Art Nouveau religious buildings

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Art Nouveau temples are churches, chapels, synagogues, and mosques built in the style known as Art Nouveau in French and English languages (also Modern Style or Glasgow style in the latter one), Jugendstil in Germany and Nordic countries, Secessionsstil in countries of former Austro-Hungary, Modernisme in Catalan, Modern in Russian, Stile Liberty or Stile Floreale in Italian. As National Romantic style is also referred to Art Nouveau, churches of that style are also listed here, as well as some temples not of pure Art Nouveau style but with distinctive Art Nouveau features.

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Art Nouveau churches of Spain

The only churches that are designated UNESCO World Heritage List sites are works of Antoni Gaudí: [1] Sagrada Família basilica in Barcelona (1882–) that is still under construction and Church of Colònia Güell in Santa Coloma de Cervelló, province of Barcelona, that Gaudí along with Francesc Berenguer i Mestres and Joan Rubió left unfinished in 1914.

Sagrada Família is not pure Art Nouveau: its construction started before the movement incepted with a Neo-Gothic design by Francisco de Paula del Villar, of which only the crypt was built. Francisco de Paula del Villar resigned in 1883 and the project was rebuilt by Gaudí.

Sagrada Família was a vague inspiration [2] for the construction of Sanctuary of Maria Magdalena  [ ca ] by José Sala Sala  [ es ] in Novelda of the Catalan-speaking Valencian Community. Though the construction started in 1918 and finished in 1946, this church is regarded as a valuable monument of Valencian Art Nouveau. [2]

Another example of a Modernisme church in Catalonia is the Carmen church  [ ca ] (1911-1913) in Barcelona by Josep Maria Pericas  [ ca ], an example of modernisme church by a Catalan architect in another part of Spain – the Christ church  [ es ] (1910-1912) in the Province of Teruel by Pau Monguió i Segura  [ ca ].

Art Nouveau churches of France

The church of Saint-Jean-de-Montmartre in Paris (1894-1904) was designed by architect Anatole de Baudot with stained glass windows executed by Jac Galland according to the design of Ernest-Pascal Blanchard, bronze interior sculptures by Pierre Roche, and ceramic tiles by Alexandre Bigot. The reinforced concrete structure followed a system developed by the engineer Paul Cottancin.

Another Art Nouveau religious building in Paris is Agoudas Hakehilos Synagogue (1913-1914) by Hector Guimard, who was not only the architect, but also created furnishings (luminaires, chandeliers, brackets, and benches), as well as the stylized vegetal decorations and the cast iron railings.

An Art Nouveau artist Eugène Grasset designed mosaics and stained glass windows (done by Félix Gaudin) for Saint-Étienne church  [ fr ] (1890-1895) in Briare, Centre-Val de Loire.

Art Nouveau churches of the British Empire

The only actually built church of the pioneer of Glasgow style Charles Rennie Mackintosh is the Queen's Cross Church (1898-1899) in Glasgow. An Art Nouveau design [3] by Bradshaw and Gass had a former Methodist church (1905) in Liverpool now hosting the Grand Central Hall, Hotel, and Grand Bazaar Food Hall.

Churches that have Art Nouveau features are:

Jugendstil churches of the German Empire and Switzerland

Churches with both Jugendstil exterior and interior are the Luther church in Wiesbaden, Hesse (1908-1911) [6] by Friedrich Pützer and Protestant Church in Wilnsdorf, North Rhine-Westphalia (1911-1913) by Gustav Mucke. Luther church in Wiesbaden is considered "a harmoniously composed Gesamtkunstwerk of German Protestant culture". [7]

Another notable Jugendstil church is St. Paul's Church (1902-1905) in Bern, built by Swiss architect Karl Moser with stained glass windows by Max Laeuger and considered as one of the best examples of Art Nouveau in the country. [8] [9] Before that artists worked on the construction of the Neo-Romanesque St. Paul's Church (1898-1901) in Basel featuring relief work on the church exterior above the main entrance by sculptor Carl Burckhardt , mosaics on the inner front wall by Heinrich Altherr and stained glass windows by Max Laeuger. [10]

Jugendstil elements of Tabor Church in Rahnsdorf, Berlin Albert Klingner are an altarpiece depicting the Transfiguration of Jesus (1911) and a tableau of the Four Evangelists John, Luke, Mark, and Matthew accompanied by scenes from the Old Testament. [11]

Jugendstil churches were built not only in Europe but also in German colonies in Africa and Asia. Lutheran church in Qingdao, China by Curt Rothkegel is fully Jugendstil while Christ Church in Windhoek by Gottlieb Redecker is a mix of Neo-Romanesque, Jugendstil and Gothic revival. [12]

Secession temples of Cisleithania (Austria)

Many well-known Vienna Secession artists were occupied in the construction of Kirche am Steinhof (1903-1907) in Vienna: Otto Wagner was the architect, mosaics and stained glass windows were designed by Koloman Moser and Rudolf Jettmar and made by Leopold Forstner, sculptural angels were made by Othmar Schimkowitz. [13] Leopold Forstner also created stained glass windows for St. Charles Borromeo Cemetery Church (1911-1913), also in Vienna, built to designs by the architect Max Hegele.

