Discovered in 1983 by Bruno Viskić, a chef from Lovran, while cleaning the old house he purchased that year from Olivijo Gržinić. It was on the first floor (not the ground floor). Engraver: Ivan, or possibly Ivana.
Gravestone of Grgur Dubravac. Lost but now likely under the facade of a house owned by Anton Rabar according to Anton Meden. A reproduction by Luka Kirac survives.
ROTATOMNEFATVM CⰑЗⰂSJBⰮDVSⰀΜ·ЗV·C ANN·ABVRB·COND·IIMIL·Ⱉ·LXIII·SALVT·M·CCCC·?VIII IVN·IOAN·BAPTISTAERETʀ·CHRISToⰗoRICANCELLARII·FILII·AVITAE FABR·ADDIDER· SIBI SVISQ·LEGITIMIS HAEREDIB·AD COMMVN·VSVM EREXERVNT
Trieste Glagolitic inscription. Inscription on the doorway of what used to be the Conti house, at Via S. Maria Maggiore 2. Later, the stone was taken to the garden of the Archaeological museum in Trieste. A photograph was taken and published in 1946. Latinic З-shaped Z is used for Ⰵ.
Secondarily used between two residential houses. Engraver: Brnardo of Rakalj. Ligatures: ⰁⰓ, ⰄⰑ, ⰑⰄ, ⰜⰀ, ⰔⰀ, ⰓⰀ, ⰎⰀ. Other Glagolitic inscriptions were seen in the middle of the graveyard in the 1860s by an anonymous author writing in an 1880 edition of Naša Sloga (tentatively identified with J. Volčić or J. Batel by Fučić), but around 1900 the graveyard was renovated and some old gravestones were broken up and used as building material for the wall surrounding the graveyard. Kirac could still read several letters on a fragment on the northwest corner, writing before 1928.
On a gravestone in the church graveyard. Žubrinić proposed a reading "1503" for the date, which had previously been read "1603". Considered destroyed until its rediscovery in the doorway of a graveyard building in autumn 2016, partially covered by the stones of the wall.
A lintel fragment whose original 1505 (Ⱍ Ⱇ Ⰴ) inscription was altered to 1653 either as a correction or a reuse. Discovered by Fučić in May 1947. After that, someone took it out of the wall and exhibited it. Lost as of 1982.
Baška inscription (1507). Engraver: priest Barko Papić. Below it is a Latin inscription by pre Bartolomeo with the date 1506. Barko Papić wrote his will on 17 March 1527 and died on 1 July 1527, as preserved in a fragment of the notary book of Ivan Mantaković. Ligatures: ⰂⰋ, ⰂⰑ, ⰃⰄ, ⰑⰂⰋ, ⰃⰀ, ⰎⰀ.
Found in the bakery in the southeast bastion of the city walls. Now lost. Transcription but no reproduction survives in the manuscript Arhiv HAZU VIII-161 by Vjekoslav Spinčić.
Engraver: priest Toma Drnević. Originally a lintel. The house it was in was owned by Jela Bezjakova, but was lost during the destruction and renovation of the house in 1900. Only a fragment was found in 1970, but a reproduction of the whole inscription by Volčić from 1880 survives.
Novi inscription (1511). Commemorates the construction of the Church of Saint Fabian and Sebastian as protectors from the plague. Once part of the belltower, but the church was demolished in 1909. Now kept at Hrvatski povijesni muzej in Zagreb (as 6808). Ligatures: ⰃⰄ, ⰒⰓ, ⰔⰂⰕ, ⰣⰎⰋ, ⰎⰡⰕⰑ, ⰕⰄ, ⰅⰎⰋ, ⰒⰎⰑⰂ, ⰃⰀ, ⰄⰀ.
A rubbing was made by Janko Bišćan, which was kept among the remains of Mijat Sabljar (Arhiv HAZU XV-12 VI b 4). Lost between Bišćan and Fučić but rediscovered by parish priest Nikola Turkalj on 21 October 2011.
Natpis na pragu prozora župne kuće. Commemorated the date the window was built in the parish priest's house. Lost between the time Mažić wrote his 1896 book and Fučić's visit to Bakar.
Engraver: master Ivan Sormilić. In the mid-19th century it was before or on the Crkva sv. Marije Karmelske in Bogovići but the Crkva sv. Apolinara was built on top of it. It is now lost. Only transcriptions survive.
