"Jive Talkin'" | ||||
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Single by Bee Gees | ||||
from the album Main Course | ||||
B-side | "Wind of Change" | |||
Released | May 1975 | |||
Recorded | 30 January –19 February 1975 | |||
Studio | Criteria, Miami | |||
Genre | ||||
Length |
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Label | RSO | |||
Songwriter(s) | ||||
Producer(s) | Arif Mardin | |||
Bee Gees singles chronology | ||||
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Music video | ||||
"Jive Talkin'" on YouTube |
"Jive Talkin'" is a song by the Bee Gees, released as a single in May 1975 by RSO Records. This was the lead single from the album Main Course (as well as a song on the 1977 Saturday Night Fever soundtrack). It hit number one on the Billboard Hot 100 and top-five on the UK Singles Chart in the middle of 1975. Largely recognised as the group's comeback song, it was their first US top-10 hit since "How Can You Mend a Broken Heart" (1971).
Barry Gibb re-recorded the song as a duet with country music star Miranda Lambert for his 2021 album Greenfields .
The song was originally called "Drive Talking" in its early stage. The song's rhythm was modelled after the sound their car made crossing the Julia Tuttle Causeway each day from Biscayne Bay to Criteria Studios in Miami. [6]
Recording for "Jive Talkin'" took place on 30 January and 2 February 1975. The scratchy guitar intro was done by Barry and the funky bass line by Maurice. The pulsing synthesiser bass line, which featured in the final recording, was (along with the pioneering work of Stevie Wonder) one of the earliest uses of "synth bass" on a pop recording. It was overdubbed by keyboardist Blue Weaver using a then state-of-the-art ARP 2600, which producer Arif Mardin had brought in for the recording of the Main Course album. [7] Weaver stated, "Usually Maurice would play bass guitar, but he was away from the studio that night. And when Maurice came back, we let him hear it and suggested he re-record the bass line on his bass guitar". "I really liked the synth bass lines", Maurice said. "I overdubbed certain sections to add bass extra emphasis".
"Jive Talkin'" was also influenced by "You're the One" (written by Sly Stone) by Little Sister. [8]
According to Maurice, while hearing this rhythmic sound, "Barry didn't notice that he's going 'Ji-Ji Jive Talkin' ', thinking of the dance, 'You dance with your eyes'...that's all he had...exactly 35 mph...that's what we got." He goes on to say, "We played it to [producer] Arif [Mardin], and he went 'Do you know what "Jive Talkin'" means?' And we said 'Well yeah, it's, ya know, you're dancing.' [...] And he says 'No, it's a black expression for bullshitting.' And we went 'Oh, really?!? Jive talkin', you're telling me lies...' and changed it." Maurice goes on to describe how Arif gave them "the groove, the tempo, everything." Robin Gibb then goes on to mention that, because they were English, they were less self-conscious about going into the "no-go areas", referring to musical styles that were more black in styles, etc. He then said, "We didn't think that there was any 'no go' areas, it's music!" Barry's guitar strumming has a smoother version of Kool and the Gang's signature chicka-chicka and funky Nassau version of KC and the Sunshine Band's Caribbean strumming.[ citation needed ] The song's rhythm riff perhaps resembles the riff from "Shirley & Company's "Shame, Shame, Shame", with a prominent use of the Bo Diddley beat. [9]
After hearing "Jive Talkin'", Lindsey Buckingham of Fleetwood Mac, and co-producer Richard Dashut built up the song "Second Hand News" (released on the band's Rumours in 1977) with four audio tracks of electric guitar and the use of chair percussion to evoke Celtic rock. [10]
Upon its release to radio stations, the single was delivered in a plain white cover, with no immediate indication of what the song's name was or who sang it. The DJs would only find out what the song was and who played it when it was placed on the turntable; RSO did provide the song with a label on the record itself. It was the second time in the band's career that this strategy had been employed to get airplay for their music, after a similar tactic had popularised their debut US single "New York Mining Disaster 1941" in 1967.
Record World said that this "delightful departure from [the BeeGees] time-tested sweet sound is no jive at all." [11]
The original studio version was included on the Saturday Night Fever soundtrack, as it was used in a scene that was cut from the final film. Later pressings of the album used the live version of "Jive Talkin'" from the Bee Gees 1977 album, Here at Last... Bee Gees... Live, due to contractual distribution changes. The CD version restores the use of the studio version.
