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Decorative concrete is the use of concrete as not simply a utilitarian medium for construction but as an aesthetic enhancement to a structure, while still serving its function as an integral part of the building itself such as floors, walls, driveways, and patios.
The transformation of concrete into decorative concrete is achieved through the use of a variety of materials that may be applied during the pouring process or after the concrete is cured, these materials and/or systems include but are not limited to stamped concrete, acid staining, decorative overlays, polished concrete, concrete countertops, vertical overlays and more.
Concrete statues are made by pouring concrete into a latex mold. Often painted and sold for garden ornaments. Most popular designs are bird baths and garden gnomes.
As a modern technique, stamped concrete is the process of adding texture and color to concrete to make it resemble stone, brick, slate, cobblestone and many other products found in nature including wood, fossils, shells and many more. [1] This limitless array of possibilities combined with great durability and lower cost than natural products makes Stamped Concrete an easy choice for new construction and renovation projects.
The installation consists of pressing molds into the concrete while the concrete is still in its plastic state. Color is achieved by using dry shakes, color hardeners, powder or liquid releases, integral colors, or acid stains. All these products may be combined to create even more intricate designs.
Stamped concrete may be used on driveways, patios, commercial roads and parking lots and even interior floors. Stamped concrete is a desirable finish to concrete areas, however with time and wear the color dyes fade and the surface looks patchy and unpresentable. There are many re-coloring options which can completely restore and rejuvenate the color and presentation of faded stamped concrete.
Concrete dyes take many different forms and compositions and can be used on both residential and commercial concrete applications, including sound/retaining walls, bridges, countertops, floors, [2] etc.
Early concrete dyes consisted of generic printing inks that were dissolved in mild solutions of alcohol and applied to concrete surfaces to add a wide array of color to plain gray concrete. When alcohol-based dyes are exposed to sunlight, the color either lightens or fades out completely. Therefore, alcohol-based dyes were more prevalent in interior applications where direct sunlight or other forms of ultraviolet (UV) lighting was not present.
Manufacturers later began dissolving the same printing inks in different carriers, such as acetone, lacquer thinner and other solvents, hoping to achieve increased penetration levels. In addition, UV inhibiting agents were added to new dyes to help with the UV instability issues. However, slight fading (5-8% per year) still occurs when the dye is exposed to direct sunlight.
Colored concrete can be obtained from many ready mix concrete companies and many have color charts available.
Acid staining is not a dyeing or pigment-base coloring systems, but a chemical reaction. A mixture of water, mineral salts and a slight amount of muriatic acid is applied to the concrete surface. This chemical reaction with the existing minerals (primarily lime) in the concrete over a period of one to four hours creates new earth tone colors on the concrete surface. The concrete surface is later scrubbed to remove excess stain and neutralized by a basic solution of ammonia and water or baking soda (less likely to cause whiting later) to help raise the ph level back to normal level. Due to inconsistencies in the surface level of concrete floor, acid staining creates a variegated or mottled appearance that is unique to each slab. The color penetration ranges from 1/16 to 1/32 of an inch. Older exterior concrete surfaces may not color as well as interior surfaces because the environment has leached or percolated out the mineral content. As well, any exposed aggregate (rocks) in worn concrete will not accept staining.
Chemicals commonly used in acid staining include hydrochloric acid, iron chloride, and sodium bicarbonate.
Water based stains are similar to acid based stains in the sense that one can still achieve a translucent look like acid; some stains are able to achieve an opaque color and/or a translucent effect. The main difference is that acid stains react to the concrete and change the physical make up of the concrete material, whereas water based stains are more of a "coating" that bonds with the concrete. There are many variations of water based stains that have come into the decorative concrete industry that perform in a number of different ways. Some are polymer based, acrylic and epoxy.
Concrete overlays date to the 1960s when chemical engineers from some of the larger, well known chemical companies began to experiment with acrylic paint resins as modifiers for cement and sand mixes. The result was a thin cementitious topping material that would adhere to concrete surfaces and provide a newly resurfaced coating to restore the worn surface. Concrete overlays lacked the long-term performance [3] characteristics of acrylic resins. Acrylic resins provided good UV resistance, but lacked long term water resistance and adhesion characteristics needed to provide a long term and permanent solution.
