Block book

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Page from the Apocalypse text, possibly the earliest of the blockbooks, with added hand-colouring Apocalypse.jpg
Page from the Apocalypse text, possibly the earliest of the blockbooks, with added hand-colouring

Block books or blockbooks, also called xylographica, are short books of up to 50 leaves, block printed in Europe in the second half of the 15th century as woodcuts with blocks carved to include both text (usually) and illustrations. The content of the books was nearly always religious, aimed at a popular audience, and a few titles were often reprinted in several editions using new woodcuts. Although many had believed that block books preceded Gutenberg's invention of movable type in the first part of the 1450s, it now is accepted that most of the surviving block books were printed in the 1460s or later, and that the earliest surviving examples may date to about 1451. [1]

Contents

They seem to have functioned as a cheap popular alternative to the typeset book, which was still very expensive at this stage. Single-leaf woodcuts from the preceding decades often included passages of text with prayers, indulgences and other material; the block book was an extension of this form. Block books are very rare, some editions surviving only in fragments, and many probably not surviving at all.

Some copies have added watercolour on the images, added either near the time of printing or later.

Description

Biblia Pauperum or "Bible of the Poor", woodcut illustrations with manuscript text Biblia Pauperum Cpg438.jpg
Biblia Pauperum or "Bible of the Poor", woodcut illustrations with manuscript text

Block books are short books, 50 or fewer leaves, that were printed in the second half of the 15th century from wood blocks in which the text and illustrations were both cut. Some block books, called chiro-xylographic (from the Greek cheir (χειρ) "hand") contain only the printed illustrations, with the text added by hand. Some books also were made with the illustrations printed from woodcuts, but the text printed from movable metal type, but are nevertheless considered block books because of their method of printing (only on one side of a sheet of paper) and their close relation to "pure" block books. Block books are categorized as incunabula, or books printed before 1501. The only example of the blockbook form that contains no images is the school textbook Latin grammar of Donatus.

Block books were almost exclusively "devoted to the propagation of the faith through pictures and text" and "interpreted events drawn from the Bible or other sources in medieval religious thought. The woodcut pictures in all were meaningful even to the illiterate and semi-literate, and they aided clerics and preaching monks to dramatise their sermons." [2]

Printing method

Block books were typically printed as folios, with two pages printed on one full sheet of paper which was then folded once for binding. Several such leaves would be inserted inside another to form a gathering of leaves, one or more of which would be sewn together to form the complete book. [3]

The earlier block books were printed on only one side of the paper (anopisthographic), using a brown or grey, water based ink. It is believed they were printed by rubbing pressure, rather than a printing press. The nature of the ink and/or the printing process did not permit printing on both sides of the paper damage would result from rubbing the surface of the first side to be printed in order to print the second. When bound together, the one sided sheets produced two pages of images and text, followed by two blank pages. The blank pages were ordinarily pasted together, so as to produce a book without blanks the Chinese had reached the same solution to the problem. In the 1470s, an oil based ink was introduced permitting printing on both sides of the paper (opisthographic) using a regular printing press. [4] [5]

Block books often were printed using a single wood block that carried two pages of text and images, or by individual blocks with a single page of text and image. [3] [5] The illustrations commonly were colored by hand.

The use of woodcut blocks to print block books had been used by the Chinese and other East Asian cultures for centuries to print books, but it is generally believed that the European development of the technique was not directly inspired by Asian examples, but instead grew out of the single woodcut, which itself developed from block-printing on textiles. [6]

Dates and locations of printing

Ars Moriendi, Netherlands, c. 1460 Ars.moriendi.pride.a.jpg
Ars Moriendi , Netherlands, c. 1460

Block books are almost always undated and without statement of printer or place of printing. Determining their dates of printing and relative order among editions has been an extremely difficult task. In part because of their sometimes crude appearance, it was generally believed that block books dated to the first half of the 15th century and were precursors to printing by movable metal type, invented by Gutenberg in the early 1450s. The style of the woodcuts was used to support such early dates, although it is now understood that they may simply have copied an older style. Early written reports relating to "printing" also suggested, to some, early dates, but are ambiguous. [7]

Written notations of purchase and rubrication dates, however, lead scholars to believe that the books had been printed later. [7] Wilhelm Ludwig Schreiber, a leading nineteenth-century scholar of block books, concluded that none of the surviving copies could be dated before 1455-60. [8] Allan H. Stevenson, by comparing the watermarks in the paper used in blockbooks with watermarks in dated documents, concluded that the "heyday" of blockbooks was the 1460s, but that at least one dated from about 1451. [5] [9]

Block books printed in the 1470s were often of cheaper quality. Block books continued to be printed sporadically up through the end of the 15th century. [5] One block book is known from about 1530, a collection of Biblical images with text, printed in Italy. [10]

