| Tour by Chris Brown | |
| Location | |
|---|---|
| Start date | June 8, 2025 |
| End date | October 16, 2025 |
| Legs | 2 |
| No. of shows | 49 |
| Supporting acts | |
| Attendance | 1.98 million [1] |
| Box office | $295.5 million [1] |
| Chris Brown concert chronology | |
The Breezy Bowl XX was the twelfth concert tour by American singer Chris Brown, staged in Europe and North America. The European leg began on June 8, 2025, in Amsterdam at Johan Cruyff Arena, and ended in Paris on July 5, 2025. The North American leg began on July 30 in Miami and concluded on October 16 in New Orleans. [2] [3]
The tour was divided into four thematic acts. Brown performed more than 50 songs spanning his entire career, combining singing with complex choreographies and also incorporating aerial stunts, a sexually suggestive dance interaction with an audience member on stage, and multiple costume changes, among other elements. [4] [5]
According to Billboard Boxscore, the Breezy Bowl XX earned $295.5 million and sold 1.98 million tickets over 49 shows. Of those totals, $47.8 million and 490,000 tickets are from the tour’s European leg, and the remaining $247.8 million and 1.5 million tickets are from North American shows. [1] The tour received critical acclaim, with reviewers praising Brown’s dancing, vocals, stage production, aerial stunts, audience engagement, and overall performance energy, with several describing the tour as a demonstration of Brown's continued prominence in R&B and pop music. [6]
During the penultimate performance of the North American leg of his "The 11:11 Tour" in Los Angeles on August 6, 2024, Brown concluded the show with the statement, "See you next year," implying the possibility of upcoming performances or a forthcoming tour. [7] Media outlets speculated about a tour to commemorate the 20th anniversary of his debut album. [7] [8] In December 2024, he hosted four sold out stadium concerts (two at Johannesburg's FNB Stadium, and two at Allianz Parque Stadium in São Paulo, Brazil) which his fans collectively dubbed the "Breezy Bowl." [9] On March 25, 2025, Brown posted "BIG ANNOUNCEMENT THURSDAY" on Instagram Stories, signing off with "XX", the Roman numeral for 20. [10] Two days later on Instagram, Brown announced the "Breezy Bowl XX Stadium World Tour," to start on June 8 in Amsterdam, followed by stops in Hamburg, Manchester, and London, wrapping up in Paris on July 5. The North American leg was announced to start July 30 in Miami, with stops in cities like Detroit, Washington, D.C., Toronto, Philadelphia, and Atlanta. R&B singers Summer Walker and Bryson Tiller were unveiled as special guests, though Walker's appearances are limited to U.S. dates. [11] [12] [2] In April 2025, he announced additional dates and singer Jhené Aiko as another guest. [3]
On May 15, 2025, Brown was arrested the same day he landed in Manchester, England, on a 2023 warrant issued against him for a grievous bodily harm charge. The charge resulted from an alleged incident which involved Brown smashing a tequila bottle over music producer Abraham Diaw's head while at a London nightclub on February 19, 2023. [13] [14] Brown would then be detained by London's Metropolitan Police. [14] On May 16, the Manchester Magistrates' Court ordered Brown to remain in custody until at least June 13, 2025, when his case will be heard before the Southwark Crown court in London, potentially jeopardizing the tour. [15] [16] [17] [14] [18] [19] On May 21, 2025, Brown was released on £5 million bail by the London court and was permitted to commence his world tour next month in accordance with his bail conditions. [20] Following his release, the singer wrote on his Instagram Story: "From the cage to the stage. Breezy bowl", confirming that his world tour will start as planned on June 8th in Amsterdam. [21] Commenting on the connection between Brown’s legal troubles and the tour’s public reception, in an October 2025 editorial, Craig Jenkins of Vulture noted how "Breezy Bowl XX" came to symbolize artistic resilience rather than controversy: "Very little writing about Breezy Bowl has framed it as a response to a moment when jail time could be in the cards. The narrative of Brown’s summer was that of a generational talent abiding, not a villain prevailing." [6]
The production of the "Breezy Bowl XX" concerts was described as "elaborate" and "theatrical". The main stage featured multiple LED screens, flame effects, lasers, pyro, and a cross-shaped catwalk. Two massive inflatable statues of Brown — one representing his younger self and another his present-day image — flanked the stage. A smaller satellite stage allowed for more intimate or aerial moments, including a segment where Brown flew over the audience using a harness. [22]
The visuals included AI-generated video sequences, including a virtual interaction between Brown's past and present selves. One segment featured a montage of tabloid headlines and past arrests, offering a moment of self-reflection as Brown confronted his own controversies. The show also featured a fully themed Egyptian-inspired stage setup during “No Guidance,” adding a "cinematic" layer to the show. [23]
Chris Brown underwent multiple costume changes throughout the concert, with outfits tailored to each act’s theme. During the "Legacy" part of the show, he wore a Michael Jackson-inspired captain’s outfit, complete with a fedora, to pay homage to one of his key influences. The show included stylized streetwear, high-fashion pieces, and performance-ready attire designed for dance-heavy segments. [24] His dancers' attire was equally varied, ranging from raunchy and seductive ensembles to more athletic, high-concept costumes. [25]
