Countdown to Extinction

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Countdown to Extinction
Countdown album cover.jpg
Studio album by
ReleasedJuly 14, 1992 (1992-07-14)
RecordedJanuary 6 – April 28, 1992
StudioThe Enterprise in Burbank, California
Genre
Length47:26
Label Capitol
Producer
Megadeth chronology
Rust in Peace
(1990)
Countdown to Extinction
(1992)
Youthanasia
(1994)
Singles from Countdown to Extinction
  1. "Symphony of Destruction"
    Released: July 21, 1992
  2. "Foreclosure of a Dream"
    Released: October 13, 1992
  3. "Sweating Bullets"
    Released: February 16, 1993
  4. "Skin o' My Teeth"
    Released: April 12, 1993

Countdown to Extinction is the fifth studio album by American thrash metal band Megadeth, released on July 14, 1992, through Capitol Records. It was the group's second studio release to feature the "classic" lineup of Dave Mustaine, Marty Friedman, David Ellefson and Nick Menza, with all of them contributing to songwriting on the album. The album features some of the band's best known songs such as "Symphony of Destruction", "Sweating Bullets" and "Skin o' My Teeth", which enjoyed significant chart success and made a great musical impact.

Thrash metal is an extreme subgenre of heavy metal music characterized by its overall aggression and often fast tempo. The songs usually use fast percussive beats and low-register guitar riffs, overlaid with shredding-style lead work. The lyrics often deal with social issues and criticism of The Establishment, using direct and denunciatory language, an approach borrowed from hardcore punk.

Megadeth American heavy metal band

Megadeth is an American thrash metal band from Los Angeles, California. Guitarist Dave Mustaine and bassist David Ellefson formed the band in 1983 shortly after Mustaine's dismissal from Metallica. Along with Metallica, Anthrax, and Slayer, Megadeth is one of the "Big Four" of American thrash metal, responsible for its development and popularization. Their music features complex arrangements and fast rhythm sections, and lyrical themes of death, war, politics, and religion.

Capitol Records American record label

Capitol Records is an American record label owned by Universal Music Group through its Capitol Music Group imprint. It was founded as the first West Coast-based record label in the United States in 1942 by Johnny Mercer, Buddy DeSylva, and Glenn E. Wallichs. Capitol was acquired by British music conglomerate EMI as its North American subsidiary in 1955. EMI was acquired by Universal Music Group in 2012 and was merged with the company a year later, making Capitol and the Capitol Music Group both a part of UMG. The label's circular headquarter building in Hollywood is a recognized landmark of California.

Contents

Countdown to Extinction received positive reaction from music critics, who noted its politically oriented lyrics and simplified sound in comparison to their previous record. The album entered the Billboard 200 at number two, the band's highest position ever. It eventually achieved triple platinum status and became their most commercially successful album. The record was nominated for Best Metal Performance at the 1993 Grammy Awards, while the album's title track won the Humane Society's Genesis Award for raising awareness for animal rights issues.

Music journalism journalism genre

Music journalism is media criticism and reporting about music topics, including popular music, classical music and traditional music. Journalists began writing about music in the eighteenth century, providing commentary on what is now regarded as classical music. In the 1960s, music journalism began more prominently covering popular music like rock and pop after the breakthrough of The Beatles. With the rise of the internet in the 2000s, music criticism developed an increasingly large online presence with music bloggers, aspiring music critics, and established critics supplementing print media online. Music journalism today includes reviews of songs, albums and live concerts, profiles of recording artists, and reporting of artist news and music events.

The Billboard 200 is a record chart ranking the 200 most popular music albums and EPs in the United States. It is published weekly by Billboard magazine. It is frequently used to convey the popularity of an artist or groups of artists. Often, a recording act will be remembered by its "number ones", those of their albums that outperformed all others during at least one week. The chart grew from a weekly top 10 list in 1956 to become a top 200 in May 1967, and acquired its present title in March 1992. Its previous names include the Billboard Top LPs (1961–72), Billboard Top LPs & Tape (1972–84), Billboard Top 200 Albums (1984–85) and Billboard Top Pop Albums.

In the United States, the Recording Industry Association of America (RIAA) awards certification based on the number of albums and singles sold through retail and other ancillary markets. Other countries have similar awards. Certification is not automatic; for an award to be made, the record label must request certification. The audit is conducted against net shipments after returns, which includes albums sold directly to retailers and one-stops, direct-to-consumer sales and other outlets.

