Can't Seem to Make You Mine

Last updated
"Can't Seem to Make You Mine"
The Seeds - Can't Seem to Make You Mine.jpg
Single by The Seeds
from the album The Seeds
B-side "Daisy Mae"
ReleasedJuly 1965
April 1967 (re-issue)
RecordedApril 21, 1965
Studio United Western Recorders, Hollywood
Genre Garage rock [1]
Length3:05
Label GNP Crescendo
Songwriter(s) Sky Saxon
Producer(s) Sky Saxon
The Seeds singles chronology
"Can't Seem to Make You Mine"
(1965)
"Pushin' Too Hard"
(1965)

"Can't Seem to Make You Mine" is a song by American rock group the Seeds, written by vocalist Sky Saxon and produced by Marcus Tybalt. It was released as a single in 1965 and re-issued in 1967, when it peaked at number 41 on the U.S. Billboard Hot 100 chart, and number 33 in Canada.

Contents

The song appears on the 1998 box set Nuggets: Original Artyfacts from the First Psychedelic Era, 1965–1968 , and has been covered by such artists as the Ramones, Alex Chilton, Johnny Thunders, Yo La Tengo, Garbage, and Rumspringa.

Recording and release

"Can't Seem to Make You Mine" was the first song recorded by the Seeds, according to keyboardist Daryl Hooper. "Sky started peddling it around to different record labels ... and got the typical 'we'll call you' routine, and Crescendo, for some reason, liked it and said they'd like to take us into a recording studio. When Sky got into the recording studio, he really put his all into his vocals." [2] The recording session took place on April 21, 1965 at United Western Recorders, together with engineer Chuck Britz. [3] Saxon produced and take #4 was the master. [3]

The song was released as a single in July 1965, [4] and first received radio airplay on Santa Monica's KBLA. Sky Saxon recalled in a 2006 interview: "they used to play 'Can't Seem to Make You Mine' as late as two in the morning. KRLA and all the rest of the stations jumped on it later, but KBLA broke it and people would stay up to hear it." [5]

A regional hit in California, the single did not chart nationally until its April 1967 re-release, [4] after the band's "Pushin' Too Hard" had reached the U.S. Top 40. [6] [7] "Can't Seem to Make You Mine" peaked at number 33 in Canada and number 41 on the U.S. Billboard Hot 100 chart. [8]

The song features an instrumental by the pianist of the group, with guitar accompaniment.

There was also a radio edit version of this song, which omitted the repeat of the bridge section as well as a repeat of one of the verses. The song features a spoken duologue by Saxon before he repeats the final verse ("Come back, baby, I'm all alone").

Critical reception

Music writer Malcolm Russell described the song as "a slow, angry piece which highlighted Saxon's unique vocal style – an inspired nasal snarl punctuated by howls, wails and yelps". [9] Author Michael Hicks elaborated on Saxon's vocal style on the track: "he superimposes an Eddie Cochran-like buzz on classic Buddy Holly-style baby talk [and] adds a Jagger-like pseudo-dialect, but a seemingly arbitrary one, in which vowels are colored and recolored with no particular consistency." [10] The song has been called a "garage rock classic" by authors Will Hodgkinson and Stephen Thomas Erlewine, and it is featured on the 1998 box set Nuggets: Original Artyfacts from the First Psychedelic Era, 1965–1968 . [11] [12] [13] The song placed fourth on Paste Magazine's 2014 list of the "50 Best Garage Rock Songs of All Time". [14]

Other versions and appearances

Alex Chilton covered this song on his 1978 "Bangkok" single. [15] Johnny Thunders and Patti Palladin recorded the song on their 1988 album, Copy Cats . [16] The Ramones covered it on the 1993 album, Acid Eaters . [17] Yo La Tengo included their rendition of the song on their 1995 Camp Yo La Tengo EP. [18] Garbage released a cover version as a B-side to the 1999 singles "When I Grow Up" and "The Trick Is to Keep Breathing". [19] Murder City Devils covered the song for a 1999 split 45 with Gluecifer. [7] Diplo sampled the track on his remix of Spank Rock's 2005 single "Put That Pussy on Me". [20] Spirits in the Sky, a supergroup led by Billy Corgan, performed the song at a Sky Saxon tribute concert on July 24, 2009 in Los Angeles. [21]

The song featured in the films Cop Land (1997) and Secretary (2002) and was briefly featured in the first episode of Netflix's original series, Stranger Things (2016). [22] It was also used in a 2008 television commercial for Lynx/Axe body spray. [23]

