The album has since remained Neil Young's signature album as well as his best selling.[6][7] In 2015, Harvest was inducted into the Grammy Hall of Fame.[8]
Background
In 1970, Young released both Déjà Vu with Crosby, Stills, Nash & Young and his third solo album, After the Gold Rush. The year also saw Young tour as a solo act and with both CSNY and his collaborators Crazy Horse. In the fall of 1970, Young released After the Gold Rush, divorced his wife Susan Acevedo, and purchased Broken Arrow Ranch in Redwood City, California, where he would live for the next four decades. While renovating his new home, Young injured his back, limiting his mobility and ability to perform electric guitar. Around the same time, Young would also begin his relationship with actress Carrie Snodgress. Young's new home and romantic relationship would inspire several new songs.
After completing After the Gold Rush, Young promoted the album through a series of solo acoustic concerts. After playing Carnegie Hall in December 1970, Young returned to his ranch for a break in touring. While picking up a slab of walnut, Young injured his back, which prevented him from standing up while performing, limiting him to playing acoustic music. Young explains in an August 1975 interview with Cameron Crowe for Rolling Stone:
I was in and out of hospitals for the two years between After the Gold Rush and Harvest. I have one weak side and all the muscles slipped on me. My discs slipped. I couldn't hold my guitar up. That's why I sat down on my whole solo tour. I couldn't move around too well, so I laid low for a long time on the ranch and just didn't have any contact, you know. I wore a brace. Crosby would come up to see how I was, we'd go for a walk and it took me 45 minutes to get to the studio, which is only 400 yards from the house. I could only stand up four hours a day. I recorded most of Harvest in the brace. That's a lot of the reason it's such a mellow album. I couldn't physically play an electric guitar. "Are You Ready for the Country", "Alabama", and "Words" were all done after I had the operation. The doctors were starting to talk about wheelchairs and shit, so I had some discs removed. But for the most part, I spent two years flat on my back.[9]
Young embarked on a solo acoustic tour in January and February 1971 where he debuted many of the album's songs. A performance on The Johnny Cash Show led to collaborations with record producer Elliot Mazer and Nashville studio musicians. In Nashville, Young recruited a group of country session musicians, whom he would dub The Stray Gators to record his new songs. The resulting record was a massive hit, producing a US number one single in "Heart of Gold". The album's success caught Young off guard and his first instinct was to back away from stardom. He would later write that the record "put me in the middle of the road. Traveling there soon became a bore so I headed for the ditch. A rougher ride but I saw more interesting people there."[10]
Writing
In a post on his website, Young shares that much of Harvest "was written about or for Carrie Snodgress, a wonderful actress and person and Zeke Young's mother."[11] In a radio interview, Young specifically cites "Heart of Gold", "Harvest" and "Out on the Weekend" as being inspired by his then blossoming love.[12]
"A Man Needs a Maid" was also inspired by Young's budding relationship with Snodgress, whom he contacted after seeing her picture in a magazine. At a Philadelphia concert in October 2014, Young shared that the song was also inspired by a light switch in a hotel he stayed at while touring with CSNY:
Now maid is a word that's been hijacked. It doesn't mean what it means anymore. Now it's like a derogatory thing. It's something bad. Someone working. Sometimes I tell a little story here about something. Kinda tears it for people a little bit. So a while ago a long time ago I was in a band and we were playing in London. I was in this hotel and there was this light switch on the wall. I walked over to it but it wasn't a light switch. I was surprised to see two buttons. The top one you pressed a MAN and the second one you pressed MAID. I immediately went to the piano. That's how it happened.[13]
"Heart of Gold" has become Young's signature song and was his only number 1 hit in the United States. In 1974, he would tell a journalist that its composition was influenced by French song "Love Is Blue."[14]
"Are You Ready for the Country?" was written shortly before being recorded for the album. It, like "Words" and "Alabama", was recorded to provide contrast to the acoustic songs on the album. Young explains in a post on his website: "Are You Ready for the Country?" was written at the ranch shortly before the barn sessions happened. It's a simple song based on an old blues melody that has been used many times. I thought it would bring some welcome relief from the other songs."[15]