In 2012, in recognition of the album's 20th anniversary, Megadeth kicked off a 20th anniversary tour in South America, playing the album in its entirety. In addition, a 20th anniversary special edition of the album was released in November 2012, and a live album featuring a performance of the full album was released in September 2013.

<i>Countdown to Extinction: Live</i> 2013 live album by Megadeth

Countdown to Extinction: Live is a live album by American heavy metal band Megadeth, released on September 24, 2013, through Dave Mustaine's Tradecraft label in Blu-ray, DVD, and CD formats. It was recorded during the band's "Countdown to Extinction 20th Anniversary Tour" at a show at Fox Theatre in Pomona, California, on December 7, 2012, and features the band performing the entire Countdown to Extinction album. The album debuted at number 119 on the Billboard 200.

Production and musical style

Countdown to Extinction is Megadeth's fifth studio album, and the second to feature the line-up of Dave Mustaine, Marty Friedman, David Ellefson and Nick Menza. [1] In an interview for Billboard at the time, Mustaine admitted that he fired past members Chuck Behler and Jeff Young because they resisted his pleas to seek rehabilitative counseling. [2] He added that it was a "major accomplishment" that all four members of Megadeth contributed material to the album, unlike their earlier releases which were "nearly all Mustaine". [3] Mustaine also revealed that producer Max Norman had significant input to the album by making "a lot of suggestions and a lot of great artistic ideas". [4] Guitarist Marty Friedman said that unlike Rust in Peace , the creation of this record was "completely different". He further stated that the band had changed the songs "a million times" before recording them on demo and entering the studio. [5]

Marty Friedman American guitarist

Martin Adam "Marty" Friedman is an American guitarist, known for his tenure as the lead guitarist for heavy metal band Megadeth that spanned nearly the full decade of the 1990s. He is also known for playing alongside Jason Becker in Cacophony until 1989, as well as his 13 solo albums and tours. Friedman has resided in Tokyo, Japan since 2003, where he has appeared on over 700 Japanese television programs such as Rock Fujiyama, Hebimeta-san, Kouhaku uta gassen and Jukebox English. He has released albums with several record labels, including Avex Trax, Universal, EMI, Prosthetic and Shrapnel Records.

David Ellefson Bass guitarist

David Warren Ellefson is an American bassist, co-founder and second-longest serving member of the American heavy metal band Megadeth from 1983 to 2002 and again from 2010. He has also been referred to as "Junior" to differentiate him from his bandmate Dave Mustaine, but does not go by this name professionally. Ellefson currently resides in Scottsdale, Arizona. In addition to playing bass guitar in Megadeth, Ellefson also has various side projects which include Temple of Brutality, F5, Killing Machine and Metal Allegiance.

Nick Menza American musician

Nicholas Menza was an American musician best known as the former drummer for American thrash metal band Megadeth from 1989-1998 and again in 2004 as well as one final return in 2014. He recorded drums on four of Megadeth's albums: Rust in Peace (1990), Countdown to Extinction (1992), Youthanasia (1994) and Cryptic Writings (1997).

The music for Countdown to Extinction was written in two different sessions. The first session was done following the conclusion of Clash of the Titans tour, while the second session took place after a one-month break, in the fall of 1991. [6] The album was recorded in the first half of 1992, when the Rodney King Riots took place. These events negatively affected the recording process, as the band was forced to leave the studio every night at six o'clock because of the enacted curfew. Dave Mustaine shared his experience: "There’s nothing worse than getting a creative moment and you have to leave. It was like a school bell ringing." [7] The record was produced by Mustaine and Max Norman at The Enterprise in Burbank, California, while the mixing was handed by Norman with the help of Fred Kelly. [8] Referring to the recording process, Mustaine said that Countdown to Extinction "was one of those records where everything was firing on all 12 cylinders and you just know it". [9] He also said that it didn't take the band a long time to record the album because "records were a lot easier to make back then because the pressure wasn't quite as hard". [10]

Clash of the Titans (tour)

Clash of the Titans was a concert tour co-headlined by American thrash metal bands Megadeth and Slayer, which took place in September and October 1990 and again from May to July 1991. Launched in support of their respective albums Rust in Peace and Seasons in the Abyss, the tour had two legs, first in Europe and second in the United States. Clash of the Titans is considered one of the most successful tours in heavy metal history, and bridged the gap between the popularity of thrash metal and rise of the alternative rock and grunge scene.

