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Released | May 24, 2005 | |||
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Length | 42:33 | |||
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Be is the sixth studio album by American rapper Common. It was released on May 24, 2005, by Geffen Records and GOOD Music. The album is Common's first album under Geffen, following the mediocre performance of 2002's Electric Circus and the July 2003 merger of preceding label MCA Records, which, like Geffen and its sister label Interscope Records, was a division of Universal Music Group. [5]
The album was primarily and executively produced by rapper and GOOD Music founder Kanye West, with additional production from frequent collaborator J Dilla. It debuted at number two on the US Billboard 200, with first-week sales of 185,000 copies in the United States. [6] The album is Common's second album to sell over 500,000 copies (over 800,000 copies sold), becoming a certified gold by the Recording Industry Association of America (RIAA).
Be was also a critical success, receiving acclaim and accolades from several critics and music publications. The album received a perfect "XXL" rating from hip hop publication XXL [7] and was deemed Common's magnum opus by HipHopGoldenAge. [8] In 2022 and 2024, Rolling Stone and Billboard included Be on their lists of the greatest hip-hop albums of all time. [9] [10]
Be was touted as Common's comeback album after the commercially disastrous Electric Circus (2002); the predecessor lacked promotion following MCA Records' absorption into Geffen, which was completed in July 2003. [5] His new alliance with Kanye West helped to spark public interest in the project, as the album was produced by West and released by his own label GOOD Music. "I met Kanye in '96…" he said. "He was still in high school. He used to come around No I.D.'s house, a guy that used to produce for me. The thing I noticed about Kanye was that he could really rap! He had some kind of hunger that I hadn't really seen before." [11]
"He's today's Marvin Gaye of rap," West enthused on a DVD accompanying a deluxe edition of Be. "Buy the album. If you in a situation where you can barely buy groceries, burn the album."
The results show that Common was clearly aware, and perhaps agreeing, with the negative criticisms about Electric Circus. In comparison to that album, Be is lean, immediate, and commanding, yet also restrained in its musical ambitions. Of the reaction to the album, the rapper said: "I don't think [Electric Circus] was as focused. Though I'd done some progressive hip-hop, people know me as the b-boy. When I showed them something different, a different style of b-boy, there were like, "Hold up. You can be Afrocentric, but what's this rock shit that you're doing?" [12] Many of the beats created by West, and which Common rejected for the project, later appeared on West's studio album Late Registration . [13]
In an interview with AllHipHop, Common denied that the album title stood for "Before Erykah." [14] Common explained the concept and the album title in a 2005 interview for SixShot.com:
I named it Be to be who you are, man, and be able to be in the moment and not try too hard. Be is another way of saying just do without trying hard, like I said, natural and be true to the core of who you are; and this album, I wanted to just be and not just go and exist as just an artist, not worried about the past. [15]
Common gave his reasons for featuring controversial spoken word recording artists, the Last Poets, on the album's first official single, "The Corner": "They gifted at writing. They voices is incredible. They took my song to a higher level. And that's what hip-hop was about to me. It would have a message. It would take you to the next place. It was fresh as people say -- something new. They brought newness to what "The Corner" was and they also brought some nostalgia, too. Just them being from the '70s and being used in hip-hop and their spirit brought something pure to it. They gave me a better understanding of the corner after that. I knew those who had been listening to hip-hop would know who the Last Poets were and if they didn't they would feel it in their souls sooner or later. And I also felt good about introducing some of the youth to the Last Poets." [12]
"Go" was the album's third, and highest charting single. The song featured Kanye West and John Mayer, however all the verses are performed by Common with West and Mayer ad-libbing in the chorus. The video for the song included shots of Common surrounded by numerous models.