"Old Man" was inspired by Louis Avila, the caretaker of the Northern California ranch Young had recently purchased. He explains to an audience in January 1971: "This is a new song that I wrote about my ranch. I live on a ranch now. Lucky me. There's this old man who lives on it, that uh, he came with the place when I bought it. Ranches have foremen you know usually that sort of like stay there with the cows, no matter who owns it."[16] He further describes Avila in his 2015 memoir, Special Deluxe:
Louis and Clara were each about sixty years old and Louis had a very leathery face from being out in the sun working the land his whole life. His hair was full and white and he talked slowly in a friendly way. Clara, his wife of about forty years, was a very nice, soft-spoken lady. They were very much in love and lived in a little house about two hundred yards from my cabin, just on the other side of the beautiful little lake. They were there the day I first saw the place. Louis stood a little off-center due to an injury he sustained while walking through a field one day when he stepped in a deep hole and put his back out. He never got it fixed. He just soldiered on. His manner was always casual, country.[17]
"Alabama" is "an unblushing rehash of 'Southern Man'";[18] to which American southern rock band Lynyrd Skynyrd wrote their 1973 hit "Sweet Home Alabama" in reply, stating "I hope Neil Young will remember, a southern man don't need him around, anyhow". Young later wrote of "Alabama" in his autobiography Waging Heavy Peace, saying it "richly deserved the shot Lynyrd Skynyrd gave me with their great record. I don't like my words when I listen to it. They are accusatory and condescending, not fully thought out, and too easy to misconstrue."[19]
"The Needle and the Damage Done" was inspired directly by an overdose by bandmate Danny Whitten, who would later succumb to his addictions.[20] The song was also inspired by several artists Young had seen fall to heroin, as he explained to a January 1971 audience:
I got to see to see a lot of great musicians before they happened. Before they became famous. When they were just gigging. Five and six sets a night. Things like that. I got to see a lot of great musicians who nobody got to see for one reason or another. But strangely enough the real good ones that you never got to see was because of heroin. And that started happening over and over. And then it happened to some that everybody knew about.[16]
"Words (Between the Lines of Age)", the last song on the album, featured a lengthy guitar workout with the band. In his 2012 memoir Waging Heavy Peace, Young reveals that the song "Words" was inspired by Young's growing fame, and the first cracks in his relationship with Snodgress:
"Words" is the first song that reveals a little of my early doubts of being in a long-term relationship with Carrie. It was a new relationship. There were so many people around all the time, talking and talking, sitting in a circle smoking cigarettes in my living room. It had never been like that before. I am a very quiet and private person. The peace was going away. It was changing too fast. I remember actually jumping out the living room window onto the lawn to get out of there; I couldn't wait long enough to use the door! Words - too many of them, it seemed to me. I was young and not ready for what I had gotten myself into. I became paranoid and aware of mind games others were trying to play on me. I had never even thought of that before. That was how we did Harvest, in love in the beginning and with some doubts at the end.[21]
Recording
The album was recorded across several different sessions in multiple locations in 1971. "The Needle and the Damage Done" was taken from a live solo performance at UCLA on January 30 during a solo acoustic tour. Multiple sessions in February and April were held in Nashville with established local studio musicians, produced by Elliot Mazer. "A Man Needs a Maid" and "There's a World" were recorded with the London Symphony Orchestra with Jack Nitzsche on March 1. The album's electric tracks were recorded at Young's ranch in September.
Young engaged in a solo acoustic tour in North America and the United Kingdom in January and February 1971. During the tour, he played several new songs inspired by life on his new ranch or the beginnings of his romantic relationship with Carrie Snodgress. Several of the shows were recorded for potential release as a live album. Young arrived in Nashville in early February 1971 to perform on an episode of the Johnny Cash Show. Linda Ronstadt and James Taylor were also slated to appear on the broadcast.