Track listing

7" Vinyl (August 1965)
No.TitleWriter(s)Length
1."Can't Seem to Make You Mine"Saxon2:31
2."Daisy Mae"Saxon1:57
7" Vinyl (February 1967)
No.TitleWriter(s)Length
1."Can't Seem to Make You Mine"Saxon2:31
2."I Tell Myself"Saxon2:25

Chart performance

Chart (1967)Peak
position
U.S. Billboard Hot 100 [8] 41
U.S. Cash Box Top 100 [24] 55
Canada RPM Magazine [25] 33

Related Research Articles

Garage rock is a raw and energetic style of rock and roll that flourished in the mid-1960s, most notably in the United States and Canada, and has experienced a series of subsequent revivals. The style is characterized by basic chord structures played on electric guitars and other instruments, sometimes distorted through a fuzzbox, as well as often unsophisticated and occasionally aggressive lyrics and delivery. Its name derives from the perception that groups were often made up of young amateurs who rehearsed in the family garage, although many were professional.

<i>Nuggets: Original Artyfacts from the First Psychedelic Era, 1965–1968</i> 1972 compilation album by various artists

Nuggets: Original Artyfacts from the First Psychedelic Era is a compilation album of American psychedelic and garage rock singles that were released during the mid-to-late 1960s. It was created by Lenny Kaye, who was a writer and clerk at the Village Oldies record shop in New York. He would later become the lead guitarist for the Patti Smith Group. Kaye produced Nuggets under the supervision of Elektra Records founder Jac Holzman. Kaye conceived the project as a series of roughly eight LP installments focusing on different US regions, but Elektra convinced him that one double album would be more commercially viable. It was released on LP by Elektra in 1972 with liner notes by Kaye that contained one of the first uses of the term "punk rock". It was reissued with a new cover design by Sire Records in 1976. In the 1980s, Rhino Records issued Nuggets in a series of fifteen installments, and in 1998 as a 4-cd box set.

<span class="mw-page-title-main">The Seeds</span> American rock band

The Seeds were an American psychedelic garage rock band formed in Los Angeles, California in 1965, best known for their highest-charting single "Pushin' Too Hard". The band's classic line-up featured frontman Sky Saxon, guitarist Jan Savage, keyboardist Daryl Hooper and drummer Rick Andridge. In 1968, the band changed their name to Sky Saxon and the Seeds, with Savage and Andridge departing the band. They went on to release a handful of additional singles, with Hooper also departing at some point before splitting up in circa 1972.

<span class="mw-page-title-main">The Brogues</span> American garage rock band

The Brogues were an American garage rock band formed in Merced, California, in 1964. Much of the group's brief recording career was marked by distorted-guitar melodies and R&B-influenced vocals. They released two regionally successful singles in their brief existence, most notably the Annette Tucker and Nancie Mantz-penned "I Ain't No Miracle Worker", which is now considered a classic of the garage rock genre. The song has also appeared on several compilation albums and has been covered by other music artists.

<span class="mw-page-title-main">Sky Saxon</span> Musical artist

Sky "Sunlight" Saxon was an American rock and roll musician best known as the leader and singer of the 1960s Los Angeles psychedelic garage rock band The Seeds.

<i>The Psychedelic Sounds of the 13th Floor Elevators</i> 1966 album by the 13th Floor Elevators

The Psychedelic Sounds of the 13th Floor Elevators is the debut studio album by the 13th Floor Elevators. The album's sound, featuring elements of psychedelia, hard rock, garage rock, folk, and blues, is notable for its use of the electric jug, as featured on the band's only hit, "You're Gonna Miss Me", which reached number 55 on the Billboard Charts with "Tried to Hide" as a B-side. Another single from the album, "Reverberation (Doubt)", reached number 129 on the Billboard's Bubbling Under Chart.

<i>Nuggets II: Original Artyfacts from the British Empire and Beyond, 1964–1969</i> 2001 box set by Various artists

Nuggets II: Original Artyfacts from the British Empire and Beyond, 1964–1969 is a four-disc box set from Rhino Records, released in 2001.

Mouse and the Traps is the name of an American garage rock band from Tyler, Texas, United States, that released numerous singles between 1965 and 1969, two of which, "A Public Execution" and "Sometimes You Just Can't Win", became large regional hits. The leader of the band, nicknamed "Mouse", was Ronny Weiss. Two of their best known songs, "A Public Execution" and a cover of "Psychotic Reaction", are not actually credited to this band but, respectively, to simply Mouse and Positively 13 O'Clock instead. Their tangled history also included one single that was released anonymously under the name Chris St. John. The band are not to be confused with the girl group Mousie and The Traps who recorded for Toddlin' Town records around the same time.

Nuggets is a series of compilation albums, started by Elektra Records in 1972 and continued by Rhino Records thereafter. The series focuses primarily on relatively obscure garage and psychedelic rock songs from the 1960s, but with some hits and pop-oriented songs also included.

