This is a list of films made by the British production company Ealing Studios and its predecessor Associated Talking Pictures. [1] Prior to 1932 and after 1956, the company's films were made at studios other than Ealing. This list does not include films made at Ealing Studios by other companies.
| Title | Release Date | Director |
|---|---|---|
| Escape! | September 1930 | Basil Dean |
| Birds of Prey | November 1930 | Basil Dean |
| Sally in Our Alley | July 1931 | Maurice Elvey |
| A Honeymoon Adventure | September 1931 | Maurice Elvey |
| The Water Gipsies | March 1932 | Maurice Elvey |
| Nine till Six | March 1932 | Basil Dean |
| The Sign of Four | May 1932 | Rowland V. Lee/Graham Cutts |
| The Impassive Footman | June 1932 | Basil Dean |
| Love on the Spot | July 1932 | Graham Cutts |
| Looking on the Bright Side | September 1932 | Basil Dean/Graham Cutts |
| Three Men in a Boat | May 1933 | Graham Cutts |
| Loyalties | May 1933 | Basil Dean |
| Autumn Crocus | February 1934 | Basil Dean |
| Love, Life and Laughter | March 1934 | Maurice Elvey |
| Java Head | August 1934 | J. Walter Ruben |
| Sing As We Go | September 1934 | Basil Dean |
| Lorna Doone | January 1935 | Basil Dean |
| Look Up and Laugh | June 1935 | Basil Dean |
| Midshipman Easy | October 1935 | Carol Reed |
| No Limit | November 1935 | Monty Banks |
| Whom the Gods Love | February 1936 | Basil Dean |
| Queen of Hearts | February 1936 | Monty Banks |
| Laburnum Grove | May 1936 | Carol Reed |
| Lonely Road | September 1936 | James Flood |
| Keep Your Seats, Please | September 1936 | Monty Banks |
| Feather Your Nest | March 1937 | William Beaudine |
| The Show Goes On | April 1937 | Basil Dean |
| Keep Fit | August 1937 | Anthony Kimmins |
| I See Ice | February 1938 | Anthony Kimmins |
| Penny Paradise | October 1938 | Carol Reed |
| It's in the Air | November 1938 | Anthony Kimmins |
| The Gaunt Stranger | November 1938 | Walter Forde |
| The Ware Case | December 1938 | Robert Stevenson |
| Trouble Brewing | March 1939 | Anthony Kimmins |
| Let's Be Famous | March 1939 | Walter Forde |
| The Four Just Men | June 1939 | Walter Forde |
| There Ain't No Justice | June 1939 | Pen Tennyson |
| Young Man's Fancy | August 1939 | Robert Stevenson |
| Cheer Boys Cheer | August 1939 | Walter Forde |
| Come On George! | November 1939 | Anthony Kimmins |
| Title | Release Date | Director |
|---|---|---|
| The Blue Lamp | January 1950 | Basil Dearden |
| Dance Hall | June 1950 | Charles Crichton |
| Bitter Springs | July 1950 | Ralph Smart |
| Cage of Gold | September 1950 | Basil Dearden |
| The Magnet | October 1950 | Charles Frend |
| Pool of London | February 1951 | Basil Dearden |
| The Lavender Hill Mob | June 1951 | Charles Crichton |
| The Man in the White Suit | August 1951 | Alexander Mackendrick |
| Where No Vultures Fly | December 1951 | Harry Watt |
| His Excellency | January 1952 | Robert Hamer |
| Secret People | February 1952 | Thorold Dickinson |
| I Believe in You | March 1952 | Basil Dearden |
| Mandy | July 1952 | Alexander Mackendrick |
| The Gentle Gunman | October 1952 | Basil Dearden |
| The Titfield Thunderbolt | March 1953 | Charles Crichton |
| The Cruel Sea | March 1953 | Charles Frend |
| The Square Ring | July 1953 | Basil Dearden |
| Meet Mr. Lucifer | November 1953 | Anthony Pelissier |
| The Love Lottery | January 1954 | Charles Crichton |
| The Maggie | February 1954 | Alexander Mackendrick |
| West of Zanzibar | March 1954 | Harry Watt |
| The Rainbow Jacket | May 1954 | Basil Dearden |
| Lease of Life | October 1954 | Charles Frend |
| The Divided Heart | November 1954 | Charles Crichton |
| Out of the Clouds | February 1955 | Basil Dearden |
| The Night My Number Came Up | March 1955 | Leslie Norman |
| The Ship That Died of Shame | April 1955 | Basil Dearden |
| Touch and Go | September 1955 | Michael Truman |
| The Ladykillers | December 1955 | Alexander Mackendrick |
| Who Done It? | March 1956 | Basil Dearden |
| The Feminine Touch | March 1956 | Pat Jackson |
| The Long Arm | June 1956 | Charles Frend |
| The Man in the Sky | January 1957 | Charles Crichton |
| The Shiralee | July 1957 | Leslie Norman |
| Barnacle Bill | December 1957 | Charles Frend |
| Davy | December 1957 | Michael Relph |
| Dunkirk | March 1958 | Leslie Norman |
| Nowhere to Go | December 1958 | Seth Holt |
| The Siege of Pinchgut | August 1959 | Harry Watt |
Ealing Studios is a television and film production company and facilities provider at Ealing Green in West London, London, England. Will Barker bought the White Lodge on Ealing Green in 1902 as a base for film making, and films have been made on the site ever since. It is the oldest continuously working studio facility for film production in the world, and the current stages were opened for the use of sound in 1931.