Engraver: pop Simun Bl...ić. Discovered by Kukuljević, but already Milčetić could not find it in 1908, because it had been carried off to Trieste by doctor Sandrin, a lawyer in Buzet.
On a gravestone. Benko Jakovčić was the parish priest between 1501 and 1516. It was barely legible in the time of Kukuljević and Lopašić, and by that of Fučić it had completely worn down.
Ćokovac inscription (1517). On the lintel of the refectory. Ligatures: ⰆⰉ, ⰒⰓ, ⰋⰎ, ⰕⰑⰐ, ⰃⰄ, ⰑⰎ. First mentioned in Bianchi 1879 (Zara cristiana volume II, page 134).
Dated the day of Saint Nazarius, which was on the 19th if Saint Nazarius bishop of nearby Koper, but the 28th if short for ⰐⰀⰈⰀⰓⰋⰀ ⰋⰜⰅⰎⰋⰔⰀ and thus Nazarius and Celsus).[59]
Discovered in the ruins of a house on Fortica below the parish church, by house number 218. The house was already in ruins by about 1890, at which time it belonged to the Pažolin family. The inscription was removed from there to the Gradski muzej in Bakar in 1956. Ligatures for ⰆⰉ, ⰃⰄ, ⰃⰀ.
Discovered in the ruins of a house on Fortica below the parish church, by house number 218. The house was already in ruins by about 1890. By that time the inscription, broken in two, had been repurposed as the first step of the entrance into a garden built in the ruins of that house, which led to the wear of the letters in the middle. The inscription was removed from there to the Gradski muzej in Bakar in 1956. Ligatures for ⰆⰉ, ⰃⰄ, ⰃⰀ, ⰈⰂ, ⰆⰂ, ⰒⰑ.
Bakovac inscription (1517). It was originally in the ruins of the old church by the Ribnik castle, used during the construction of the Crkva sv. Vida in 1769. Date is incorrectly given by Strohal as 1503.
Ligatures: ⰆⰉ, ⰃⰄ, ⰒⰎ, ⰀⰐ. It was originally in the ruins of the old church by the Ribnik castle, used during the construction of the Crkva sv. Vida in 1769.
Gravestone of Matijaš Čubranić. According to Kukuljević, there was a tradition that it wwas originally in the Crkva sv. Vida before being brought to the current parish church. The tablet was destroyed in World War II and now only a fragment remains, found in 1958 by parish priest I. Kranjčec. Ligatures: ⰃⰓ.
On a stone beam in the wall of a house in the old part of Karojba currently owned by a lady from Ljubljana. It is thought to come from the Pauline monastery on the hill Sv. Spas that operated until 1792, which had been a Benedictine monastery before that. The house it is now in was earlier owned by Emanuel Valentić, who owned land on Sv. Spas. Ligatures: ⰍⰑ.
Chest of Novi. Contemporary with the 1511 inscription in the same church, and with the construction of the church itself. Engraver: pop Filip. Discovered at the altar of the Crkvica sv. Fabijana i Sebastijana according to parish priest M. Cvetko, then kept at the parish office, where Milčetić noticed it in 1910. The dating "1511" originally proposed by Milčetić who had discovered the inscription in 1910, with some objection by Strohal but his has not been accepted and the two were in a feud. Fučić dates it to the early 16th century. Now kept at Hrvatski povijesni muzej in Zagreb (as 6864).
Engraver: Juraj Blagajić. Found in the old, now demolished, Gradišer house, whose construction it commemorates. The house was already in ruins when it was hit by a bomb in 1943, breaking it in two. It was transferred to the Gradski muzej in 1963. Ligatures: ⰣⰓ.
The number 15 could be either a correction of the date from "4" in the main text or the cardinal number of the stone. Engraver: prior Ivan Falkunić. Ligatures: ⰎⰕ, ⰁⰆ, ⰀⰄ, ⰒⰓ, ⰃⰑ. After WWII, before the renewal of the monastery, a vandal broke the stone into 9 pieces, which father Benedikt Celegin later glued back together.
Engraver: deacon Grgur Tihonić. Ligatures: ⰃⰓ, ⰘⰑ, ⰁⰖ, ⰌⰎ, ⰁⰑ, ⰎⰆ. The initial Ⰰ and final Ⰳ form the monogram of deacon Grgur. The "ⰓⰅⰄ ⰂⰀⰐⰌⰎⰔⰍⰋ" refers to the deaconate.
