Leroy Griffith | |
---|---|
![]() Griffith, with Britt Ekland in 1967, during the filming of The Night They Raided Minsky's | |
Born | Poplar Bluff, Missouri, U.S. | March 26, 1932
Occupations |
|
Years active | 1949–present |
Known for | Stage shows (Hello Burlesque, This Was Burlesque, etc.); chief executive officer of Club Madonna |
Spouse | Joy Hodges Maci (div.) Juanita Gilreath (div.) Linda Rivera (m. 1989) |
Children | 5 |
Military career | |
Allegiance | ![]() |
Service/ | ![]() |
Rank | First lieutenant |
Leroy Charles Griffith (born March 26, 1932) is an American theater and nightclub proprietor, former Broadway theater producer, and film producer. In a career spanning 75 years, he has owned, leased, or operated more than 70 stage and cinematic theaters across the United States, dating from the burlesque era of the 1950s to the present day. [1]
During burlesque's heyday, Griffith was a prolific producer of live stage shows featuring showgirls, strippers, comedians, and other stars of the era. After burlesque's decline, he made the crossover to exhibiting adult films and operating adult nightclubs, notably past and present Miami-area clubs such as Club Madonna, Deja Vu, and Wonderland.
His business endeavors in the adult entertainment industry have, for decades, put him at odds with restrictive municipalities, and he has taken legal action, often successfully, to defend his constitutional rights and be able to operate his establishments.
Griffith was born in Poplar Bluff, Missouri, to Floyd Roy and Stella Duncan Griffith. His father was a theater owner. The younger Griffith began as a projectionist, cashier, and usher at a local theater in his hometown.
At 17, he left for St. Louis and a job working concessions at the Grand Burlesque Theatre for East Coast-based theater concessions magnate Oscar Markovich (1895-1982). At the Grand, Griffith started as a "candy butcher," hawking candy and trinkets to audiences before and during intermission. [2] "In those days," Griffith recalled in a 1993 interview, "they had probably 30 people in the cast, a chorus line, an orchestra, two comics, a singer, a vaudeville act, and then five exotic dancers. It was a good show." [3]
Griffith discovered that any profit to be made was not from the show itself but from the concession stand: "That's where I was. In between acts, the pitchman would sell prize packages, candy, stuff like that. Concessions was where the real money was, just like it is with regular movies today." [3] After working his way up to concessions manager, Griffith began accruing money for higher ambitions.
A June 1955 Billboard magazine column noted that the 23-year-old "Leroy Griffith, concession manager at the Folly, Kansas City, Mo., is now the owner of the Missouri Coffee Shop with an enlarged dining room and a new air-conditioned system." [4]
In 1955, Griffith began service with the U.S. Army in Hot Springs, Arkansas. While stationed at Elmendorf Air Force Base in Anchorage, Alaska, he worked with Bob Hope's USO show (featuring Jerry Colonna, Mickey Mantle, and Ginger Rogers, among others) when Hope was on tour there in December 1956.
After discharge from the military, Griffith acquired his first theater, the Star, in Portland, Ore. After a limited operation of a Kansas City, Mo., restaurant and another period of short-term employment with Markovich, he opened a theater in Detroit. He was in his mid-twenties.
According to a 1959 Billboard article, Griffith was described as one of the "brigade of regulars" employed by the popular King Reid Shows, a carnival that traveled the New England and Canada circuit. Griffith managed the carnival's "Club 17," which featured burlesque shows. [5]
Identifying "legitimate" theaters that were going out of business, Griffith began acquiring them. "These places would go under," he said in a 1993 interview, "and I'd go in and take over and make them successful with an adult policy." [3] He soon acquired theaters throughout the United States.
Griffith was co-operator of Toledo's Town Hall Theater with "Queen of Burlesque" Rose La Rose (1916-1972), a nationally-renowned stripper who, having shrewdly saved and invested her earnings, retired in 1958, settled in Toledo, and purchased the Town Hall and, eventually, another local theater. She was one of the rare and earliest women on the burlesque circuit to evolve from performer to independent business owner.