Burbank, California City in California, United States

Burbank is a city in Los Angeles County in the Los Angeles metropolitan area of Southern California, United States, 12 miles (19 km) northwest of downtown Los Angeles. The population at the 2010 census was 103,340.

Audio mixing (recorded music) audio mixing to yield recorded sound

In sound recording and reproduction, audio mixing is the process of combining multitrack recordings into a final mono, stereo or surround sound product. These tracks that are blended together are done so by using various processes such as equalization and compression. Audio mixing techniques and approaches can vary widely, and due to the skill-level or intent of the mixer, can greatly affect the qualities of the sound recording.

We'd take a break and go outside with a basketball and shoot some hoops and walk back in, and Dave would pick his guitar up, and out fell the riff to "Sweating Bullets".

— David Ellefson, on composing the music [6]

Following Metallica's mainstream breakthrough in 1991, Mustaine stripped down Megadeth's sound, though the music remained as technically perfectionist as their previous releases. [11] Drummer Nick Menza explained: "Metallica has definitely opened the doors for other bands to step through. We're obviously the next band to step through that doorway." [12] Musically, Countdown to Extinction saw Megadeth beginning to incorporate more melody and mid-tempos into its traditional sound. [13] Bassist David Ellefson noted that the band's goal was to "create music that had more of a groove to it," capitalizing on the melodic playing style employed by Friedman, and further assisted by the input of producer Norman. [14] Author Thomas Harrison wrote that with this album, Megadeth's music became "more virtuosic than noisy and took the next step towards widespread acceptance". [15]

Metallica American heavy metal band

Metallica is an American heavy metal band. The band was formed in 1981 in Los Angeles, California by drummer Lars Ulrich and vocalist/guitarist James Hetfield, and has been based in San Francisco, California for most of its career. The group's fast tempos, instrumentals and aggressive musicianship made them one of the founding "big four" bands of thrash metal, alongside Megadeth, Anthrax and Slayer. Metallica's current lineup comprises founding members Hetfield and Ulrich, longtime lead guitarist Kirk Hammett and bassist Robert Trujillo. Guitarist Dave Mustaine and bassists Ron McGovney, Cliff Burton and Jason Newsted are former members of the band.

Lyrics

Like its predecessor, many of the songs on the album have political and military undertones. [15] However, the opening track "Skin o' My Teeth" was speculated being about suicide, [16] a theme which differs from the rest of the album. "Symphony of Destruction", with lyrics written by Dave Mustaine, details a story about a regular citizen as the head of a puppet regime, as the country is run by a phantom government. [17] The song was noted by critics for its great social and philosophical impact. [18] "Architecture of Aggression" explores the nature of global conflict; [19] Mustaine revealed that the song was about former Iraq president Saddam Hussein, who was engaged in the Gulf War at the time. [20] "Foreclosure of a Dream" deals with economic concerns and social inequality. According to music critic Eduardo Rivaldivia, "perhaps no other Megadeth song in history deals as directly and soberly" with these issues. [18] The song sampled then-U.S. President George H. W. Bush's infamous "Read my lips" speech, making a statement about taxation endangering the "American Dream". [21] Billboard praised the track, along with "Symphony of Destruction", for being "socially conscious" and described them as "powerful statements for hard rockers". [22]

The fifth track, "Sweating Bullets", shows Mustaine's battle with his inner selves, which is presented throughout a conversational singing style. [17] "Sweating Bullets" was written during the second recording session and was released as the album's third single. [6] Its lyrical theme deals with paranoia. [13] David Ellefson commented that the song's lyrics were "psychotically perfect" and sounded like "the inside of a crazed lunatic's mind". [6] The title track was inspired by environmental concerns about the future of the planet, as well as criticisms of trophy hunting and the negative impact that is has. The name was suggested by Nick Menza, who had read a story in Time magazine entitled "The Countdown to Extinction". [4] "High Speed Dirt" focuses on skydiving. [23] "Captive Honour" is a song about prison and the consequences of crime, [24] while "Psychotron" was written about the Marvel Comics character Deathlok. [25] The album's closing track, "Ashes in Your Mouth", concentrates on the negative aftermaths of war. [24] The longest tune on the record, it is performed at intense tempo and features shredding guitar leads. [17]

