Kaushiki Chakraborty

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Kaushiki Chakraborty
Kaushiki Chakrabarty 2013 (sq cropped).JPG
Performing at the Sawai Gandharva Bhimsen Mahotsav, Pune in 2013.
Background information
Born (1980-10-24) 24 October 1980 (age 44)
Origin Kolkata, India
Genres Hindustani classical music
OccupationHindustani Classical Vocalist
SpouseParthasarathi Desikan (m.2004)

Kaushiki Desikan Chakraborty (born 24 October 1980) is an Indian classical vocalist of the Patiala gharana. Her repertoire covers pure classical, Khyals, Dadras, Thumris, Bhajans and several other forms of Indian music. She is the recipient of 2005 BBC Radio 3 Awards for World Music in the Asia-Pacific category. She is the daughter of noted hindustani classical vocalist, Ajoy Chakraborty. Kaushiki is also a trained Carnatic classical vocalist.

Contents

Early life

Kaushiki was born on 24 October 1980 in Kolkata. She is the daughter of Chandana Chakraborty and the Padma Bhushan recipient Indian classical singer, Ajoy Chakraborty. She had an interest in music from the age of two. She accompanied her father on world tours of music performances since the late 1980s. She sang her first song in public, a tarana , at age 7, at the Calcutta Rowing Club. [1]

At age ten, she started learning Indian classical music at the academy of Jnan Prakash Ghosh who was also her father's guru. Later, she joined the ITC Sangeet Research Academy from where she graduated in 2004, [2] [3] [4] and was also groomed by her father at his Shrutinandan school of music in Kolkata. She has not only specialized in rendering of Khyals and Thumri but she has also learned Carnatic music from Vidwan Balamurali Krishna from 2002. [3] [4]

She completed her schooling at Patha Bhavan School, Kolkata. In 2002, she graduated from the Jogamaya Devi College, an affiliated undergraduate women's college of the University of Calcutta, in Kolkata with a first class degree in Philosophy. She also obtained a master's degree in philosophy from Jadavpur University, Kolkata. [5] [6]

Career

Chakraborty has participated in many major concerts. Apart from rendering Khyals in her performances, she has occasionally adopted contemporary form of Indian pop music. [7] She performed at the Dover Lane Music Conference from the age of 20 and continued participating for the next 5 years. In her recitals, she presents a mature and rhythmical swing succeeded by unrestrained taans in three and-a-half octaves. [5]

In the two-day celebration in honour of vocalist Kishori Amonkar in recognition of her 60 years contribution to music held at Pune on 14 February 2011, Chakraborty rendered raga Todi . Two other artists, Kalapini Komkali, daughter and disciple of Pt. Kumar Gandharva and Nandini Bedekar of the Jaipur-Atrauli gharana, also rendered bandishes in the same raga at the same venue during the morning session. Bharat Kamat on the tabla and Suyog Kundalkar on the harmonium provided support to all three artists. [8] In the unique musical sessions organized by Mumbai's National Centre for the Performing Arts (NCPA), ragas in different time-cycles were presented on 18 September 2011 by three vocalists which included Kaushiki Chakraborty, Ulhas Kashalkar, and Devaki Pandit. This rendering was a departure from the normal evening concerts, and the ragas were sung in time periods appropriate to each raga, starting from early morning till evening. [9]

In the early stages of her career, in August 2003, Chakraborty gave a live performance in London which was released as the record "Pure". Her father had accompanied her on harmonium on this occasion. [7] She also performed at the ITC Sangeet Sammelan in India, the Spring Festival of Music (California), Sawai Gandharva Bhimsen Sangeet Mahotsav and Parampara Program (Los Angeles). [10] She has been acclaimed as "torchbearer of the Patiala tradition" for her musical performances. [11]

Talk show

Chakraborty hosts a weekly talk-show with singers in the entertainment channel, Ruposhi Bangla. The talk-show named "Gaan-Golpo ar Gaan" (Songs, Stories and Songs), aired on Sundays, presents music and gossip. She presents Bengali songs such as Classical, Rabindra Sangeet, Nazrulgeeti, Folk music, Toppa, Adhunik, Bangla Bands, film songs, and remixes. Her guests who have appeared on this show are Banasree Sengupta, Subhamita Banerjee, Lopamudra Mitra, Joy Sarkar, her father, Ajoy Chakraborty, as the guests. [12]

Musical group

Chakraborty has formed an exclusive women's musical group called the "Sakhi" (meaning, friend) which is a forerunner in classical music in the country to "celebrate womanhood" and as a dedication to the famous mythological and historical woman of India – Ganga, Saraswati, Durga, Lakshmi, Draupadi, Kunti, Sita, Radha and Meera. The first programme of the group was planned to be held on 20 January 2015 at Kala Mandir, Mumbai. Chakraborty was the vocalist and the other members of this group were Shaoni Talwalkar on the tabla, Mahima Upadhyay on the pakhwaj, Debopriya Chatterjee on the flute, Nandini Shankar on the violin while the Kathak dance performance was by Bhakti Deshpande. They are daughters or grand daughters or disciples of famous Hindustani musicians. [13] Chakraborty presented this musical ensemble with her group at the Carnegie Hall in October 2015; the programme was of 90 minutes duration. [2]