On a visit to Miami Beach in 1961, Griffith noticed the Paris Theater was for sale. He leased it, then bought it, originally staging burlesque, including featuring headliners such as Tempest Storm and Blaze Starr. But back in the early '60s, Griffith didn't call it "burlesque"; doing so would have been against local law.
"You couldn't even use the word," he recalled in a 1993 interview. "I had one big stage show called 'The Top Stars of Burlesque,' with Blaze Starr and all these people. I told the city, 'It's not burlesque. It's the top stars of burlesque. There's no law against the people of burlesque.' The city decided they'd fix me by charging me $1,000 for a special license to do the show. I said fine. I was going to have to pay $1,600 for a regular permit anyway." [3]
In February 1963, Griffith appeared before the Miami Beach city council to plead for live stage burlesque to "liven up a dead town." [7]
Griffith continued to open new venues throughout South Florida, from Broward County in the north to Key West in the south. In addition to bringing in live acts, he began showing movies. He also began producing films and exhibiting them in his theaters.
Griffith added the Gaiety on Collins Avenue in Miami Beach to his theater chain in July 1964. [8]
A young Mickey Rourke once worked for Griffith as a cashier and projectionist at one of his Miami Beach theaters. [3]
Griffith – once a guest aboard Donald Trump 's private helicopter long before Trump became president – hired Trump's one-time sex partner and adult film star Stormy Daniels for a two-night appearance at Club Madonna in 2018, during her “Make America Horny Again” tour. "I got her at the right price," Griffith told a local newspaper. [9]
Griffith produced Bell, Bare and Beautiful (1963), Lullaby of Bareland (1964), Mundo depravados (1967), and My Third Wife, George (1968). [10]
Griffith played brief cameo parts in some of his films. His recollections of the burlesque era are featured in Leslie Zemeckis's 2010 documentary, Behind the Burly Q . [11]
Interior theater sequences in the 1968 film The Night They Raided Minsky's were shot in his Manhattan theater, the Gayety (now the Village East Cinema). [12]
This Was Burlesque, a revue conceived by and starring burlesque star Ann Corio, was staged for 124 performances at Griffith's Hudson Theater on Broadway during the 1964–65 season. It went on to tour across the U.S. in various forms over the next two decades. [13]
Griffith also produced Hello Burlesque, a 1965 live stage show featuring showgirl Julie Taylor, "Miss Sex 5th Avenue".
He directed and co-produced The Wonderful World of Burlesque, an off-Broadway show that ran for 211 performances at the Mayfair Theater, from May to June 1965. [14]
Theaters he has owned and operated, been an ownership partner in, leased, and/or managed include these:
Note: Click the "sort" icon at the head of each column to view data in alphabetical order.