Critical reception

Professional ratings
Review scores
SourceRating
About.com Star full.svgStar full.svgStar full.svgStar full.svgStar empty.svg [1]
AllMusic Star full.svgStar full.svgStar full.svgStar full.svgStar empty.svg [26]
Chicago Tribune Star full.svgStar full.svgStar full.svgStar full.svg [27]
Consequence of Sound Star full.svgStar full.svgStar full.svgStar empty.svgStar empty.svg [28]
Entertainment Weekly A− [29]
Popmatters 5/10 [30]
Q Star full.svgStar full.svgStar full.svgStar full.svgStar empty.svg [31]
Record Collector Star full.svgStar full.svgStar full.svgStar full.svgStar empty.svg [32]
Rolling Stone Star full.svgStar full.svgStar half.svgStar empty.svgStar empty.svg [33]
Rock Hard9/10 [34]
Sputnikmusic 4/5 [35]

Countdown to Extinction received generally positive reaction from critics. Spin wrote that the album "may just be the finest thrash metal album ever made, although purists may find it a bit too polished and easy to swallow". [12] AllMusic reviewer Steve Huey said that "Megadeth guns for arena thrash success and gets it on Countdown to Extinction". However, Huey noted the simplification of Megadeth's sound on the album in response to Metallica's commercially successful self-titled album released the previous year. [26] Sputnikmusic reviewer Mike Stagno praised Mustaine's vocals as well as a number of the album's tracks. Despite calling this effort "Megadeth's first step into the world of mainstream music", he also noted that "the band still maintains its identity". [35] Reflex described the sound as "impressively clean, streamlined, and sharp, brimming with killing riffs". They highlighted the vocal delivery on the record, saying "Mustaine's never sounded more confident, verbally and vocally". [31]

Popmatters writer Craig Hayes opined that Countdown to Extinction was "either an exemplary illustration of nimble-fingered thrash metal that introduced Megadeth to a legion of new fans" or "an unimaginative, artistically cynical stab at arena-baiting commercial success". [30] According to Greg Sandow from Entertainment Weekly , Megadeth's "music has lost its former hurricane verve but keeps its crunch, and feels more rooted, even more melodic". [29] Chad Bowar from About.com raved the album's 20th anniversary edition, describing the songs as "more straightforward" and the lyrics predominantly being "politically charged". [1] Jon Hadusek, writing in Consequence of Sound, labeled Countdown to Extinction as Mustaine's "political record" and said that the record "saw Megadeth moving away from thrash metal and closer to generic hard rock, a sonic shift they would embrace on subsequent albums". [28] In an unfavorable review, Karen Csengeri of Rolling Stone wrote that "while Countdown echoes the band's earlier work thematically, it's stylistically disappointing". [33] However, the magazine would later rank the album 33rd on their 2017 "100 Greatest Metal Albums of All Time" list. [36] By contrast, Holger Stratmann of Rock Hard concluded that the disc is "a compact album with a few strokes of genius". [34] Reviewing the album's deluxe edition for Record Collector , journalist Joel McIver eulogized it as a "masterpiece of technical, melodic thrash" and a showcase of Megadeth "at their best and most coherent". [32]

Sales and impact

Countdown to Extinction was released on July 6, 1992 through Capitol Records and debuted at number two on the Billboard 200 with first week sales of 128,000 copies. [37] It was prevented from entering the chart at number one because of Billy Ray Cyrus' long chart-topping reign with Some Gave All . [38] The album was acknowledged as the band's commercial breakthrough, and according to authors Pete Prown and Harvey P. Newquist, Megadeth "reached the heights of popularity and critical acclaim" with this particular record. [39] Two years after its original release, Countdown to Extinction was certified triple platinum and became the band's most commercially successful album, confirming that they had retained their audience in the wake of grunge. [40] The record was nominated for Best Metal Performance at the 1993 Grammy Awards, while the album's title track won the Humane Society's Genesis Award for raising awareness for animal rights issues. [38]

Billboard complimented Mustaine's vocals and his interplay with guitarist Marty Friedman on the record. Megadeth @ Arena Joondalup (12 12 2010) (5273247878).jpg
Billboard complimented Mustaine's vocals and his interplay with guitarist Marty Friedman on the record.

