Evenings at the Village Gate: John Coltrane with Eric Dolphy | ||||
---|---|---|---|---|
Live album by | ||||
Released | July 14, 2023 | |||
Recorded | August 1961 | |||
Venue | Village Gate, Greenwich Village, Manhattan, New York City, New York, United States | |||
Genre | Avant-garde jazz [1] [2] [3] | |||
Length | 79:51 | |||
Language | English | |||
Label | Impulse! | |||
John Coltrane chronology | ||||
|
Evenings at the Village Gate: John Coltrane with Eric Dolphy is a live album recorded in 1961 featuring jazz musicians John Coltrane and Eric Dolphy, released on Impulse! Records in 2023.
By 1961, Coltrane had begun experimenting with modes and genre, moving towards the avant-garde sound that would be featured on records like Africa/Brass . [2] This period of experimentation proved highly controversial and Coltrane and collaborator Eric Dolphy faced criticism that their music during this period was "anti-jazz". [4] The recordings on this album are from a brief residency in mid-1961 that the duo had at the Village Gate and were recorded for posterity's sake by engineer Richard Alderson. They were rediscovered decades later in a New York Public Library collection. [2]
According to the review aggregator Metacritic , Evenings at the Village Gate: John Coltrane with Eric Dolphy received "universal acclaim" based on a weighted average score of 91 out of 100 from four critic scores. [5]
In Financial Times , Mike Hobart gave this work 4 out of 5 stars, stating: "the set stands up well against Coltrane’s other live recordings of the time". [6] In Glide Magazine, Jim Hynes called this recording "seminal" and additionally praised the extensive liner notes. [1] Andrew Male of Mojo gave this release 4 out of 5 stars, praising several tracks, including the concluding recording of "Africa" as being like a "historic moment", and also notes the extensive liner notes from Ashley Kahn. [7] The New Yorker 's Richard Brody praised all of the performers and connected Coltrane's musical evolution here with the 1964 recording of A Love Supreme ; he sums up his review "the new release exemplifies, in its passionate strivings, the essence of jazz modernity and the spirit of the age". [8]
Editors at Pitchfork chose this as one of the Best New Reissues and critic Daniel Felsenthal scored it a 9.2 for being "a freeze-frame of jazz as it escapes the present and absconds to the future". [9] At Qobuz's music magazine, this was chosen as Album of the Week, with critic Fred Cisterna calling it a "masterpiece" and continues that "the instrumental balance on the unearthed tapes isn’t flawless, but that’s a quibble: the overall sound and room tone are good, and the music stuns". [10] Writing for Tidal, Brad Farberman called this period "an important stepping stone" toward Coltrane's A Love Supreme and Dolphy's Out to Lunch! [3] Chris Pearson of The Times rated this release 4 out of 5 stars, writing that Coltrane and Dolphy were at artistic heights, but criticizes Reggie Workman's solo in "Africa". [11] In Under the Radar , Matthew Berlyant scored this album 8 out of 10, characterizing the release as "an absolute delight for those who want to hear these two colossuses of the saxophone". [12]
Editors at Stereogum run a monthly article on the state of jazz and the July 2023 edition included a retrospective on Chief Xian aTunde Adjuah and the intersection of African music with jazz forms. The article ends with a discussion of Coltrane's "Africa" and critic Phil Freeman calls this recording of the composition "an incredible mood piece". [13]
In a piece on jazz drumming for Paste , Geoffrey Himes called this the "most exciting jazz reissue of the year" and called special attention to Elvin Jones; [14] Himes also called this one of the most overlooked albums of 2023. [15] Editors at online retailer Qobuz included this on their list of the best jazz albums of 2023. [16] Graham Reid of The New Zealand Herald included this in his favorite albums of 2023. [17] David Weininger of The Boston Globe listed this among the nine best album reissues of 2023. [18] Editors at Mojo chose this for the second best reissue of 2023. [19]
Evenings at the Village Gate: John Coltrane with Eric Dolphy was nominated for Best Album Notes at the 66th Annual Grammy Awards. [20]
Technical personnel
Evenings at the Village Gate: John Coltrane with Eric Dolphy was commercially successful, debuting at No. 8 on Top Album Sales, No. 1 on Jazz Albums, No. 1 on Traditional Jazz Albums, No. 4 on Tastemaker Albums, No. 7 on Top Current Album Sales, No. 10 on Vinyl Albums, and No. 156 on Billboard 200 charts. [21]
Chart | Peak |
---|---|
German Albums (Offizielle Top 100) [22] | 13 |
Swiss Albums (Schweizer Hitparade) [23] | 45 |
US Billboard 200 [24] | 156 |
US Top Jazz Albums (Billboard) [25] | 1 |
John William Coltrane was an American jazz saxophonist, bandleader and composer. He is among the most influential and acclaimed figures in the history of jazz and 20th-century music.