State | City | Name of theater | Other names known by | Summary |
---|---|---|---|---|
Florida | Fort Lauderdale | Adam and Eve | ||
Florida | Hialeah | Atlas Twin | Village | Formerly located at 1446 W. 49th Street. [15] [16] |
Florida | Hollywood | Pussycat Cine Twin | Cine 1 & 2 | Formerly located at 2315 N. State Road 7. [17] [18] |
Florida | Jacksonville | Little | Harold K. Smith Playhouse | Located at 2032 San Marco Boulevard. [19] [20] Its landlord, Griffith said in a 1993 interview, "was the county sheriff" at the time. |
Florida | Jacksonville Beach | Beach | Formerly located at the corner of First Street and Third Avenue North. [21] [22] | |
Florida | Key West | Monroe | Formerly located at 623 Duval Street. [23] [24] | |
Florida | Miami | 79th Street Twin II Cinema | 79th St. Art •Bard •Little River | Formerly located at 137 NE 79th Street. [25] [26] |
Florida | Miami | Boulevard | Black Gold •Club Madonna II •Gold Rush Cabaret •Kitty Cat •Pussycat •Pussycat II •Shadows •Tomcat •Wonderland | Located at 7770 Biscayne Boulevard. Has variously served as a strip club, night club, and adult theater. [27] [28] Bought by Griffith for $165,000 in 1970 and renamed the Pussycat, he created three different theaters within: the Pussycat, the center theater, was a 900-seat theater that showed adult films including Deep Throat ; the Kitty Cat featured female performers; and the Tomcat featured male performers.![]() |
Florida | Miami | Dixie | Rio | Formerly located at 222 NE First Avenue in downtown Miami. Renamed the Rio in 1965. [29] [30] |
Florida | Miami | Paramount | Fairfax | Formerly located at 257 East Flagler Street in downtown Miami. [31] [32] ![]() |
Florida | Miami | Rex Art | King Art Cinema •Rosetta •Second Ave. Art | Located at 7929 NE Second Avenue. First opened as the Rosetta. [33] [34] |
Florida | Miami | Town | Formerly located at 265 East Flagler Street. [35] [36] | |
Florida | Miami Beach | 21st Street Adult | Fine Arts | Formerly located at 2039 Collins Avenue, at the corner of 21st Street. [37] [38] |
Florida | Miami Beach | Beach | Formerly located at 420 Lincoln Road. [39] [40] | |
Florida | Miami Beach | Cameo | Located at 1445 Washington Avenue. [41] [42] It is a nightclub today. | |
Florida | Miami Beach | Carib | Formerly located at 230 Lincoln Road. [43] [44] "I used to do [benefit] shows at the Carib, which seated over 2,000 people," Griffith said in a 1993 interview, "and donated the theater, staff, advertising, and helped get talent. This all went to the widows and orphans of the firemen and the policemen." [3] ![]() | |
Florida | Miami Beach | Flamingo | Located at 320 Lincoln Road. [45] [46] Converted into a present-day nightclub. | |
Florida | Miami Beach | Gayety Burlesque | Deja Vu •Fine Arts •Miami Beach Playhouse •SoBe Showgirls | Formerly located at 2004 Collins Avenue. |
Florida | Miami Beach | Paris | Paris Follies •Paris Moderne •Variety | Formerly located at 550 Washington Avenue. [47] [48] Griffith's first acquisition upon settling in South Florida in 1961. He originally leased it, then bought it, and staged burlesque there, under the name Paris Follies. Featured acts included Tempest Storm. He sold it in 1986, then bought it back after its owners failed with the nightclub Paris Moderne, and later sold it again. [3] The Art Deco building's interior has been transformed into an upscale restaurant. |
Florida | Miami Beach | Plaza Art | Formerly located at 1265 Washington Avenue. [49] [50] | |
Florida | Miami Beach | Roxy | Club Madonna | Located at 1527 Washington Avenue. [51] [52] Griffith generated publicity there when, in 1967, he publicly invited city officials to a screening of the film, Man and Wife. "It was advertised as the art of making love 49 different ways," he said in a 1993 interview. "I don't remember inviting them, but I vaguely remember the incident. I think that was the first hard-core movie ever shown down here." [3] According to press accounts at the time, the officials seemed to think the movie was boring, but not obscene. [3] In 1994, Griffith converted the Roxy from an adult movie theater to an all-nude strip club (Club Madonna), which it remains today. Griffith successfully withstood an attempt by attorneys for the pop singer Madonna to prevent him from using the name. [53] ![]() |
