Godley & Creme were an English rock duo formally established in Manchester in 1977 by Kevin Godley and Lol Creme. The pair began releasing music as a duo after their departure from the rock band 10cc. In 1979, they directed their first music video for their single "An Englishman in New York". After this, they became involved in the production of videos for artists such as Ultravox, the Police, Yes, Duran Duran, Frankie Goes to Hollywood, Huey Lewis and the News and Wang Chung, as well as directing the groundbreaking video for their 1985 single "Cry". The duo split at the end of the 1980s. Both have since been involved in music videos, TV commercials, and sporadic music projects.
Kevin Godley and Lol Creme met in the late 1950s and for a brief time were in an amateur band together. In the early 1960s they joined white R&B combo The Sabres (The Magic Lanterns) together.[2] Though they played in different bands, with Godley briefly in The Mockingbirds with Graham Gouldman, who would later work with Godley and Creme in 10cc.
After recording a one-off single under the name of 'Yellow Bellow Room Boom' for UK CBS in 1967 ("Seeing Things Green" b/w "Easy Life"), the pair began their professional music career together in 1969, performing pop music in Strawberry Studios at Stockport near Manchester with Eric Stewart and Graham Gouldman (often mistakenly referred to as being "Bubblegum Music",[citation needed] perhaps because they were contracted by Kasenetz & Katz, who produced bubblegum sub-teen pop in the US on the Buddah label). The duo also released a single in 1969, "I'm Beside Myself" b/w "Animal Song", under the name Frabjoy & Runcible Spoon after being signed on to Marmalade Records directly by label head Giorgio Gomelsky. A 7-song LP was slated for a late 1969 release on Marmalade; however, the label collapsed under the weight of its financial situation before the end of the year, and the LP was shelved until its release in the 2022 compilation Frabjous Days: The Secret World of Godley & Creme 1967–1969 on Grapefruit Records.
Joined by Eric Stewart to form Hotlegs they first secured a chart success with the song "Neanderthal Man" which hit #2 in the UK.[3] The band, after serving as the backing band for two successful Neil Sedaka albums, evolved into 10cc in 1972 when Graham Gouldman joined. 10cc went on to record four albums and enjoyed chart success, most notably with their 1975 single "I'm Not in Love", a hit on both sides of the Atlantic.
10cc split and later years
After the release of 10cc's fourth LP, How Dare You! (1976), Godley and Creme left the band to perfect a device they dubbed "The Gizmo" (Gizmotron), a module which attached to the bridge of an electric guitar. The Gizmo used small motor-driven rotating wheels which were pressed into contact with the strings, thus creating a continuous, violin-like "bowing" effect on all or any combination of strings, generating infinite sustain in voicings ranging from a single note to a full chord. The device was originally conceived as a cost-saving measure for 10cc. The group already owned and operated their own studio, and all four were talented singers and multi-instrumentalists who could also produce and engineer their own records, so their plan was that by using Gizmo-fitted electric guitars, with additional studio processing and overdubbing, they could create an almost infinite variety of sonic effects and orchestral textures "in-house", saving them the considerable expense of hiring session players to add these textures using traditional instruments.
After recording a demonstration single using the Gizmo, their label (Mercury Records) allowed them to continue the project, and over the next year it expanded into a sprawling 3-LP concept albumConsequences (1977) with an environmental theme. It contained vocals by Sarah Vaughan and an extended comedy performance by Peter Cook, and was issued in a lavish boxed set package with an accompanying booklet. According to the album's liner notes, the duo's original plan was to hire an all-star cast of comedians (including Peter Ustinov) to perform the album's spoken-word components, but this was soon abandoned, partly due to the cost and logistical difficulty, but also because they quickly realised after meeting Peter Cook that he was able to perform all of the major roles himself. Unfortunately, by the time Consequences was finally released in late 1977, punk was in full swing, and the album was savaged by critics.
In a 1997 interview,[4] Godley expressed regret that he and Creme had left 10cc, saying:
We'd reached a certain crossroads with 10cc and already spent three weeks on the genesis of what turned out to be Consequences... The stuff that we were coming up with didn't have any home, we couldn't import it into 10cc. And we were kind of constrained by 10cc live... We felt like creative people who should give ourselves the opportunity to be as creative as possible and leaving seemed to be the right thing to do at that moment. Unfortunately, the band wasn't democratic or smart enough at that time to allow us the freedom to go ahead and do this project and we were placed in the unfortunate position of having to leave to do it. Looking back, it was a very northern work ethic being applied to the group, all for one and one for all. If we'd been a little more free in our thinking with regard to our work practices, the band as a corporate and creative entity could have realised that it could have been useful rather than detrimental for two members to spend some time developing and then bring whatever they'd learned back to the corporate party. Unfortunately, that wasn't to be.