Most of the earlier block books are believed to have been printed in the Netherlands, and later ones in Southern Germany, likely in Nuremberg, Ulm, Augsburg, and Schwaben, among a few other locales. [11]

Texts

A 1991 census of surviving copies of block books identifies 43 different "titles" (some of which may include different texts). [12] However, a small number of texts were very popular and together account for the great majority of surviving copies of block books. These texts were reprinted many times, often using new woodcuts copying the earlier versions. It is generally accepted that the Apocalypse was the earliest block book, one edition of which Allan H. Stevenson dates to c. 1450–52. [13] [14] The following is a partial list of texts, with some links to digitized on line copies: [15]

Biblia Pauperum ("Bible of the Poor") Blokboek, Biblia pauperum.jpg
Biblia Pauperum ("Bible of the Poor")
Heidelberg Dance of Death Totentanz blockbook d.jpg
Heidelberg Dance of Death

Collections

Because of their popular nature, few copies of block books survive today, many existing only in unique copies or even fragments. Block books have received intensive scholarly study and many block books have been digitized and are available online.

The following institutions have important collections of block-books (the number of examples includes fragments or even single leaves and is taken from Sabine Mertens et al., Blockbücher des Mittelalters, 1991, pp. 355–395, except where a footnote provides another source):

Related Research Articles

<span class="mw-page-title-main">Incunable</span> Works printed in Europe before 1501

In the history of printing, an incunable or incunabulum is a book, pamphlet, or broadside that was printed in the earliest stages of printing in Europe, up to the year 1500. Incunabula were produced before the printing press became widespread on the continent and are distinct from manuscripts, which are documents written by hand. Some authorities include block books from the same time period as incunabula, whereas others limit the term to works printed using movable type.

<span class="mw-page-title-main">Printing</span> Process for reproducing text and images

Printing is a process for mass reproducing text and images using a master form or template. The earliest non-paper products involving printing include cylinder seals and objects such as the Cyrus Cylinder and the Cylinders of Nabonidus. The earliest known form of printing as applied to paper was woodblock printing, which appeared in China before 220 AD for cloth printing. However, it would not be applied to paper until the seventh century. Later developments in printing technology include the movable type invented by Bi Sheng around 1040 AD and the printing press invented by Johannes Gutenberg in the 15th century. The technology of printing played a key role in the development of the Renaissance and the Scientific Revolution and laid the material basis for the modern knowledge-based economy and the spread of learning to the masses.

<span class="mw-page-title-main">Woodcut</span> Relief printing technique

Woodcut is a relief printing technique in printmaking. An artist carves an image into the surface of a block of wood—typically with gouges—leaving the printing parts level with the surface while removing the non-printing parts. Areas that the artist cuts away carry no ink, while characters or images at surface level carry the ink to produce the print. The block is cut along the wood grain. The surface is covered with ink by rolling over the surface with an ink-covered roller (brayer), leaving ink upon the flat surface but not in the non-printing areas.

Gutenberg Bible Earliest major book printed in Europe

The Gutenberg Bible was the earliest major book printed using mass-produced movable metal type in Europe. It marked the start of the "Gutenberg Revolution" and the age of printed books in the West. The book is valued and revered for its high aesthetic and artistic qualities as well as its historical significance. It is an edition of the Latin Vulgate printed in the 1450s by Johannes Gutenberg in Mainz, in present-day Germany. Forty-nine copies have survived. They are thought to be among the world's most valuable books, although no complete copy has been sold since 1978. In March 1455, the future Pope Pius II wrote that he had seen pages from the Gutenberg Bible displayed in Frankfurt to promote the edition, and that either 158 or 180 copies had been printed.

Color printing or colour printing is the reproduction of an image or text in color. Any natural scene or color photograph can be optically and physiologically dissected into three primary colors, red, green and blue, roughly equal amounts of which give rise to the perception of white, and different proportions of which give rise to the visual sensations of all other colors. The additive combination of any two primary colors in roughly equal proportion gives rise to the perception of a secondary color. For example, red and green yields yellow, red and blue yields magenta, and green and blue yield cyan. Only yellow is counter-intuitive. Yellow, cyan and magenta are merely the "basic" secondary colors: unequal mixtures of the primaries give rise to perception of many other colors all of which may be considered "tertiary".

<span class="mw-page-title-main">Wood engraving</span> Printmaking technique

Wood engraving is a printmaking technique, in which an artist works an image into a block of wood. Functionally a variety of woodcut, it uses relief printing, where the artist applies ink to the face of the block and prints using relatively low pressure. By contrast, ordinary engraving, like etching, uses a metal plate for the matrix, and is printed by the intaglio method, where the ink fills the valleys, the removed areas. As a result, the blocks for wood engravings deteriorate less quickly than the copper plates of engravings, and have a distinctive white-on-black character.