Florida | Orlando | Luv | Located at 355 N. Orange Avenue. | |
Florida | Tampa | Casino | Casino Follies | Located at 1536 7th Avenue in Tampa's Ybor City section. Closed in the 1970s, then was renovated and reopened c. 2000. It is home today to the Tampa Improv Comedy Club. [54] [55] |
Florida | Tampa | Ritz | Masquerade •Rivoli | Located at 1503 E. 7th Avenue in Tampa's Ybor City section. Opened as the Rivoli; expanded in the 1930s as the Ritz and showed movies until 1982. Reopened in 2008 and is used for concerts and special events. [56] [57] ![]() ![]() |
Florida | Warrington | Navy Point | Formerly located on Sunset Avenue. Opened after World War II for the entertainment of military families stationed in the Pensacola area. [58] [59] | |
Illinois | Chicago | Follies | Gem •London Dime Museum | Located at 450 S. State Street. [60] [61] |
Illinois | Chicago | Minsky's Rialto | Downtown •Loop End | Formerly located at 336 S. State Street, two blocks from the Gayety. Opened as a venue for vaudeville and movies, it was a burlesque house by the 1930s and closed in 1953. It is the site today of Pritzker Park. [62] [63] |
Indiana | Fort Wayne | Little | Capitol •Little Cinema | Formerly at Berry Street and Harrison Street. [64] |
Indiana | Indianapolis | Ritz | Middle Earth •Northside | Located at 3422 / 3430 N. Illinois Street. Considered one of the leading movie houses in the city. Burlesque took over in 1962. Known as the Northside from 1958 to 1970. Remodeled, it became a rock concert venue and resumed its former name, but closed in 1972. [65] [66] [67] |
Louisiana | New Orleans | Carrollton | Located at 4710 S. Carrollton Avenue. A classic Art Deco-style theater, it suffered water damage during Hurricane Katrina in 2005 but has since been refurbished as a banquet hall. [68] [69] | |
Louisiana | New Orleans | Cine Royale | Center •Wonderland | Located at 912 Canal Street. It became an adult theater after 1975. [70] [71] |
Louisiana | New Orleans | Sinerama | Cinerama Adult •Martin Cinerama •Mike Todd's Cinerama •Pussycat •Trans-Lux Cinerama | Formerly located at 3615 Tulane Avenue. Under Griffith's management, it was known as the Pussycat and Sinerama. [72] [73] |
Maryland | Baltimore | Gayety | Formerly located at 405 E. Baltimore Street. [74] [75] ![]() | |
Maryland | Baltimore | Paris | ||
Michigan | Detroit | Garden | Peek-A-Rama •Sassy Cat | Located at 3929 Woodward Avenue. A century after its opening, it was undergoing an estimated $14 million makeover. [76] [77] [78] |
Michigan | Detroit | National | Gayety •Palace | Located at 118 Monroe Street. Has fallen into disrepair. [79] [80] ![]() |
Michigan | Flint | Michigan | Located at 1614 S. Saginaw Street. [81] [82] | |
Missouri | Kansas City | Folly | Century •Folly Burlesque •Shubert's Missouri •Standard | Located at 300 W. 12th Street. [83] [84] Following a renovation in the 1980s, it remains in use today. Was placed on the National Register of Historic Places in 1974.![]() |
Missouri | Kansas City | Strand | Located at 3544 Troost Avenue. Oldest still-operating theater in Kansas City. Began showing adult movies in the '70s. [85] [86] | |
New Jersey | Newark | Luxor | Luxor Follies | Formerly located at 264 Market Street. [87] [88] |
New Jersey | Newark | Treat | Cameo Twin Cinema XXX | Located at 68 Orange Street. [89] [90] |
New York | New York City | Gayety | Village East Cinema •12th Street Cinemas •Casino East •Century •Eden •Entermedia •Louis N. Jaffe Art •Molly Picon's Yiddish Folk •Phoenix •Second Avenue •Stuyvesant •Yiddish Art | Located at 181 Second Avenue, in Manhattan. Theater sequences for the 1968 film The Night They Raided Minsky's were shot here. [91] ![]() |
