Thumboo graduated in English from the University of Malaya in 1956. Although he applied for a position at the university, he was rejected as few locals held academic posts at that time. He therefore worked in the civil service for about nine years before finally joining the university, then renamed the University of Singapore, in 1966 following Singapore's independence. He received a Ph.D. from the university in 1970. Thumboo rose to the position of full professor in the Department of English Language and Literature, heading the department between 1977 and 1993. After the merger of the University of Singapore and Nanyang University in 1980 to form the National University of Singapore (NUS), he was the Dean of the Faculty of Arts and Social Sciences from 1980 to 1991, NUS's longest-serving dean of the Faculty of Arts and Social Sciences. Thumboo was the first Chairman and Director of the university's Centre for the Arts from 1993 to 2005, and continues to be associated with the university as an emeritus professor, a position he has held since retiring from full-time teaching in September 1997.
Thumboo's poetry is inspired by myth and history, and he is often dubbed Singapore's unofficial poet laureate because of his poems with nationalistic themes. A pioneer of local English literature, he compiled and edited some of the first anthologies of English poetry and fiction from Singapore and Malaysia. His own collections of poetry include Rib of Earth (1956), Ulysses by the Merlion (1979) and A Third Map (1993). His latest anthology Still Travelling, consisting of almost 50 poems, was published in 2008. Thumboo has won the National Book Development Council of Singapore Book Awards for Poetry three times, in 1978, 1980 and 1994. He has also received the inaugural S.E.A. Write Award (1979), the first Cultural Medallion for Literature (1979), the Association of Southeast Asian Nations (ASEAN) Cultural and Communication Award (Literature) (1987), and the Raja Rao Award (2002). He was conferred a Bintang Bakti Masyarakat (Public Service Star) in 1981 with an additional Bar in 1991, and the Pingat Jasa Gemilang (Meritorious Services Medal) in 2006. He conceived the first National Poetry Festival for Singapore in 2015.[1]
Early years
Edwin Thumboo, born in colonial Singapore, Straits Settlements on 22 November 1933, was the eldest[citation needed] of eight children of a TamilIndian schoolteacher and a Teochew-PeranakanChinese housewife from a Singaporean merchant family.[2] He and his siblings grew up speaking English and Teochew. The family was financially comfortable; their home in Mandai was the only one in the neighbourhood with electricity. Because of his mixed parentage, as a child he was sometimes called names and marginalized. This was said to have fostered determination and self-respect in him.[3] He completed his primary education at Pasir Panjang Primary School in 1940.[2] During the Japanese occupation of Singapore (1942–1945), he helped his family by selling cakes, tending goats, and working as a salesboy. Following the war, he studied at Monk's Hill Secondary School (finishing there in 1946) and Victoria School (1948).[2] It was at the latter place that he began writing poetry at the age of 17 years, encouraged by the senior English master Shamus Frazer. Thumboo considers Frazer his spiritual father, and later dedicated Rib of Earth (1956), his first collection of poetry published while an undergraduate, to him.[3][4] At this time, Thumboo was also a member of the Youth Poetry Circle, which counted among its members other early literary pioneers of Singapore such as Goh Sin Tub and Lim Thean Soo.[2]
Thumboo majored in English literature and history at the University of Malaya. As a freshman, he was a member of the editorial board of Fajar (Dawn in Malay), a radical leftist journal published by the University Socialist Club. The seventh issue of Fajar, which appeared in May 1954 contained an editorial entitled "Aggression in Asia" which advocated independence from the United Kingdom. Three days later, Chinese middle school students clashed with the police. As a result, after two weeks Thumboo was arrested by the British colonial government together with seven other students and put on trial for sedition. Future Prime MinisterLee Kuan Yew, who was then the Club's legal adviser and a Fajar subscriber, arranged for British Queen's CounselD. N. Pritt to act in their defence, with Lee himself as junior counsel. The students were acquitted of the charge by District Judge F. A. Chua.[4][5]