Engraver: Grško Tihonić. Uses ligature ⰃⰓ. The date is written in Arabic numerals. Below this inscription there are several severely damaged inscriptions, in which the name Grško Tihonić can be read. No reproduction in Fučić 1982 of the 1524 inscription or what lies beneath it.
Discovered in the ruins of a house on Fortica below the parish church, by house number 218. The house was already in ruins by about 1890. Mažić read it as 1509 but it was actually 1526. The date corresponds to the construction of a hospice there and matches the date in Latinic and with Arabic numerals on the first floor of the house "LETTA 152[6]".
An inscription inside the Fehtija mosque, made when it was still the Dominican monastery's church, dedicated to Saint Anthony. As of 1982, an investigation into whether there were other inscriptions beneath the paint had not been carried out.
Bribir inscription (1527). Once part of the wall of the tower of the Bribir fortress, whose construction or renovation under captain Lovrenac it commemorated. It was first reproduced by Vincenzo Joppi[it] on 2 October 1865, when it was still in the main tower of the Bribir castle, only to be deposited into the Depoli collection in what used to be the Jadranski institut in Rijeka. The original structure was destroyed in 1911, but the stone with the inscription was given to the Arheološki muzej in Zagreb. The inscription is now kept at Hrvatski povijesni muzej in Zagreb (as 6812). Ligatures: ⰁⰆ, ⰎⰕ, ⰃⰄ, ⰃⰄⰐ, ⰂⰓ, ⰮⰑ, ⰒⰓ, ⰕⰑ, ⰁⰓ, ⰈⰀ, ⰕⰀ.
Gravestone of Marko Bilušić. Very worn. In 1637, the old church by that name was demolished and the present one built, incorporating this gravestone. Ligatures: ⰃⰑ.
Inscription on the gravestone of parish priest Stručić. Ligatures: ⰂⰀ. Originally in the floor of the sanctuary before the altar, but in 1953 it was moved to the wall behind the altar, in the sacristy.
Natpis s nekadašnje crkve sv. Ivana. Facsimile by župnik Josip Kastelc on 22 April 1881 (Arhiv HAZU VIII 161) and another by Vjekoslav Spinčić on 1 August 1889 (on a leaf stuck inside a missalette for masses of the dead owned at one point by Opatija lawyer J. Červar) are all that survive, because in 1871 the inscription was taken from the demolished Crkva sv. Ivana and built into the cistern of the parish house, where Spinčić was the last known person to see it in 1899, after which it vanished at an unknown date.
VIDO·RADICIC· ZVPA·AFATO CONCAR·LAGI ESIA d E MATARAdA Ⱍ Ⱇ Ⰼ Ⰴ
On the stone for holy water. Originally inside the church, then in the 19th century it was rebuilt into the wall surrounding the church and graveyard. In 1953 it was moved to a position beneath the roof of the church. Engraver: župan Vid Radičić.
Natpis na nadgrobnoj ploči u crkvi sv. Marije. Originally the gravestone of parish priest don Martin Murgašić who died 1535, and was first mentioned in 1506 according to Bianchi 1879 (Zara cristiana volume II, page 81). First noted in the graveyard by Ivan Berčić during his 1866 visit. It was then brought to "Pod fafarikul" above the present school where it served as a bench. In 1878 when a public livestock pool was constructed beneath Strmac, it served as the foot of its crown. The trampling led to many of its letters becoming dull. In 1933 when the pool was renovated the stone was carried off to a nearby spot. In 1941 it was transported to the courtyard of the Crkva sv. Marije, where it became popular for children to play on, further eroding its letters. In 1959 it was repurposed as the table of the altar. In 1977 that table was demolished and the gravestone was built into the wall of the church. Ligatures: ⰃⰓ.
Omišalj inscription (1536). On the belltower. Date is often mistakenly given as "1533" because that year is referenced at the beginning of the inscription. Engraver: possibly master Pjero of Omišalj or Andrij of Kotor. Ligatures: ⰂⰎ, ⰈⰂ, ⰀⰎ, ⰄⰀ, ⰃⰀ, ⰔⰕ, ⰞⰎ.