New York | New York City | Hudson | Avon-on-the-Hudson •Hudson Burlesk •Savoy | Located at 141 W. 44th Street in midtown Manhattan. A former Broadway theater, now a conference center and special event venue. In 1954 it became home to the original version of The Tonight Show with host Steve Allen. [92] [93] ![]() |
New York | New York City | Mayfair Burlesque | Billy Rose's Diamond Horseshoe | Located at 235 West 46th Street. It was a theater in the basement of the Paramount Hotel. From 1938 to 1951, theatrical impresario and song writer Billy Rose operated his Diamond Horseshoe nightclub there. |
New York | New York City | Metropolitan | 14th Street •Arrow •"The Met" | Formerly located at 241 East 14th Street. [94] [95] |
New York | New York City | Shore | Loew's Coney Island | Located at 1301 Surf Avenue in Coney Island, Brooklyn. [96] [97] ![]() |
New York | Syracuse | Civic | Adam and Eve •Civic Follies •Ritz •Syracuse •System •Top | Formerly located at 527 S. Salina Street. [98] [99] |
North Carolina | Charlotte | Astor | Neighborhood | Located at 511 E. 36th Street. Called "The Carolina’s Most Unusual Theater" in newspaper ads in the '60s, it was restored in recent years and today (as the Neighborhood) features bands and musicians. [100] [101] |
North Carolina | Charlotte | Climax I and II | ||
North Carolina | Charlotte | Ritz | Formerly located at 1201 Beatties Ford Road. [102] [103] | |
Ohio | Cincinnati | Gayety | Empress •Gayety Burlesk | A Vine Street theater that opened as the Empress and became the Gayety in 1922. Its demolition made way for a main library. [104] [105] |
Ohio | Cincinnati | Imperial | Imperial Follies | Located at 282 McMicken Avenue. Presented adult films and later, in the '60s, live burlesque shows. [106] [107] |
Ohio | Cleveland | University | Circus Maximus •PAT (Performing Arts Theater) •Scrump-Dee-Dump-Dee | Formerly located at 10606 Euclid Avenue. [108] [109] |
Ohio | Columbus | Little Art | Olentangy •Piccadilly •World | Located at 2523 N. High Street, it opened in the silent picture era as The Piccadilly. An adult movie theater from the '50s to its demolition. [110] [111] |
Ohio | Columbus | Livingston | Gayety | Located at 1567 East Livingston Avenue. As of late 2012, there were plans to renovate it. [112] |
Ohio | Columbus | Parsons | Parsons Follies | Located at 1293 S. Parsons Avenue. [113] [114] |
Ohio | Geneva-on-the-Lake, Ohio | State | Lyceum | |
Ohio | Steubenville | Ohio | Located on Market Street. [115] | |
Ohio | Toledo | Gayety | Gayety Burlesk •Guild •Hollywood Burlesk •Strand | Located at 322 N. Summit Street. [116] [117] |
Ohio | Toledo | Town Hall | Formerly located at Orange and St. Clair Streets. [118] Griffith operated this with retired performer Rose La Rose. | |
Ohio | Youngstown | Strand | Formerly located in Central Square. Closed as a movie house in the 1950s, then reopened featuring live burlesque and adult movies. [119] [120] | |
Oregon | Portland | Capitol | Blue Mouse | Located at 626 SW 4th Street. Renamed the Blue Mouse in 1958. Famous stripper Tempest Storm co-owned and operated the Capitol in the 1950s. [121] [122] [123] [124] |
Oregon | Portland | Star | Princess •Star Burlesk | Located at 13 NW 6th Avenue. Opened as the Princess, screening silent movies. Became the Star Burlesk in 1939, presenting burlesque shows. Refurbished, it remains in operation today. [125] [126] ![]() |
Pennsylvania | Philadelphia | Aardvark | Cayuga | Formerly located at 4371 Germantown Avenue. Opened as the Cayuga. [127] [128] [129] |
Pennsylvania | Philadelphia | Howard | Howard Follies | Located at 2614 N. Front Street. In the early '60s, it operated with an adults-only policy and advertised as the Howard Follies. [130] [131] |
