| How My Heart Sings! | ||||
|---|---|---|---|---|
 | ||||
| Studio album by | ||||
| Released | January 1964 [1] | |||
| Recorded | May 17, 1962 (#1, 6) May 29, 1962 (#5, 7, 9) June 5, 1962 (#2–4, 8) | |||
| Studio | Sound Makers Studio, New York City | |||
| Genre | Jazz | |||
| Length | 48:43 | |||
| Label | Riverside RLP-473 | |||
| Producer | Orrin Keepnews | |||
| The Bill Evans Trio chronology | ||||
| ||||
How My Heart Sings! is an album recorded by jazz musician Bill Evans in 1962, at the same time as Moon Beams .
It was reissued in 1992 with one bonus track. How My Heart Sings! and Moon Beams were also released combined as the double album The Second Trio.
| Review scores | |
|---|---|
| Source | Rating |
| Allmusic |   [2] |
| The Penguin Guide to Jazz Recordings | [3] |
Writing for AllMusic, music critic Thom Jurek wrote of the album, "This is a tough recording; it flies in the face of the conventions Evans himself has set, and yet retrains [sic] the deep, nearly profound lyricism that was the pianist's trademark." [2] On All About Jazz , C. Michael Bailey said, "After the ballad-laden Moon Beams , producer Orrin Keepnews wanted a slightly more up-tempo recording that resulted in How My Heart Sings. Fifty years later, the recording remains painfully introspective, up-tempo or not. Evans was the Van Gogh of jazz: sensile and troubled, characteristics that expressed themselves in his playing his entire career." [4]
Explorations is an album by jazz pianist Bill Evans that was originally released on Riverside label in 1961. The album won the Billboard Jazz Critics Best Piano LP poll for 1961.
Sunday at the Village Vanguard is a live album by jazz pianist and composer Bill Evans and his Trio consisting of Evans, bassist Scott LaFaro, and drummer Paul Motian. Released in 1961, the album is routinely ranked as one of the best live jazz recordings of all time.
The Tony Bennett Bill Evans Album is a 1975 studio album by singer Tony Bennett and pianist Bill Evans.
The Complete Village Vanguard Recordings, 1961, a three-CD box set released in 2005, marks the first time the entire Bill Evans Trio's complete sets at the Village Vanguard on June 25, 1961 have been released in their entirety. It also marks the first US release of the first take of "Gloria's Step," which is incomplete due to a power failure.
Intermodulation is a 1966 jazz album by pianist Bill Evans and jazz guitarist Jim Hall. It is a follow-up to their 1962 collaboration, Undercurrent.
Moon Beams is a 1962 album by jazz musician Bill Evans and the first trio album he recorded after the death of bassist Scott LaFaro. It introduces two important Evans originals, "Re: Person I Knew", and "Very Early," which Evans had actually composed as an undergraduate. The originals serve as bookends to an album otherwise consisting of standards from the 1930s and 1940s.
Further Conversations with Myself is a 1967 album by jazz pianist Bill Evans. All the pieces are solo with piano overdubs, a method Evans used on his earlier release Conversations with Myself. This time, however, he employed only two piano tracks instead of three. The album was nominated for a Grammy. It was reissued on CD by Verve in 1999.
Jazz at the Plaza Vol. I is a live album by The Miles Davis Sextet. It was recorded in 1958 and released in 1973 by Columbia Records. Duke Ellington was recorded at the same event and released as the second volume (Jazz at the Plaza Vol. II).
Trio '65 is a studio album by American jazz pianist Bill Evans and his Trio, released in 1965.
The Bill Evans Album is a recording by the jazz pianist Bill Evans, released in 1971 on the Columbia label. It was his first album to feature all compositions written, arranged, and performed by him. On the record, Evans plays both an acoustic and a Fender Rhodes electric piano.
Quintessence is an album by American jazz pianist Bill Evans. It was recorded in 1976 for Fantasy Records and released the following year. At this time usually playing solo or with his trio, for these sessions Evans was the leader of an all-star quintet featuring Harold Land on tenor saxophone, guitarist Kenny Burrell, Ray Brown on bass, and Philly Joe Jones on drums.
Alone (Again) is a solo piano album by American jazz pianist Bill Evans, recorded in December 1975. A follow-up to his earlier solo album Alone, it was released in 1977 on Fantasy Records and reissued on CD in 1994 by Original Jazz Classics. At the time it was recorded, Evans had been playing an increasing number of solo dates and was inspired after hearing Marian McPartland play solo in Monterey. Evans's manager Helen Keane commented:
As much as Bill enjoyed playing alone at home, and although by this time he regularly included a solo section in his concert program, he found recording in this context very difficult. It was probably the only area he felt insecure about musically, and the fact that he'd gotten a Grammy for Alone didn't seem to help.
From Left to Right is an album by American jazz pianist Bill Evans, released in 1971. It was recorded with his regular bassist Eddie Gómez and drummer Marty Morell and with an orchestra arranged and conducted by Michael Leonard. This was the first album on which Evans played a Fender Rhodes electric piano.
Half Moon Bay is a live album by jazz pianist Bill Evans with Eddie Gómez and Marty Morell recorded at the Bach Dancing and Dynamite Society, in Half Moon Bay, California in 1973 and released on the Milestone label in 1998.
Getting Sentimental is a live album by jazz pianist Bill Evans with Michael Moore and Philly Joe Jones recorded at the Village Vanguard in 1978 but not released until 2003 on the Milestone label.
Time Remembered is a live album by jazz pianist Bill Evans with Chuck Israels and Larry Bunker partially recorded at the Shelly Manne's club in Hollywood, California in May 1963, but not released until 1983 on the Milestone label as a 16-track double LP. It would be later reissued on CD in 1999, with only 13 tracks. The trio performances were recorded at the same sessions that produced At Shelly's Manne-Hole (1963) and were first released on Bill Evans: The Complete Riverside Recordings (1984). The four solo performances were recorded in a separate session in April 1962 in New York City. "Some Other Time" was recorded in December 1958, in New York City.
The Last Waltz: The Final Recordings is an 8-CD box set live album by jazz pianist Bill Evans with Marc Johnson and Joe LaBarbera recorded during a nine night residency at Keystone Korner in San Francisco in 1980 and released on the Milestone label in 2000. Additional recordings from this concert series were released as Consecration: The Final Recordings Part 2 released in 2002.
Turn Out the Stars: The Final Village Vanguard Recordings is a six-CD box set live album by jazz pianist Bill Evans with Marc Johnson and Joe LaBarbera recorded over four nights at the Village Vanguard in New York City in 1980 and released on CD on the Warner Bros. label in 1996. A concurrent LP release was made on Mosaic.
Reunion with Chet Baker is an album recorded in 1957 by saxophonist Gerry Mulligan's Quartet with trumpeter Chet Baker which was released by World Pacific. It was Baker's first recording after moving to New York City.
You Taught My Heart to Sing is an album by saxophonist Houston Person and pianist Bill Charlap recorded in 2004 and released on the HighNote label in 2006.