Commemorates the construction of the north gate of the city walls. Reproductions and transcriptions were made by Volčić, professor Rziha in 1890 and Vjekoslav Spončić. It was destroyed when used by the Wehrmacht as building material for a bunker in Kastav. A surviving fragment of the Ⱍ was cast aside and is now housed in the Muzejska zbirka in Kastav, discovered in 1972. The rest had been sketched by professor M. Blažičević in 1946 and then taken out in 1949 and placed in the Mjesni narodni odbor but it was lost. A transcription by F. Rziha is kept in Vienna as ÖStA. AVA. DMA. KÜ, 10; reproduced in Mader 2001.
Discovered 2005. Zlatan Kovač and Damir Facan called Darko Žubrinić to investigate the newly discovered Glagolitic inscriptions on the frescoes of the church in September 2006.
On the façade. Only half of the inscription survives because it was broken in two in a recent expansion, but a reproduction of the full inscription was made by Volčić. Ligatures: ⰒⰓ.
Engraver: elder Martin Bakšić, or someone on his behalf. The Bakšić family is otherwise unknown in Brest, so it is likely that the bell was originally poured for ta church in Hum, from whom the relatively poor parish of Brest likely acquired the bell when Hum purchased a new bell. Likely poured in the same workshop from which the other two bells with Glagolitic inscriptions from 1541 were made (for Buzet and Kršan). Destroyed after it was requisitioned on 5 November 1916 by the Austrian army to be melted down, but the 1917 transcription and photograph of dr Anton Gnirs[hr] survived.
Now lost because the Orthodox church it was in was destroyed not long before it was discovered. A 1900 transcription survives by Đure Rožić, a teacher in Maja by Glina, who discovered it by 24 May that year. It was initially analysed as an undecipherable Cyrillic inscription because it had been read upside down but Fučić recognised it as Glagolitic.
Originally on the lintel above the door of the city dungeon, it was repurposed as a step below the house of Martin Vlah. Engraver: Juraj. Ligatures: ⰣⰓ. It is now lost, but reproductions survive by Mijat Sabljar and Jakov Volčić.
On the bell. The Glagolitic date is 1542 which matches the Roman numerals LI ✿ I on the inscription, but Fučić read L ✿ I resulting in a discrepancy between the Glagolitic date and his reading of 1541 for the Roman date. The bell was requisitioned by the Austrian army during WWI. It was returned in 1962 and placed in the Pazin Museum.
Engraver: priest Juri Glavinić chaplain of the family of captain Kristofor Mosconi of Pazin in Beram. Ligatures: ⰒⰑ, ⰣⰓ, ⰃⰎ, ⰮⰖ, ⰐⰑ. Kristofor Mosconi inherited his position from his father Aleks, a merchant from Ptuj of North Italian origin, who purchased the Pazin Margraviate in 1532. After the death of his father in 1540 and of his brother Ivan on 27 April 1542, Kristofor became the sole margrave.
Commemorates the construction of the facade of the cathedral. After Kukuljević it was lost track of and not rediscovered until 1969, in the storage of the Arheološki muzej. Now kept at Hrvatski povijesni muzej in Zagreb (as inv. br. 6836). Ligatures: ⰂⰕⰑ, ⰂⰓ, ⰒⰓ, ⰕⰓ, ⰂⰎ, ⰕⰎ.
Brought from Pazinski Novaci where it had stood above the doors of an old ruinous and incorporated into a stable belonging to V. Maretić of house number 4 in Ćusi. The original builder of that house had been a cooper. Discovered by Antun Banko who notified Branko Fučić on 29 August 1957.
It was discovered by Frane Sabljić of Vrbnik while taking it out of the wall to preserve the earlier insciption from 1340 on the visible side. Engraver: Barić Bozanić the Younger (son of Martin) or master Blaž. Likely the same Blaž who took part in the construction of the belltower of the parish church of Vrbnik in 1527. Ligatures: ⰕⰑ, ⰈⰄ, ⰂⰑ, ⰃⰓ, ⰒⰑ, ⰎⰀⰆ.
On a stone oil vase. The house whose basement it is in front of once belonged to Franc Bažec. Discovered by Edvilije Gardina of Kopar who sent a photograph to Fučić in 1980.