Thumboo graduated with a Bachelor of Arts with honours (B.A. (Hons.)) in English from the University of Malaya in 1956. Hoping to teach and pursue a further degree, he applied for a position at the university but was rejected as few locals held academic posts at that time. He therefore entered the civil service, working for the Income Tax Department (1957–1961), Central Provident Fund Board (1961–1965), and the Singapore Telephone Board (1965–1966) where he was an assistant secretary.[6] In 1966, the year following Singapore's independence, he joined the University of Singapore as an assistant lecturer. Conducting doctoral research into African poetry in English, he received his Ph.D. from the university in 1970.[7] He became a full professor in the Department of English Language and Literature, heading the department between 1977 and 1993. The University of Singapore and Nanyang University merged in 1980 to form the National University of Singapore (NUS), and he was the Dean of the Faculty of Arts and Social Sciences from 1980 to 1991, NUS's longest-serving dean of the Faculty of Arts and Social Sciences.[3]
Thumboo's Ulysses by the Merlion (1979) mounted on a plaque near the Merlion statue that faces Marina Bay
In the 1950s, Thumboo wrote mostly lyrical poetry based on personal experiences. Displaying the influence of the English literary tradition on him, they dealt with aesthetic and metaphysical themes. By the mid-1970s, he had shifted his focus to the public sphere, believing that poets of post-independence Singapore should work towards creating a national literature. Singapore's national life was a key subject of his collection of poetry Gods Can Die (1977), and it has been said that the subsequent anthologiesUlysses by the Merlion (1979) and A Third Map (1993) "established his reputation as a national poet committed to articulating a cultural vision for a multicultural Singapore".[6] Thumboo is often dubbed Singapore's unofficial poet laureate because of his poems with nationalistic themes, notably 9 August – II (1977),[9] and Ulysses by the Merlion (1979)[10] which was published in the anthology of the same name, as well as his role in promoting Singapore literature, for example, through his work as General Editor of the literary journal Singa. Ulysses, which references an iconic statue of a beast with the upper body of a lion and the tail of a fish called the Merlion that faces Marina Bay, was inspired by the use of Irish mythology and history by W. B. Yeats. The Irish poet has asserted a significant influence on Thumboo, as Thumboo recognizes parallels between Ireland's nationalistic struggle and Singapore's breakaway from colonialism. He describes himself as a myth-inspired poet, and sees myths as ancient narratives and structures which provide a stable point of reference for a multicultural society.[6]Ulysses has prompted other Singaporean poets such as Alfian Sa'at, Vernon Chan, David Leo,[citation needed]Felix Cheong, Gwee Li Sui, Koh Buck Song, Lee Tzu Pheng, Alvin Pang and Daren Shiau to write their own Merlion-themed verses; it is often joked that one cannot be regarded as a true Singapore poet until one has written a "Merlion poem".[3][4] A copy of Ulysses is installed on a plaque near the statue.
History also features strongly in Thumboo's poetry. He has said:
... History enters my writing, as it ought to enter the writing of others, because of its importance in our lives. I go back to this point about the historical moments we occupy. As a former colony, a multi-racial one, created by the British, we need history for a sense of things; to re-inscribe ourselves; discover and, in certain areas, define ourselves as individuals, as groups in a multi-racial society. They give you a sense of their belonging, which also happens to be mine. They give you an inherited identity that you put together by being conscious of what you have absorbed, or taken. I live in Singapore; I have likes and dislikes, a set of interests, a set of values, a set of responsibilities and so on. History I see as fully inclusive, fully in terms of one's personal limits. And it includes beliefs, and anything of significance ... nothing is irrelevant.[6]
