Junto | ||||
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Studio album by | ||||
Released | 25 August 2014 | |||
Length | 52:22 | |||
Label | ||||
Producer | Basement Jaxx | |||
Basement Jaxx chronology | ||||
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Singles from Junto | ||||
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Junto is the seventh studio album by English electronic music duo Basement Jaxx, released in August 2014 by record labels Atlantic Jaxx and PIAS. It is the duo's first full-length album since Zephyr in 2009, and was announced on 19 May 2014. [1] The title is taken from the song "Power to the People". The album sees a departure from the dark tone of their previous album Zephyr .
The album earned mostly positive reviews upon release, holding an aggregate 71 out of 100 on Metacritic. It reached into the top 30 of the UK Albums Chart, among charting in Australia, Belgium, Ireland, Japan, South Korea and on the United States Billboard charts. Junto spawned five singles, which were "Back 2 the Wild", "What a Difference Your Love Makes", "Unicorn", "Never Say Never" and "Galactical", with "Never Say Never" being a topper of the US Hot Dance Club Songs chart.
Simon Ratcliffe claimed that they were going for a positive, bright, uplifting and "sort of hopeful" feel with Junto, departing from the darker tone they had on their previous record Zephyr . He reasoned that:
"We were feeling a bit claustrophobic somehow. We had a break. We did a couple of movie scores and some other things—which was really healthy. We had an orchestral performance of our music in Europe and London. There were solo projects. It was good. In the studios where we recorded Junto, there were windows and a view of the city and sky. We felt a bit energized. The general musical landscape has shifted, and it's come back around to where we were twenty years ago in a way. We felt comfortable in the world so we thought, "Let's just have some fun and make something we can DJ to start". It'd been a while since we were making tracks we actually wanted to play out. That was important. They're tracks our friends can put on at a barbecue. It's feel-good and sunny." [2]
"Power to the People" took two years to make. The track includes backing vocals from audiences at their December 2013 UK Tour. Most of the orchestral instruments were recorded in the beginning of 2014, with the Recycled Orchestra of Cateura, in Paraguay. [3] [4] Basement Jaxx have stated they also tried doing other types of the song, including a funk version and an EDM version. [4]
A music video for "What a Difference Your Love Makes", directed by Damian Weilers, was filmed in the township of Alexandra in Johannesburg, South Africa and involves Pantsula dancers. It was released on 9 August 2013.
"Never Say Never", the fourth track went to number one on the US dance club play chart. [5] The music video, about a twerking robot, was widely received and received over 2 million views in its first week of release. [6]
"Buffalo", the eighth song, initially began as a jungle track, with trap elements later added. In obtaining a vocalist, he contacted The Count & Sinden member Graeme Sinden two weeks before the album was finished. Sinden had emailed vocal parts by Mykki Blanco for him to use in the song. Basement Jaxx claimed Blanco was also supposed to send more vocal stuff to them as well, but he never met the group and "disappeared into the desert." [4]
"Sneakin' Toronto", the tenth track, came from a two-day session with DJ Sneak. [4]
Track twelve, "Mermaid of Salinas" was one of the first songs done for the album. Work on it began circa 2012, [4] when Andrea Terrano, a classical and flamenco guitarist, [2] [3] wrote the melody of the vocal refrain, which he presented to the duo in their old studio. He said that "What he played us was very much like a Latin coffee bar thing" and "decided to give it the Jaxx treatment." When coming up with lyrical themes, they thought of writing them based on a real story: According to Ratcliffe, they used this: "Andrea was in Ibiza on holiday. He had just broken up with someone, and he was feeling a bit blue. He was with Felix and a group of people. He disappeared for a while, and he came back an hour later with this smile on his face. Felix was like, "Where have you been? What have you been up to?" It turned out he had gone paddling in the sea and he got talking to a lady. They were chatting, and they went out further in the sea together. They ended up staying out there and, before they knew it, they were making love in the sea. They came out and said, "Goodbye". That was that! Salinas is a very well-known beach on the island of Ibiza. That's a true story!" [2]