Creme also found the breakup painful, particularly as he and guitarist Eric Stewart are married to a pair of sisters, which made the decision more personal than professional.[5]
The duo gradually regained critical favour with a trio of innovative albums in the late 1970s and early 1980s – L (1978), Freeze Frame (1979) and Ismism (1981, released as Snack Attack in the United States).
Freeze Frame (1979) included several songs that gained airplay on alternative radio in many countries, notably "I Pity Inanimate Objects" and "An Englishman in New York", which was accompanied by an innovative music video. Several notable guest performers contributed to the album: Roxy Music guitarist Phil Manzanera played guitar on and co-produced the album tracks "Random Brainwave" and "Clues", Paul McCartney contributed backing vocals to the song "Get Well Soon" and Roxy Music saxophonist Andy Mackay played saxophone on the single-only track "Wide Boy" and also appeared in the song's innovative promotional video. Alongside the album tracks released as singles, the duo also released two singles (both of which failed to chart) that contained tracks not included on the LP – "Wide Boy" b/w "I Pity Inanimate Objects" (March 1980) and the instrumental single "Submarine" b/w "Marciano" (September 1980).
They made the UK Top Ten with the singles "Under Your Thumb" (a song about the ghost of a suicidal woman who returns to haunt a rail commuter) (No.3) and "Wedding Bells" (No.7) in 1981, both from Ismism (1981). The single "Snack Attack" was also a minor hit. Their 1972 pre-10cc single "The Boys in Blue" (written by Godley, Creme, Gouldman and included in the album Strawberry Bubblegum: A Collection of Pre-10CC Strawberry Studio Recordings 1969–1972) was played at most Manchester City football club matches in the 1990s and is still occasionally played there.
In 1983, they released Birds of Prey which took their music in a more electronic direction, using electronic drum machines for the entire album.
Their 1984 single "Golden Boy" was included on 1985's The History Mix Volume 1 album which celebrated 25 years of recording together. The album, co-produced by J. J. Jeczalik of Art of Noise, remixed samples of their previous recordings to a disco beat. This album also contained the single "Cry" which, helped in part by the video, became their biggest US hit, reaching No.16. The song reached No.19 in the UK. A video cassette was also released with visual imagery to complement the music.
Godley & Creme released their final album, Goodbye Blue Sky, in 1988. This album abandoned electronic instruments and used harmonicas, organs, and guitars to tell the story of the earth on the brink of nuclear war. The pair ended their working relationship soon after the release of the album. In a 1997 interview,[4] Creme explained:
In '89, certainly in '88, maybe before, Kevin changed, I think his priorities in life changed. He'd had enough, he'd simply had enough of me and the way we worked, the things we did, the priorities we had. And the fact that we were a priority, for example. Our working relationship dominated our lives, you know. It was time for a shift in all that and he was obviously right.
The pair's innovation extended to their videos for their own songs, notably "Wide Boy" and "Cry". The latter's 1985 video consisted of faces blending into one other using analog cross-fading, anticipating the digital effect of morphing, later used in a similar way in Michael Jackson's 1991 video, "Black or White".[6] This was hailed as "groundbreaking", though it was not without antecedents; a 10-second portion of the promotional video for King Crimson's single "Heartbeat" had used a somewhat similar effect three years earlier.
The discography of Godley & Creme contains seven studio albums, one of which Consequences (1977), is a triple album and another The History Mix Volume 1 (1985) is a hybrid album that is part studio, remix and compilation album. The duo have released four compilation albums, two of which contained material from their former band 10cc. 16 singles were also released by the partnership, though only five can be deemed commercially successful. Godley and Creme directed a large number of music videos, eight of which were for their group.
10cc are a British rock band formed in Stockport in 1972. The group initially consisted of four musicians — Graham Gouldman, Eric Stewart, Kevin Godley and Lol Creme — who had written and recorded together since 1968. All four members contributed to songwriting, working together in various permutations. Godley and Creme’s songwriting has been described as being inspired by art and cinema. Every member of 10cc was a multi-instrumentalist, singer, writer and producer. Most of the band's records were recorded at their own Strawberry Studios (North) in Stockport and Strawberry Studios (South) in Dorking, with most of those engineered by Stewart.