Pennsylvania | Philadelphia | Trocadero | The Troc •Arch Street Opera House •Park Theater | Located at 1003 Arch Street. [132] [133] ![]() |
Pennsylvania | Pittsburgh | Cameraphone | Located at 6202 Penn Avenue. [134] [135] | |
Tennessee | Chattanooga | Capitol | Formerly located at 528 Market Street. [136] [137] | |
Washington | Seattle | Rivoli | Old Seattle •Tivoli | Formerly located at First Avenue and Madison Street. Opened as a burlesque theater featuring, among others, Sophie Tucker and Belle Baker. It later presented legit stage theater, then adult movies before its demolition. [138] [139] |
Wisconsin | Superior | Tower | People's •Tower Arts | Formerly located at 1018 Tower Ave. [140] [141] |
Washington, D.C. | Central | Gayety •Gayety Burlesque •Imperial •Moore's Garden Theatre | Formerly located at 425-433 9th Street NW. [142] [143] Opened as The Imperial. Renamed Moore’s Garden Theatre in 1913. Renamed The Central in 1922. Renamed by Griffith as the Gayety Burlesque; presented live burlesque from the 1950s to its closing in the 1970s. | |
"If a judge in Washington, D.C., decides that the nekkid female torso isn't indecent, many showmen around the nation will follow the lawsuit brought by Hudson Burlesk producer Leroy Griffith." [144]
— Walter Winchell, in his July 31, 1966, nationally-syndicated gossip column
Griffith's Ritz Theater, in Indianapolis, Ind., began hosting burlesque performances in 1962 in addition to showing adult films. Outcry from neighborhood residents led to intense scrutiny from city officials and the local newspaper, resulting in the arrest of the show's star and Griffith on indecency charges and the confiscation of 15 film reels in a June 1962 raid. The city revoked the theater's license the next month. [145] [146]
In 1974, Griffith won a $32,038 judgment for damages against Linda Lovelace, who appeared in the 1972 hardcore film Deep Throat . He had hired her for a live stage revue at his Paramount Theater in Miami, slated for November 1973, but she failed to appear. The judge awarded Griffith just half of the amount he sought. [147]
Griffith turned Hialeah's Atlas Cinema into an X-rated theater in August 1985, outraging Mayor Raul Martinez. "The issue is not censorship," Martinez said at the time. "It is morality. They will bring in derelicts, the sick of mind. They're like herpes – wherever they go, everybody gets infected. We don't need that." [3]
The day after opening, in a pre-emptive strike, Griffith's lawyers sued the city, charging that a Hialeah zoning ordinance banning porn cinemas within 500 feet of residences was unconstitutional. His court challenge failed and the theater was ordered shut down. [3]
"If I was a judge taking bribes, a banker trying to swindle my customers out of bank funds, a doctor selling drugs, I might feel bad. But seeing a nude girl? There's nothing immoral about that. And there are more judges and lawyers and cops and bankers in jail than theater owners. I'm not hurting anyone, or stealing, or anything like that." [3]
— Griffith, in a 1993 interview
In 1987, city officials confiscated movie projectors, a refreshment stand, and other property from Griffith's Pussycat Theater. He had just won a court fight with the city over his right to exhibit a film called Three Ripening Cherries. He was accused of owing more than $50,000 in fines dating back to 1978. The city bungled part of the collection process in a technical snafu, so Griffith ended up accountable for only $21,400. [3]
An auction of his theater equipment was conducted to satisfy that debt. The winning bid came in at $13,500, from Griffith himself, effectively reducing his penalties by another $8,000. [3]
Griffith's attorneys filed suit in November 1987 against Hollywood, Fla., asking a Broward County judge to declare the city's ordinances banning nude dancing unconstitutional. They asserted that the city's censorship was a violation of the First Amendment.
