Grease (song)

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"Grease"
Grease single.png
Artwork for Italian vinyl single
Single by Frankie Valli
from the album Grease: The Original Soundtrack from the Motion Picture and Frankie Valli... Is the Word
B-side "Grease" (Instrumental)
ReleasedMay 6, 1978 [1]
RecordedApril 1978
Studio Criteria (Miami)
Genre
Length3:21
Label
Songwriter(s) Barry Gibb
Producer(s) Gibb-Galuten-Richardson
Frankie Valli singles chronology
"Rainstorm"
(1977)
"Grease"
(1978)
"Save Me, Save Me"
(1978)

"Grease" is a song written by Barry Gibb and recorded by Frankie Valli (of the Four Seasons fame): it was released as a single in May 1978. It is the title song for the musical motion picture Grease of that year, which was in turn based on the 1971 stage play Grease. The song celebrates the greaser lifestyle, and it sold over seven million copies worldwide [3] and appeared twice on the film's soundtrack, first as the opening track and again as the closing track. "Grease" is one of four songs written specifically for the film that had not been in the stage production. [4]

Contents

Background

Jim Jacobs and Warren Casey had written a different title track for Grease for its original Chicago production, but the song was discarded when the show was picked up on Broadway. [5] Barry Gibb was commissioned to compose a new title song for Robert Stigwood's film of the stage musical. [6]

Production

The song was recorded separately from, and later than, the rest of those in the film. Shortly after the filming of the 1978 musical Sgt. Pepper's Lonely Hearts Club Band, Gibb invited cast-mate Peter Frampton to play guitar on the Grease session, while also providing backing vocals himself. The other musicians were some of those from the Andy Gibb album that was being made around the same time. [7] Frankie Valli was approached to provide the vocals, due to his vocal range being similar to that of Barry Gibb, his being under the management of Allan Carr at the time, [8] and his status as a popular singer from the pre-British Invasion era that Grease represented. Gibb had a long-standing respect for Valli as "one of the hallmark voices of our generation". [9] Valli accepted, despite suffering from severe otosclerosis and loss of hearing at the time. [8] When Valli recorded "Grease", he did not have a recording contract, having been contracted to Private Stock Records which had folded earlier in 1978. [4] After the single was released on the RSO label, which also issued the soundtrack, Valli quickly landed a deal with Warner Bros., which had Valli's group The Four Seasons under contract at the time. [10] Valli did not want to record a full album for RSO because he felt that Robert Stigwood had too much control over the Bee Gees' career and had too much of a conflict of interest in his numerous job titles. [11]

"Grease" was one of four songs in the film that had not been part of the original musical, and it was the only one not performed by the cast. Valli had been offered the part of the Teen Angel but chose to sing the theme song instead, stating that although that character's song ("Beauty School Dropout") did not chart as a hit, both Valli and Frankie Avalon profited mightily from their respective appearances through album royalties, and thus the choice worked out. [8] The film's director, Randal Kleiser, did not like the added songs because they did not fit the late-1950s/early 1960s style either musically or lyrically, and Kleiser had planned on a different composition by Charles Fox and Paul Williams (Fox having written the theme from Happy Days ) before being overruled by the producers. [12] The anachronism was especially true of "Grease", which used disco instrumentation and a contemporary 1970s beat but was, nonetheless, left in. [7]

The film's opening title sequence animation, with "Grease" being played, was created by animator John David Wilson's Fine Arts Films studio. [13]

Reception

"Grease" became a number-one single in the United States in 1978 and also reached number forty on the R&B charts in the same year. [14] [15] Later in 1978, Valli released a follow-up album, the title of which, Frankie Valli... Is the Word , echoes the "grease is the word" lyric contained in the chorus of "Grease". [16] "Grease" was Valli's final Top 40 hit. [17]

Record World said that it has "a hot, seventies dance beat that is far from the fifties" and that "Valli sings it well." [18]

The Bee Gees never recorded a studio version of this song; however, they later performed the song in their One Night Only tour from 1997 until 1999 [19] and included a performance (as a virtual duet with Valli's original 1978 studio vocal) on their live album, One Night Only (September 1998).

Personnel

Charts

Certifications

RegionCertification Certified units/sales
Canada (Music Canada) [47] Platinum150,000^
New Zealand (RMNZ) [48] Gold10,000*
United Kingdom (BPI) [49] Gold500,000^
United States (RIAA) [50] Platinum2,000,000^

* Sales figures based on certification alone.
^ Shipments figures based on certification alone.