Notable Art Nouveau frescoes can be found in Peter and Paul Basilica in Prague, made by František Urban and his wife Marie Urbanová-Zahradnická.

Famous Czech painter Alphonse Mucha created stained glass windows for St. Vitus Cathedral in Prague. Though created in the 1930s, when Art Nouveau has already faded, his style remained unchanged.

Some Art Nouveau features can be found in the interior of Jubilee Synagogue in Prague.

Szecesszió temples of the Kingdom of Hungary

The pioneer and prophet of the Szecesszió (Secession in Hungarian), the architect Ödön Lechner [14] created several churches as well. His Saint Ladislaus church in Kőbánya  [ hu ] (1894-1899) is regarded as eclectic with Szecesszió features, while Blue Church (1909-1913) in Pozsony (present-day Bratislava) is truly Szecesszió.

Lechner's disciples Marcell Komor  [ hu ] and Dezső Jakab were commissioned to build the Synagogue in Szabadka (now Subotica, Serbia) in 1901–1903. Included into the List of 100 Most Endangered Sites in the World, it has undergone a full restoration completed in 2018. [15]

Another notable Hungarian architect was Károly Kós. His Roman Catholic churches in Zebegény, Hungary (1908–09) and Cluj-Napoca, Romania (1913–1914) are regarded at National Romantic. [16] Similar to his style the Fasori Reformed Church (1911-1913) by Aladár Árkay was built in Budapest. The church in Zebegény was painted by Aladár Körösfői-Kriesch, the founder of Gödöllő Art Colony.

National Romantic churches in Grand Duchy of Finland

Several dozens of National Romantic churches were built in Grand Duchy of Finland. Some of the largest are the Cathedral in Tampere (1902-1907) and the Kallio Church (1908-1912) in Helsinki, both designed by Lars Sonck. The cathedral is famous for its frescoes, painted by the symbolist Hugo Simberg, featuring versions of The Wounded Angel and The Garden of Death . The altar-piece, representing the future resurrection of people of all races, was painted by Magnus Enckell. Sonck's St Michael's Church in Turku (1894-1905) has Gothic Revival exterior but features National Romantic interior.

Josef Stenbäck was the architect of more than a dozen National Romantic churches throughout the Grand Duchy, e.g. Karuna Church (1908–1910). Three of the churches are now at the territory of Russia. [nb 1]

A notable example of wooden Art Nouveau church is Oulujoki Church (1907–1908) in Oulu by Victor J. Sucksdorff [17]

National Romantic churches in Sweden, Norway, and Denmark

Churches with National Romantic altars in Sweden are Engelbrekt Church in Stockholm (1910-1914) and wooden Kiruna Church (1909-1912, the altar by Prince Eugen, Duke of Närke). St. John's Church (1903-1906) in Malmö and Masthugg Church (1907-1914) in Gothenburg are also notable. In Denmark, Swedish Gustaf's Church (1908-1911) in Copenhagen can be noted.

In Norway, the example of a stone and brick National Romantic church is Lademoen Church (1903–05) in Trondheim. In Ålesund, a church completed in 1909 was built in Art Nouveau style along with many other buildings in the city. [18] Neo-Gothic church in Skien (1894) features Art Nouveau stained glass windows. Other examples of churches built in a mix of Neo-Gothic and National Romantic styles are Fagerborg Church and Vålerenga Church (both - in Oslo).

Temples of Modern Style in the Russian Empire

Most Art Nouveau churches in Russian Empire are also related to Russian Revival style. One of the most notable is Marfo-Mariinsky Convent in Moscow, katholikon of which was commissioned by Grand Duchess Elizabeth Feodorovna (born near Darmstadt that was the center of Jugendstil at the time) and built by Alexey Shchusev in 1908-1912. He also built many other churches with similar features, e.g. the Trinity Cathedral of Lavra (1906-1912) in Pochayiv featuring mosaics and paintings by Nicholas Roerich, churches in Natalyevka estate  [ ru ] (1911-1913), at the sight  [ ru ] of the Battle of Kulikovo (1913—1917).