Ulomak natpisa o nekom privilegiju bratovštine sv. Sebastijana i Fabijana. Mentions a privilegium of pope Julius II or III. Originally located near the altar church of the lay fraternity, but in the 19th century it was reused for a bench in front of a house next to the župna kuća. Thanks to Milčetić, when the side-chapel M. Božje was built in 1885 on the north side of the parish church, the parish priest Mihovil Mužina had it incorporated into its western wall.
On the lintel of a house belonging to the Ugrin family. Lost when the house was demolished in 1932. Both Jakov Volčić and Josup Kastelac (of Sutlovreč) made reproductions, one of which was given by Bratulić and then Fučić.
A gravestone inscription inside the church. Now fixed to the wall of the sanctuary behind the main altar, but around 1900 it was outside the church in front of the entrance to the sacristy. Ligatures: ⰕⰓ, ⰣⰓ, ⰂⰑ, ⰎⰀ, ⰕⰀ, ⰁⰓ, ⰒⰎ, ⰍⰑ, ⰕⰑ, ⰃⰎ, ⰃⰓ, ⰃⰑ, ⰔⰑ.
On the base of the holy water stone that was originally in the Crkva sv. Jurja and now in the new church built at the beginning of the 20th century. Engraver: priest Petar (the same hand responsible for the 1557 holy water inscription in Marčenigla and the 1562 holy water inscription in Vrh).
On the belltower. Engraver: master Baštijančić. Ligatures: ⰃⰓ, ⰕⰓ, ⰈⰄ, ⰒⰑ, ⰒⰀ, ⰐⰀ. Destroyed in 1921 on the orders of the Italian administration in Buzet. But an anonymous reproduction survived, once owned by Ivan Milčetić and now in Arhiv HAZU as VIII-135. Transcriptions had been made by A. Kalac and Vjekoslav Spinčić.
Engraver: meštar Anton Zidarić or meštar Matij Zidarić. Ligatures: ⰕⰓ, ⰄⰓ, ⰃⰀ. Originally in the adjacent Baćina kapela, but that was demolished in 1825 and its stones used to expand the parish church where it is now.
Engraver: starešina Jakov Vrnetić. Ligatures: ⰕⰀⰓ (considered a mistake by the scribe), ⰂⰓ, ⰕⰋ, ⰕⰕⰋ/ⰕⰋⰋ (considered a mistake by the scribe), ⰛⰓ (vertical ligature for letters not in sequence due to space constraints).
A now lost inscription found on a residential house. Survives only in a reproduction by Sabljar in Kukuljević's Nadpisi istranski (Arhiv HAZU, XV 23/D VI 93). Engraver: parish priest Juri Mihelić of Boljun or someone on his behalf.
Commemorates the construction of the belltower. Destroyed by the Irredentists on 8 May 1921, but a reproduction by Volčić survives. Ligatures: ⰂⰓ, ⰐⰑ, ⰂⰀ, ⰄⰀ, ⰛⰀ.
Natpis na nadgrobnoj ploči u starom groblju. Originally the gravestone of don Mihovil Flurinović and his family, it was repurposed in 1878 as the gravestone of Roko Grandov, who purchased the gravestone from the church. Ligatures: ⰃⰓ.
On the lintel of a window of the Rosić house. During the renovation of the house around 1950, the stone was used in the construction of a new wall. A transcription by the parish priest Luigi Parentin survives.
First written about by Ivan Komelj, but his work Topografsko gradivo umetnostnih spomenikov na območju občine Trebnja remained in manuscript, kept at the Arhiv Regonalnog zavoda za spomeniško varstvo in Ljubljana.
☩IOHES·IEDR[ECICH]... IN HONOREM·DEI E S SEBAST[IANI DEVOTI]ONIS·F·F·ANNO ☩ DNI·[M D L I X] ☩ ⰋⰂⰀⰐⰬ·Ⱑ[ⰄⰓⰅⰋⰝⰋⰛⰬ] ...ⰂⰑ ☩ ⰂⰀ ⰋⰮⰅ ☩ ⰁⰑⰆⰋⰅ·ⰋⰔⰂⰅⰕ[ⰑⰃⰀ ⰞⰅⰁⰀⰔⰕ]ⰡⰐⰀ·Ⰻ ⰑⰂⰑ☩ ⰈⰀⰂⰅⰛⰀⰐⰅ·Ⰲ[...ⰖⰝⰋ]ⰐⰋⰕ ☩ Ⱍ·Ⱇ·Ⰾ·Ⰸ
On the façade. Engraver: Ivan Jedrejčić. The bell chain wore out the centre of the inscription.