Credits adapted from the album Main Course . [12]
Weekly charts
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Certifications and sales
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"Jive Talkin'" | ||||
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Single by Boogie Box High | ||||
from the album Outrageous | ||||
B-side | "Rhythm Talkin'" (part 1) | |||
Released | 22 June 1987 [37] | |||
Length |
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Label | SBK | |||
Songwriter(s) | ||||
Producer(s) |
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Boogie Box High singles chronology | ||||
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In 1987, "Jive Talkin'" was covered by Boogie Box High, a musical project of Andros Georgiou's that featured collaborators such as George Michael and Haircut One Hundred's Nick Heyward. Michael sang lead on "Jive Talkin'", although his vocals were uncredited.
7″ single [38]
Chart (1987) | Peak position |
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Australia (Kent Music Report) [39] | 82 |
Belgium (Ultratop 50 Flanders) [38] | 7 |
Netherlands (Dutch Top 40) [40] | 6 |
Netherlands (Single Top 100) [41] | 4 |
New Zealand (Recorded Music NZ) [42] | 38 |
UK Singles (OCC) [43] | 7 |
Chart (1987) | Position |
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Belgium (Ultratop 50 Flanders) [44] | 72 |
Netherlands (Dutch Top 40) [45] | 71 |
Netherlands (Single Top 100) [46] | 74 |
UK Singles (OCC) [47] | 99 |
Saturday Night Fever is the soundtrack album from the 1977 film Saturday Night Fever starring John Travolta. The soundtrack was released on November 15, 1977 by RSO Records. Prior to the release of Thriller by Michael Jackson, Saturday Night Fever was the best-selling album in music history, and still ranks among the best-selling soundtrack albums worldwide, with sales figures of over 40 million copies.
One Night Only is a live album and DVD/Blu-ray by the Bee Gees. It features the group's concert at the MGM Grand in Las Vegas in 1997 and includes many of their greatest hits.
"Nights on Broadway" is a song by the Bee Gees from the Main Course album released in 1975. The second single released from the album, it immediately followed their number-one hit "Jive Talkin'". This track was credited to Barry, Robin and Maurice Gibb.
"Tragedy" is a song released by the Bee Gees, written by Barry, Robin & Maurice Gibb, included on their 1979 album Spirits Having Flown. The single reached number one in the UK in February 1979 and repeated the feat the following month on the US Billboard Hot 100. In 1998, it was covered by British pop group Steps, whose version also reached number one in the UK. In 2024, it was used in the film Beetlejuice Beetlejuice, as well as its trailer.
Main Course is the thirteenth studio album by the Bee Gees, released in 1975 by RSO Records. It was the group's last album to be released by Atlantic Records in the US under its distribution deal with Robert Stigwood. This album marked a great change for the Bee Gees as it was their first album to include mostly R&B, soul and funk-influenced songs, and created the model for their output through the rest of the 1970s. It rejuvenated the group's career and public image, particularly in the US, after the commercial disappointment of their preceding albums. Main Course was the first album to feature keyboardist Blue Weaver who had just left the Strawbs and toured with Mott the Hoople. The album cover with the band's new logo designed by US artist Drew Struzan made its first appearance here.
Children of the World is the fourteenth studio album by the Bee Gees, released in 1976 by RSO Records. The first single, "You Should Be Dancing", went to No. 1 in the US and Canada, and was a top ten hit in numerous other territories. The album was re-issued on CD by Reprise Records and Rhino Records in 2006. This was the first record featuring the Gibb-Galuten-Richardson production team which would have many successful collaborations in the following years.
"You Should Be Dancing" is a song by the Bee Gees, from the album Children of the World, released in 1976. It hit No. 1 for one week on the American Billboard Hot 100, No. 1 for seven weeks on the US Hot Dance Club Play chart, and in September the same year, reached No. 5 on the UK Singles Chart. The song also peaked at No. 4 on the Billboard Soul chart. It was this song that first launched the Bee Gees into disco. It was also the only track from the group to top the dance chart.
"Words" is a song by the Bee Gees, written by Barry, Robin, and Maurice Gibb. The song reached No. 1 in Germany, Canada, Switzerland, and the Netherlands.
