Back in the Day: The Best of Bootsy | ||||
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Greatest hits album by | ||||
Released | 1994 | |||
Recorded | 1976–1982 | |||
Genre | Funk | |||
Length | 76:38 | |||
Label | Warner Brothers Records | |||
Producer | Bootsy Collins, George Clinton; compilation producer: Alan Leeds | |||
Bootsy Collins chronology | ||||
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Review scores | |
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Source | Rating |
Allmusic | [1] |
Back in the Day: The Best of Bootsy is a 1994 greatest hits compilation by Parliament-Funkadelic bassist Bootsy Collins. The album was released on the Warner Bros. Archives label. The album compiles all of the hit singles produced and performed by Bootsy Collins during the years 1976 to 1982, with the exception of the singles released from the album The One Giveth, the Count Taketh Away . The compilation is notable in that it features the pre-Rubber Band track "What's So Never The Dance", credited to the House Guests, as well as the live version of "Psychoticbumpschool" performed by Bootsy's Rubber Band at The Summit in Houston, Texas on October 31, 1976. It also features the track "Scenery", the B-side to the "Mug Push" single, which was never featured on any of Bootsy Collins' albums.
A copy of Back in the Day is featured in the International Friendship Exhibition, a museum in North Korea that houses gifts given to the Kim dynasty by foreign visitors. [2]
Parliament-Funkadelic is an American funk music collective of rotating musicians headed by George Clinton, primarily consisting of the bands Parliament and Funkadelic, both active since the 1960s. Their distinctive funk style drew on psychedelic culture, outlandish fashion, science-fiction, and surreal humor; it would have an influential effect on subsequent funk, post-punk, hip-hop, and post-disco artists of the 1980s and 1990s, while their collective mythology would help pioneer Afrofuturism.
The P-Funk mythology is a group of recurring characters, themes, and ideas primarily contained in the output of George Clinton's bands Parliament and Funkadelic. This "funkology" was outlined in album liner notes and song lyrics, in addition to album artwork, costumes, advertisements, and stage banter. P-Funk's "Dr. Seussian afrofunk" is often cited as a critical component of the Afrofuturism movement.
William Earl "Bootsy" Collins is an American musician, singer and songwriter.
Stretchin' Out in Bootsy's Rubber Band is the first album by American funk and soul band Bootsy's Rubber Band, an offshoot act of Parliament-Funkadelic led by bassist and vocalist William "Bootsy" Collins. It was released on August 6, 1976, on Warner Bros. Records.
"Flash Light" is a song by funk band Parliament, written by George Clinton, Bernie Worrell, and Bootsy Collins and released in January 1978 on the album Funkentelechy Vs. the Placebo Syndrome. It was the first #1 R&B hit by any of the P-Funk groups and spent four months on the U.S. pop chart, peaking at #16. The track became Parliament's second certified million-selling single, following "Give Up the Funk ". "Flash Light" also gave Casablanca Records its first #1 R&B hit. In New Zealand, the song reached #3 and is ranked as the #8 hit of 1978.
"Groove Is in the Heart" is a song by American dance band Deee-Lite. It was released in August 1990 as the lead single from their debut album, World Clique. The song was a hit in many countries, reaching number one in Australia.
"Under Attack" is a single by Swedish pop group ABBA. It was originally featured as a track on the 1982 compilation album The Singles: The First Ten Years, but was released as a single the following year in most countries. However, in the United Kingdom it was released on 3 December 1982. "Under Attack" was ABBA's 28th single for Polar Music and was the band's last widely released single.
Ahh...The Name Is Bootsy, Baby! is a funk album by Bootsy's Rubber Band, released on January 15, 1977. It reached number one on Billboard magazine's Top R&B/Soul albums chart, the first P-Funk release to achieve this goal. The album was produced by George Clinton and William "Bootsy" Collins and arranged by Bootsy and Casper.
House Guests was an early-1970s American funk group that consisted of bassist William "Bootsy" Collins, his older brother Phelps "Catfish" Collins on guitar, Frank "Kash" Waddy on drums, Clayton "Chicken" Gunnells on trumpet, and Robert McCullough on saxophone.
The Way We Walk – Live in Concert is a 2002 double DVD featuring live performances from the We Can't Dance tour by Genesis. The footage was videotaped on 8 November 1992 at Earls Court in London, and first released on VHS in March 1993 as Genesis Live – The Way We Walk – In Concert. It was also available on PAL format LaserDisc.
Bootsy? Player of the Year is the third album by the American funk band Bootsy's Rubber Band.
This Boot Is Made for Fonk-N is the fourth album by the American funk band Bootsy's Rubber Band. It was released through Warner Bros. Records on June 1, 1979. Unlike previous albums by Bootsy's Rubber Band, this album did not generate any hit singles. The album was more experimental in nature than previous efforts. It would also mark the last time that the name "Bootsy's Rubber Band" would be used on a Bootsy Collins related project until the 1982 12" single release "Body Slam". This Boot Is Made For Fonk-N peaked at number 9 on the Billboard Top R&B/Hip-Hop Albums chart and number 52 on the Billboard 200 album chart.
Ultra Wave is the fifth album released by funk musician Bootsy Collins. It was released on November 12, 1980 by Warner Bros. Records. It is the first album credited solely to Bootsy Collins, as opposed to his previous releases, which were credited to Bootsy's Rubber Band. In 2007, "Ultra Wave" was licensed through Rhino Records and reissued through the Collectors Choice music service.
The One Giveth, the Count Taketh Away is an album by William Bootsy Collins, released by Warner Bros. Records. It would be the last album that Bootsy Collins would record for the label. It would also be the first album produced solely by Bootsy Collins, with the exception of the track "Shine-O-Myte " which was produced by Bootsy Collins and George Clinton. The album was released on April 28, 1982.
"Body Slam" is a song that was recorded by Bootsy's Rubber Band, co-written by Bootsy Collins and keyboardist Joel "Razor Sharp" Johnson. It was released in 1982 by Warner Bros. Records. The song was never featured on any of Bootsy Collins' albums until the 1994 release of the compilation Back in the Day: The Best of Bootsy. The song is a reconstruction of the track "Countracula " from the album The One Giveth, the Count Taketh Away. The single reached number 12 in Billboard Magazine's Black Singles charts. The b-side of "Body Slam" was "I'd Rather Be With You".
Keepin' Dah Funk Alive 4-1995 is a live double CD set by Bootsy's New Rubber Band. The album was first released by P-Vine Records on January 25 1995, and by Rykodisc in the U.S. and the UK later that same year. The album was recorded at Club Jungle Bass in Tokyo, Japan on June 24 and 25, 1994, and represents the first live recording of Bootsy and his Rubber Band. The album includes a fold-out poster.
Live in Louisville 1978 is a live album by Bootsy's Rubber Band. The album was originally released in the Netherlands in 1999 on the Disky Communications label. The CD features a live recording of Bootsy's Rubber Band performing at the Kentucky Exposition Center in Louisville, Kentucky on March 15, 1978, during the "Player Of The Year" tour. To date "Live in Louisville 1978" has never been released outside the Netherlands.
Live in Oklahoma 1976 is a live album by the American Funk band Bootsy's Rubber Band. The album was released in 2001 and represents a collaborative effort between the Funk To The Max label, based in the Netherlands, and Bootzilla Records in the U.S.. The performance was recorded while Bootsy's Rubber Band was the support act for headliners Parliament-Funkadelic.
This is the discography of American musician Bootsy Collins.