Junto ends with "Love Is At Your Side", a song Ratcliffe wrote for his daughter. He described it as "a song from a father to his daughter" and the vocal melody as "almost country", which singer Sam Brooks "suited it perfectly." [2]
Junto is named after the song "Power to the People". [7] Simon Ratcliffe said the album was titled Junto, because the duo "wanted a title to sum up the spirit of the album, and in English all the words we came up with seemed really kind of dull or insipid." Buxton said that the name "makes people think a bit further and togetherness is about putting yourself 'over there' and seeing how it could be from a different position." [8] Initially, they planned to name the record make.believe, but it was changed after a friend told them that Sony was using those same words (and punctuation) to sell electronics. [9] They also planned to use other titles, including One and Unicorn. [7]
Junto was released on 25 August 2014 by record labels Atlantic Jaxx and PIAS. [10]
In Europe, Junto entered the UK Albums Chart at number 30, and it became Basement Jaxx's seventh top 40 album in the United Kingdom. [11] It also debuted within the top ten of the country's Dance and Independent Albums charts, at number three and seven respectively. [12] [13] In Ireland, it opened at number 65 on the IRMA albums chart, [14] and ten on the Indie chart. [15] It also reached 72 and 105 on the Ultratop Belgian Flanders and Wallonia chart, respectively. [16] In other continents, Junto reached number 168 on the United States Billboard 200, [17] as well as five on the Dance/Electronic Albums chart, [18] 28 on the Independent Albums chart, [19] and four on the Top Heatseekers chart. [20] It was Basement Jaxx's fifth top ten Dance/Electronic albums hit, selling 2,000 units in its first week, according to the Nielsen SoundScan. [21] On the Australian ARIA albums chart, it debuted at number 98, becoming the duo's seventh appearance in the top 100 of the chart, and also reached into the top ten of the dance albums chart at number nine. [22] In Japan, it peaked at number 52 on the Oricon chart. [23]
Aggregate scores | |
---|---|
Source | Rating |
AnyDecentMusic? | 6.5/10 [24] |
Metacritic | 71/100 [25] |
Review scores | |
Source | Rating |
AllMusic | [26] |
Clash | 7/10 [27] |
Drowned in Sound | 7/10 [28] |
The Los Angeles Times | [29] |
Pitchfork | 6.5/10 [30] |
Paste | 8.4/10 [31] |
NME | 7/10 [32] |
PopMatters | 7/10 [33] |
Rolling Stone | [34] |
Slant Magazine | [35] |
Upon release, Junto earned positive response from music critics. As of September 2014, the album holds an aggregate score of 71 out of 100, indicating "generally favorable reviews", based on 27 critics. [25]
In her four-star review for AllMusic, Heather Phares wrote that "Even if Junto isn't quite as brilliant as Basement Jaxx's early EPs or nearly flawless first three albums, it doesn't sound irrelevant or like the duo is chasing after past glories either -- instead, it's some of their most exciting music in quite a while." [26] Randell Roberts of The Los Angeles Times gave it three-and-a-half stars out of four, saying that "It's hard to believe it's been 15 years [since their first album Remedy ], both because [Basement Jaxx] still sound great". [29] Paste Magazine 's Robert Ham, who rated it an 8.4 out of ten, opined that "If they’re trying to replicate the excess that sometimes comes with a night out, they’ve succeeded grandly. For home listening, on the other hand, it feels like overindulgence." [31] Writing for Clash , Matt Oliver gave a score of seven out of ten, praising the world music elements which made "it a classic Jaxx party." He assumed the album would "come in for less fanfare than Basement Jaxx’s hit-laden past – but, for the sake of solidity across the board, it’s okay that this seventh album has no obvious