Discovered by parish priest Viktor Perkan in the garden of the parish priest's house (specifically "zdola šterne"). Perkan incorporated it into the wall of the sacristy but it has since been lost, surviving only in a reproduction he made, kept in the parish office in Mošćenice (in the Kronika župe i grada on pagre 76), lithographed in Fučić 1982. It is a fragment, so the Ⱇ Ⰾ could be part of a date Ⱍ Ⱇ Ⰾ "1550", but despite Perkan's belief that the date "1552" was intended, that would require Ⰱ and not Ⱃ, and Perkan also noted traces of another letter after Ⱃ.
In commemoration of the construction of the Crkva Svetoga Duha. Engraver: Anton Kurelić parish priest of Borut on behalf of Vid Vitulović, or Vid Vitulović himself. Commemorates the construction of the church. Ligatures: ⰂⰓ, ⰃⰄ, ⰖⰎ, ⰒⰑ, ⰕⰋ, ⰮⰑ, ⰮⰖ, ⰃⰖ, ⰕⰑ, ⰑⰎⰕ, ⰘⰑ, ⰁⰖ, ⰆⰀⰎ, ⰁⰎ, ⰃⰑ, ⰞⰕ, ⰕⰋ, ⰂⰕⰑ, ⰒⰓ, ⰍⰖ, ⰐⰀ, ⰄⰀ, ⰮⰀ, ⰂⰀ, ⰕⰀ, ⰮⰋ, ⰀⰕ, ⰎⰀ. Reproductions are kept in various libraries: Volčić's in Rijeka (Trezor Naučne biblioteke), Spinčić's in Zagreb (Arhiv HAZU VIII-161).
☩ 1561 · DIE ·14·MENSIS OCTOBRIS ·MAGISTER· GASPARVS MVRATOR VNA CVM EIVS VXORE BARBARA HOC OPVS PERFECIT MANV·PROPRIA. QVI DEO AGVNT GRATIAS ·Ⱍ·Ⱇ·Ⱞ·Ⰰ·
Only second date is Glagolitic. Originally located on the upper threshold of the window of the now ruined Vičević house in Rijeka (br. 16), on the street leading from the old "gradska ura" to the Crkva sv. Vida. The house was opposite the likewise ruined Jesuit college. Today it is kept in the lapidarium of the Pomorski i povijesni muzej.
Above the city gate. Ligatures: ⰄⰐ, ⰂⰕ, ⰐⰀ, ⰮⰖ. First transcribed by Jakov Volčić. Destroyed in 1921 on the orders of the Italian administration in Buzet. But a reproduction by Volčić and a photograph owned by Milčetić at Arhiv HAZU designated VIII-135 survived.
Natpis na Rakarovoj kući. Strgačić transliterated it into Latinic, so the original form of the inscription was unknown as of Grbin 1981, because it was covered by a facade.
Painted on the wall, commemorating the construction of the porch. Low resolution reproduction in Fučić 1982. Ligatures: ⰂⰕ, ⰂⰓ, ⰒⰓ, ⰈⰄ, ⰃⰓ, ⰕⰀ, ⰁⰉ, ⰓⰀ, ⰄⰀ, ⰐⰀ.
Engraver: Levac Križanić preošt of Pazin. Ligatures: ⰒⰓ, ⰆⰀⰐ, ⰒⰀⰈ, ⰐⰀ. The same scribe was responsible for a 1533 graffito in Beram, without a priestly title. In 1546 he was a clergyman in Žminj and Tinjan during the verification of a copy of the Istrian Demarcation.
Engraver: possibly master Paval Konec. Ligatures: ⰒⰑ, ⰄⰀ, ⰒⰀⰂ, ⰎⰋ, ⰑⰄ, ⰕⰀ, ⰃⰓ, ⰓⰋ. Extracted from the steps in 1965 and built into the eastern wall of the sacristy.
Commemorates the construction of a new gate through the walls of the Drivenik fortress. Now kept at Hrvatski povijesni muzej in Zagreb (as 6842). It was brought there by Mijat Sabljar according to Laszowski though the date is incorrectly cited as 1572. Sabljar discovered the inscription at a former guard house between the fortress and the church, but it was originally at the gates of the fortress. Ligatures: ⰒⰑ, ⰕⰀⰂ, ⰂⰓ, ⰂⰀ, ⰮⰀⰕ.
