Bistre | |
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Color coordinates | |
Hex triplet | #3D2B1F |
sRGB B (r, g, b) | (61, 43, 31) |
HSV (h, s, v) | (24°, 49%, 24%) |
CIELChuv (L, C, h) | (19, 14, 39°) |
Source | Internet |
ISCC–NBS descriptor | Dark yellowish brown |
B: Normalized to [0–255] (byte) |
Bistre (or bister) can refer to two things: a very dark shade of grayish brown (the version shown on the immediate right); a shade of brown made from soot, or the name for a color resembling the brownish pigment. Bistre's appearance is generally of a dark grayish brown, with a yellowish cast.
Beechwood was burned to produce the soot, which was boiled and diluted with water. Many Old Masters used bistre as the ink for their drawings. [1]
The first recorded use of bistre as a color name in English was in 1727; another name for the color bistre is soot brown. [1]
Bistre (ISCC-NBS #94) (M&P) | |
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Color coordinates | |
Hex triplet | #967117 |
sRGB B (r, g, b) | (150, 113, 23) |
HSV (h, s, v) | (43°, 85%, 59%) |
CIELChuv (L, C, h) | (50, 58, 58°) |
Source | ISCC-NBS/M&P |
ISCC–NBS descriptor | Light olive brown |
B: Normalized to [0–255] (byte) |
At right is displayed the color bistre brown, a medium brownish tone of the color bistre, also known as soot brown.
This is the tone of bistre that most closely matches the color sample in the 1930 book A Dictionary of Color by Maerz and Paul. [2]
This tone of bistre is the color of the ink that was used by the Old Masters for their drawings.
The normalized color coordinates for bistre brown are identical to the color names drab, sand dune, and mode beige, which were first recorded as color names in English, respectively, in 1686, [3] 1925, [4] and 1928. [5]
Bistre (Pourpre.com) | |
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Color coordinates | |
Hex triplet | #856D4D |
sRGB B (r, g, b) | (133, 109, 77) |
HSV (h, s, v) | (34°, 42%, 52%) |
CIELChuv (L, C, h) | (48, 30, 55°) |
Source | Pourpre.com |
ISCC–NBS descriptor | Moderate olive brown |
B: Normalized to [0–255] (byte) |
At right is displayed the color French bistre, which is the tone of bistre called bistre in the Pourpre.com color list, a color list widely popular in France.
For pictures of bistre colored postage stamps, see the article on the color Bistre in the French Wikipedia.
Bistre (G&S) | |
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Color coordinates | |
Hex triplet | #80755A |
sRGB B (r, g, b) | (128, 117, 90) |
HSV (h, s, v) | (43°, 30%, 50%) |
CIELChuv (L, C, h) | (50, 22, 68°) |
Source | Gallego and Sanz [6] |
ISCC–NBS descriptor | Grayish olive |
B: Normalized to [0–255] (byte) |
Spanish bistre is the color that is called bistre (the Spanish word for "bistre" is the same as the English word) in the Guía de coloraciones (Guide to colorations) by Rosa Gallego and Juan Carlos Sanz, a color dictionary published in 2005 that is widely popular in the Hispanophone realm.
Navy blue is a dark shade of the color blue.
Beige is variously described as a pale sandy fawn color, a grayish tan, a light-grayish yellowish brown, or a pale to grayish yellow. It takes its name from French, where the word originally meant natural wool that has been neither bleached nor dyed, hence also the color of natural wool. It has come to be used to describe a variety of light tints chosen for their neutral or pale warm appearance.
Fuchsia is a vivid pinkish-purplish-red color, named after the color of the flower of the fuchsia plant, which was named by a French botanist, Charles Plumier, after the 16th-century German botanist Leonhart Fuchs.
Copper is a reddish brown color that resembles the metal copper.
Viridian is a blue-green pigment, a hydrated chromium(III) oxide, of medium saturation and relatively dark in value. It is composed of a majority of green, followed by blue. The first recorded use of viridian as a color name in English was in the 1860s. Viridian takes its name from the Latin viridis, meaning "green". The pigment was first prepared in mid-19th-century Paris and remains available from several US manufacturers as prepared artists' colors in all media.
Red-violet refers to a rich color of high medium saturation about 3/4 of the way between red and magenta, closer to magenta than to red. In American English, this color term is sometimes used in color theory as one of the purple colors—a non-spectral color between red and violet that is a deep version of a color on the line of purples on the CIE chromaticity diagram.
Carmine color is the general term for some deep red colors that are very slightly purplish but are generally slightly closer to red than the color crimson is. Some rubies are colored the color shown below as rich carmine. The deep dark red color shown at right as carmine is the color of the raw unprocessed pigment, but lighter, richer, or brighter colors are produced when the raw pigment is processed, some of which are shown below.
Spring green is a color that was traditionally considered to be on the yellow side of green, but in modern computer systems based on the RGB color model is halfway between cyan and green on the color wheel.
Taupe is a dark gray-brown color. The word derives from the French noun taupe meaning "mole". The name originally referred only to the average color of the French mole, but beginning in the 1940s, its usage expanded to encompass a wider range of shades.
In optics, orange has a wavelength between approximately 585 and 620 nm and a hue of 30° in HSV color space. In the RGB color space it is a secondary color numerically halfway between gamma-compressed red and yellow, as can be seen in the RGB color wheel. The complementary color of orange is azure. Orange pigments are largely in the ochre or cadmium families, and absorb mostly blue light.
Varieties of the color red may differ in hue, chroma or lightness, or in two or three of these qualities. Variations in value are also called tints and shades, a tint being a red or other hue mixed with white, a shade being mixed with black. A large selection of these various colors are shown below.
Pink colors are usually light or desaturated shades of reds, roses, and magentas which are created on computer and television screens using the RGB color model and in printing with the CMYK color model. As such, it is an arbitrary classification of color.
Desert sand is a very light and very weakly saturated reddish yellow colour which corresponds specifically to the coloration of sand. It may also be regarded as a deep tone of beige.
Livid is a medium bluish-gray color. This color name comes from the Latin color term lividus meaning "'a dull leaden-blue color', and also used to describe the color of contused flesh, leading to the English expression 'black and blue'". The first recorded use of livid as a color name in English was in 1622.
Varieties of the color blue may differ in hue, chroma, or lightness, or in two or three of these qualities. Variations in value are also called tints and shades, a tint being a blue or other hue mixed with white, a shade being mixed with black. A large selection of these colors are shown below.
Variations of gray or grey include achromatic grayscale shades, which lie exactly between white and black, and nearby colors with low colorfulness. A selection of a number of these various colors is shown below.
Violet is a color term derived from the flower of the same name. There are numerous variations of the color violet, a sampling of which are shown below.
Sky blue is a shade of light blue comparable to that of a clear daytime sky. The term is attested from 1681. A 1585 translation of Nicolas de Nicolay's 1576 Les navigations, peregrinations et voyages faicts en la Turquie includes "the tulbant [turban] of the merchant must be skie coloured".
Drab is a dull, light-brown color. It originally took its name from a fabric of the same color made of undyed, homespun wool. The word was first used in English in 1686. It probably originated from the Old French word drap, which meant cloth.
Azure is a variation of blue that is often described as the color of the sky on a clear day.