While in Nashville, Young met record producer Elliot Mazer. Mazer had recently opened Quadrafonic Sound Studios in Nashville in a converted house. Mazer remembers: "The control room was the old porch. The living room and the dining room became the two live rooms, and the kitchen became a drum area. We called it 'Quadraphonic' as a joke, although it did have four speakers in the control room."[22] Eager to record his new songs, Mazer helped Young assemble a band of local Nashville musicians. Young remembers:
I went on to Nashville at the end of the tour to do the Johnny Cash television show, which was new and really hot at the time. Bob Dylan had just done the first one, and everyone wanted to do it. James Taylor and Linda Ronstadt were doing the second show, and so was I. Everyone loved Johnny Cash; he was the real thing. The show was all about music, and it was cool, very real. While I was there I met Elliot Mazer, the record producer, and we went into the studio to try some studio versions of all my new songs. Tim Drummond was there, and he put together a great band, with Kenny Buttrey, John Harris, Ben Keith, and another guitarist who played some tasty things like the harmonics on "Heart of Gold." This was a great-sounding band. James and Linda came in and added some vocals; James even played banjo on "Old Man." That session was a solid beginning for Harvest.[21]
Young would continue to work with Mazer and Drummond on several subsequent projects. Ben Keith would become one of Young's most frequent collaborators until his death in 2010. Several of the musicians had performed with Nashville bands Area Code 615 and Barefoot Jerry. At these first sessions in early February the band was able to capture "Heart of Gold", "Old Man", "Bad Fog of Loneliness", and "Dance Dance Dance". Linda Ronstadt and James Taylor also visited the studio to contribute to the sessions with Young. The three sat on a couch and recorded the background vocals for "Heart of Gold" and "Old Man". Taylor overdubbed a part for the latter song on Young's banjo guitar. Ronstadt remembers the session in a Mojo interview: "We were sat on the couch in the control room, but I had to get up on my knees to be on the same level as James because he's so tall. Then we sang all night, the highest notes I could sing. It was so hard, but nobody minded. It was dawn when we walked out of the studio."[23] Mazer recalls Young's drive and the magical atmosphere:
Neil was very specific about what he wanted. When Neil Young plays a song, his body language dictates everything about the arrangement. Neil sat in the control room of Quadrafonic and played "Heart Of Gold". Kenny and I looked at each other, and we both knew it was a number one record. We heard the song and all we had to do was move Neil into the studio and get the band out there, start the machine and make it sound good. It was incredible![24]
At the end of February, Young traveled to London record a performance for BBC Television and to perform a concert at the Royal Festival Hall. While there, he recorded two more songs for the album with orchestra accompaniment. "A Man Needs a Maid" and "There's a World" were recorded by Jack Nitzsche with the London Symphony Orchestra March 1 at Barking Town Hall. Young recalled the sessions in Waging Heavy Peace: "I was in London and recorded "A Man Needs a Maid" and "There's a World" with the London Symphony Orchestra, produced and arranged by Jack Nitzsche. After hearing the playback in Glyn Johns's truck, where the pieces were recorded outside the Barking Town Hall, Jack said, 'I think it's a bit overblown.' We knew it was over-the-top, but we had done it and we loved it."[21] In the liner notes to Decade, Young remembers Bob Dylan reacting favorably to the production.[25]
In April, Young returned to Nashville to record "Out on the Weekend", "Harvest" and "Journey Through the Past" with Mazer at Quadrafonic.[21] Mazer recalls Young being specific about what sound he wanted from the musicians during the sessions: "At one point, Neil said to Kenny that his hi-hat was too busy, so Kenny said, 'Fine. I'll sit on my right hand.' He played the whole take (for "Out on the Weekend") sitting on his right hand.[23][22] Buttrey elaborates on his experiences playing with Young in Shakey:
Basically every drum part that I ever did with Neil are his drum parts, not mine. He said, 'I don't want any right hand' — no cymbals — which was really tough for me, because I was havin' to think about what I was playin' instead of lettin' it come natural. 'Less is more' is the phrase he used over and over. Only lick I ever came up with on my own is the high-hat on the "Heart of Gold" verse. Neil tells everybody what to play, note for note. If you play somethin' he doesn't like, boy, he'll put a look on you you'll never forget. Neil hires some of the best musicians in the world and has 'em play as stupid as they possibly can. It's just ultra-, ultra-simple, a laidback kinda thing nobody but Neil does, and if you're right with him it sounds great, and it sounds awful if you're not. If I can't see Neil's right hand when he's playin' guitar, then I'm not playing. His rhythm playing is just perfect—it'll feel like he's slowing down, but it's just the Neil Young feel. No drummer should ever hold Neil to a certain tempo, because if you put a metronome on it, you kill the Neil Young feel.[26]
On August 11, Young went in for successful back surgery which allowed him to resume playing electric guitar with a band.[26]
The electric-based songs were recorded in a barn at Young's ranch in California in September. Using a remote recording system, Mazer set up PA speakers in the barn for monitors rather than have the players wear headphones. This resulted in a lot of "leakage" as each microphone picked up sound from other instruments, but Young and Mazer liked the resulting sound. "Are You Ready for the Country", "Alabama", and "Words" were recorded in these sessions with Buttrey, Drummond, Keith, along with Nitzsche on piano and lap steel. Young named this band, which would accompany him on his tour in the winter of 1973, The Stray Gators.