Eric Allan Dolphy Jr. was an American jazz multi-instrumentalist, composer, and bandleader. Primarily an alto saxophonist, bass clarinetist, and flautist, Dolphy was one of several multi-instrumentalists to gain prominence during the same era. His use of the bass clarinet helped to establish the unconventional instrument within jazz. Dolphy extended the vocabulary and boundaries of the alto saxophone, and was among the earliest significant jazz flute soloists.
Pharoah Sanders was an American jazz saxophonist. Known for his overblowing, harmonic, and multiphonic techniques on the saxophone, as well as his use of "sheets of sound", Sanders played a prominent role in the development of free jazz and spiritual jazz through his work as a member of John Coltrane's groups in the mid-1960s, and later through his solo work. He released more than thirty albums as a leader and collaborated extensively with vocalist Leon Thomas and pianist Alice Coltrane, among many others. Fellow saxophonist Ornette Coleman once described him as "probably the best tenor player in the world".
Giant Steps is a studio album by the jazz musician John Coltrane. It was released in February 1960 through Atlantic Records. This was Coltrane's first album as leader for the label, with which he had signed a new contract the previous year. The record is regarded as one of the most influential jazz albums of all time. Many of its tracks have become practice templates for jazz saxophonists. In 2004, it was one of fifty recordings chosen that year by the Library of Congress to be added to the National Recording Registry. It attained gold record status in 2018, having sold 500,000 copies.
A Love Supreme is an album by the jazz saxophonist and composer John Coltrane. He recorded it in one session on December 9, 1964, at Van Gelder Studio in Englewood Cliffs, New Jersey, leading a quartet featuring pianist McCoy Tyner, bassist Jimmy Garrison and drummer Elvin Jones.
Impressions is an album of live and studio recordings by the jazz musician and composer John Coltrane. It was released through Impulse! Records in July 1963.
Point of Departure is a studio album by American jazz pianist and composer Andrew Hill, recorded in 1964 and released in 1965 on the Blue Note label. It features Hill in a sextet with alto saxophonist Eric Dolphy, tenor saxophonist Joe Henderson, trumpeter Kenny Dorham, bassist Richard Davis and drummer Tony Williams.
Olé Coltrane is a studio album by the jazz musician and composer John Coltrane. It was released in November 1961 through Atlantic Records. The album was recorded at A&R Studios in New York, and was the last of Coltrane's Atlantic albums to be made under his own supervision.
Coltrane Plays the Blues is an album of music by the jazz musician John Coltrane. It was released in July 1962 by Atlantic Records. It was recorded at Atlantic Studios during the sessions for My Favorite Things, assembled after Coltrane had stopped recording for the label and was under contract to Impulse Records. Like Prestige Records before them, as Coltrane's fame grew during the 1960s, Atlantic used unissued recordings and released them without either Coltrane's input or approval.
Coltrane's Sound is an album credited to the jazz musician John Coltrane, recorded in 1960 and released in 1964 on Atlantic Records, catalogue SD 1419. It was recorded at Atlantic Studios during the sessions for My Favorite Things, assembled after Coltrane had stopped recording for the label and was under contract to Impulse! Records. Like Prestige and Blue Note Records before them, as Coltrane's fame grew during the 1960s Atlantic used unissued recordings and released them without either Coltrane's input or approval.
Africa/Brass is a studio album by the jazz saxophonist and composer John Coltrane. It was released on September 1, 1961 through Impulse! Records. Coltrane's working quartet is augmented by a larger ensemble that brings the total to twenty-one musicians. Its big band sound, with the unusual instrumentation of French horns and euphonium, presented music very different from anything that had been associated with Coltrane to date. While critics originally gave it poor ratings, more recent jazz commentators have described it as "amazing" and as a "key work in understanding the path that John Coltrane's music took in its final phases." It is Coltrane's first release for Impulse!.