On the lintel of the house on the parcel with local cadastral number 40. Discovered and photographed by Željko Bistrović of Rijeka during a conservatory inspection.
Commemorates the construction of the church. Ligatures: ⰒⰑ, ⰕⰑ, ⰒⰖ, ⰕⰀ, ⰅⰮ. Originally in the church but during a renovation it was taken out and built into the grveyard wall, to the right of the entrance.
Gravestone of soldier Grgur Petrović. Ligatures: ⰒⰓ, ⰁⰓ. Discovered around 1880 by Jakov Volčić. Since lost, likely during repairs. Survives in a reproduction by Volčić.
On a bell cast by Venetian master Zuan Albini. Accompanied by a Latin inscription A fulgore et tempestate libera nos Domine. Tunc tempore fuit plebanus Georgius Chaligerich. Opus Ionis Albini 1573. Engraver: Ioannes Albini of Venice, possibly from an example of parish priest Juraj Kaligerić.
On a bell cast by Venetian master Zuan Albini, also responsible for the Glagolitic inscription on the bell of the parish priest in Gologorica from the same year.
Natpis na Ćepulovoj kući. On a window of a house. During an expansion of the window in 1957, the owner broke and discarded the stone, and no remains have been found of the inscription. But most of it had already been photographed, and the Sali chronicler Šime Grandov had dated the house to 1575, revealing the lost ending of the year.
Commemorates the construction of the church by priest Ivan Jurešić and Manda hći Ivančica. The church fell into ruins. The tablet is now built into the doors of the school building. Ligatures: ⰀⰄ, ⰕⰖ, ⰜⰓ, ⰄⰀ, ⰀⰕ, ⰑⰄ, ⰄⰑ, ⰒⰑ, ⰋⰂⰀ, ⰣⰓ, ⰐⰄⰀ, ⰑⰁ, ⰒⰀⰕ, ⰐⰀⰕ, ⰂⰀⰕ, ⰅⰄⰑ, ⰂⰓ, ⰅⰄ, ⰑⰄⰓ, ⰖⰄ, ⰄⰖ, ⰕⰓ, ⰐⰀ, ⰁⰎⰋⰆ, ⰐⰑ, ⰃⰄ, ⰁⰖ, ⰕⰑ, ⰍⰑ, ⰆⰋ, ⰀⰎ, ⰖⰓ, ⰮⰑ, ⰋⰎⰋ. The first row and last column are in shadow in the Fučić photograph.
The scribe could be the parish priest Ivan Jurešić or one of the masters, Barić Vlahović, Ivan Bogdanić of Vrbnik or Matija Vlahović of Dobrinj. Ligatures: ⰄⰆⰋ, ⰂⰓ, ⰒⰎ, ⰒⰑ, ⰣⰓ, ⰎⰑ, ⰆⰋ, ⰄⰓ, ⰎⰅ, ⰕⰑ, ⰋⰂ, ⰎⰄ, ⰀⰎⰋ, ⰕⰖⰎⰀ, ⰃⰉ, ⰀⰉ, ⰋⰎⰣ, ⰂⰎⰋ, ⰁⰓ, ⰜⰓ, ⰑⰄ, ⰁⰎⰀ, ⰁⰑ, ⰋⰎⰖ, ⰕⰓ, ⰂⰎⰀ, ⰃⰄ, ⰈⰄ, ⰒⰓ, ⰅⰓ, ⰕⰀⰎ, ⰀⰎ, ⰎⰀ, ⰆⰀ, ⰀⰕ, ⰀⰁ, ⰀⰄ.
Engraver: Rade and Jure Dlančić. After WWII, before the renewal of the monastery, a vandal broke the stone into 9 pieces, which father Benedikt Celegin later glued back together.
Ligatures: ⰁⰓ. Originally in the Crkva sv. Ivana in the Franciscan monastery of the Third Order in Zadar. Discovered 1896 in the Crkva Gospe od Ružarija in Posedarje by Luka Jelić.