breakout or festival showstopper." [27] In a Popmatters review, Benjamin Aspray gave a verdict that while "Junto isn’t an unqualified success, and might not impress any outer-space musicologists anytime soon", it did "show us Basement Jaxx in transition, trying to paint maximalist strokes from a minimalist palette." [33] Rolling Stone critic Julianne Escobedo Shepherd named it "a refreshing kick box to a dance scene full of mindless trendhopping", and gave it a three-and-a-half-star rating. [34] A seven-out-of-ten review from NME 's Chris Cottingham called the sound "Nothing new, then, but the Jaxx's sound returns re-energised." [32] In his review for The Sydney Morning Herald , Craig Mathieson, awarding it three stars, concluding that "Instead of making an oversized statement after a lengthy absence, Felix Buxton and Simon Ratcliffe have slipped back into their favourite steps." [36] Drowned in Sound's Sean Thomas said that "If you expect anything that deviates from their cemented formula or a radical reinvention, then Junto is not for you. If you are happy to enjoy the ride while it lasts, it is the perfect soundtrack to an Indian summer." [28] Blue Sullivan of Slant Magazine described the record as "a faint but potent reminder of why this group was once so important to the genre, and coupled with their still-impressive ear for hooks, it ultimately makes this time-travelling tour through late-'90s/early-'00s electronica a trip worth taking." [35] In The Guardian 's review, Paul MacInnes called it their "decent return", and opined that "There may not be a standout track here – a Romeo or a Red Alert – and the desire to show their range (almost every track fuses a different style, from dancehall to trap or tropicalia) dilutes the effect of the whole. In each song, though, there'll be a small detail that hints at the skill of Simon Ratcliffe and Felix Buxton as producers." [37]
On the more mixed side, Nate Patrin of Pitchfork Media wrote that "while Junto is at least happy enough to lift spirits, it feels like they've left it to others to reintroduce anarchy to the dancefloor." [30] Katherine McLaughlin, reviewing for The Arts Desk , called it the group's "welcome but underwhelming return", and criticized the "lack of coherence" which "dampens a jumble of good vibrations, making the party atmosphere feel like a distant memory." [38] The A.V. Club's Annie Zaleski concluded his review that "for the most part, Basement Jaxx are coloring within the lines on Junto, which leads to disappointing results." [39] The Line of Best Fit writer John Daniel Bull gave it five out of ten stars, noting that the "Tracks on Junto merge into each other all too often, becoming background melodies when they should be at the forefront of the party." [40] In a State review, Paula Kenny dismissed the record for having "predominately filler with songs that are too long and repetitive", described it as "a greatest hits album without any great hits." [41] James West, who rated it two stars out of five in his article for DIY , said the album "should make for an eclectic, flag-waving affair - but sadly many of its disparate parts blissfully miss the mark." [42] Resident Advisor's Abby Garnett called it "nice indeed, but it may leave you craving something a little stronger." [43]
No. | Title | Composer(s) | Length |
---|---|---|---|
1. | "Intro (Taiko Juntos opening)" |
| 1:16 |
2. | "Power to the People" (featuring Niara) |
| 5:36 |
3. | "Unicorn" |
| 4:10 |
4. | "Never Say Never" (featuring ETML) |
| 4:23 |
5. | "We Are Not Alone" |
| 3:42 |
6. | "What's the News" |
| 4:50 |
7. | "Summer Dem" (featuring Patricia Panther) |
| 3:52 |
8. | "Buffalo" (featuring Mykki Blanco) |
| 2:27 |
9. | "Rock This Road" (featuring Shakka) |
| 3:50 |
10. | "Sneakin' Toronto" |
| 4:13 |
11. | "Something About You" |
| 3:45 |
12. | "Mermaid of Salinas" (featuring Nina Miranda) |
| 5:51 |
13. | "Love Is at Your Side" |
| 4:27 |
No. | Title | Length |
---|---|---|
14. | "Wherever You Go" (featuring Chara) | |
15. | "Oh Dear, I'm Falling in Love with You" (featuring Mademoiselle Yulia) | |
16. | "Back 2 the Wild" (featuring Miss Emma Lee and Baby Chay) | |
17. | "What a Difference Your Love Makes" (featuring Sam Brookes) |
No. | Title | Composer(s) | Length |
---|---|---|---|