Cover versions

Related Research Articles

<span class="mw-page-title-main">Barry Gibb</span> British/ Australian musician (born 1946)

Sir Barry Alan Crompton Gibb is a British musician, singer, songwriter and record producer. He rose to worldwide fame as a member of the Bee Gees, with his younger brothers, Robin and Maurice, one of the most commercially successful groups in the history of popular music. Well known for his wide vocal range, Gibb's most notable trait is a far-reaching high-pitched falsetto. Gibb's career has spanned over 60 years.

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<span class="mw-page-title-main">Robert Stigwood</span> Australian music and film producer (1934–2016)

Robert Colin Stigwood was an Australian-born British-resident music entrepreneur, film producer and impresario, best known for managing Cream, Andy Gibb and the Bee Gees, theatrical productions like Hair and Jesus Christ Superstar, and film productions including the successful Grease and Saturday Night Fever. On his death, one obituary judged that he had been for a time the most powerful tycoon in the entertainment industry: "Stigwood owned the record label that issued his artists’ albums and film soundtracks, and he also controlled publishing rights – not since Hollywood's golden days had so much power and wealth been concentrated in the hands of one mogul."

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<span class="mw-page-title-main">Stayin' Alive</span> 1977 single by the Bee Gees

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<span class="mw-page-title-main">How Deep Is Your Love (Bee Gees song)</span> 1977 single by Bee Gees

"How Deep Is Your Love" is a pop ballad written and recorded by the Bee Gees in 1977 and released as a single in September of that year. It was ultimately used as part of the soundtrack to the film Saturday Night Fever. It was a number-three hit in the United Kingdom and Australia. In the United States, it topped the Billboard Hot 100 on 25 December 1977 and stayed in the Top 10 for 17 weeks. It spent six weeks atop the US adult contemporary chart. It is listed at No. 27 on Billboard's All Time Top 100. Alongside "Stayin' Alive" and "Night Fever", it is one of the group's three tracks on the list. The song was covered by Take That for their 1996 Greatest Hits album, reaching No. 1 on the UK Singles Chart for three weeks.

<span class="mw-page-title-main">Can't Take My Eyes Off You</span> 1967 song recorded by Frankie Valli

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<i>Grease: The Original Soundtrack from the Motion Picture</i> 1978 soundtrack album by Various Artists

Grease: The Original Soundtrack from the Motion Picture is the original motion picture soundtrack for the 1978 film Grease. It was originally released by RSO Records and subsequently re-issued by Polydor Records between 1984 and 1991. It has sold over 30 million copies worldwide, making it one of the best-selling albums of all time, also ranking amongst the biggest selling soundtrack albums of all time. The song "You're the One That I Want" was a U.S. and UK No. 1 for stars John Travolta and Olivia Newton-John.

<span class="mw-page-title-main">My Eyes Adored You</span> 1974 single by Frankie Valli

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<span class="mw-page-title-main">Tomorrow Tomorrow (Bee Gees song)</span> 1969 single by Bee Gees

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<span class="mw-page-title-main">We're All Alone</span> 1976 single by Boz Scaggs

"We're All Alone" is a song written by Boz Scaggs, which became a hit for Frankie Valli in 1976. The next year it was a top-ten hit for Rita Coolidge in the US and the UK. Scaggs introduced it on his 1976 album Silk Degrees, and included it as the B-side of two of the four single releases from that LP, including "Lido Shuffle".

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"Mr. Natural" is a song by the Bee Gees, written by Barry and Robin Gibb. On 29 March 1974, it was released as a single and also released on the album of the same name in 1974. It was backed with a folk rock number "It Doesn't Matter Much to Me". The group's first single which was produced by Arif Mardin.

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<span class="mw-page-title-main">Swearin' to God</span> 1975 single by Frankie Valli

"Swearin' to God" is a song written by Bob Crewe and Denny Randell. It was recorded by Frankie Valli and released in May 1975 as a single from his album Closeup. It is a love song whose lyrical hook is a more literal use of the expression "I swear to God" :

Gibb-Galuten-Richardson were a British-American record producing team, consisting of Bee Gees founding member and British singer-songwriter Barry Gibb, American musician and songwriter Albhy Galuten and American sound engineer Karl Richardson. They produced albums and singles for Andy Gibb, Samantha Sang, Frankie Valli, Teri DeSario, Barbra Streisand, Dionne Warwick, Kenny Rogers, Dolly Parton and Diana Ross.

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