Alex Ross | |
---|---|
Born | Washington, D.C., U.S. | January 12, 1968
Alma mater | Harvard University (BA) |
Occupations |
|
Known for | The Rest Is Noise (2007) Listen to This (2011) Wagnerism (2020) |
Notable credits | |
Awards | MacArthur Fellowship Belmont Prize Full list |
Website | www |
Alex Ross (born January 12, 1968) is an American music critic and author who specializes in classical music. Ross has been a staff member of The New Yorker magazine since 1996. His extensive writings include performance and record reviews, industry updates, cultural commentary, and historical narratives in the realm of classical music. [1] He has written three well-received books: The Rest Is Noise: Listening to the Twentieth Century (2007), Listen to This (2011), and Wagnerism: Art and Politics in the Shadow of Music (2020).
A graduate of Harvard University and student of composer Peter Lieberson, from 1992 to 1996 Ross was a critic for The New York Times . He has received wide acclaim for his publications; The Rest Is Noise was a finalist for the 2008 Pulitzer Prize for General Nonfiction, and his other awards and honors include a MacArthur Fellowship and the Belmont Prize. He maintains a popular classical music blog, The Rest is Noise. [2]
Alex Ross was born on January 12, 1968, in Washington, D.C. [3] He attended the Potomac School in McLean, Virginia and St. Albans School in Washington, DC, graduating in 1986. [4] [5] [n 1] He was a 1990 graduate of Harvard University, where he studied under composer Peter Lieberson and was a DJ on the classical and underground rock departments of the college radio station, WHRB. [6] During his time at Harvard he first began music criticism, writing reviews for Fanfare , a classical music magazine. [6]
From 1992 to 1996 Ross was a music critic at The New York Times . He also wrote for The New Republic , Slate , the London Review of Books , Lingua Franca , Fanfare and Feed . He first contributed to The New Yorker in 1993 and became a staff writer in 1996, succeeding Paul Griffiths. [6] As of 2021, Ross and Justin Davidson at New York are the only classical music critics who write regularly for a general-interest American magazine. [7]
The music critic Edward Rothstein has said that Ross tries "to restore critical vigour by loosening the boundaries isolating the classical tradition from the world of politics and popular culture". [8] Ross maintains a popular classical music blog, The Rest is Noise, [2] which the musicologist Lars Helgert called "among the most highly regarded web resources for classical music criticism". [1]
His first book, The Rest Is Noise: Listening to the Twentieth Century , a cultural history of music since 1900, was released in the U.S. in 2007 by Farrar, Straus and Giroux and in the U.K. in 2008. The book received widespread critical praise in the U.S., garnering a National Book Critics Circle Award, a spot on The New York Times list of the ten best books of 2007, and a finalist citation for the Pulitzer Prize in general nonfiction. It was also shortlisted for the 2008 Samuel Johnson Prize for nonfiction. [9] [10] His second book, Listen to This, was released in the U.S. in September 2010 by Farrar, Straus and Giroux and was published in the U.K. in November 2010. In September 2020, his third book, Wagnerism, came out. [11] [12]
Ross married director Jonathan Lisecki in Canada in 2006. [13] He is now based in New York City, [14] living in Chelsea, Manhattan. [13]
Ross has received a MacArthur Fellowship (2008), [15] three ASCAP Deems Taylor Awards for music writing, and a Holtzbrinck fellowship at the American Academy in Berlin. [14] In 2012 he received the Belmont Prize for Contemporary Music at the pèlerinages Art Festival in Weimar. [16] In 2016, he was awarded the Champion of New Music award by the American Composers Forum. [17]
The Wagner tuba is a four-valve brass instrument commissioned by and named after Richard Wagner. It combines technical features of both standard tubas and French horns, though despite its name, the Wagner tuba is more similar to the latter, and usually played by horn players. Wagner commissioned the instrument for his four-part opera cycle Der Ring des Nibelungen, where its purpose was to bridge the acoustical and textural gap between the French horn and trombone.
Paul Muldoon is an Irish poet.