14. | "Galactical" (featuring Vula) |
| 3:06 |
15. | "What a Difference Your Love Makes" (featuring Sam Brookes) |
| 5:58 |
16. | "Daddy Makes Boom Boom" |
| 3:26 |
17. | "Never Say Never (Jaxx Extended Mix)" |
| 5:03 |
18. | "House Scene (Edit)" |
| 4:15 |
19. | "Back 2 the Wild (Jaxx Extended Mix)" |
| 9:12 |
20. | "Mermaid of Salinas (Boris Brejcha Remix)" |
| 7:21 |
21. | "Moments in Dub" |
| 3:14 |
22. | "Wherever You Go" |
| 4:35 |
23. | "Back 2 the Wild (Korean Version)" |
| 4:17 |
24. | "Back 2 the Wild (Gorgon City Remix)" |
| 6:20 |
25. | "Never Say Never (GotSome Bring It Back Remix Edit)" (bonus track) |
| 5:05 |
26. | "Junto Album Mix" |
| 56:55 |
Chart (2014) | Peak position |
---|---|
Australian Albums (ARIA) [22] | 98 |
Australian Dance Albums (ARIA) [22] | 9 |
Belgian Albums (Ultratop Flanders) [16] | 72 |
Belgian Albums (Ultratop Wallonia) [45] | 105 |
Irish Albums (IRMA) [14] | 65 |
Irish Independent Albums (IRMA) [15] | 10 |
Japanese Albums (Oricon) [23] | 52 |
South Korean Albums (GAON) [46] | 84 |
South Korean International Albums (GAON) [47] | 17 |
UK Albums (OCC) [48] | 30 |
UK Dance Albums (OCC) [12] | 3 |
UK Independent Albums (OCC) [13] | 7 |
US Billboard 200 [17] | 168 |
US Top Dance/Electronic Albums (Billboard) [18] | 5 |
US Independent Albums (Billboard) [19] | 28 |
US Heatseekers Albums (Billboard) [20] | 4 |
Basement Jaxx are an English electronic music duo consisting of Felix Buxton and Simon Ratcliffe. The pair got their name from the regular club night they held in Brixton, London, UK. They first rose to popularity in the underground house scene of the mid-1990s, but would go on to find international chart success and win Best Dance Act at both the 2002 and 2004 BRIT Awards. Their most successful singles are "Red Alert", "Rendez-Vu", "Romeo", and "Where's Your Head At".
Kish Kash is the third studio album by English electronic music duo Basement Jaxx, released on 20 October 2003 by XL Recordings and Astralwerks. After a lengthy tour which caused them exhaustion and homesickness, they settled in their new studio and wanted to develop a fresh new approach, less reliant on grooves and samples and more focused on songwriting.
Remedy is the debut studio album by English electronic music duo Basement Jaxx, released in May 1999 by record label XL.
Rooty is the second studio album by English electronic music duo Basement Jaxx, released on 25 June 2001.
"Where's Your Head At" is a song by English electronic music duo Basement Jaxx. It was released as the third single from their second album, Rooty, on 19 November 2001. The song is based on samples from Gary Numan's songs "M.E." and "This Wreckage". The song peaked at number nine in Canada and the United Kingdom, number 16 in Australia, and number 39 on the US Billboard Modern Rock Tracks chart, the band's only charting single on a non-dance music chart in the United States. The song ranked at number 83 on Pitchfork Media's list of the "Top 500 Tracks of the 2000s".
Crazy Itch Radio is the fourth studio album by English electronic music duo Basement Jaxx. The album features Linda Lewis and Swedish popstar Robyn among the guest vocalists.
"Oh My Gosh" is a song by British electronic music duo Basement Jaxx. It was released on 14 March 2005 as the lead single from the band's greatest hits album, The Singles. Vula Malinga and rapper Skillah are two vocals contributor in the song.
"Fly Life" is a song by English electronic dance music duo Basement Jaxx from their fourth extended play, EP3, released in 1996. The track was largely based on the 1996 single "Live Your Life with Me", which they produced for vocalist Corrina Joseph, their collaborator since 1995 in order to make "proper songs".
"Red Alert" is a song by English electronic music duo Basement Jaxx. It was released on 19 April 1999 by record label XL as the first single from their debut album, Remedy (1999). The vocals from the track were provided by Blu James. It reached number five on the UK Singles Chart and became their first number-one hit on the US Billboard Hot Dance Music/Club Play chart. As of September 2023, the single has sold and streamed 600,000 units in the United Kingdom, allowing it to receive a platinum certification from the British Phonographic Industry (BPI).