The record enjoyed similar chart success outside of the United States. It managed to peak within the top 5 on the charts in the United Kingdom [41] and New Zealand, and charted for eight weeks on both of them. [42] It also entered the top 10 on the Japanese and Norwegian albums chart, while it charted slightly lower in several other countries as well. [42] It was eventually certified three times platinum from the Canadian Music Association for shipping 300,000 copies [43] and received a silver award from the British Phonographic Industry for having a shipment of 300,000 copies. [44]

Asked how does he think that the album has aged, Dave Mustaine responded: "I think it's timely and timeless at the same time, and I think that's one of the most difficult things for a musician to do. Very few records in our genre are like that. Musically it's heavy and the lyrics are very symbolic." [13] In the liner notes of the album's 20th anniversary edition, music journalist Kory Grow wrote that "thanks to a perfect balance of hard-rock song structures, epic choruses, and fleet-fingered guitar work, Countdown to Extinction became an instant classic, benefiting from copious MTV and radio play." [21] Artistdirect editor in chief Rick Florino called the album a "seminal" release and commented that it "changed the game by preserving the band's thrash intensity and impressive technical prowess, while dropping some of the biggest hooks the genre had ever seen". [10] In a retrospective review of the album, Craig Hayes from Popmatters wrote that Countdown to Extinction's "status as a gateway metal album is indisputable" and its "popularity speaks volumes about its significance in the metal canon". [30]

Touring

The group started the Countdown to Extinction tour in 1992 with Pantera, Suicidal Tendencies and White Zombie as the opening acts. [45] They headlined the Roskilde Festival in Copenhagen on June 27 the same year, and continued with dates in Europe during the summer. [2] The tour carried on throughout 1993, with the band making appearances on a number of large festivals. In January they performed in the United States with Stone Temple Pilots as the supporting act. Although these two bands had scheduled tour dates in Japan during the month of May, the dates were subsequently canceled. In June 1993, Megadeth played at the Milton Keynes National Bowl with Diamond Head and later opened for Iron Maiden and Metallica on their European tour. [45] After finishing their major European tour, the band began a US tour which eventually ended on December 8, 1993. [46]

Megadeth honored the 20-year jubilee of the album's release with a headlining tour on which they played the record in its entirety. The tour began in September 2012 with live performances in South America, [47] and continued the following two months with shows in North America. [48] During this tour, three songs from the record ("Architecture of Aggression", "Psychotron" and "Captive Honour") had their live premiere, [13] and a couple of others ("This Was My Life" and "High Speed Dirt") have been performed for the first time in many years. [49] David Ellefson shared his impressions from playing the set live with newer members Shawn Drover and Chris Broderick by saying that they "executed [the songs] to 100% perfection". [6] A live album which features a performance of the full album was released on September 24, 2013. [50]

Reissues

In July 2004, Capitol Records released a remastered version of the album with four bonus tracks. The remixed edition was a part of the band's reissued catalog during their tenure at Capitol. Dave Mustaine himself was in charge during the remixing process. [51] In June 2006, two audiophile remasters of the album were released; an Ultradisc II Gold CD version by the Mobile Fidelity Sound Lab, and a 180 gram vinyl 2LP version, both mixed by Mustaine. [52] A 20th anniversary edition was released on November 6, 2012. This release features the original album on disc one, omitting the bonus tracks from the 2004 re-release. Disc two features a recording of the band's performance at San Francisco's Cow Palace in 1992, a show never before released in its entirety. Additionally, a 24" x 36" poster and four collectible postcards are included in the package. [53] The liner notes have also been written by music journalist Kory Grow, and the reissue includes a poster and four postcards featuring head shots of each member from the album's lineup. [54]

Track listing

All tracks written by Dave Mustaine, except where noted.

Side one
No.TitleLyricsMusicLength
1."Skin o' My Teeth"  3:14
2."Symphony of Destruction"  4:02
3."Architecture of Aggression"  David Ellefson, Mustaine3:34
4."Foreclosure of a Dream"Ellefson, Mustaine 4:17
5."Sweating Bullets" (5:27 on the 2004 reissue)  5:03
6."This Was My Life"  3:42
Side two
No.TitleLyricsMusicLength
7."Countdown to Extinction"Ellefson, Nick Menza, Mustaine Marty Friedman, Mustaine4:16
8."High Speed Dirt" (4:21 on the 2004 reissue)Ellefson, Mustaine 4:12
9."Psychotron"  4:42
10."Captive Honour"Ellefson, MustaineFriedman, Menza, Mustaine4:14
11."Ashes in Your Mouth" Ellefson, Friedman, Menza, Mustaine6:10
Total length:47:26

Personnel

Credits are adapted from the album's liner notes. [8] [25]