Another church with mosaics by Nicholas Roerich is the Church of the Holy Spirit (1903–06) in Talashkino art colony by Sergey Malyutin. [19] The other art colony of Russia, Abramtsevo Colony, was known for its use of maiolica. In religious buildings in can be found at the Resurrection church (1908–11) in Vichuga.

While the former churches are Orthodox, there were numerous Old Believers churches built throughout the Empire as the restriction to build them was withdrawn in 1905. Two churches were built by Ilya Bondarenko in Moscow. Franz (Fyodor) Schechtel built an Old Believers chapel at the upper floor of the house of tycoon Stepan Ryabushinsky.

As Saint Petersburg was situated close to the border with Grand Duchy of Finland, there was a strong influence of its National Romantic style on local Art Nouveau Architecture, to temples as well. In Russian National Romantic style is called Severny modern literally meaning "Northern Art Nouveau". Though the Saint Petersburg Mosque (1909-1920) by Nikolai Vasilyev has Iranian architecture, some of its features are clearly National Romantic. [20] [21] [22]

Art Nouveau churches of the United States

Several churches and chapels in the United States have interior details crafted by Louis Comfort Tiffany:

Tiffany's chief designer for ecclesiastical windows was Frederick Wilson. [23] He also designed windows for at least five other firms. Notable examples can be found e.g. in Naval Academy Chapel in Annapolis.

Louis Comfort Tiffany also designed the whole interior for the Tiffany Chapel, first installed for the 1893 World's Columbian Exposition in Chicago and now on public display at the Charles Hosmer Morse Museum of American Art in Winter Park, Florida. [24]

A notable mix of the Prairie School and Art Nouveau styles is the Church of St. Bernard (1905–1914) by John Jager in Saint Paul, Minnesota.

Liberty churches in Italy

Notes

Related Research Articles

<span class="mw-page-title-main">Art Nouveau</span> 1890–1911 European style of art and architecture

Art Nouveau is an international style of art, architecture, and applied art, especially the decorative arts. It was often inspired by natural forms such as the sinuous curves of plants and flowers. Other characteristics of Art Nouveau were a sense of dynamism and movement, often given by asymmetry or whiplash lines, and the use of modern materials, particularly iron, glass, ceramics and later concrete, to create unusual forms and larger open spaces. It was popular between 1890 and 1910 during the Belle Époque period, and was a reaction against the academic art, eclecticism and historicism of 19th century architecture and decoration.

<span class="mw-page-title-main">Louis Comfort Tiffany</span> American stained glass and jewelry designer (1848–1933)

Louis Comfort Tiffany was an American artist and designer who worked in the decorative arts and is best known for his work in stained glass. He is the American artist most associated with the Art Nouveau and Aesthetic movements. He was affiliated with a prestigious collaborative of designers known as the Associated Artists, which included Lockwood de Forest, Candace Wheeler, and Samuel Colman. Tiffany designed stained glass windows and lamps, glass mosaics, blown glass, ceramics, jewellery, enamels, and metalwork. He was the first design director at his family company, Tiffany & Co., founded by his father Charles Lewis Tiffany.

<span class="mw-page-title-main">Lars Sonck</span> Finnish architect

Lars Eliel Sonck was a Finnish architect. He graduated from Helsinki Polytechnic Institute in 1894 and immediately won a major design competition for a church in Turku, St Michael's Church, ahead of many established architects. The church was designed in the prevailing neo-Gothic style. However, Sonck's style would soon go through a dramatic change, in the direction of Art Nouveau and National Romanticism that was moving through Europe at the end of the 19th century. During the 1920s, Sonck would also design a number of buildings in the emerging Nordic Classicism style.

<span class="mw-page-title-main">Basilica of St. Peter and St. Paul, Prague</span> Church in Prague, Czech Republic

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<span class="mw-page-title-main">Kirche am Steinhof</span>

Kirche am Steinhof, also called the Church of St. Leopold, is the Roman Catholic oratory of the Otto-Wagner-Spital in the area of Steinhof in Vienna, Austria. The building, designed by Otto Wagner, is considered one of the most important Art Nouveau churches in the world.

<span class="mw-page-title-main">Marian Peretyatkovich</span> Russian and Ukrainian architect

Marian Marianovich Peretyatkovich was a Russian and Polish architect. His premature death at the age of 43 limited his career to only eight years of independent practice (1908-1916), however, he managed to excel in a rational (Finnish) variety of late Art Nouveau, Renaissance Revival and Russian Revival in Saint Petersburg and Moscow. He is sometimes compared with Louis Sullivan on account of his insistence on functionality of office buildings.