The suit followed a series of incidents in 1985 in which police raided Griffith's Cine 1 & 2 Theater a dozen times, dismantling projectors and arresting employees on obscenity charges. [148]
Between 1976 and 1987, the Pussycat was raided 18 times. Efforts by the county to charge him with a felony for screening two obscene movies within 5 years collapsed when Griffith's attorney pointed out that too much time had elapsed between incidents. When prosecutors then indicated they might like to charge him with a simple misdemeanor for the more recent indiscretion (showing the film American Babylon), his attorney argued it had been two years since that film had been confiscated, thus denying Griffith his right to a speedy trial. The judge agreed and threw out the case. [3]
In April 1987, the Dade State Attorney's Office filed a ten-page complaint demanding that the Pussycat be shut down. This time the charge was brought under the Florida Racketeer Influenced and Corrupt Organization Act. Because the Pussycat had been raided 18 times in eleven years, prosecutors contended, it must be an ongoing criminal enterprise. "That's not what the RICO Act was put in for," Griffith retorted. A judge agreed and dismissed the complaint. [3]
In late 1989, after the cities of Fort Lauderdale and North Miami Beach outlawed alcohol in establishments featuring nude entertainers, Miami Beach officials – led by Mayor Alex Daoud – feared strip club operators would gravitate to their city and that Miami Beach "would be overrun with sex-mad drunken men and immoral, naked women." [3]
The imminent debut of the Gold Club, whose owners had intended to introduce nudity and alcohol in their new building on 5th Street, spurred the City Commission to pass local legislation prohibiting such a mix. [3]
"I couldn't even use the word burlesque." [53]
— Griffith, recalling local regulations in '60s-era Miami Beach
Griffith announced that if the Gold Club was allowed to open with liquor and nudity, he would move his hard-core films from the Gayety Theater (then known as Deja Vu) to the Roxy, which then was showing second-run movies for general audiences. In turn, he would convert the Gayety into an upscale nude bar to compete with the Gold Club.
Daoud said, "We don't have to sit idly by and watch [adult clubs] open up. It would be detrimental to the growth of our city that has been developing so nicely." [3]
The city passed an ordinance in January 1990 prohibiting not only nudity and alcohol sharing the same room, but also banning any nudity near schools and churches. The Gold Club did open with nude dancers, but soon folded under the handicap of the no-liquor policy.
"There's nothing immoral about the human body. Evil's all in the mind." [3]
— Griffith, in a 1993 interview
Griffith, meanwhile, successfully changed the Gayety into the all-nude, alcohol-free Deja Vu (without local competition), and turned the Roxy into an adult theater, Club Madonna. Daoud was removed from office a year later after being implicated on unrelated corruption charges for which he was later convicted and imprisoned. [3] Griffith and Daoud have since become close friends.
Since the early 2000s, Griffith has been involved in legal disputes with the City of Miami Beach over its 1989/1990 ordinances banning the sale of alcohol in any establishment featuring nudity. He sued several city officials in federal court, alleging they conspired to deny him a fair hearing before the City Commission after he sued the wife of one commissioner for libel, slander, and defamation after she waged a campaign against him, claiming, among other things, that he was a tax cheat. [149] [150] [151]
Griffith married Linda Rivera in 1989. His children are from two previous marriages.
In May 1964, Griffith saved the life of his 18-month-old son, Cash, after pulling him unconscious from the family pool at their Miami home. He credited his effort to reading about mouth-to-mouth resuscitation instructions while on an airplane flight the week before. [152]
Griffith's son Charles was convicted of first-degree murder and sentenced to life in prison after the 1985 mercy killing of his three-year-old daughter, who had been in a months-long coma in a Miami children's hospital following a freak accident. He was granted a retrial and, in 1995, took a deal to plead guilty to second-degree murder; he was released with credit for time served and good behavior. [153] [154] He later published an addiction recovery magazine and opened a sober house for women transitioning from substance rehab, both dedicated as memorials to his late daughter. [155]
Griffith, for years, hosted annual shows at his Carib Theater benefiting the Miami Beach Police and Firemen's Benevolent Association. In 1969, Miami Beach police chief Rocky Pomerance was disturbed by the publicity from Griffith's $2,200 donation to the association. Pomerance asked the group to give it back on the premise that "simple ethical morality" demanded it, but he was rebuffed. The group used the donation to create a scholarship fund for children of police and firemen killed before retirement. [156]
The city's police softball teams and the Miami Beach Policemen's Relief and Pension Fund have also been beneficiaries of Griffith's charitable giving. In 1997, the MBPD recognized Griffith for his donation of bicycles to the department, for use by its bike patrol officers.