Louis Menand is an American critic, essayist, and professor who wrote the Pulitzer-winning book The Metaphysical Club (2001), an intellectual and cultural history of late 19th- and early 20th-century America.
The Marlboro Music School and Festival is a retreat for advanced classical training and musicianship held for seven weeks each summer in Marlboro, Vermont, in the United States. Public performances are held each weekend while the school is in session, with the programs chosen only a week or so in advance from the sixty to eighty works being currently rehearsed. Marlboro Music was conceived as a retreat where young musicians could collaborate and learn alongside master artists in an environment removed from the pressures of performance deadlines or recording. It combines several functions; Alex Ross describes it as functioning "variously as a chamber-music festival, a sort of finishing school for gifted young performers, and a summit for the musical intelligentsia".
Harold Charles Schonberg was an American music critic and author. He is best known for his contributions in The New York Times, where he was chief music critic from 1960 to 1980. In 1971, he became the first music critic to win the Pulitzer Prize for Criticism. An influential critic, he is particularly well known for his encouragement of Romantic piano music and criticism of conductor Leonard Bernstein. He also wrote a number of books on music, and one on chess.
Marilynne Summers Robinson is an American novelist and essayist. Across her writing career, Robinson has received numerous awards, including the Pulitzer Prize for Fiction in 2005, National Humanities Medal in 2012, and the 2016 Library of Congress Prize for American Fiction. In 2016, Robinson was named in Time magazine's list of 100 most influential people. Robinson began teaching at the Iowa Writers' Workshop in 1991 and retired in the spring of 2016.
Carl Phillips is an American writer and poet. He is a professor of English at Washington University in St. Louis. In 2023, he was awarded a Pulitzer Prize for Poetry for his Then the War: And Selected Poems, 2007-2020.
He Luting was a Chinese composer of the early 20th century. He composed songs for Chinese films beginning in the 1930s, some of which remain popular.
Carl Michael Alfred Steinberg was an American music critic and author who specialized in classical music. He was best known, according to San Francisco Chronicle music critic Joshua Kosman, for "the illuminating, witty and often deeply personal notes he wrote for the San Francisco Symphony's program booklets, beginning in 1979." He contributed several entries to the New Grove Dictionary of Music and Musicians, wrote articles for music journals and magazine, notes for CDs, and published a number of books on music, both collected published annotations and new writings.
Justin Davidson is an American classical music and architecture critic of Italian birth. He has been the New York magazine's critic in both disciplines since 2007.
The Rest Is Noise: Listening to the Twentieth Century is a 2007 nonfiction book by the American music critic Alex Ross, first published by Farrar, Straus and Giroux. It recounts the history of European and American music, starting in 1900, and highlights many examples. According to Grove Music Online, the book was intended to "open musical discourse to the broader educated public".
A list of the works by or about music critic Alex Ross.
List of the published work of George Packer, American journalist, novelist, and playwright.
Robert Paul Commanday was an American music critic who specialized in classical music. Among the leading critics of the West Coast, Commanday was a major presence in the Bay Area music scene over a five-decade career. From 1964 to 1994 he was the chief classical music critic of the San Francisco Chronicle, following which he became the founding editor of San Francisco Classical Voice in 1998.
Jeremy Adam Eichler is an American music critic and cultural historian. From 2006 to 2024, he was the chief classical music critic of The Boston Globe, with the "Third Ear" column. He is set to take on a newly created professorship in music history and public humanities at Tufts University.
Trevor Noël Goodwin was an English music critic, dance critic and author who specialized in classical music and ballet. Described as having a "rare ability to write about music and dance with equal distinction", for 22 years Goodwin was Chief music and dance critic for the Daily Express. He held criticism posts at many English newspapers, including the News Chronicle, Truth and The Manchester Guardian among others; from 1978 to 1998 he also reviewed performances for The Times. Goodwin wrote an early history of the Scottish Ballet and was coauthor for two books: London Symphony: Portrait of an Orchestra with Hubert J. Foss and a Knight at the Opera with Geraint Evans.