The album's fourth single, "Testify" received a type of promotional video known as a "mini-movie"; a term coined by Michael Jackson to describe a music video with a complex plot and a suitably long running time, often with intermissions between the song's parts. The video featured acting parts from Taraji P. Henson, Bill Duke, Steve Harris and Wood Harris, and received notable spins on specialist channels such as MTV2. The song samples "Innocent Til Proven Guilty" by Honey Cone. [16]
Aggregate scores | |
---|---|
Source | Rating |
Metacritic | 83/100 [17] |
Review scores | |
Source | Rating |
AllMusic | [18] |
Blender | [19] |
Entertainment Weekly | A− [20] |
The Guardian | [21] |
NME | 8/10 [22] |
Pitchfork | 8.6/10 [23] |
Q | [24] |
Rolling Stone | [25] |
Spin | A− [26] |
Vibe | 4.5/5 [27] |
Be received widespread acclaim from critics. At Metacritic, which assigns a normalized rating out of 100 to reviews from mainstream publications, the album received an average score of 83, based on 26 reviews. [17] Andy Kellman of AllMusic said, "Be isn't likely to be referred to by anyone as groundbreaking, but it's one of Common's best, and it's also one of the most tightly constructed albums of any form within recent memory." [18] Andy Greenwald of Blender said, "Be picks up where West's The College Dropout left off." [19] Raymond Fiore of Entertainment Weekly said, "Be's leanness signals awesome growth even without pushing sonic boundaries." [20] Dorian Lynskey of The Guardian said, "Though not quite 2005's best hip-hop album – Kanye West retains that honour for himself – Be is a lean and vibrant masterclass in hip-hop fundamentals." [21] NME said, "Gives hope to a hip-hop stuck in a mire of mediocrity." [22]
Ryan Dombal of Pitchfork said, "The lack of instant-gratification couplets may disappoint at first, but each verse's rewarding intricacies become more evident with multiple listens." [23] Q said, "Common's best album so far, one that proves hip hop can be both smart and mainstream." [24] Nathan Brackett of Rolling Stone said, "West is the producer Common has been waiting for all of his career: He makes Common both catchier and edgier at the same time." [25] Will Hermes of Spin said, "Even when the music flags, Common's remarkably hungry raps push it along." [26] XXL gave the album its highest rating of XXL, writing, "While label support and the times heavily influence whether great music can be crowned a classic, if nothing else Common has created a flawless album. By giving us himself completely and speaking to and for us as complete people, he's birthed the total package. Common has raised the bar. Hopefully, a year from now we'll look back and see that MCs have been rhyming like Common since. [28]
Andrew Simon of Vibe wrote that the album "gets to the root of human experience—all the while staying beautifully soulful and funky." [27] The New York Times ' Kelefa Sanneh felt that Be was "certainly a triumph, but if it isn't quite the all-time classic Common was hoping for, that's because it sounds a bit too straightforward." [29] Assigning the album a three-star honorable mention rating, Robert Christgau of The Village Voice wrote that "few of the best moments belong to the main attraction, who's not as wise as they tell him he is." [30]
Common's lyrics on Be earned him the Lyricist of the Year award at the 2006 BET Hip Hop Awards. In 2012 Complex called the album one of the classics of the last decade. [31] The album was also included in the book 1001 Albums You Must Hear Before You Die . [2]
Publication | Country | Accolade | Year | Rank |
---|---|---|---|---|
Aftenposten | Norway | Albums of the Year [32] | 2005 | 18 |
AllMusic | USA | Albums of the Year [33] | 2005 | * |
Associated Press | USA | Albums of the Year[ citation needed ] | 2005 | 7 |
B92 | Serbia | Albums of the Year[ citation needed ] | 2005 | 7 |
Billboard | USA | Albums of the Year[ citation needed ] | 2005 | 5 |