Robert "Bobby" Winkelman is an American singer, song writer, rhythm guitarist, and bass guitarist. He was a founding member of the East Bay band, "The Epics".

<span class="mw-page-title-main">Mark Tulin</span> American musician

Mark Shalom Tulin was an American bass guitarist who played with the psychedelic rock band The Electric Prunes.

<i>The Seeds</i> (album) 1966 studio album by the Seeds

The Seeds is the debut album by American garage rock band the Seeds. It was released in April 1966 through GNP Crescendo Records and produced by Sky Saxon. After the release of two singles in 1965, "Can't Seem to Make You Mine" and "Pushin' Too Hard", the album was released and charted in the United States where it peaked at No. 132 on the Billboard Top LPs & Tapes chart. Modern reception of the album is positive, with Malcolm Russel noting the band's influence on CBGB musicians a decade later.

<span class="mw-page-title-main">Pushin' Too Hard</span> 1965 single by The Seeds

"Pushin' Too Hard", originally titled "You're Pushing Too Hard", is a song by American rock group The Seeds, written by vocalist Sky Saxon and produced by Saxon with Marcus Tybalt. It was released as a single in 1965, re-issued the following year, and peaked at number 36 on the Hot 100 in February 1967 and number 44 in Canada in March.

<span class="mw-page-title-main">Mr. Farmer</span> 1967 single by The Seeds

"Mr. Farmer" is a song by American garage rock group The Seeds, written by vocalist Sky Saxon and produced by Marcus Tybalt. It was released as a single in 1967 and peaked at number 86 on the U.S. Billboard Hot 100 chart. The song was banned on many radio stations during the time of its release because of its drug references.

<i>Raw & Alive: The Seeds in Concert at Merlins Music Box</i> 1968 studio album by The Seeds

Raw & Alive: The Seeds in Concert at Merlin's Music Box is the fifth album by the American garage rock band, the Seeds, and was released on GNP Crescendo in May 1968. It was marketed as a live album, and actually was recorded raw, but all of the album's contents were completed in a studio. The album marks a return to the band's energetic punk sound that previously garnered them national acclaim. Upon release, however, the album, and its accompanying single, "Satisfy You", failed to chart, and the group would eventually disband in 1972.

<span class="mw-page-title-main">I Ain't No Miracle Worker</span> 1965 single by The Brogues

"I Ain't No Miracle Worker" is a song by the American garage rock band, the Brogues, written by Annette Tucker and Nancie Mantz, and released as the group's second and final single on Challenge Records, in November 1965. The composition is now considered a classic of the musical genre of garage rock, and has reappeared on several compilation albums and has been covered by other musical artists. The Brogues' original rendition was musically influenced by their contemporaries on the R&B circuit and the British Invasion.

<span class="mw-page-title-main">Bad Girl (The Zakary Thaks song)</span> 1966 single by The Zakary Thaks

"Bad Girl" is a song by the American garage rock band the Zakary Thaks, written by the whole group—Chris Gerniottis, Pete Stinson, Stan Moore, Rex Gregory, and John Lopez—and was first released for the band's debut single on J-Beck Records in July 1966. The song was an immensely successful regional hit in Texas, precipitating "Bad Girl"'s national release on Mercury Records later in the year. Since its initial distribution, the tune has received further recognition for its appearance on several compilation albums.

<span class="mw-page-title-main">The Underdogs (American band)</span> American garage rock band

The Underdogs were an American garage rock band from Grosse Pointe, Michigan who were active in the 1960s. They became a regular attraction at the Hideout, a club that was an early venue for acts such as Bob Seger, Glenn Frey, and The Pleasure Seekers, featuring Suzi Quatro, and it also served as the home to the Hideout record label, which released several of the Underdogs' singles. The group enjoyed success in the region and came close to breaking nationally with two records released though a joint deal on Reprise Records and then their last on Motown. The Underdogs' work has been included on various garage rock compilations such as the 1998 Nuggets 4-CD box set released on Rhino Records.

<span class="mw-page-title-main">The Witch (song)</span> 1964 single by The Sonics

"The Witch" is a song by the American garage rock band the Sonics, written by vocalist Gerry Roslie, and first released as the group's debut single in November 1964. It also appears on the Sonics' debut album Here Are the Sonics!!!. Arguably among the most frantic and heaviest recordings of the era, "The Witch" is regarded as being a quintessential stepping stone in the development of punk rock despite the fact the tune never reached national success. Since the song's original release, "The Witch" has appeared on numerous compilation albums, most notably the 1998 reissue of Nuggets: Original Artyfacts from the First Psychedelic Era, 1965–1968.