Nationally syndicated gossip writer Earl Wilson thanked Griffith in a December 1965 column "for his welcome Christmas check for the 'Earl Wilson Help the Needy Fund' which arrived just in time to aid some deserving folk." [157]
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Reid & Reid, also known as Reid Brothers, was an American architectural and engineering firm that was active from 1880 to 1932. Established in Indiana by Canadian immigrants, the firm moved to the West Coast and became was the most prominent firm in San Francisco, California in the late 19th and early 20th centuries.
In 1898 William Morton's Theatre Royal showed a 'Veriscope' film, probably the first time any film was shown in a Hull theatre. The Prince's Hall was the first purpose-built cinema in Kingston upon Hull, and was opened in George Street by Morton in 1910. As Hull embraced the new age of public entertainment, attendances at traditional theatre declined. Luxurious cinemas, taking their inspiration from theatres and music halls, were built to accommodate audiences in almost every neighbourhood in the city. By 1914, there were 29 cinemas, theatres and halls showing films in the city. The London and Provincial Cinema Company owned the Hippodrome; the National Electric Picture Theatres owned the Theatre de Luxe, but Morton's was the largest and most influential cinema chain in Hull.
The Gaiety Theatre (1908–1949) or Gayety Theatre of Boston, Massachusetts, was located at no.661 Washington Street near Boylston Street in today's Boston Theater District. The theatre was designed by architect Clarence H. Blackall. The Lyceum Theatre was demolished in June 1908 to make way for the Gaiety Theatre which was built on the same site.
The Columbia Amusement Company, also called the Columbia Wheel or the Eastern Burlesque Wheel, was a show business organization that produced burlesque shows in the United States between 1902 and 1927. Each year, between three and four dozen Columbia burlesque companies would travel in succession round a "wheel" of theaters, ensuring steady employment for performers and a steady supply of new shows for participating theaters. For much of its history the Columbia Wheel promoted relatively "clean" variety shows featuring comedians and pretty girls. Eventually the wheel was forced out of business due to changing tastes and competition from its one-time subsidiary and eventual rival, the Mutual Burlesque Association, as well as cinemas and cruder stock burlesque companies.
William H. McElfatrick was an American architect who specialized in theaters.
The Columbia Theatre was an American burlesque theater on Seventh Avenue at the north end of Times Square in Midtown Manhattan, New York City. Operated by the Columbia Amusement Company between 1910 and 1927, it specialized in "clean", family-oriented burlesque, similar to vaudeville. Many stars of the legitimate theater or of films were discovered at the Columbia. With loss of audiences to cinema and stock burlesque, the owners began to offer slightly more risqué material from 1925. The theater was closed in 1927, renovated and reopened in 1930 as a cinema called the Mayfair Theatre. It went through various subsequent changes and was later renamed the DeMille Theatre. Nothing is left of the theater.
The Roxy Theater is a former movie theater located at 1527 Washington Avenue in Miami Beach, Florida. In 1994, the Roxy was converted into an adult nightclub and renamed Club Madonna. It is owned and operated by theater and nightclub proprietor and former Broadway theater producer Leroy Griffith.
The Boulevard Theater is a former movie theater located at 7770 Biscayne Boulevard in Miami, Florida. It is owned by theater and nightclub proprietor and former Broadway theater producer Leroy Griffith.
2424 North Lincoln Avenue is a building in Lincoln Park, Chicago, adjacent to the Biograph Theater. From 1912 to 2006, it variously housed the Fullerton Theater, an auto garage, the Crest Theater, and the 3-Penny Cinema. Since 2009 it has been Lincoln Hall, a music venue.
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