Background vocals by Crosby, Stills & Nash were later recorded by Mazer in New York.
Mixing was done both at Quadrafonic and at Young's ranch. Young invited Graham Nash to review playback of the album as it was being completed. Graham Nash recalls the experience in his 2013 memoir, Wild Tales:
I remember the day that Neil asked me to listen to the record. No big speakers, but a boat. That's right, he asked me to get into a small boat and he rowed us both out into the middle of the lake. Once there he asked his producer Elliot Mazer to play the record. Neil was using his entire house as the left speaker and his huge barn as the right speaker. What an incredible record it was, and after the music stopped blaring, Elliot came down to the shore of the lake and shouted, 'How was that, Neil?' and I swear this is true, Neil shouted back, 'More barn!' That's Neil, no doubt about it.[27]
During the production of the album, Young hired filmmaker David Myers to film the sessions.[28] The footage was used in two documentaries, the 1973 film Journey Through the Past and the 2022 documentary Harvest Time. Harvest Time shows much of the recording process in Nashville, London, Los Angeles and New York. Dutch director Wim van der Linden also recorded footage of the artist at his ranch and in concert during the era for the Swing In German television documentary series.[29]
Release
The album cover was designed by art director Tom Wilkes.[26] According to a Rolling Stone interview, Young had wanted the album sleeve to biodegrade after the shrink-wrap was broken, but was overruled by the record company on the basis of expense and the possible product loss due to shipping accidents. Mo Ostin mentioned this request at the 22nd Annual ASCAP Pop Music Awards.[30]
On October 15, 2002, Harvest was digitally remixed and remastered for the DVD-Audio format. The new 5.1 mix was the subject of minor controversy due to its unconventional panning, with the vocals in the centre of the room and the drums in the rear speakers. Harvest was remastered and released on HDCD-encoded CD and digital download on July 14, 2009, as part of the Neil Young Archives Original Release Series. A 180-gram remastered vinyl edition was released on December 1, 2009, along with remastered vinyl editions of Young's first four albums.[31] The remastered CD exists both as a standalone album and as Disc 4 of a 4-CD box set Official Release Series Discs 1-4, released in the US in 2009 and Europe in 2012.[32]
Assessments by critics were not overwhelmingly favorable at the time. Rolling Stone's John Mendelsohn called the album a "disappointing retread" of earlier, superior efforts by Young, writing of "the discomfortingly unmistakable resemblance of nearly every song on this album to an earlier Young composition – it's as if he just added a steel guitar and new words to After The Gold Rush."[40] A review in The Montreal Gazette gave the album a mixed verdict, calling it "embarrassing" in places but interesting lyrically, and singling out "Are You Ready for the Country?" as the record's best cut.[41] Reappraising the record in Christgau's Record Guide: Rock Albums of the Seventies (1981), Village Voice critic Robert Christgau wrote:
Anticipation and mindless instant acceptance made for critical overreaction when this came out, but it stands as proof that the genteel Young has his charms, just like the sloppy one. Rhythmically it's a little wooden, and Young is guilty of self-imitation on "Alabama" and pomposity on the unbearable London Symphony Orchestra opus "There's a World." But those two excepted, even the slightest songs here are gratifying musically, and two of them are major indeed—"The Needle and the Damage Done" and the much-maligned (by feminists as well as those critics of the London Symphony Orchestra) "A Man Needs a Maid."[34]