In August 2008, The Straits Times said that Thumboo's "most powerful legacy" was "spearheading the creation of a Singapore literature in English", although Thumboo himself downplayed his pioneering role by commenting: "There were not that many people writing in 1965, so you had the feeling that you had to create something. But you don't stand there and say, 'Look, I am a pioneer'. There is a need to do something, to help go about creating something, and you do it."[3] He compiled and edited some of the first anthologies of English poetry from Singapore and Malaysia, including The Flowering Tree (1970), Seven Poets (1973) and The Second Tongue (1979). He was also the general editor of two multilingual anthologies sponsored by the Association of Southeast Asian Nations (ASEAN) Committee of Culture and Information entitled The Poetry of Singapore (1985) and The Fiction of Singapore (1990).[4] In addition to the collections of poetry already mentioned, he has published two volumes of poetry for children called Child's Delight (1972), and another collection called Friend: Poems (2003).[8]Still Travelling, an anthology consisting of almost 50 poems, was published in 2008.[3]
On 29 October 2001, at the launch of a book entitled Ariels: Departures and Returns – Essays for Edwin Thumboo at the Singapore Art Museum, Associate Professor Robbie Goh said:
... Edwin Thumboo’s dual discourses – the analytical and theoretical discourse of the scholar, and the emotive and associative discourse of the poet – enable him to capture the flow of our experience, and to present it in a variety of different ways, accessible to a variety of individuals. ... I've come to see that Edwin Thumboo writes incessantly, because he is driven to communicate something of a better world; he rolls his sleeves up to act, because he is impatient with waiting for this world to change; and he forges friendships, because these represent the hope for a better world even within this imperfect one. His impact cannot be measured by words alone, but words – the tools of his own trade – may capture the "covenant" of his ideas and values.[8]
In 2015, Gods Can Die was selected by The Business Times as one of the Top 10 English Singapore books from 1965–2015, alongside titles by Goh Poh Seng and Daren Shiau.[11] Thumboo was the National Gallery Singapore's second poet-in-residence 2018-19, with the poems from this residency published in the book Ayatana (2020).
Awards
Thumboo has won the National Book Development Council of Singapore Book Awards for Poetry three times, in 1978 for Gods Can Die (1977), in 1980 for Ulysses by the Merlion (1979), and again in 1994 for A Third Map (1993).[2] He also received the inaugural S.E.A. Write Award in 1979, the first Cultural Medallion for Literature in 1979, and the ASEAN Cultural and Communication Award (Literature) in 1987.[4] In October 2002, he presented the keynote address at the biennial meeting of the International Association of World Englishes at the University of Illinois at Urbana-Champaign. There, he was presented with the Raja Rao Award for his contributions to the literature of the Indian diaspora.[8]
Thumboo was conferred a Bintang Bakti Masyarakat (Public Service Star) in 1981 with an additional Bar in 1991,[8] and the Pingat Jasa Gemilang (Meritorious Services Medal) as Distinguished Poet and Literary Scholar in 2006.[2][4]
Select bibliography
A fuller list of works by and about Thumboo may be viewed at Articles & papers by Edwin Thumboo, Centre for the Arts, National University of Singapore, 11 July 2005, archived from the original on 15 April 2007, retrieved 13 August 2008. The bibliography edited by R. Ramachandran and Phan Ming Yen provides the most comprehensive listing of works by him and on him.
Rib of Earth, Singapore: L. Fernando, 1956, OCLC63867626 .
Child's Delight, Vol. 1, Kuala Lumpur, Malaysia: Federal Publications, 1972, OCLC416905228 and Child's Delight, Vol. 2, Kuala Lumpur, Malaysia: Federal Publications, 1972, OCLC416905241 .
Thumboo, Edwin, comp. (1979), The Second Tongue: An Anthology of Poetry from Malaysia and Singapore, Singapore: Heinemann Educational Books (Asia), OCLC558156724{{citation}}: CS1 maint: multiple names: authors list (link).
Thumboo, Edwin, ed. (1988), Literature and Liberation: Five Essays from Southeast Asia, Manila, Philippines: Solidaridad Pub. House, OCLC19124535 .
Thumboo, Edwin; etal., eds. (1990), Words for the 25th: Readings by Singapore Writers, Singapore: UniPress, ISBN978-9971-62-259-6 .
Thumboo, Edwin, ed. (1991), Perceiving Other Worlds, Singapore: Times Academic Press [for] Unipress, ISBN978-981-2100-10-8 .
Thumboo, Edwin (1993), "Singapore Writing in English: A Need for Commitment", in Bruce Bennett; etal. (eds.), Westerly Looks to Asia: A Selection from Westerly 1956–1992, Nedlands, W.A.: Indian Ocean Centre for Peace Studies, University of Western Australia, pp.84–92, ISBN978-1-86342-193-5 .
