Hollywood | |
---|---|
Genre | Documentary |
Written by | Kevin Brownlow David Gill |
Directed by | Kevin Brownlow David Gill |
Narrated by | James Mason |
Theme music composer | Carl Davis |
Composer | Carl Davis |
Country of origin | United Kingdom |
Original language | English |
No. of episodes | 13 |
Production | |
Producers | Kevin Brownlow David Gill |
Editors | Dan Carter Trevor Waite Oscar Webb |
Running time | 49-52min per episode (ex. commercials), ~11h14m in total |
Production company | Thames Television |
Original release | |
Network | ITV |
Release | January 8 – April 1, 1980 |
Hollywood (also known as Hollywood: A Celebration of the American Silent Film) is a British television documentary miniseries produced by Thames Television and originally broadcast on ITV in 1980. Written and directed by film historians Kevin Brownlow and David Gill, it explored the establishment and development of the Hollywood studios [1] and their cultural impact during the silent film era of the 1910s and 1920s. [2] At the 1981 BAFTA TV Awards, the series won for Best Original Television Music and was nominated for Best Factual Series, Best Film Editing and Best Graphics. [3] [4] [5] [6]
The series has seldom been released on home video formats, apparently due to the complexity of obtaining home video rights to all of the film clips used. It is available on the Internet Archive. [7]
In 1995, Brownlow and Gill produced the followup series, Cinema Europe: The Other Hollywood , which explores the rise of the silent film industry in Sweden, Germany, France and Great Britain.
The series consists of 13 50-minute episodes, with each episode dealing with a specific aspect of Hollywood history. The actor James Mason, an enthusiast of the period, supplied the narration [8] while a lilting and expressive score was contributed by Carl Davis. [9]
Technical quality was an important aspect of the production. Silent films had often been screened on television from poor-quality copies running at an inaccurate speed, usually accompanied by honky tonk piano music. Hollywood used silent film clips sourced from the best available material, shown at their original running speed via a polygonal prism telecine, and with an orchestral score, giving viewers a chance to see what they originally looked and sounded like. For instance, the first episode features a clip of Life of an American Fireman , produced in 1903 with the aforementioned stereotypical poor quality print and music and then compares that with a clip of The Fire Brigade , produced over two decades later in 1926, in a high quality print run at the proper speed with full orchestral accompaniment.
The producers filmed the recollections of many of the period's surviving participants, and illustrated their interviews with scenes from their various films, as well as production still photographs, and historical photographs of the Los Angeles environs. Some of these interviews are notable for being among the only filmed interviews given by their subjects. [10]
Among the notable people who contributed interviews were:
Also interviewed were choreographer Agnes de Mille, writer Anita Loos, writer Adela Rogers St. Johns, press agent/writer Cedric Belfrage, organist Gaylord Carter, cinematographers George J. Folsey, Lee Garmes, and Paul Ivano, writer Jesse L. Lasky, Jr., special effects artist A. Arnold Gillespie, Lord Mountbatten, agent Paul Kohner, producer/writer Samuel Marx, editors William Hornbeck and Grant Whytock, property man Lefty Hough, stuntmen Bob Rose, Yakima Canutt, Paul Malvern, and Harvey Parry, Rudolph Valentino's brother Alberto Valentino, Valerie von Stroheim, and English set designer Laurence Irving. [11]
In North America, the series was released in 1990 by HBO Video on VHS and laserdisc. [13] [14]
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Erich Oswald Hans Carl Maria von Stroheim was an Austrian-American director, screenwriter, actor, and producer, most noted as a film star and avant-garde, visionary director of the silent era. His 1924 film Greed is considered one of the finest and most important films ever made. After clashes with Hollywood studio bosses over budget and workers' rights problems, Stroheim found it difficult to find work as a director and subsequently became a well-respected character actor, particularly in French cinema.
The decade of the 1920s in film involved many significant films.
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Show People is a 1928 American synchronized sound comedy film directed by King Vidor. While the film has no audible dialog, it was released with a synchronized musical score with sound effects using both the sound-on-disc and sound-on-film process. The film was a starring vehicle for actress Marion Davies and actor William Haines and included notable cameo appearances by many of the film personalities of the day, including stars Charlie Chaplin, Douglas Fairbanks, William S. Hart and John Gilbert, and writer Elinor Glyn. Vidor also appears in a cameo as himself, as does Davies.
Osmond Hudson Borradaile was a Canadian cameraman, cinematographer, and veteran of World War I and World War II.
La Bohème is a 1926 American silent drama film directed by King Vidor, based on the 1896 opera La bohème by Giacomo Puccini. Lillian Gish and John Gilbert star in a tragic romance in which a tubercular seamstress sacrifices her life so that her lover, a bohemian playwright, might pen his masterpiece. Gish, at the height of her influence with Metro-Goldwyn-Mayer studios, asserted significant control over the production, determining the story, director, cast, cinematography, and costume design. In February 2020, the film was shown at the 70th Berlin International Film Festival, as part of a retrospective dedicated to King Vidor's career.
The Scarlet Letter is a 1926 American silent drama film based on the 1850 novel of the same name by Nathaniel Hawthorne and directed by Swedish filmmaker Victor Sjöström. Prints of the film survive in the MGM/United Artists film archives and the UCLA Film and Television Archive. The film is now considered the best film adaptation of Hawthorne's novel.
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Photoplay Productions is an independent film company, based in the UK, under the direction of Kevin Brownlow and Patrick Stanbury. Is one of the few independent companies to operate in the revival of interest in the lost world of silent cinema and has been recognised as a driving force in the subject.