More recent evaluations of the album have been far more positive: in 1998, Q magazine readers voted Harvest the 64th greatest album of all time. In 1996, 2000 and 2005, Chart polled readers to determine the 50 greatest Canadian albums of all time – Harvest placed second in all three polls, losing the top spot to Joni Mitchell's Blue in 2000, and to Sloan's Twice Removed in the other two years. In 2003, a full three decades removed from its original harsh assessment, Rolling Stone named Harvest the 78th greatest album of all time,[42] then was re-ranked 82nd in a 2012 revised list,[43] and re-ranked 72nd in the 2020 list.[44] In 2007, Harvest was named the No. 1 Canadian Album of All Time by Bob Mersereau in his book The Top 100 Canadian Albums. The album was featured in TeamRock's list of "The 10 Essential Country Rock Albums".[45] It was voted number 93 in Colin Larkin's All Time Top 1000 Albums 3rd Edition (2000).[46]
Track listing
All tracks are written by Neil Young. Track timings are from the original 1972 vinyl release, catalogue number MS 2032.[47]
Neil Young – guitar, harmonica, vocal; Teddy Irwin – guitar; Ben Keith – pedal steel guitar; Tim Drummond – bass; Kenny Buttrey – drums; Linda Ronstadt – vocal; James Taylor – vocal
Recorded at Quadrafonic Sound Studios, Nashville, 2/8/1971. Produced by Elliot Mazer & Neil Young.
Neil Young – piano, vocal; Ben Keith – pedal steel guitar; Jack Nitzsche – lap steel guitar; Tim Drummond – bass; Kenny Buttrey – drums; David Crosby – vocal; Graham Nash – vocal
Recorded at Barn, Broken Arrow Ranch, 9/26/1971. Produced by Elliot Mazer & Neil Young.
Neil Young – guitar, vocal; Ben Keith – pedal steel guitar; James McMahon – piano; Tim Drummond – bass; Kenny Buttrey – drums; Linda Ronstadt – vocal; James Taylor – banjo, vocal
Recorded at Quadrafonic Sound Studios, Nashville, 2/6/1971. Produced by Elliot Mazer & Neil Young.
"There's a World" (3:00)
Neil Young – piano, vocal; with the London Symphony Orchestra
Recorded at Barking Town Hall, London, 3/1/1971. Produced by Jack Nitzsche.
"Alabama" (4:02)
Neil Young – guitar, vocal; Ben Keith – pedal steel guitar; Jack Nitzsche – piano; Tim Drummond – bass; Kenny Buttrey – drums; David Crosby – vocal; Stephen Stills – vocal
Recorded at Barn, Broken Arrow Ranch, 9/26/1971. Produced by Elliot Mazer & Neil Young.
Decade is a compilation album by Canadian–American musician Neil Young, originally released in 1977 as a triple album and later issued on two compact discs. It contains 35 of Young's songs recorded between 1966 and 1976, among them five tracks that had been unreleased up to that point. It peaked at No. 43 on the Billboard Top Pop Albums chart, and was certified platinum by the RIAA in 1986.
Harvest Moon is the 21st studio album by Canadian-American musician Neil Young, released on November 2, 1992. Many of its backing musicians also appeared on Young's 1972 album Harvest.
Tonight's the Night is the sixth studio album by Canadian / American songwriter Neil Young. It was recorded in August–September 1973, mostly on August 26, but its release was delayed until June 1975. It peaked at No. 25 on the Billboard 200. The album is the third and final of the so-called "Ditch Trilogy" of albums that Young released following the major success of 1972's Harvest, whereupon the scope of his success and acclaim became so difficult for Young to handle that he subsequently experienced alienation from his music and career.
American Stars 'n Bars is the eighth studio album by Canadian-American folk rock songwriter Neil Young, released on Reprise Records in 1977. Compiled from recording sessions scattered over a 29-month period, it includes "Like a Hurricane", one of Young's best-known songs. It peaked at #21 on the Billboard 200 and received a RIAA gold certification.
Time Fades Away is a 1973 live album by Canadian-American musician Neil Young. Consisting of previously unreleased material, it was recorded with the Stray Gators on the support tour following 1972's highly successful album Harvest. Due to Young's dissatisfaction with the tour, it was omitted from his catalogue and not released on compact disc until 2017. The album is the first of the so-called "Ditch Trilogy" of albums that Young recorded following the major success of Harvest, whereupon the scope of his success and acclaim became so apparent that Young subsequently experienced alienation from his music and career.