Dagbladet | Norway | Albums of the Year[ citation needed ] | 2005 | 13 |
Dagsavisen | Norway | Albums of the Year [34] | 2005 | 18 |
E! Online | USA | Albums of the Year [35] | 2005 | 17 |
Expressen | Sweden | Albums of the Year[ citation needed ] | 2005 | 17 |
Go-Mag | Spain | Albums of the Year[ citation needed ] | 2005 | 17 |
H Magazine | Spain | Albums of the Year[ citation needed ] | 2005 | * |
Harp | USA | Albums of the Year[ citation needed ] | 2005 | 33 |
Hip Hop Connection | UK | The 100 Greatest Rap Albums 1995–2005 [36] | 2006 | 69 |
Iguana | Spain | Albums of the Year[ citation needed ] | 2005 | 3 |
Laut.de | Germany | Albums of the Year [37] | 2005 | 42 |
Monitor | Croatia | Albums of the Year [38] | 2005 | 34 |
Musik-Express/Sounds | Germany | Albums of the Year[ citation needed ] | 2005 | 36 |
Musikbyrån | Sweden | Albums of the Year [39] | 2005 | 12 |
Natt & Dagg | Norway | Albums of the Year[ citation needed ] | 2005 | 14 |
The Observer | UK | Albums of the Year [40] | 2005 | 25 |
OOR | Netherlands | Albums of the Year[ citation needed ] | 2005 | 12 |
People | USA | Albums of the Year[ citation needed ] | 2005 | * |
Piccadilly Records | UK | Albums of the Year[ citation needed ] | 2005 | 4 |
PopMatters | USA | Albums of the Year [41] | 2005 | 12 |
Prefix Magazine | USA | Albums of the Year [42] | 2005 | 19 |
Pure Pop | Mexico | Albums of the Year[ citation needed ] | 2005 | 5 |
Q | USA | Albums of the Year[ citation needed ] | 2005 | 42 |
Rock de Lux | Spain | Albums of the Year[ citation needed ] | 2005 | 9 |
Rolling Stone | USA | Albums of the Year [43] | 2005 | 21 |
Spex | Germany | Albums of the Year[ citation needed ] | 2005 | 12 |
Spin | USA | Albums of the Year [44] | 2005 | 17 |
URB | USA | Albums of the Year[ citation needed ] | 2005 | * |
The Village Voice | USA | Albums of the Year [45] | 2005 | 15 |
Vibe | USA | Albums of the Year[ citation needed ] | 2005 | * |
WOXY.com | USA | Albums of the Year [46] | 2005 | 58 |
Zundfunk | Germany | Albums of the Year[ citation needed ] | 2005 | 22 |
Be was nominated in four categories at the 48th Grammy Awards: Best Rap Album, Best Rap Performance by a Duo or Group for "The Corner" featuring the Last Poets, Best Rap/Sung Collaboration for "They Say" featuring Kanye West and John Legend, and Best Rap Solo Performance for "Testify". [47]
All tracks produced by Kanye West, except where noted. [16]
No. | Title | Writer(s) | Producer(s) | Length |
---|---|---|---|---|
1. | "Be (Intro)" |
| 2:24 | |
2. | "The Corner" (featuring Umar Bin Hassan of the Last Poets) |
| 3:45 | |
3. | "Go!" (featuring John Mayer and Kanye West) |
| 3:44 | |
4. | "Faithful" |
| 3:33 | |
5. | "Testify" |
| 2:36 | |
6. | "Love Is…" | J Dilla | 4:10 | |
7. | "Chi-City" |
| 3:27 | |
8. | "The Food" (live) |
| 3:36 | |
9. | "Real People" |
| 2:48 | |
10. | "They Say" (featuring Kanye West and John Legend) |
| 3:57 | |
11. | "It's Your World (Part 1 & 2)" (featuring "the Kids") |
| 8:33 | |
Total length: | 42:33 |
Notes
Sample credits
Credits for Be adapted from AllMusic. [48]
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Weekly charts
| Year-end charts
|
Region | Certification | Certified units/sales |
---|---|---|
United Kingdom (BPI) [57] | Silver | 60,000^ |
United States (RIAA) [58] | Gold | 500,000^ |
^ Shipments figures based on certification alone. |
The Blueprint is the sixth studio album by American rapper Jay-Z, released on September 11, 2001, through Roc-A-Fella Records and Def Jam Recordings. Its release was set a week earlier than initially planned in order to combat bootlegging. Recording sessions for the album took place during 2001 at Manhattan Center Studios and Baseline Studios in New York City. Contrasting the radio-friendly sound of Jay-Z's previous work, The Blueprint features soul-based sampling and production handled primarily by Kanye West, Just Blaze, and Bink, as well as Timbaland, Trackmasters, and Eminem, who also contributes the album's sole guest feature.