<i>Nuremberg Chronicle</i> 1493 biblical encyclopedia by German historian Hartmann Schedel

The Nuremberg Chronicle is an illustrated encyclopedia consisting of world historical accounts, as well as accounts told through biblical paraphrase. Subjects include human history in relation to the Bible, illustrated mythological creatures, and the histories of important Christian and secular cities from antiquity. Finished in 1493, it was originally written in Latin by Hartmann Schedel, and a German version was translated by Georg Alt. It is one of the best-documented early printed books—an incunabulum—and one of the first to successfully integrate illustrations and text.

<span class="mw-page-title-main">Woodblock printing</span> Early printing technique using carved wooden blocks

Woodblock printing or block printing is a technique for printing text, images or patterns used widely throughout East Asia and originating in China in antiquity as a method of printing on textiles and later paper. Each page or image is created by carving a wooden block to leave only some areas and lines at the original level; it is these that are inked and show in the print, in a relief printing process. Carving the blocks is skilled and laborious work, but a large number of impressions can then be printed.

<i>Ars moriendi</i> Two 15th century Latin texts

The Ars moriendi are two related Latin texts dating from about 1415 and 1450 which offer advice on the protocols and procedures of a good death, explaining how to "die well" according to Christian precepts of the late Middle Ages. It was written within the historical context of the effects of the macabre horrors of the Black Death 60 years earlier and consequent social upheavals of the 15th century. The earliest versions were most likely composed in southern Germany. It was very popular, translated into most West European languages, and was the first in a western literary tradition of guides to death and dying. About 50,000 copies were printed in the incunabula period before 1501 and further editions were printed after 1501. Its popularity reduced as Erasmus's treatise on preparing for death became more popular.

<i>Biblia pauperum</i> Tradition of picture Bibles

The Biblia pauperum was a tradition of picture Bibles beginning probably with Ansgar, and a common printed block-book in the later Middle Ages to visualize the typological correspondences between the Old and New Testaments. Unlike a simple "illustrated Bible", where the pictures are subordinated to the text, these Bibles placed the illustration in the centre, with only a brief text or sometimes no text at all. Words spoken by the figures in the miniatures could be written on scrolls coming out of their mouths. To this extent one might see parallels with modern comics.

<span class="mw-page-title-main">Master E. S.</span> Printmaker, goldsmith, artist (1420–1467)

Master E. S. is an unidentified German engraver, goldsmith, and printmaker of the late Gothic period. He was the first major German artist of old master prints and was greatly copied and imitated. The name assigned to him by art historians, Master E. S., is derived from the monogram, E. S., which appears on eighteen of his prints. The title, Master, is used for unidentified artists who operated independently. He was probably the first printmaker to place his initials on his work.

<span class="mw-page-title-main">Old master print</span> Work of art made printing on paper in the West

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<span class="mw-page-title-main">History of printing</span>

The history of printing starts as early as 3000 BC, when the proto-Elamite and Sumerian civilizations used cylinder seals to certify documents written in clay tablets. Other early forms include block seals, hammered coinage, pottery imprints, and cloth printing. Initially a method of printing patterns on cloth such as silk, woodblock printing for texts on paper originated in China by the 7th century during the Tang dynasty, leading to the spread of book production and woodblock printing in other parts of Asia such as Korea and Japan. The Chinese Buddhist Diamond Sutra, printed by woodblock on 11 May 868, is the earliest known printed book with a precise publishing date. Movable type was invented by Chinese artisan Bi Sheng in the 11th century during the Song dynasty, but it received limited use compared to woodblock printing. Nevertheless, the technology spread outside China, as the oldest printed book using metal movable type was the Jikji, printed in Korea in 1377 during the Goryeo era.

<i>Speculum Humanae Salvationis</i> Illustrated work of popular theology in the late Middle Ages

The Speculum Humanae Salvationis or Mirror of Human Salvation was a bestselling anonymous illustrated work of popular theology in the late Middle Ages, part of the genre of encyclopedic speculum literature, in this case concentrating on the medieval theory of typology, whereby the events of the Old Testament prefigured, or foretold, the events of the New Testament. The original version is in rhyming Latin verse, and contains a series of New Testament events each with three Old Testament ones that prefigure it. It is one of the most common books found as an illuminated manuscript, and also in early printing in both blockbook and incunabulum forms.

<span class="mw-page-title-main">Solomon and Marcolf</span>

Solomon and Marcolf is a medieval narrative describing the adventures and conversations of Solomon and Marcolf, or Marolf. The adventures have some connection with those of Ashmedai, while the conversations consist chiefly of riddles similar to those put to Solomon by the Queen of Sheba. The exact extent of its indebtedness to the Haggadah is somewhat doubtful, though it is practically certain that the various versions are derived from an Eastern original.