The "Breezy Bowl XX" concert was structured into four thematic acts—The Rise, The Fall, Fantasy, and Legacy—each reflecting a key phase in the singer’s career and artistic evolution. This structure allowed the concert to serve both as a retrospective of Brown’s musical journey and as a showcase of his evolving performance style and public persona, featuring a setlist of more than 50 songs. [26]
The concert commenced with The Rise, featuring Brown’s early hits that established his presence in the music industry. Opening with the 2005 Billboard Hot 100 number one single "Run It!", Brown set an energetic tone that continued with songs like "Yo", "Yeah 3X", and "Gimme That". The performances in this segment combined up-tempo beats with Brown’s signature choreography, creating a dynamic atmosphere. [27]
Following this high-energy opening, the show transitioned into The Fall, a slower segment featuring some of Brown’s deep cuts. This act opened with a video montage that acknowledged significant personal and professional challenges Brown has faced, including his 2009 felony assault conviction involving then-girlfriend, singer Rihanna. The montage featured clips of Brown reflecting on the impact of these events and the role his fans played in his resilience. The tone of this segment was reflected musically through songs like “Residuals” and “Don't Judge Me,” with performances often accompanied by subdued lighting and minimalist staging to emphasize the emotional content. The act also incorporated pyrotechnic effects, particularly during “New Flame”. [28]
The third act, Fantasy, shifted back to a heavily sexual tone, with performances of adult-themed R&B tracks that emphasized intimacy and sexual desire, such as “Back to Sleep” and “No BS.” [29] During the song "Take You Down," the singer invited a female fan on stage and engaged in a sexually suggestive dance with her, sometimes culminating in a kiss. [30]
The final act, Legacy, served as a celebration of Brown’s influence and longevity in the R&B and pop genres. After an opening DJ set by DJ Fresh, Brown returned to the stage donning a Michael Jackson-inspired jacket, signaling a tribute to his major artistic influence. This segment featured energetic performances of some of Brown's most commercially successful singles including "Loyal", "Go Crazy", "No Guidance", "No Air", and "Forever". [31]
The tour received positive reviews from critics. [6] In an editorial about the tour, Craig Jenkins of Vulture argued that it "makes an unsubtle case for the singer as a pivotal force in R&B, hip-hop, and pop by barreling through dozens of disparate highlights (...) His voice spirits a lot of people away to happier, less haunted times. And the glimmer of lost innocence in his tone has proved much more magnetic than anything he has done to throw the audience off." [6] Osvaldo Espino of Miami New Times wrote that Brown's July 30 concert was “a testament to his staying power as a performer,” adding, “The moment he took the stage, it became crystal clear: Brown is still one of the most captivating entertainers in the world.” [32] The Detroit Free Press praised the August 7 concert, noting that "the show’s midsection boasted some of his top vocal showcases, highlighting his tight runs and dynamic range." [33] Similarly, MLive commended the overall Detroit performance: "The most jaw-dropping moment came late in the night when Brown flew through the air on a rig that carried him at least 50 feet above the stage. Brown swung through the skies, dangling over the crowd while continuing to sing before landing on one of the lighting towers." [34] Billboard echoed the sentiment following the August 13 show in New Jersey, calling it a "electrifying display of pop star power." The outlet noted that "Brown repeatedly thanked his supporters—over, and over, and over again—showing an unwavering loyalty to the people who held him up while he was down. That energy was tangible at MetLife, as fans returned the love and praise with cheers and applause". [35] Now described the August 20 performance at Toronto’s Rogers Stadium as “a night to remember,” praising Brown for delivering “ultimate R&B vibes” despite a downpour that began just as his set started. The review noted that “Brown gave us an unforgettable performance and proved why his name is mentioned in conversations surrounding Best Performers of All Time,” highlighting his aerial stunts, throwback hits, and “Take You Down” serenade in the middle of the storm. [36]
According to Billboard Boxscore, Brown achieved one of the highest-grossing tours of 2025 with his Breezy Bowl XX Tour, joining Beyoncé and Bad Bunny as one of only three artists to surpass $90 million in reported monthly earnings more than once since the Billboard’s Top Tours chart launched in 2019. [1] The tour topped Billboard’s Top Tours chart for both August and September 2025, grossing $98.1 million in September alone from 13 shows across 10 U.S. cities and selling 580,000 tickets. Three cities — Arlington, Inglewood, and Las Vegas — each reported grosses exceeding $10 million, with Inglewood’s two-night stand at SoFi Stadium earning $16.3 million, one of the top 10 boxscores of the month. [1]
Launched in June 2025 and concluding in October, the Breezy Bowl XX Tour amassed $295.5 million in total revenue and sold nearly two million tickets (1.98 million) across 49 shows worldwide. [1] Of that total, $47.8 million and 490,000 tickets came from its European leg, while $247.8 million and 1.5 million tickets were generated from North American stadium dates. The trek marked Brown’s first full-scale stadium tour and represented a 201% increase in gross revenue compared to 2024’s The 11:11 Tour, and a 39% rise from his 2023 Under the Influence Tour in Europe. [1]
With the completion of Breezy Bowl XX, Brown’s career grosses surpassed $500 million, totaling $511.4 million from 4.9 million tickets sold across 322 reported shows. [1]
This set list is representative of the show on June 8, 2025, in Amsterdam. [37] It does not represent all concerts for the duration of the tour.