Polymer cement overlays, consisting of a proprietary blend of Portland cements, various aggregates and polymer resins, were introduced over 20 years ago. The purpose of adding a polymer resin to the cement and aggregate is to greatly increase the performance characteristics and versatility of conventional cements, mortars and concrete materials. Unlike conventional cement and concrete mixes, polymer cement overlays can be applied thinly or thickly without fear of delamination or typical product failure. In addition, polymer cement overlays are much more resistant to damage from salt, petrochemicals, UV, harsh weather conditions and traffic wearing.
Originally intended for use as a thin surface restoration material for concrete substrates, polymer cement overlays were introduced into the architectural concrete and commercial flooring industries in the early 80s. Subsequently, its use in these industries has become standard. Polymer cement overlays are regarded as economical in providing long term, durable renovation without the need for costly and continuous repairs associated with deteriorating concrete surfaces.
Polymer cement overlays are used for interior and exterior applications ranging from:
Rubber imprinting tools (stamps) are impressed into thin pre-mixed concrete overlay material shortly after it is placed to create natural stone or brick textures. These rubber imprinting tools are manufactured from molds created from authentic stone or wood. Release agents are used to help release the stamps from the concrete without sticking. Release agents come in either a liquid or powder form and are available in a wide range of colors.
Applied over acid stained, dyes and/or overlays to seal and protect. Some epoxies are also colored.
Concrete can be polished with Mechanical grinders and diamond pads of increasing grit sizes. Diamond pads come in many grit or mesh sizes. Common sizes start with 6 grit and can go up to 8500 grit although concrete can only maintain a shine of about 800 grit, it can be helped by adding a concrete hardener such as sodium silicate or lithium silicate which will allow concrete to hold an 1800 through 3000 grit shine. The work is accomplished in multiple stages by passing over the concrete with successive grit diamond pads until it has a hard-glassy finish. Both acid stains and concrete dyes can be used during the polishing process.
Existing concrete can be remodeled by cutting lines and grooves into its surface. Intricate designs such as logos or text can be engraved using a portable CNC concrete engraving system.
Geometric patterns, straight or curved lines and custom designs can be cut directly into the surface of the concrete creating the look of tile, flagstone, cobblestone and many other common surface patterns. This is usually achieved using tools like an angle grinder fitted with diamond blades, but is more effectively accomplished using specialty tools designed specifically for cutting designs into the concrete.
Concrete can also be cast into unique and detailed designs using urethane form liner. These projects can be seen around the United States and the world, usually on sound/retaining walls, building exteriors, and bridges.
Generally, this process starts with the sculptor, who creates the design to be used in the concrete using clay, polyurethane or wax. When the original art is complete, a cast is made using synthetic liquid rubber, and from this cast, form liners are produced in the reverse image of the original.
The form liner then acts as a mold for the concrete to be formed against. Once the concrete is set, the form liner is stripped from the hardened concrete surface. The concrete is permanently textured with the pattern of the form liner.
Concrete Decor, the world's foremost magazine on decorative concrete has been a instrumental source of information, ideas, product news and training relevant to both commercial and residential work in decorative concrete and related specialties. The majority of its readers are contractors and the publication enjoys a high pass-along readership. Now in its 20th year of publication, Concrete Decor reaches more than 40,000 professionals working in or designing for decorative concrete. It has become the most-read and most influential magazine covering decorative concrete in the world.
Acrylic paint is a fast-drying paint made of pigment suspended in acrylic polymer emulsion and plasticizers, silicone oils, defoamers, stabilizers, or metal soaps. Most acrylic paints are water-based, but become water-resistant when dry. Depending on how much the paint is diluted with water, or modified with acrylic gels, mediums, or pastes, the finished acrylic painting can resemble a watercolor, a gouache, or an oil painting, or have its own unique characteristics not attainable with other media.
Paint is a liquid pigment that, after applied to a solid material and allowed to dry, adds a film-like layer, in most cases to create an image, known as a painting. Paint can be made in many colors and types. Most paints are either oil-based or water-based, and each has distinct characteristics.