Awards and recognitions

Chakraborty has been the recipient of many awards. She received the Jadu Bhatta award in 1995, favourably mentioned and appreciated after her opening song at the 27th annual ITC Sangeet Sammelan in New Delhi in 1998, and received Outstanding Young Person in 2000. She received the BBC Award (2005) for outstanding achievement in music when she was 25 years old. On receiving this award she was praised "as one of the brightest emerging artists in Indian vocal music" and as critic Ken Hunt said "we are talking superlatives". [7] [5] [3] BBC also made a short film featuring her musical journey – which covered people and places linked with her music. [5] She has also received Sangeet Natak Academy's Ustad Bismillah Khan Puraskar 2010 for Hindustani Vocal Music, [14] and the 2013 Aditya Birla Kalakiran Puraskar. [2] she has also received "Shera Bangali Samman 2017" by ABP ANANDA

Personal life

Kaushiki married Parthasarathi Desikan, also a hindustani classical vocalist, in 2004 and they have a son, Rishith. [11]

Performances

Chakraborty's discography includes "Footsteps," a solo debut in 1998, and "A Journey Begins" (2002). Her album "Pure" in 2004 was a record of her performance in London on 30 August 2003. [3] She has also sung a kirtan at MTV Coke Studio – Season 2 – song name – Lagi Lagi with Shantanu Moitra & Swanand Kirkire. [10] Her other popular song recordings are for movies Water , Thirumanam Enum Nikkah (2014) and Kutti Puli (2013). [15] Rituparno Ghosh had asked her father to permit Chakraborty to act in his films but he refused saying that it would interfere with her musical career.

However, she appeared in only one song sequence in the film Chitrangada which she sang herself. She has sung songs for movies, such as her first song for the film Chaplin, Teen Kanya, a Hindi song Rahoon tere peechhey for Paanch Adhyay, Gulaab Gang. About her performances she says: "But I never try to act like a 60-year-old because I’m not that. Superimposed seriousness would just be a thing of pretense, not me. I like to sit on stage and chat with my audience, not close my eyes and alienate myself." [1]

Recordings

Chakraborty has released her album titled "The Best of Kaushiki Chakraborty." [16] Some of her other classical audio recordings are: Dhrupad Alap in Poorvi raga, Dhrupad in Poorvi raga, Khayal in Bageshree raga (in teen taal), Khayal in Bageshree raga (in ektaal), and Varnam in Swarashtram raga. [17]

Movies

YearSongFilmCo-SingerComposerLyricist
2022Keno Rong Dile Mohey Bismillah NoneIndraadip Dasgupta Srijato
2020Teri Arzoo Mein Shikara PaponSandesh ShandilyaIrshad Kamil
2018Naanaagiya Nadhimoolamae (Tamil)/Tu Srotu Hai (Hindi) Vishwaroopam II Kamal Haasan, Master Karthik Suresh Iyer Ghibran Kamal Haasan (Tamil)/Prasoon Joshi (Hindi)
Ruthey Naina Ek Je Chhilo Raja NoneIndraadip DasguptaSrijato
2017Bharoto Bhagyo Bidhata Rajkahini Kabir Suman, Rupankar Bagchi, Lopamudra MitraRabindranath TagoreRabindranath Tagore
2015Kichu Kichu KothaLoraiArijit Singh Indradeep Dasgupta Prasen and Srijato
2014Thuli Thuliyay Ramanujan Ramesh Vinayakam Ramesh Vinayakam Na. Muthukumar
Jaa Urey Hrid Majharey NoneMayookh Bhaumik Kaushik Ganguly
Dheemi Dheemi Si Gulaab Gang Malabika Brahma Soumik Sen and Sadhu Sushil Tiwari Neha Saraf
Ankhiyaan Gulaab Gang None Soumik Sen and Sadhu Sushil Tiwari Neha Saraf
Rang Si Hui Gulaab Gang None Soumik Sen and Sadhu Sushil Tiwari Neha Saraf
2013Basonar Gaan Goynar Baksho None Rabindranath Tagore / Debojyoti Mishra Rabindranath Tagore / Debojyoti Mishra
Chillendra Chillendra Thirumanam Ennum Nikkah Sundar Narayana Rao Ghibran Kaathal Mathi, Munna Shauqat Ali
Hridoy Aamar Nache Re Shunyo Awnko None Rabindranath Tagore Rabindranath Tagore
Aloy Alokmoy Kore Shunyo Awnko None Rabindranath Tagore Rabindranath Tagore
Emoni Barasha Chhilo Sedin Shunyo Awnko None Kamal Dasgupta Pranab Roy
Rabso Neha Laage (Bilaval Bandish) Shunyo Awnko Ajoy Chakraborty Gautam Ghose Gautam Ghose
2012Bhalobashi Teen Kanya None Indradeep Dasgupta Srijato
Rahoon Tere Peechhe Peechhe Paanch Adhyay None Shantanu Moitra Swanand Kirkire
Bodhu kon alo laglo chokhe Chitrangada: The Crowning Wish None Rabindranath Tagore Rabindranath Tagore
2011Paata Jhora BrishtiChaplin Shaan Indradeep Dasgupta Srijato
Phire Ja Re Mon Ja Jaani Dyakha Hawbe None Indradeep Dasgupta Srijato
2005Vaishnava Jana To Water Ajoy Chakraborty A. R. Rahman (Arranger)Poet-Saint Narsinh Mehta

Albums

Related Research Articles

Khyal or Khayal is a major form of Hindustani classical music in the Indian subcontinent. Its name comes from a Persian/Arabic word meaning "imagination". Khyal is associated with romantic poetry, and allows the performer greater freedom of expression than dhrupad and is sung with the tabla instead of the pakhavaj. In khyal, ragas are extensively ornamented, and the style calls for more technical virtuosity.

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References

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