Megadeth

Artwork

  • Hugh Symeart direction, design
  • Tommy steele – creative direction
  • Cameron Wong – photography of cover elements
  • Chris Cufarro – band photography
  • John Taylor Dismukes – logo rendering

Production

  • Max Normanproducer
  • Dave Mustaine – producer
  • and mixed by Max Norman – engineering, mixing
  • Fred Kelly, Jr. – engineering, mixing
  • Micajah Ryan – additional engineer

Management

  • Laffitte Entertainment Division – management
  • Andy Somers – US booking agent
  • ICM – UK booking agency
  • Ziffren, Brittenham & Branca – Legal
  • Siegel & Feldstein – business management

2004 remix and remaster

  • Dave Mustaine – producer, mixing
  • Ralph Patlan – mixing, engineer
  • Lance Dean – engineer, editing
  • Scott "Sarge" Harrison – editing
  • Bo Caldwell – editing
  • Tom Baker – mastering

Charts

Chart (1992)Peak
position
Australian Albums Chart [42] 14
Austrian Albums Chart [42] 12
Canadian Albums Chart [56] 25
Dutch Albums Chart [42] 45
German Albums Chart [57] 15
Japanese Albums Chart [58] 6
New Zealand Albums Chart [42] 5
Norwegian Albums Chart [42] 9
Swedish Albums Chart [42] 10
Swiss Albums Chart [42] 16
UK Albums Chart [41] 5
US Billboard 200 [59] 2
US Billboard Year-End Chart [60] 64

Certifications

RegionCertification Certified units/Sales
Canada (Music Canada) [43] 3× Platinum300,000^
United Kingdom (BPI) [44] Silver60,000^
United States (RIAA) [61] 3× Platinum3,000,000^

*sales figures based on certification alone
^shipments figures based on certification alone

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The System Has Failed is the tenth studio album by American thrash metal band Megadeth, released on September 14, 2004. It was the band's second and final studio album to be distributed by Sanctuary Records. The System Has Failed was the first album to be released after Mustaine recovered from his arm injury sustained in 2002 which prevented him from playing guitar. It is also the first of three Megadeth records not to include original bassist and co-founder David Ellefson. Instead, the album features session players, including former Megadeth guitarist Chris Poland on lead guitar. However, Poland only provided lead guitar parts and solos on a contractual basis and did not rejoin the band. To date, it is the only Megadeth album where the only certified member of the band was Mustaine. As a result, it is occasionally referred to as a Mustaine solo album.

Holy Wars... The Punishment Due single by Megadeth

"Holy Wars... The Punishment Due" is the opening track of thrash metal band Megadeth's 1990 album Rust in Peace. The song has an unusual structure: it opens with a fast thrash section, shifting at 2:26 after an acoustic bridge by Marty Friedman to a different, slower and heavier section called "The Punishment Due", interspersed by two guitar solos played by Friedman, before speeding up again with a third and final solo played during this segment by Dave Mustaine. The entire song is commonly referred to as "Holy Wars".

<i>Endgame</i> (Megadeth album) album by Megadeth

Endgame is the twelfth studio album by American thrash metal band Megadeth. It was produced by Dave Mustaine and Andy Sneap and released through Roadrunner Records on September 15, 2009. Endgame was the first album to feature guitarist Chris Broderick, following Glen Drover's departure in 2008, and was the band's last studio album with bassist James LoMenzo; original bassist David Ellefson rejoined the band several months after the album's release.

<i>Thirteen</i> (Megadeth album) album by Megadeth

Th1rt3en is the thirteenth studio album by American thrash metal band Megadeth. It was released worldwide on November 1, 2011, by Roadrunner Records, although the album was released on October 26, 2011 for Japan. Thirteen is the first Megadeth studio album since The World Needs a Hero (2001) to feature bassist and founding member David Ellefson, who returned to the band in 2010. Th1rt3en debuted at number 11 on the Billboard 200 chart, selling 42,000 copies in its first week. The album broke into the top 20 in several other markets as well. It has sold about 120,000 copies in the United States as of December 2012. The album has received largely positive reviews from critics.

<i>Dystopia</i> (Megadeth album) album by Megadeth

Dystopia is the fifteenth studio album by American thrash metal band Megadeth. It was released on frontman and guitarist Dave Mustaine's Tradecraft label via Universal on January 22, 2016. The album was produced by Mustaine and Chris Rakestraw and features cover artwork by Brent Elliot White.

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Bibliography