Poly(methyl methacrylate) (PMMA) is the synthetic polymer derived from methyl methacrylate. It is used as an engineering plastic, and it is a transparent thermoplastic. PMMA is also known as acrylic, acrylic glass, as well as by the trade names and brands Crylux, Hesalite, Plexiglas, Acrylite, Lucite, and Perspex, among several others. This plastic is often used in sheet form as a lightweight or shatter-resistant alternative to glass. It can also be used as a casting resin, in inks and coatings, and for many other purposes.
Varnish is a clear transparent hard protective coating or film. It is not to be confused with wood stain. It usually has a yellowish shade due to the manufacturing process and materials used, but it may also be pigmented as desired. It is sold commercially in various shades.
Terrazzo is a composite material, poured in place or precast, which is used for floor and wall treatments. It consists of chips of marble, quartz, granite, glass, or other suitable material, poured with a cementitious binder, polymeric, or a combination of both. Metal strips often divide sections, or changes in color or material in a pattern. Additional chips may be sprinkled atop the mix before it sets. After it is cured it is ground and polished smooth or otherwise finished to produce a uniformly textured surface. "Terrazzo" is also often used to describe any pattern similar to the original terrazzo floors.
Lamination is the technique/process of manufacturing a material in multiple layers, so that the composite material achieves improved strength, stability, sound insulation, appearance, or other properties from the use of the differing materials, such as plastic. A laminate is a permanently assembled object created using heat, pressure, welding, or adhesives. Various coating machines, machine presses and calendering equipment are used.
Stamped concrete is concrete that has been imprinted, or that is patterned, textured, or embossed to resemble brick, slate, flagstone, stone, tile, wood, or various other patterns and textures. The practice of stamping concrete for various purposes began with the ancient Romans. In the nineteenth and twentieth centuries, concrete was sometimes stamped with contractor names and years during public works projects, but by the late twentieth century the term "stamped concrete" came to refer primarily to decorative concrete produced with special modern techniques for use in patios, sidewalks, driveways, pool decks, and interior flooring.
Powder coating is a type of coating that is applied as a free-flowing, dry powder. Unlike conventional liquid paint which is delivered via an evaporating solvent, powder coating is typically applied electrostatically and then cured under heat or with ultraviolet light. The powder may be a thermoplastic or a thermoset polymer. It is usually used to create a hard finish that is tougher than conventional paint. Powder coating is mainly used for coating of metals, such as household appliances, aluminium extrusions, drum hardware, automobiles, and bicycle frames. Advancements in powder coating technology like UV-curable powder coatings allow for other materials such as plastics, composites, carbon fiber, and MDF to be powder coated due to the minimum heat and oven dwell time required to process these components.
A countertop, also counter top, counter, benchtop, worktop or kitchen bench, bunker is a raised, firm, flat, and horizontal surface. They are built for work in kitchens or other food preparation areas, bathrooms or lavatories, and workrooms in general. The surface is frequently installed upon and supported by cabinets, positioned at an ergonomic height for the user and the particular task for which it is designed. A countertop may be constructed of various materials with different attributes of functionality, durability and aesthetics, and may have built-in appliances, or accessory items relative to the intended application.
A photopolymer or light-activated resin is a polymer that changes its properties when exposed to light, often in the ultraviolet or visible region of the electromagnetic spectrum. These changes are often manifested structurally, for example hardening of the material occurs as a result of cross-linking when exposed to light. An example is shown below depicting a mixture of monomers, oligomers, and photoinitiators that conform into a hardened polymeric material through a process called curing.