Alejandro "Alec" Palao is a British musician, music historian, writer, and reissue producer. In addition to his musical output with groups like the Sting-rays, the Sneetches, and Mushroom, his works include hundreds of production credits and liner notes on important compilations of vintage rock and soul from Ace Records, Rhino Records, and others, plus a wide array of music-related print and film credits. Palao is unusual in that he normally supervises each aspect of the projects he compiles, including audio transfers and restoration as well as research and liner notes. Honors include five Grammy Award nominations for historical albums and liner notes.

References

  1. Stiernberg, Bonnie. "The 50 Best Garage Rock Songs of All Time". Paste . Archived from the original on 1 August 2017. Retrieved 15 May 2016.
  2. Kubernik, Harvey (2009). Canyon of Dreams: The Magic and the Music of Laurel Canyon. New York: Sterling Publishing. p. 51. ISBN   978-1-4027-6589-6.
  3. 1 2 Singles As & Bs 1965-1970 (liner notes pg. 2). Palao, Alec. The Seeds. Big Beat Records. 2014. Catalogue number CDWIKD 322
  4. 1 2 Singles As & Bs 1965-1970 (liner notes pg. 21). Palao, Alec. The Seeds. Big Beat Records. 2014. Catalogue number CDWIKD 322
  5. Locey, Bill (2006-12-21). "Flower Power Trip". Ventura County Star . p. Time Out.
  6. Koch, Bob (2009-06-27). "Vinyl Cave: Moonwalking into sunlight with Michael Jackson and Sky Saxon". Isthmus . Retrieved 2012-01-24.
  7. 1 2 Strong, Martin Charles (2003). The Great Indie Discography (2nd ed.). Edinburgh: Canongate Books. ISBN   978-1-84195-335-9.
  8. 1 2 Whitburn, Joel (2008). Joel Whitburn Presents: Across The Charts The 1960s. New York: Record Research. p. 342. ISBN   978-0-89820-175-8.
  9. Buckley, Peter (2003). The Rough Guide to Rock (3rd ed.). London: Rough Guides. p.  915. ISBN   978-1-84353-105-0.
  10. Hicks, Michael (2000). Sixties Rock: Garage, Psychedelic, and Other Satisfactions. Chicago: University of Illinois Press. p. 9. ISBN   978-0-252-06915-4.
  11. Hodgkinson, Will (2006). Guitar Man: A Six-String Odyssey, or, You Love that Guitar More than You Love Me. Cambridge, MA: Da Capo Press. p.  95. ISBN   978-0-306-81514-0.
  12. Erlewine, Stephen Thomas. "'Flower Punk' - The Seeds - Review". AllMusic . Retrieved 2012-01-24.
  13. "'Nuggets: Original Artyfacts from the First Psychedelic Era, 1965–1968' - Overview". AllMusic . Retrieved 2012-01-24.
  14. Stiernberg, Bonnie (2014-08-27). "The 50 Best Garage Rock Songs of All Time". Paste Magazine . Archived from the original on 2014-08-31. Retrieved 2014-08-27.
  15. "'Bangkok/Can't Seem to Make You Mine' - Overview". AllMusic . Retrieved 2012-01-24.
  16. Schoemer, Karen (April 1989). "Spin Offs". Spin . SPIN Media LLC. 5 (1): 113. ISSN   0886-3032.
  17. "Album Reviews". Billboard . Vol. 106, no. 3. Nielsen Business Media, Inc. 1994-01-15. p. 44. ISSN   0006-2510.
  18. Robbins, Ira. "Trouser Press - Yo La Tengo". Trouser Press . Retrieved 2012-01-24.
  19. Strong, Martin Charles (2006). The Great Rock Discography. Edinburgh: Canongate Books. p. 431. ISBN   978-1-84195-860-6.
  20. Cantalini, Chris (2007-08-25). "Can't Seem to Make You Mine". Gorilla vs. Bear . Retrieved 2012-01-24.
  21. Bronson, Kevin (2009-08-29). "Billy Corgan, Dave Navarro Debut 10 Songs". Spin . Retrieved 2012-01-24.
  22. "Sky Saxon - Filmography". IMDb.com . Retrieved 2012-01-24.
  23. Gallo, Phill (2011-02-24). "Estate of Sky Saxon of the Seeds Files Royalties Lawsuit". Billboard . Archived from the original on 2011-02-27. Retrieved 2012-01-24.
  24. "Cash Box Top 100 6/3/67". Cashbox Magazine, Inc. Archived from the original on 2012-09-05. Retrieved 2012-01-24.
  25. "RPM Top 100 Singles - June 17, 1967" (PDF).