Thumboo, Edwin; Kandiah, Thiru, eds. (1995), The Writer as Historical Witness: Studies in Commonwealth Literature, Singapore: UniPress, ISBN978-981-0044-54-1 .
Thumboo, Edwin, ed. (1996), Cultures in ASEAN and the 21st Century, Singapore: UniPress for ASEAN-COCI, ISBN978-981-00-8174-4 .
Thumboo, Edwin, ed. (2001), The Three Circles of English: Language Specialists Talk about the English Language, Singapore: UniPress, ISBN978-981-04-2563-0 .
Thumboo, Edwin (2006), "Literary Creativity in World Englishes", in Braj B. Kachru; Yamuna Kachru; Cecil L. Nelson (eds.), The Handbook of World Englishes, Malden, Mass.: Blackwell Publishing, pp.405–427, ISBN978-1-4051-1185-0 .
Thumboo, Edwin; Sayson, Rex Ian, eds. (2007), Writing Asia: The Literatures in Englishes. Vol. 1, From the Inside: Asia Pacific Literatures in Englishes, Singapore: Ethos Books, ISBN978-981-05-9314-8 .
Quayum, Mohammad A.; Wong, Phui Nam (2009), Thumboo, Edwin (ed.), Writing Asia: The Literatures in Englishes. Vol. 2, Studies in Contemporary Singaporean-Malaysian Literature I, Singapore: Ethos Books, ISBN978-981-08-3911-6 .
Gwee, Li Sui (2009), Thumboo, Edwin (ed.), Writing Asia: The Literatures in Englishes. Vol. 2, Studies in Contemporary Singaporean-Malaysian Literature II, Singapore: Ethos Books, ISBN978-981-08-3913-0 .
Personal life
Some of Thumboo's poems have biblical themes, reflecting the fact that he was born into a ProtestantChristian family and baptized as an adult. Thumboo and his wife Yeo Swee Ching live in Bukit Panjang, a suburban area in the central northwestern part of Singapore. They have a son Julian who was the head of research at the Singapore General Hospital; a daughter Claire, who is a physician; and seven grandchildren to whom he dedicated Still Travelling (2008).
↑ Edwin Thumboo (1970), A Study of African Poetry in English: Personality, Intention and Idiom [unpublished Ph.D. thesis], Singapore: Dept. of English, University of Singapore, OCLC226070634 .
↑ Yusof, Helmi (2 January 2015). "Tomes that show us how we live". The Business Times. Singapore Press Holdings. Retrieved 5 January 2015.
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Mohammad A. Quayum, "An Interview with Edwin Thumboo." Peninsular Muse: Interviews with Modern Malaysian and Singaporean Poets, Novelists and Dramatists. Oxford, UK: Peter Lang, 2007.
Bibliography
R. Ramachandra; Phan, Ming Yen, comps. (2009), Edwin Thumboo: Bibliography 1952–2008, Singapore: Ethos Books for National Book Development Council of Singapore, ISBN978-981-08-4119-5{{citation}}: CS1 maint: multiple names: authors list (link).
Books
Bennett, Bruce (1999), "Edwin Thumboo: The Poet as Traveller", in Kirpal Singh (ed.), Poetry, Singapore: Ethos Books, ISBN978-981-04-0881-7
Koh, Buck Song (1993), "Edwin Thumboo", in Nelson, Emmanuel Sampath (ed.), Writers of the Indian Diaspora: A Bio-bibliographical Critical Sourcebook, Westport, Conn.: Greenwood Press, pp.439–444, ISBN978-0-313-27904-1 .
Leong, Liew Geok (1999), "'We Must Make a People': The Lyric Enterprise of Edwin Thumboo", in Kirpal Singh (ed.), Poetry, Singapore: Ethos Books, ISBN981-04-0881-1
Nazareth, Peter (2008), Edwin Thumboo: Creating a Nation through Poetry, Singapore: Ethos Books, ISBN978-981-05-9424-4 .
Thumboo, Edwin (1979), "Introduction", The Second Tongue: An Anthology of Poetry from Malaysia and Singapore, Singapore: Heinemann Educational Books (Asia), OCLC66358021, archived from the original on 19 April 2007.
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