| Jazz Giants '58 | ||||
|---|---|---|---|---|
 | ||||
| Studio album by | ||||
| Released | 1958 | |||
| Recorded | August 1, 1957 | |||
| Studio | Capitol (Hollywood) | |||
| Genre | Jazz | |||
| Length | 54:22 | |||
| Label | Verve [1] | |||
| Producer | Norman Granz [2] | |||
| Stan Getz chronology | ||||
| ||||
| Review scores | |
|---|---|
| Source | Rating |
| AllMusic |  [3] |
Jazz Giants '58 is a 1958 album produced by Norman Granz featuring Stan Getz, Gerry Mulligan and Harry "Sweets" Edison, accompanied by Louis Bellson and the Oscar Peterson trio. [4] [3] [5]
The album was similar in format to a previous all-star jazz studio session produced by Granz, The Jazz Giants '56 . The earlier album featured a cast of seven 1930s swing musicians, including four from the Count Basie orchestras of the late 1930s and early 1940s. Jazz Giants '58 features a slightly younger cast of seven players, including two West Coast jazz saxophone stars, another alumna of the 1930s Basie band, the Oscar Peterson Trio, and a big band drummer. All of the Jazz Giants '58 musicians were recording mainstream swing music in the 1940s, but almost all had also gone on to play the modern jazz that developed after the World War II.[ citation needed ]
The session was reissued in 1966 as Gerry's Time replacing "Chocolate Sundae" by a track from 1959. Jazz Giants '58 was remastered and released on CD in 2008 as part of Verve Originals series.[ citation needed ]
Norman Granz was an American jazz record producer and concert promoter. He founded the record labels Clef, Norgran, Down Home, Verve, and Pablo. Granz was acknowledged as "the most successful impresario in the history of jazz". He was also a champion of racial equality, insisting, for example, on integrating audiences at concerts he promoted.
John Haley "Zoot" Sims was an American jazz saxophonist, playing mainly tenor but also alto saxophone. He first gained attention in the "Four Brothers" sax section of Woody Herman's big band, afterward enjoying a long solo career, often in partnership with fellow saxmen Gerry Mulligan and Al Cohn.
Harry "Sweets" Edison was an American jazz trumpeter and a member of the Count Basie Orchestra. His most important contribution was as a Hollywood studio musician, whose muted trumpet can be heard backing singers, most notably Frank Sinatra.
Mitchell Herbert Ellis was an American jazz guitarist. During the 1950s, he was in a trio with pianist Oscar Peterson.
Boniface Ferdinand Leonard "Buddy" DeFranco was an Italian-American jazz clarinetist. In addition to his work as a bandleader, DeFranco led the Glenn Miller Orchestra for almost a decade in the 1960s and 1970s.
Benjamin Francis Webster was an American jazz tenor saxophonist.
Lester Willis Young, nicknamed "Pres" or "Prez", was an American jazz tenor saxophonist and occasional clarinetist.
James George Hunter, known professionally as Jimmy Rowles, was an American jazz pianist, vocalist, and composer. As a bandleader and accompanist, he explored multiple styles including swing and cool jazz.
Jazz at Santa Monica '72 is a 1972 live album by the American jazz singer Ella Fitzgerald, recorded at the Santa Monica Civic Auditorium accompanied by a jazz trio led by the pianist Tommy Flanagan, and the Count Basie Orchestra.
Discography for jazz double-bassist and cellist Ray Brown.
Birdland is a jazz club started in New York City on December 15, 1949. The original Birdland, which was located at 1678 Broadway, just north of West 52nd Street in Manhattan, was closed in 1965 due to increased rents, but it re-opened for one night in 1979. A revival began in 1986 with the opening of the second nightclub by the same name that is now located in Manhattan's Theater District, not far from the original nightclub's location. The current location is in the same building as the previous headquarters of The New York Observer.
Joe Mondragon was an American jazz bassist.
Basie Jam is a 1973 studio album by Count Basie. This was Basie's first album with Norman Granz' newly founded Pablo Records.
The recordings of American jazz saxophonist Stan Getz from 1944 to 1991.
Stan Getz and the Oscar Peterson Trio is a 1958 studio album by Stan Getz, accompanied by the Oscar Peterson Trio.
Jazz at the Philharmonic – Yoyogi National Stadium, Tokyo 1983: Return to Happiness is a live album that was released in 1983. The album includes Louie Bellson, Eddie "Lockjaw" Davis, Harry "Sweets" Edison, Ella Fitzgerald, Al Grey, J. J. Johnson, Joe Pass, Niels-Henning Ørsted Pedersen, Oscar Peterson, Zoot Sims, and Clark Terry.
This is the complete discography of the main 12-inch (8000) series of LPs issued by Verve Records, a label founded in 1956 by producer Norman Granz in Los Angeles, California. Alongside new sessions Granz re-released many of the recordings of his earlier labels Clef and Norgran on Verve.
Gerry Mulligan Meets Stan Getz is an album by American jazz saxophonists Gerry Mulligan and Stan Getz featuring performances recorded in 1957 released on the Verve label.
Subtone is an advanced technique of tone generation on woodwind instruments, particularly the saxophone and clarinet. It is often described as a soft, breathy timbre that is usually produced in the lowest range of the instrument with low volume.