<i>Mainz Psalter</i> Second major book printed with movable type in the West

The Mainz Psalter was the second major book printed with movable type in the West; the first was the Gutenberg Bible. It is a psalter commissioned by the Mainz archbishop in 1457. The Psalter introduced several innovations: it was the first book to feature a printed date of publication, a printed colophon, two sizes of type, printed decorative initials, and the first to be printed in three colours. The colophon also contains the first example of a printer's mark. It was the first important publication issued by Johann Fust and Peter Schoeffer following their split from Johannes Gutenberg.

Allan Henry Stevenson was an American bibliographer specializing in the study of handmade paper and watermarks who "single-handedly created a new field: the bibliographical analysis of paper." Through his pioneering studies of watermarks, Stevenson solved "the most fascinating, and perhaps the most notorious, bibliographical problem of our time," the dating of the Missale Speciale or Constance Missal, an undated incunable believed by many to pre-date the Gutenberg Bible, and possibly to have been the first printed European book. Stevenson proved that the book in fact had been printed nearly twenty years later, in 1473. Through similar analysis of watermarks, he also established that most block books, small religious books in which the text and images were printed from a single woodcut block and which many believed dated from the early 15th century, had in fact been printed after 1460.

<span class="mw-page-title-main">Johann Bämler</span> German printer

Johann Bämler was a printer, illuminator and bookseller from Augsburg, Germany.

<span class="mw-page-title-main">Bois Protat</span> Fragmentary woodblock for painting

The woodblock fragment Bois Protat is a fragmentary woodblock for printing, and the images on it are the oldest surviving woodcut images from the Western world. It is cut on both sides, with a scene from Christ's crucifixion on the recto, and a kneeling angel from a presumed Annunciation scene on the verso. The crucifixion scene likely consisted of three or more blocks; the surviving block fragment features Longinus the Roman centurion at the Crucifixion, shown speaking with a banderole, a mediaeval precursor to the modern speech balloon containing his words.

<span class="mw-page-title-main">Wordless novel</span> Sequences of pictures used to tell a story

The wordless novel is a narrative genre that uses sequences of captionless pictures to tell a story. As artists have often made such books using woodcut and other relief printing techniques, the terms woodcut novel or novel in woodcuts are also used. The genre flourished primarily in the 1920s and 1930s and was most popular in Germany.

References

Notes

  1. Palmer, Nigel F. "Apocalypsis Sancti Johannis cum figuris". cudl.lib.cam.ac.uk. Cambridge Digital Library. Retrieved 10 November 2014.
  2. Wilson, p. 109.
  3. 1 2 Hind, Vol. I, p. 214.
  4. Hind, Vol. I, pp. 214-15.
  5. 1 2 3 4 Carter p. 46.
  6. Hind, Vol. I, pp. 64-78.
  7. 1 2 Allan H. Stevenson, The Quincentennnial of Netherlandish Blockbooks, British Museum Quarterly, Vol. 31, No. 3/4 (Spring 1967), p. 83.
  8. Hind, Vol. I, p. 207.
  9. Stevenson.
  10. A Catalog of Gifts of Lessing J. Rosenwald to the Library of Congress, 1943 to 1975, Library of Congress, Washington, 1977, no. 28.
  11. List of block books from several Bavarian libraries
  12. Blockbücher als Mittelalters, pp. 396-412.
  13. Wilson, p. 91 n.4.
  14. Stevenson, pp. 239-341.
  15. Hind, Vol. I, pp. 216-253.
  16. Hind, Vol. I, pp. 218-224.
  17. Hind, Vol. I, pp. 224-230.
  18. Wilson, p. 98.
  19. Hind, Vol. I, pp. 230-242.
  20. Hind, Vol. I, pp. 243-45.
  21. Hind, pp. 216-18.
  22. Wilson, p. 93.
  23. Hind, Vol. I, pp. 245–47.
  24. Hind, Vol. I, pp. 250-52.
  25. Heidelberg University's Dance of Death
  26. Richard S. Field, The Fable of the Sick Lion: a Fifteenth-Century Blockbook,, Catalog for exhibition, Davidson Art Center, Wesleyan University, Middletown, Connecticut, 1974.
  27. Hind p. 262.
  28. A Catalog of Gifts of Lessing J. Rosenwald to the Library of Congress, 1943 to 1975, Library of Congress, Washington, 1977, pp.9-11. Sabine Mertens et al., Blockbücher des Mittelalters, 1991 records only 9 examples.
  29. Bodleian Library
  30. Biblioteca de Catalunya Archived 22 June 2010 at the Wayback Machine

Sources

Further reading