Kevin Michael Godley is a British singer-songwriter, drummer and music video director. He was a singer and drummer of the art rock band 10cc and later was part of collaboration duo Godley & Creme with Lol Creme.
Laurence Neil "Lol" Creme is a British musician and music video director, best known for his work in 10cc. He was later one half of the duo Godley & Creme, with 10cc drummer Kevin Godley. Creme has collaborated with Trevor Horn's Band. He sings and plays guitar, bass and keyboards.
"I'm Not in Love" is a song by British group 10cc, written by band members Eric Stewart and Graham Gouldman. It is known for its innovative and distinctive backing track, composed mostly of the band's multitracked vocals. Released in the UK in May 1975 as the second single from the band's third album, The Original Soundtrack, it became the second of the group's three number-one singles in the UK between 1973 and 1978, topping the UK Singles Chart for two weeks. "I'm Not in Love" became the band's breakthrough hit outside the United Kingdom, topping the charts in Canada and Ireland as well as peaking within the top 10 of the charts in several other countries, including Australia, West Germany, New Zealand, Norway and the United States.
How Dare You! is the fourth album by British band 10cc. Released in 1976, it included UK hit singles "I'm Mandy Fly Me" and "Art for Art's Sake". The album was the band's third to have cover artwork by the Hipgnosis creative team.
Sheet Music is the second album by the English rock band 10cc. It was released in 1974 on UK records, and yielded the hit singles "The Wall Street Shuffle" and "Silly Love". The album reached No. 9 in the UK and No. 81 in the United States.
Deceptive Bends is the fifth studio album by the British rock band 10cc, released in 1977. It was the first album released by the band after the departure of founding members Kevin Godley and Lol Creme and produced the hit single "The Things We Do for Love".
...Meanwhile is the tenth studio album by the British rock band 10cc, released in 1992. It was the band's first in nine years and marked the brief comeback of the original 10cc members Kevin Godley and Lol Creme.
The History Mix Volume 1 is the sixth studio album by English duo Godley & Creme, released in June 1985 by Polydor Records. The album was a remix of songs spanning the career of Godley & Creme and their earlier bands, 10cc, Doctor Father and Hotlegs.
Thinks: School Stinks is the only studio album by English pop band Hotlegs. The album, featuring the band's hit single "Neanderthal Man", was recorded at Strawberry Studios in Stockport near Manchester and engineered by the studio's co-owners, Eric Stewart and Peter Tattersall.
Greatest Hits ... And More is a 2006 compilation and video albums of songs by English pop group 10cc as well as pre-10cc and post-10cc work by its founding members, Graham Gouldman, Eric Stewart and Kevin Godley and Lol Creme, performing as Godley & Creme.
Solitaire is a 1972 album by American singer-songwriter Neil Sedaka.
"The Dean and I" is a song by the art rock/pop band 10cc, from their 1973 eponymous debut album, written by Lol Creme and Kevin Godley. The song was released as the fourth single from the album in August 1973 and peaked at #10 on the UK Singles Chart. The single reached the top of the Irish Singles Chart on 20 September 1973.
Changing Faces – The Very Best of 10cc and Godley & Creme is a compilation album that included the hits of 10cc and Godley & Creme, the first album to include both bands.
Live and Let Live is 10cc's first live album, released in the Autumn of 1977. It was recorded at the Hammersmith Odeon in London between 18 and 20 June 1977 and the Manchester Apollo, Manchester between 16 and 17 July 1977.
"Life Is a Minestrone" is a 1975 song by 10cc released as a lead single from their third album, The Original Soundtrack.
Harvey Brian Lisberg is an English talent manager and impresario, best known for discovering Herman's Hermits in 1963. In 1965, he signed songwriter Graham Gouldman, a founder member of 10cc, who Lisberg also managed, along with Godley & Creme, Tony Christie, Barclay James Harvest, Gordon Giltrap, Sad Café, Wax and others.
"Silly Love" is a song recorded by an English rock band 10cc released as the third and final single from the album Sheet Music through UK Records in 1974.
Clever Clogs is a live and video album by 10cc released in 2008.
Frabjous Days: The Secret World of Godley & Creme 1967–1969 is an album by Godley & Creme, released on Grapefruit Records in 2022.
This page is based on this Wikipedia article Text is available under the CC BY-SA 4.0 license; additional terms may apply. Images, videos and audio are available under their respective licenses.