"Old Man" is a song written and performed by Canadian rock singer-songwriter and guitarist Neil Young from his 1972 album Harvest. "Old Man" was released as a single on Reprise Records in the spring of 1972, reaching number 4 in Canada, and number 31 on the Billboard Hot 100 singles chart for the week ending June 3.
Bernard Alfred "Jack" Nitzsche was an American musician, arranger, songwriter, composer, and record producer. He came to prominence in the early 1960s as the right-hand-man of producer Phil Spector, and went on to work with the Rolling Stones, Neil Young, and others. He worked extensively in film scores for the films Performance, The Exorcist and One Flew Over the Cuckoo's Nest. In 1983, he won the Academy Award for Best Original Song for co-writing "Up Where We Belong" with Buffy Sainte-Marie.
"Heart of Gold" is a song by Canadian singer-songwriter Neil Young. From his fourth album Harvest, it is Young's only U.S. No. 1 single. In Canada, it reached No. 1 on the RPM national singles chart for the first time on April 8, 1972, on which date Young held the top spot on both the singles and albums charts, and No. 1 again on May 13. Billboard ranked it as the No. 17 song for 1972.
Journey Through the Past is a double LP soundtrack album from the film of the same name by Canadian / American musician Neil Young, released in November 1972 on Reprise Records, catalogue number 2XS 6480. It peaked at #45 on the Billboard 200. Its initial release was on vinyl, cassette tape, reel-to-reel tape, and 8-track tape cartridge. Although its follow-up Time Fades Away was finally released on CD in August 2017, Journey Through the Past remains the only 1970s Neil Young album yet to see an official CD reissue.
Homegrown is the 42nd studio album by Canadian-American Neil Young. It was released on June 19, 2020, by Reprise Records. The album consists of material recorded between June 1974 and January 1975. The album was recorded after the release of On the Beach and before the sessions for Zuma. Like those two albums, much of the material was inspired by Young's relationship with actress Carrie Snodgress, which was deteriorating in 1974. The album was compiled and prepared for release in 1975. Instead, Tonight's the Night was released, and Homegrown remained unreleased for 45 years. It was finally set for release as part of Record Store Day 2020, amid Neil Young's ongoing Archives campaign. Its release was again delayed by Record Store Day's postponement due to the COVID-19 pandemic, before finally seeing release on June 19.
Chrome Dreams is the 46th studio album by Neil Young. It was first compiled as an acetate for consideration as an album for release in 1977. A copy of the acetate widely circulated as a bootleg in the decades prior to its release. The album was officially released on August 11, 2023, to universal acclaim from critics.
Live at Massey Hall 1971 is a live album by Canadian-American musician Neil Young. Released in 2007, the album features a solo acoustic performance by Young at Massey Hall in Toronto, Ontario, Canada, on 19 January 1971 during his Journey Through the Past Solo Tour. It is the second release in Young's Archives Performance Series.
The Stray Gators was the name given by Neil Young to his supporting musicians from 1971 to 1973 and who backed him on the albums Harvest (1972) and Time Fades Away (1973). It consisted of Jack Nitzsche (piano), Ben Keith, Tim Drummond (bass) and Kenny Buttrey (drums); the latter replaced during the Time Fades Away tour by Johnny Barbata.
Neil Young Archives Vol. 1: 1963–1972 is the first in a planned series of box sets of archival material by Canadian-American musician Neil Young. It was released on June 2, 2009, in three different formats - a set of 10 Blu-ray discs in order to present high-resolution audio as well as accompanying visual documentation, a set of 10 DVDs, and a more basic 8-CD set. Covering Young's early years with The Squires and Buffalo Springfield, it also includes various demos, outtakes and alternate versions of songs from his albums Neil Young, Everybody Knows This Is Nowhere, After the Gold Rush, and Harvest, as well as tracks he recorded with Crazy Horse and Crosby, Stills, Nash & Young during this time. Also included in the set are several live discs, as well as a copy of the long out-of-print film Journey Through the Past, directed by Young in the early 1970s.