| Date (2025) | City | Country | Venue | Opening acts | Attendance | Revenue |
|---|---|---|---|---|---|---|
| June 8 | Amsterdam | Netherlands | Johan Cruyff Arena | Bryson Tiller | 49,735 (100%) | $5,355,379 |
| June 11 | Hamburg | Germany | Volksparkstadion | 42,175 (100%) | $4,053,493 | |
| June 13 | Frankfurt | Deutsche Bank Park | 42,569 (100%) | $4,752,308 | ||
| June 15 | Manchester | England | Co-op Live | 62,234 (100%) | $9,002,791 | |
| June 16 | ||||||
| June 19 | Cardiff | Wales | Principality Stadium | 46,019 (100%) | $4,128,619 | |
| June 21 | London | England | Tottenham Hotspur Stadium | 96,981 (100%) | $13,787,320 | |
| June 22 | ||||||
| June 24 | Manchester | Co-op Live | – | – | ||
| June 26 | Birmingham | Villa Park | 40,591 (100%) | $5,692,221 | ||
| June 28 | Dublin | Ireland | Marlay Park | 31,786 (100%) | $2,928,091 | |
| July 1 | Glasgow | Scotland | Hampden Park | 36,923 (100%) | $3,919,601 | |
| July 3 | Manchester | England | Co-op Live | – | – | |
| July 5 | Nanterre [a] | France | Paris La Défense Arena | 41,112 (100%) | $4,880,630 | |
| July 30 | Miami | United States | LoanDepot Park | Summer Walker Bryson Tiller | 37,810 (100% | $6,105,450 |
| August 2 | Tampa | Raymond James Stadium | 51,146 (100%) | $8,824,943 | ||
| August 5 | Hershey | Hersheypark Stadium | 27,168 (100%) | $4,641,187 | ||
| August 7 | Detroit | Ford Field | 90,437 (100%) | $14,619,415 | ||
| August 8 | ||||||
| August 12 | East Rutherford | MetLife Stadium | 107,256 (100%) | $15,001,827 | ||
| August 13 | ||||||
| August 16 | Philadelphia | Citizens Bank Park | 41,481 (100%) | $7,312,825 | ||
| August 19 | Toronto | Canada | Rogers Stadium | 87,127 (100%) | $13,982,665 | |
| August 20 | ||||||
| August 23 | East Hartford | United States | Pratt & Whitney Stadium at Rentschler Field | Bryson Tiller | 32,158 (100%) | $5,226,469 |
| August 25 | Boston | Fenway Park | Summer Walker Bryson Tiller | 36,124 (100%) | $5,605,268 | |
| August 28 | Chicago | Wrigley Field | 37,826 (100%) | $6,827,316 | ||
| August 30 | Cumberland [b] | Truist Park | 79,230 (100%) | $14,780,055 | ||
| August 31 | ||||||
| September 2 | Arlington | Globe Life Field | 77,013 (100%) | $13,981,852 | ||
| September 3 | ||||||
| September 5 | St. Louis | The Dome at America's Center | 47,014 (100%) | $7,852,085 | ||
| September 8 | Houston | Daikin Park | 40,340 (100%) | $8,273,801 | ||
| September 11 | Phoenix | Chase Field | 47,476 (100%) | $8,007,329 | ||
| September 13 | Inglewood [c] | SoFi Stadium | 95,300 (100%) | $16,308,156 | ||
| September 14 | ||||||
| September 17 | San Diego | Petco Park | 41,651 (100%) | $6,159,446 | ||
| September 19 | Paradise [d] | Allegiant Stadium | 89,658 (100%) | $15,848,974 | ||
| September 20 | ||||||
| September 24 | Denver | Coors Field | Jhené Aiko Bryson Tiller | 43,590 (100%) | $6,144,585 | |
| September 27 | San Antonio | Alamodome | 48,938 (100%) | $8,213,958 | ||
| September 30 | Orlando | Camping World Stadium | 46,907 (100%) | $7,274,889 | ||
| October 3 | Atlanta | Bobby Dodd Stadium | — | — | ||
| October 5 | Washington, D.C. | Nationals Park | ||||
| October 8 | — | — | ||||
| October 9 | ||||||
| October 11 | Birmingham | Protective Stadium | — | — | ||
| October 14 | Raleigh | Carter–Finley Stadium | — | — | ||
| October 16 | New Orleans | Caesars Superdome | — | — |
| Date | City | Country | Venue | Reason |
|---|---|---|---|---|
| July 9 [e] | Portimão | Portugal | Praia da Rocha | Legal issues [38] |
| August 23 | Montréal | Québec, Canada | Parc Jean-Drapeau | Venue renovations and low ticket sales reported [39] |
| October 18 | Memphis | United States | Simmons Bank Liberty Stadium | Venue renovations [40] |