Polyester resins are synthetic resins formed by the reaction of dibasic organic acids and polyhydric alcohols. Maleic anhydride is a commonly used raw material with diacid functionality in unsaturated polyester resins. Unsaturated polyester resins are used in sheet moulding compound, bulk moulding compound and the toner of laser printers. Wall panels fabricated from polyester resins reinforced with fiberglass—so-called fiberglass reinforced plastic (FRP)—are typically used in restaurants, kitchens, restrooms and other areas that require washable low-maintenance walls. They are also used extensively in cured-in-place pipe applications. Departments of Transportation in the USA also specify them for use as overlays on roads and bridges. In this application they are known AS Polyester Concrete Overlays (PCO). These are usually based on isophthalic acid and cut with styrene at high levels—usually up to 50%. Polyesters are also used in anchor bolt adhesives though epoxy based materials are also used. Many companies have and continue to introduce styrene free systems mainly due to odor issues, but also over concerns that styrene is a potential carcinogen. Drinking water applications also prefer styrene free. Most polyester resins are viscous, pale coloured liquids consisting of a solution of a polyester in a reactive diluent which is usually styrene, but can also include vinyl toluene and various acrylates.
Stone sealing is the application of a surface treatment to products constructed of natural stone to retard staining and corrosion. All bulk natural stone is riddled with interconnected capillary channels that permit penetration by liquids and gases. This is true for igneous rock types such as granite and basalt, metamorphic rocks such as marble and slate, and sedimentary rocks such as limestone, travertine, and sandstone. These porous channels act like a sponge, and capillary action draws in liquids over time, along with any dissolved salts and other solutes. Very porous stone, such as sandstone absorb liquids relatively quickly, while denser igneous stones such as granite are significantly less porous; they absorb smaller volumes, and more slowly, especially when absorbing viscous liquids.
Melamine resin or melamine formaldehyde is a resin with melamine rings terminated with multiple hydroxyl groups derived from formaldehyde. This thermosetting plastic material is made from melamine and formaldehyde. In its butylated form, it is dissolved in n-butanol and xylene. It is then used to cross-link with alkyd, epoxy, acrylic, and polyester resins, used in surface coatings. There are many types, varying from very slow to very fast curing.
Cement render or cement plaster is the application of a mortar mix of sand and cement, and water to brick, concrete, stone, or mud brick. It is often textured, colored, or painted after application. It is generally used on exterior walls but can be used to feature an interior wall. Depending on the 'look' required, rendering can be fine or coarse, textured or smooth, natural or colored, pigmented or painted.
Solid surface is a man-made material usually composed of a combination of alumina trihydrate (ATH), acrylic, epoxy or polyester resins and pigments. It is most frequently used for seamless countertop installations.
Polished concrete is a multi-step process where a concrete floor is mechanically ground, honed and polished with bonded abrasives in order to cut a concrete floor's surface. It is then refined with each cut in order to achieve a specified level of appearance.
Concrete sealers are applied to concrete to protect it from surface damage, corrosion, and staining. They either block the pores in the concrete to reduce absorption of water and salts or form an impermeable layer which prevents such materials from passing.
Conservation and restoration of ceramic objects is a process dedicated to the preservation and protection of objects of historical and personal value made from ceramic. Typically, this activity of conservation-restoration is undertaken by a conservator-restorer, especially when dealing with an object of cultural heritage. Ceramics are created from a production of coatings of inorganic, nonmetallic materials using heating and cooling to create a glaze. These coatings are often permanent and sustainable for utilitarian and decorative purposes. The cleaning, handling, storage, and in general treatment of ceramics is consistent with that of glass because they are made of similar oxygen-rich components, such as silicates. In conservation ceramics are broken down into three groups: unfired clay, earthenware or terracotta, and stoneware and porcelain.
Nail art is a creative way to paint, decorate, enhance, and embellish nails. It is a type of artwork that can be done on fingernails and toenails, usually after manicures or pedicures.
The conservation and restoration of paintings is carried out by professional painting conservators. Paintings cover a wide range of various mediums, materials, and their supports. Painting types include fine art to decorative and functional objects spanning from acrylics, frescoes, and oil paint on various surfaces, egg tempera on panels and canvas, lacquer painting, water color and more. Knowing the materials of any given painting and its support allows for the proper restoration and conservation practices. All components of a painting will react to its environment differently, and impact the artwork as a whole. These material components along with collections care will determine the longevity of a painting. The first steps to conservation and restoration is preventive conservation followed by active restoration with the artist's intent in mind.