<span class="mw-page-title-main">Vitebsky railway station</span> Railway station in St. Petersburg, Russia

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<span class="mw-page-title-main">St. Michael's Episcopal Church (Manhattan)</span> Church in Manhattan, New York

St. Michael's Church is a historic Episcopal church at 225 West 99th Street and Amsterdam Avenue on Manhattan's Upper West Side in New York City. The parish was founded on the present site in January 1807, at that time in the rural Bloomingdale District. The present limestone Romanesque building, the third on the site, was built in 1890–91 to designs by Robert W. Gibson and added to the National Register of Historic Places in 1996.

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<span class="mw-page-title-main">Blue Church</span> Church in Bratislava, Slovakia

The Church of St. Elizabeth, commonly known as Blue Church, is a Hungarian-Secessionist Catholic church located in the eastern part of the Old Town in Bratislava, present-day Slovakia. It is consecrated to Elisabeth of Hungary, daughter of Andrew II, who grew up in the Pressburg Castle (Pozsonyi vár). It is referred to as "The Little Blue Church" because of the colour of its façade, mosaics, majolicas and blue-glazed roof. It was initially part of the neighboring gymnázium and served as the school chapel.

<span class="mw-page-title-main">St. Paul's Episcopal Church (Troy, New York)</span> Historic church in New York, United States

St. Paul's Episcopal Church in Troy, New York, United States, is located at Third and State streets. It is home to one of the oldest congregations in the city. In 1979, the church and two outbuildings were added to the National Register of Historic Places. Seven years later, when the Central Troy Historic District was created and added to the Register, it was listed as a contributing property.

<span class="mw-page-title-main">Saint-Augustin, Paris</span> Church in arrondissement of Paris, France

The Église Saint-Augustin de Paris is a Roman Catholic church located at 46 boulevard Malesherbes in the 8th arrondissement of Paris. The church was built between 1860 and 1871 by the Paris city chief architect Victor Baltard. It was the first church in Paris to combine a cast-iron frame, fully visible, with stone construction. It was designed to provide a prominent landmark at the junction of two new boulevards built during Haussmann's renovation of Paris under Napoleon III. The closest métro station is Saint-Augustin

<span class="mw-page-title-main">Tiffany Chapel</span> 1893 glass work of art by Louis Comfort Tiffany

<span class="mw-page-title-main">Fagerborg Church</span> Church in Oslo, Norway

Fagerborg Church is located south of Stensparken at Fagerborg in Oslo, Norway.

<span class="mw-page-title-main">Parish of St. Gabriel and of St. Joseph (New Rochelle, New York)</span> Church in New York, United States

The Parish of St. Gabriel and of St. Joseph was formed in August 2015 with the merger of the Territorial parish of St. Gabriel on Division Street with the personal parish of St. Joseph on Washington Avenue, both in New Rochelle, NY. St. Gabriel is the parish church. However, St. Joseph "will maintain a regular schedule of Masses and the celebration of other sacraments". Both parishes were established around 1900 through the generosity of the Iselin family.

<span class="mw-page-title-main">Nicola D'Ascenzo</span> Stained glass artist (1871–1954)

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<span class="mw-page-title-main">St Thomas of Canterbury Church, Canterbury</span> Church in Kent, United Kingdom

St Thomas of Canterbury Church is a Roman Catholic Parish church in Canterbury, Kent, England. It was built from 1874 to 1875 in the Gothic Revival style. It is situated on the corner of Burgate and Canterbury Lane, west of Lower Bridge Street, opposite the grounds of Canterbury Cathedral in the centre of the city. It is the only Roman Catholic church in Canterbury, built on the site of a medieval church ; the old St Mary Magdalen’s Tower was retained. The church contains relics of Thomas Becket.

<span class="mw-page-title-main">Leopold Forstner</span>

Leopold Forstner was an artist who was part of the Viennese Secession movement, working in the Jugendstil style, focusing particularly on the mosaic as a form.

<span class="mw-page-title-main">Art Nouveau architecture in Russia</span>

Art Nouveau is an international style of art, architecture and applied arts, especially the decorative arts, that was most popular between 1893 and 1910. In the Russian language it is called Art Nouveau or Modern.

<span class="mw-page-title-main">Art Nouveau glass</span>

Art Nouveau glass is fine glass in the Art Nouveau style. Typically the forms are undulating, sinuous and colorful art, usually inspired by natural forms. Pieces are generally larger than drinking glasses, and decorative rather than practical, other than for use as vases and lighting fittings; there is little tableware. Prominently makers, from the 1890s onwards, are in France René Lalique, Emile Gallé and the Daum brothers, the American Louis Comfort Tiffany, Christopher Dresser in Scotland and England, and Friedrich Zitzman, Karl Koepping and Max Ritter von Spaun in Germany. Art Nouveau glass included decorative objects, vases, lamps, and stained glass windows. It was usually made by hand, and was usually colored with metal oxides while in a molten state in a furnace.

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