"Good Luck" is a song by British electronic music duo Basement Jaxx featuring vocals from Lisa Kekaula of American band the Bellrays. It was released on 5 January 2004 as the second single from their third studio album, Kish Kash, and reached number 12 on the UK Singles Chart, number two on the US Hot Dance Club Play, and number 22 on the Australian ARIA Singles Chart. The song was nominated in the Best Dance Recording category at the 47th Grammy Awards.
Scars is the fifth studio album by English electronic music duo Basement Jaxx. It was released in September 2009 by record labels XL, Ultra and Interscope. Three singles were released from the album: "Raindrops", "Feelings Gone" and "My Turn".
"Bingo Bango" is a song written and recorded by English electronic music duo Basement Jaxx for their debut album, Remedy (1999). The track, which contains a sample of Bolivar's "Merengue" and as a result, Jose Ibata and Rolando Ibata are credited as songwriters, combined dance music with various elements of Latin music. It was released by XL Recordings as the album's fourth single on 27 March 2000, and later became the duo's third No. 1 song on the Billboard Dance Club Play chart. The song also peaked at No. 6 in Iceland and No. 13 in the United Kingdom.
Zephyr is the sixth studio album by English electronic music duo Basement Jaxx, released on 7 December 2009 through XL Recordings internationally. A departure from their prior work, it was described as chill-out music. Zephyr was originally intended to be a double album with Scars, released in September 2009, but each was ultimately issued separately. The album missed most major music charts, but did appear at number 12 on the UK Dance Albums Chart.
"Plug It In" is a song by British electronic music duo Basement Jaxx featuring American singer JC Chasez, formerly of NSYNC. It was released on 29 March 2004 as the third single from their album third studio album, Kish Kash (2003), and debuted at its peak of number 22 in the United Kingdom the following month. The song also charted in Australia and Ireland, reaching numbers 43 and 45 respectively. There are various versions of the song, including a radio edit which was featured on the duo's first greatest-hits album, The Singles (2005).
"Romeo" is a song by English electronic music duo Basement Jaxx, released as the first single from their second studio album, Rooty (2001). British R&B singer Kele Le Roc provides the track's lead vocals while Corryne Dwyer sings the background vocals. The song was released on 4 June 2001 as the first single from the studio album.
Basement Jaxx vs. Metropole Orkest is a collaborative album by English electronic music duo Basement Jaxx and Dutch orchestra Metropole Orkest. The album features of older Basement Jaxx tracks rearranged for an orchestra with participated vocals from Vula Malinga, Sharlene Hector, Brendan Reilly, Oli Savill and Lisa Kekaula.
"Never Say Never" is a song written, performed and produced by British electronic music duo Basement Jaxx. Featuring vocals from Elliot Marshall, it was written by Simon Ratcliffe, Felix Buxton and Marshall. A soulful disco, house, R&B pop song, it was compared to the works of artists including Calvin Harris, SBTRKT, Womack & Womack and Gavin DeGraw, and labels such as Ministry of Sound and West End Records. The song was well received by critics, with praise going towards the group's roots that never made the sound too dated.
"Hush Boy" is a song by English electronic music duo Basement Jaxx. It was released in August 2006 by record label XL as the first single from their fourth studio album, Crazy Itch Radio (2006). It reached number 27 on the UK Singles Chart and number 39 in Australia.
"U Don't Know Me" is a song written and produced by English electronic music duo Basement Jaxx. The Bellrays' lead singer Lisa Kekaula, who has previously appeared on Basement Jaxx's 2004 single "Good Luck", also co-wrote and contributed the song's main vocal. "U Don't Know Me" was described as a rock song with "kiss-off" lyrics that were similar to "Good Luck". On 13 June 2005 XL released the track as the second single from their greatest hits album The Singles. Later editions of the compilation replaced the album version with the "JaxxHouz Radio edit" which was also featured in the song's video.
"Hey U" is a song recorded by the English electronic music duo Basement Jaxx for their fourth studio album, Crazy Itch Radio (2006). An extended play featuring remixes of the song was released in March 2007 under XL Recordings, as the third promotional release from the album. It did not chart. The song features vocals from the Swedish pop singer Robyn.
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