The College Dropout is the debut studio album by the American rapper Kanye West. It was released on February 10, 2004, by Roc-A-Fella Records and Def Jam Recordings. In the years leading up to release, West had received praise for his production work for rappers such as Jay-Z and Talib Kweli, but faced difficulty being accepted as an artist in his own right by figures in the music industry. Intent on pursuing a solo career, he signed a record deal with Roc-A-Fella and recorded the album over a period of four years, beginning in 1999.
Late Registration is the second studio album by the American rapper Kanye West. It was released on August 30, 2005, through Roc-A-Fella Records and Def Jam Recordings. West recorded the album over the course of a year during sessions held at studios in Hollywood and New York City, in collaboration with Jon Brion. The album features guest appearances from Adam Levine, Jamie Foxx, Common, Brandy, Jay-Z, and Nas, among others.
Graduation is the third studio album by the American rapper Kanye West released on September 11, 2007, through Def Jam Recordings and Roc-A-Fella Records. Recording sessions took place between 2005 and 2007 at several studios in New York and Los Angeles. It was primarily produced by West himself, with contributions from various other producers, including DJ Toomp. The album features guest appearances from recording artists such as Dwele, T-Pain, Lil Wayne, Mos Def, DJ Premier, and Chris Martin. The cover art and its interior artwork were designed by Japanese contemporary artist Takashi Murakami.
Doctor's Advocate is the second studio album by American hip hop recording artist the Game, released on November 14, 2006, through Geffen Records. The album is his second major-label release, following 2005's The Documentary, which was released under Aftermath Entertainment, G-Unit Records and Interscope Records. Due to his disputes with G-Unit leader and founder 50 Cent, Game left Aftermath and G-Unit; he was later transferred from Interscope to its division, Geffen Records, another label under Universal Music Group's Interscope Geffen A&M faction to terminate his contractual obligations with G-Unit, in the summer of 2006.
Finding Forever is the seventh studio album by Common, released on July 31, 2007, on GOOD Music and Geffen Records. Like Common's previous album, Be (2005), Finding Forever is primarily produced by Kanye West. The album debuted at the number one on the Billboard 200, selling 155,000 units in the first week, becoming Common's first chart-topper. Selling over 500,000 units in the US, it has been certified Gold. Finding Forever was nominated for a Grammy Award for Best Rap Album, losing to West's Graduation at the 50th Grammy Awards.
"The People" is a song by American hip hop recording artist Common, released as the second single from his seventh studio album Finding Forever. The song made its first appearance on fellow American rapper Kanye West's Can't Tell Me Nothing mixtape. The song features production by West and contains background vocals provided by soul singer Dwele. The original version of the song had Common singing the hook by himself, but this was later replaced with Dwele singing the hook. It contains samples of "We Almost Lost Detroit" by Gil Scott-Heron as well as vocal samples of "Long Red" by Mountain. This action was part of West's intention to pay tribute to J Dilla through the production style expressed within the album.
Universal Mind Control is the eighth studio album by American rapper Common. Originally scheduled to be released on June 24, 2008 under the name Invincible Summer, the release date was pushed back to September 30, 2008 due to Common's acting gig in the film Wanted. However, on September 10, 2008, it was announced that the title would be changed to Universal Mind Control and the release date was set for November 11, 2008. Later, the release was pushed back to December 9, 2008.