Coltrane Jazz is a studio album by the jazz musician John Coltrane. It was released in early 1961 on Atlantic Records. Most of the album features Coltrane playing with his former Miles Davis bandmates, pianist Wynton Kelly, bassist Paul Chambers and drummer Jimmy Cobb during two sessions in November and December, 1959. The exception is the track "Village Blues", which was recorded October 21, 1960. "Village Blues" comes from the first recording session featuring Coltrane playing with pianist McCoy Tyner and drummer Elvin Jones, who toured and recorded with Coltrane as part of his celebrated "classic quartet" from 1960 to 1965.
Coltrane "Live" at the Village Vanguard is a live album by the jazz musician and composer John Coltrane. It was released in February 1962 through Impulse Records. It is the first album to feature the members of the classic quartet of Coltrane with McCoy Tyner, Jimmy Garrison, and Elvin Jones, as well as the first Coltrane live album to be issued. In contrast to his previous album for Impulse!, this one generated much turmoil among both critics and audience alike with its challenging music.
Coltrane is a studio album by the jazz saxophonist, bandleader, and composer John Coltrane. It was recorded in April and June 1962, and released in July of that year through Impulse! Records. At the time, it was overlooked by the music press, but has since come to be regarded as a significant recording in Coltrane's discography. When reissued on CD, it featured a Coltrane composition dedicated to his musical influence "Big Nick" Nicholas that the saxophonist recorded for his Duke Ellington collaboration Duke Ellington & John Coltrane (1963). The composition "Tunji" was written by Coltrane in dedication to the Nigerian drummer Babatunde Olatunji.
The Complete Copenhagen Concert is a live album by jazz musician John Coltrane. It was recorded on November 20, 1961, at the Falkonercentret in Copenhagen, Denmark during a European tour, and was released in 2009 by both Magnetic Records, a label based in Luxembourg, and Gambit Records, based in Spain. In 2013 it was reissued by 'In' Crowd Records. The album features Coltrane on tenor and soprano saxophone, Eric Dolphy on bass clarinet, alto saxophone, and flute, McCoy Tyner on piano, Reggie Workman on bass, and Elvin Jones on drums.
The Complete 1961 Village Vanguard Recordings is a box set of recordings by jazz musician John Coltrane, issued posthumously in 1997 by Impulse! Records, catalogue IMPD4-232. It collects all existing recordings from performances by the John Coltrane Quintet at the Village Vanguard in early November, 1961. Five selections had been issued during Coltrane's lifetime on the albums Live! at the Village Vanguard and Impressions. Additional tracks had been issued posthumously on the albums The Other Village Vanguard Tapes, Trane's Modes and From the Original Master Tapes.
Iron Man is an album by American jazz multi-instrumentalist Eric Dolphy, recorded in 1963 and released by the Douglas International label in 1968. The album was reissued on disc two of Musical Prophet: The Expanded 1963 New York Studio Sessions, released in 2018 by Resonance Records.
Albert Ayler in Greenwich Village is a 1967 live album by American saxophonist Albert Ayler. It was his first album for Impulse! Records, and is generally regarded as being his best for the label. Originally released on LP, the album has since been reissued on CD.
Live Trane: The European Tours is a 7–CD compilation album by American saxophonist John Coltrane containing music recorded live during 1961, 1962, and 1963 European tours, all of which took place under the auspices of Norman Granz's Jazz at the Philharmonic programs. The album, which was released in 2001 by Pablo Records, features Coltrane on tenor and soprano saxophones along with pianist McCoy Tyner, bassists Jimmy Garrison and Reggie Workman, and drummer Elvin Jones. In addition, Eric Dolphy is heard on alto saxophone, bass clarinet, and flute on a number of tracks.
So Many Things: The European Tour 1961 is a 4–CD compilation album by American saxophonist John Coltrane containing music recorded live during the 1961 European tour, which took place under the auspices of Norman Granz's Jazz at the Philharmonic programs. The album, which features Coltrane on tenor and soprano saxophones along with multi-instrumentalist Eric Dolphy, pianist McCoy Tyner, bassist Reggie Workman, and drummer Elvin Jones, was released in 2015 by Acrobat Music.