunner-Schwer and released on the German MPS label. This album was the fifth part of Peterson's Exclusively for My Friends series on MPS. The series was reissued as a box set in 1992 by MPS. A remastered SACD was issued in 2003 on Verve Records.
Solo is an album by jazz pianist Oscar Peterson, recorded in concert in 1972 and released in 2002.
Frederick Eugene John Lees was a Canadian music critic, biographer, lyricist, and journalist. Lees worked as a newspaper journalist in his native Canada before moving to the United States, where he was a music critic and lyricist. His lyrics for Antonio Carlos Jobim's "Corcovado", have been recorded by such singers as Frank Sinatra, Peggy Lee, Queen Latifah, and Diana Krall.
Ballads & Blues is an album by American jazz vibraphonist Milt Jackson featuring performances recorded in 1956 and released on the Atlantic label.
Ellington Is Forever is an album by guitarist Kenny Burrell featuring compositions associated with Duke Ellington recorded in 1975 and released on the Fantasy Records label. Originally released as a double album set in 1975 it was rereleased on CD in 1993 as Ellington Is Forever Volume 1.
Dedicated to Connie is a live album by American jazz group the Modern Jazz Quartet featuring performances recorded in Slovenia in May 1960 and released in 1995 on the Atlantic label following drummer Connie Kay's death. The album was also released by Jazz Life in 1990 as Modern Jazz Quartet In Concert.
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