Elliot Mazer was an American audio engineer and record producer. He was best known for his work with Linda Ronstadt, Neil Young, Bob Dylan, The Band, and Janis Joplin. In addition, he worked on film and television projects for ABC and various independent studios, and taught at University of North Carolina at Asheville and Elon University.
"Bad Fog of Loneliness" is a song written by Canadian singer-songwriter Neil Young, recorded in 1971 but not released until 2007 on the album Live at Massey Hall 1971, in 2009 on The Archives Vol. 1 1963–1972 as a studio outtake, and in 2013 on Live at the Cellar Door. It also appeared on Young's live "Red Rocks" DVD released in 2000.
"Are You Ready for the Country?" is a song written by Neil Young and released on his 1972 Harvest album. The track features Young on piano backed by the studio band dubbed The Stray Gators, comprising Jack Nitzsche on slide guitar, Ben Keith on pedal steel guitar, Tim Drummond on bass, and Kenny Buttrey on drums. Backing vocals on the track are by David Crosby and Graham Nash. The recording was made in a studio set up in a barn on Young's ranch.
Tuscaloosa is a live album by Canadian-American musician Neil Young, released on June 7, 2019, on American record label Reprise Records. It is Volume 04 in the Performance Series of Neil Young Archives.
Neil Young Archives Volume II: 1972–1976 is a 10-CD box set from American-Canadian folk rock musician Neil Young that was initially released in a limited deluxe box set on November 20, 2020. The release is the second box set in his Neil Young Archives series, following 2009's The Archives Vol. 1 1963–1972, and covers a three-and-a-half-year period from 1972 to 1976. The track list was officially announced on the Neil Young Archives site on September 20, 2020, with the first single, "Come Along and Say You Will", being posted to the site as the Song of the Day on October 14. The set then went up for pre-order on October 16, 2020, as an exclusive release to his online store, with only 3,000 copies being initially made available worldwide. After selling out the following day, Young announced several weeks later that a general retail version, as well as a second pressing of the deluxe box set, is expected to be released to market on March 5, 2021. This was followed by the release of a second single, "Homefires", on October 21, and a third, an alternate version of "Powderfinger", on November 3.
Neil Young Archives Volume III: 1976–1987 is a 17-CD and 5-Blu-ray disc box set from American-Canadian folk rock musician Neil Young that was released on CD and vinyl on September 6, 2024. Pre-ordering went live for members of Neil Young Archives on July 25, 2024, with access to a version that came with a CD sampler of 16 tracks and a pin. The release is the third box set in his Neil Young Archives series, following 2009's The Archives Vol. 1 1963–1972 and 2020's Neil Young Archives Volume II: 1972–1976, and covers an eleven-year period from 1976 to 1987.
↑ August 24, 2018. Neil Young Archives. neilyoungarchives.com
1 2 Comments to the audience, January 19, 1971. Massey Hall, Toronto.
↑ Young, Neil. 2015. Special Deluxe. New York, New York: Plume, An Imprint Of Penguin Random House Llc.
↑ So characterized by Jim Miller in Rolling Stone; quoted in Inglis, Sam (2003), Harvest, pp. 93-94. The Continuum International Publishing Group. ISBN0-8264-1495-8.
↑ Young, Neil (2012). "Chapter Fifty-seven". Waging Heavy Peace: A Hippie Dream. New York, New York: Penguin Books. p.417. ISBN978-0-14-218031-0.
↑ Brackett, Nathan; Hoard, Christian, eds. (2004). The New Rolling Stone Album Guide (4th rev.ed.). New York: Simon & Schuster. p.899. OL21112308M.
↑ Weisbard, Eric (1995). "Neil Young". In Weisbard, Eric; Marks, Craig (eds.). Spin Alternative Record Guide. New York: Vintage Books. p.447. ISBN0679755748.
↑ "Il rock irrompe fra i purosangue". Corriere della Sera (in Italian): 17. August 14, 1982. Retrieved January 16, 2021. Dopo gli Stones, Neil Young e senz'altro l'artista più attento dal pubblico italiano che ha sempre dimostrato il proprlo gradiemento verso il cantautore anche in termini molto "pratici", cloè nell'acquisto di dischi. Soltanto "Harvest" ha, venduto sinora, in dieci anni, circa novocentomila copie
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