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My Beautiful Dark Twisted Fantasy is the fifth studio album by the American rapper Kanye West. It was released by Def Jam Recordings and Roc-A-Fella Records on November 22, 2010. Retreating to a self-imposed exile in Hawaii after a period of controversy in 2009, following his interruption of Taylor Swift at the MTV Video Music Awards, West recorded the album at Honolulu's Avex Recording Studio in a communal environment involving numerous musicians. Additional recording sessions took place at Glenwood Place Studios in Burbank, California, along with the New York City studios Electric Lady and Platinum Sound.
Finally Famous is the debut studio album by American rapper Big Sean. It was released on June 28, 2011, by GOOD Music and Def Jam Recordings. Recording sessions took place from 2010 to 2011, with Kanye West serving as the only executive producer on the album. The record serves as Big Sean's first studio release, under the whole Finally Famous series, following these mixtapes such as Finally Famous Vol. 1: The Mixtape (2007), Finally Famous Vol. 2: UKNOWBIGSEAN (2009) and Finally Famous Vol. 3: Big (2010).
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"Mercy" is a song by American rapper Kanye West featuring fellow American rappers Big Sean, Pusha T, and 2 Chainz. The song was released April 3, 2012 through GOOD Music and Def Jam as the lead single from the compilation album Cruel Summer (2012). The song's production was handled by Lifted, with additional production from West, Mike Dean, and Mike Will Made It, and additional instrumentation from Hudson Mohawke. The song heavily samples the dancehall song "Dust a Sound Boy" by Super Beagle. The song received mostly positive reviews from music critics who praised the bombastic production, the varying quality of the verses, and the wordplay of the individual rappers. The song was featured on the soundtrack for NBA 2K13.
Kanye West Presents: GOOD Music – Cruel Summer, commonly referred to simply as Cruel Summer, is a compilation album by recording artists of American record label GOOD Music, released on September 14, 2012, by the label itself and its parent company, Def Jam Recordings. GOOD Music's founder, American rapper Kanye West, first revealed plans for the label's collaborative album in October 2011. It was preceded by four singles—"Mercy", "Cold", "New God Flow", and "Clique"—that saw mixed success on the US Billboard Hot 100 chart. The album features West himself, alongside the label's then-signees Pusha T, Big Sean, Teyana Taylor, Kid Cudi, John Legend, Common, D'banj and Malik Yusef, as well as affiliates Jay-Z, 2 Chainz, Travis Scott, and Cyhi the Prynce, among others. Production of Cruel Summer was primarily handled by members of GOOD Music's production wing, Very GOOD Beats, which included West, Hit-Boy, Hudson Mohawke, Travis Scott and Lifted, among others.
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Hall of Fame is the second studio album by American rapper Big Sean. It was released on August 27, 2013, by GOOD Music and Def Jam Recordings. The album features guest appearances from Nas, Jhené Aiko, Nicki Minaj, Kid Cudi, Lil Wayne, Jeezy, Meek Mill, 2 Chainz and Juicy J, while the production on the album was primarily handled by Key Wane, Hey DJ, No I.D., Da Internz, Mano and Young Chop, among others. It was supported by five singles: "Guap", "Switch Up", "Beware", "Fire" and "Ashley".
Born Sinner is the second studio album by American rapper and record producer J. Cole. It was released on June 18, 2013, by ByStorm Entertainment, Columbia Records, Dreamville Records and Roc Nation. The album serves as the follow-up to his debut album, Cole World: The Sideline Story (2011). The album features guest appearances from Miguel, Amber Coffman, Jhené Aiko, James Fauntleroy, Bas, TLC, Kendrick Lamar and 50 Cent. The album was also primarily produced by Cole himself, along with others such as Jake One, Syience, and Elite.
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"Father Stretch My Hands" are songs by American rapper Kanye West from his seventh studio album, The Life of Pablo (2016). They are split into two parts on the album: "Father Stretch My Hands, Pt. 1" and "Pt. 2". "Pt. 1" contains vocals by American rapper Kid Cudi and American R&B singer Kelly Price, while "Pt. 2" includes vocals from American rapper Desiigner and American musician Caroline Shaw. Prior to release, the latter was played by West for Desiigner when the two met.
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