The Rank Organisation, was a British entertainment conglomerate founded by industrialist J. Arthur Rank in April 1937, Rank also served as the company chairman. It quickly became the largest and most vertically integrated film company in the United Kingdom, owning production, distribution and exhibition facilities as well as manufacturing projection equipment and chairs. It also diversified into the manufacture of radios, TVs and photocopiers. The company name lasted until February 1996, when the name and some of the remaining assets were absorbed into the newly structured Rank Group plc. The company itself became a wholly owned subsidiary of Xerox and was renamed XRO Limited in 1997.
The Ealing comedies is an informal name for a series of comedy films produced by the London-based Ealing Studios during a ten-year period from 1947 to 1957. Often considered to reflect Britain's post-war spirit, the most celebrated films in the sequence include Kind Hearts and Coronets (1949), Whisky Galore! (1949), The Lavender Hill Mob (1951), The Man in the White Suit (1951) and The Ladykillers (1955). Hue and Cry (1947) is generally considered to be the earliest of the cycle, and Barnacle Bill (1957) the last, although some sources list Davy (1958) as the final Ealing comedy. Many of the Ealing comedies are ranked among the greatest British films, and they also received international acclaim.
Sir Michael Elias Balcon was an English film producer known for his leadership of Ealing Studios in West London from 1938 to 1955. Under his direction, the studio became one of the most important British film studios of the day. In an industry short of Hollywood-style moguls, Balcon emerged as a key figure, and an obdurately British one too, in his benevolent, somewhat headmasterly approach to the running of a creative organization. He is known for his leadership, and his guidance of young Alfred Hitchcock.
StudioCanal S.A.S. is a French film production and distribution company that owns the third-largest film library in the world. The company is a unit of the Canal+ Group, owned by Vivendi.
MGM-British was a subsidiary of Metro-Goldwyn-Mayer initially established at Denham Film Studios in 1936. It was in limbo during the Second World War; however, following the end of hostilities, a facility was acquired in Borehamwood, which remained in use until it was closed in 1970.
Associated British Picture Corporation (ABPC), originally British International Pictures (BIP), was a British film production, distribution and exhibition company active from 1927 until 1970 when it was absorbed into EMI. ABPC also owned approximately 500 cinemas in Britain by 1943, and in the 1950s and 60s owned a station on the ITV television network. The studio was partly owned by Warner Bros. from about 1940 until 1969; the American company also owned a stake in ABPC's distribution arm, Warner-Pathé, from 1958. It formed one half of a vertically integrated film industry duopoly in Britain with the Rank Organisation.
William George Barker was a British film producer, director, cinematographer, and entrepreneur who took film-making in Britain from a low budget form of novel entertainment to the heights of lavishly-produced epics that were matched only by Hollywood for quality and style.
Out of the Clouds is a 1955 British drama film directed by Basil Dearden and starring Anthony Steel, Robert Beatty and James Robertson Justice. An Ealing Studios production, the film is composed of small stories dealing with the passengers and crew on a day at London Airport.
The Four Just Men, also known as The Secret Four, is a 1939 British thriller film directed by Walter Forde and starring Hugh Sinclair, Griffith Jones, Edward Chapman and Frank Lawton. It is based on the 1905 novel The Four Just Men by Edgar Wallace. There was a previous silent film version in 1921. This version was produced by Ealing Studios, with sets designed by Wilfred Shingleton.
For Those in Peril is a 1944 British war film produced by Ealing Studios that marked the directorial debut of Charles Crichton. The film was developed from a short story by Richard Hillary, an RAF pilot killed in action in January 1943. The basic and relatively slight storyline of For Those in Peril was an end to produce a film with a documentary feel and an element of wartime propaganda. The film stars Ralph Michael and David Farrar.
Nine till Six is a 1932 British drama film directed by Basil Dean and starring Louise Hampton, Elizabeth Allan and Florence Desmond. Produced by Basil Dean's Associated Talking Pictures, it was the first film made at Ealing Studios after the facility had been converted to sound.
These are lists of films sorted by the film studio that made them.
The Bailiffs is a 1932 British comedy film, based on a sketch by Fred Karno and starring Flanagan and Allen, made by Associated Talking Pictures at Ealing Studios.
Paul Beeson, B.S.C. was a British cinematographer. He was initially at Ealing Studios before going on to work on films for various other companies. He worked on over three hundred feature films, including 74 where he was director of photography.