"Living Eyes" is a power ballad recorded by the Bee Gees and was released in November 1981 as the second single and title track off the LP of the same name. It was written by Barry, Robin & Maurice Gibb. The sound of this single was closer musically to the rest of the album than its predecessor, "He's a Liar".
"Ordinary Lives" is a song by the Bee Gees from their 16th studio album One, released on 27 March 1989 by Warner Records as the album's first single. It was written by the group and they produced it with Brian Tench. Following the premature death of their younger brother Andy Gibb in 1988, the Bee Gees dedicated this song and their new album to him. Originally the song was titled "Cruel World" but was later changed to "Ordinary Lives". The song reached the top 10 in Switzerland and Germany, and hitting the top 40 in some European countries except France and the UK, where it peaked at number 49 and 54 respectively.
"Paying the Price of Love" is the first single from the Bee Gees' 20th studio album, Size Isn't Everything (1993). The song was released in August 1993 by Polydor, reaching the top-10 in Belgium and Portugal, and the top-40 in Austria, Germany, the Netherlands, Switzerland, and the United Kingdom. In the United States, it charted on the Billboard Hot 100, reaching number 74, and peaked within the top-30 on the Billboard Adult Contemporary chart. The promotional video for the song, directed by Andy Delaney and Monty Whitebloom, shows the brothers performing the song as holograms on a futuristic version of MTV.
"To Love Somebody" is a song written by Barry and Robin Gibb. Produced by Robert Stigwood, it was the second single released by the Bee Gees from their international debut album, Bee Gees 1st, in 1967. The single reached No. 17 in the United States and No. 41 in the United Kingdom. The song's B-side was "Close Another Door". The single was reissued in 1980 on RSO Records with "How Can You Mend a Broken Heart" as its flipside. The song ranked at number 94 on NME magazine's "100 Best Tracks of the Sixties". The entry was a minor hit in France but reached the top 10 in Canada.
"Edge of the Universe" is a rock song by the Bee Gees, written by Barry and Robin Gibb from the album Main Course released in 1975, and also released as a B-side of "Nights on Broadway".
Here at Last... Bee Gees... Live is the first live album by the Bee Gees. It was recorded on December 20, 1976 at the LA Forum and was released in May 1977 by RSO Records. It reached No. 8 in the US, No. 8 in Australia, No. 1 in New Zealand, and No. 2 in Spain.
"He's a Liar" is a song by the Bee Gees, released on 19 September 1981 as the first single from their album Living Eyes. The song was written by brothers Barry, Robin and Maurice Gibb.
"Mr. Natural" is a song by the Bee Gees, written by Barry and Robin Gibb. On 29 March 1974, it was released as a single and also released on the album of the same name in 1974. It was backed with a folk rock number "It Doesn't Matter Much to Me". The group's first single which was produced by Arif Mardin.
"Run to Me" is a song by the Bee Gees, the lead single from the group's album To Whom It May Concern (1972). The song reached the UK Top 10 and the US Top 20.
"Alive" is a ballad recorded by the Bee Gees for their album To Whom It May Concern. It was the second and last single from the album released on 10 November 1972 worldwide. The song was credited to Barry and Maurice Gibb and produced by the Gibbs and their manager Robert Stigwood.
"Boogie Child" is the third hit single from the Bee Gees' 1976 platinum album Children of the World, released in the US in early 1977. The song peaked at no. 12 on the Billboard Hot 100 as an A-side and was then used as the B-side of the single "Children of the World" in the UK. It was the last song recorded by the Bee Gees for their album Children of the World.
"Fanny (Be Tender with My Love)" is a song written and performed by the Bee Gees for their Main Course album in 1975. It was the third single release from the album, peaking at number 12 on the United States Billboard Hot 100 and number two in Canada. According to Maurice Gibb, producer Quincy Jones called "Fanny" one of his favorite R&B songs of all time.
'Jive Talkin'' now continues on from 'Nights on Broadway' as another funk song, but there is no falsetto.
Collecting the best of the Gibb brothers' born-again funk phase (like the itchy "Jive Talkin'") and some authentic dance-floor jams (like the Trammps' blazing "Disco Inferno"), Saturday Night Fever deserves its preeminent status.
..."Jive Talkin'", their 1975 comeback hit, had basically been a rhythm-charged white R&B song...
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