Sveti Ivan od Šterne[hr]) and who signed the bell of the Crkva sv. Pankracije in Brkač in 1602. Because of wear, the transcription in the letter of parish priest Kaštelc from Sveti Lovreč Pazenatički to Vjekoslav Spinčić dated 22 April 1881 (Arhiv HAZU VIII 161) is necessary for the reconstruction of the text.
Commemorates some construction effort in 1582. Engraver: Ivan Štoković. Now lost, but reproductions by Mijat Sabljar and Ivan Roza, I. Batel, Jakov Volčić and Domenico Cimador. It was last seen in the possession of Antun Jakac of Zrenj in 1871. Ligatures: ⰕⰑ, ⰆⰖ, ⰋⰂ, ⰞⰕⰑ, ⰍⰑⰂ, ⰀⰂⰓ, ⰀⰐ.
Commemorates a famine. Engravers: deacon Marko, Ivan Lovračić. Ligatures: ⰄⰀ, ⰝⰀ, ⰕⰑ, ⰒⰑ, ⰁⰓⰀ. On the same wall, by the depiction of Saint Dionysius, there are many damaged, barely legible inscriptions.
Scribe was one of the following: župan Juri Matijašić, kanonik pre Martin Matijašić, parish priest Vicenc Frlanić. Ligatures: ⰣⰐⰀ, ⰇⰉ, ⰂⰓ, ⰆⰣ, ⰣⰓ, ⰞⰛ, ⰐⰑ, ⰒⰓ, ⰮⰓ, ⰒⰎⰂⰀ, ⰁⰑⰎⰣ, ⰕⰋ. Extremely rare for the period is the form Ⱅ𞀋 Kukuljević received a transcription from Sabljar.
On a gravestone. Engraver: master Luka of Grobnik, who was likely illiterate, working from a priest's example. First noted by Volčić but not published until Fučić 1982.
Originally in the Monastery of Saint Michael. Repurposed in building a stable in the yard of house No. 48, once owned by Josip Košeto. Transferred to the Muzej u Poreču in 1967.
On the lintel of the old parish priest's house. Engraver: priest Ivan Bubić. Ligatures: ⰑⰂ, ⰋⰂ, ⰅⰄ, ⰑⰂ, ⰑⰆ, ⰂⰀ. The old house fell into ruins and its stones were built into a new house, including this one. J. Volčić dranscribed it in Kukuljević's time. During the visit of Ivan Milčetić on 4 September 1908 it was in the basement of the parish priest's house, having been taken out. It was lost after 1912.
On the gravestone of Gašpar Bekarić parish priest of Lovran. Ligatures: ⰀⰞ, ⰂⰓ. It was originally in the graveyard of Sv. Jurja, but repurposed in the 19th century for the Peršić family house in the 19th century where Volčić found it. It was extracted from there in 1955 and fixed to the wall of Sv. Trojstva.
Gravestone of Juraj Staver. Engraver: probably the same one responsible for the 1581 gravestone of Stipan Denković in nearby Bačva. Discovered 24 June 1970 by Branko Fučić on the graveyard wall, where it was being used as a cover-stone. Ligatures: ⰕⰑ.
Engraver: Martin Cvitović Kotoranin. Ligatures: ⰒⰓ, ⰒⰑ, ⰂⰎ, ⰂⰓ, ⰕⰎ, ⰕⰑⰂ, ⰐⰑ, ⰕⰖ, ⰕⰑ, ⰁⰑ. After the 1950 restoration it was displayed on the side wall of the sanctuary.
On a lintel of the ossuary of the church, having been recycled from an older church. Engraver: priest Barić Franić. Ligatures: ⰒⰑ. Lost, but a reproduction by Mijat Sabljar survives.
On the underside of a chalice. Engraver: priest Ivan Bubić. Bubić was parish priest in Cerovlje, which had administration over the church in Previš. Photograph in Fučić 1982 slightly obscured by shadow.
Discovered by Branko Kukurin in 2014 around the wall that once surrounded old Kastav.Kept in the Pomorski i povijesni muzej Hrvatskog primorja in Rijeka.
Engraver: parish priest Mihel Fabijančić. Ligatures: ⰑⰂ, ⰃⰑⰂ. Discovered beneath facade by Bruno Bulić in 1952 only to be covered up by a new layer of facade by the owner.
Engraver: the same hand responsible for the similar inscription in Sv. Martin (built 1591). Found in the former chapel known as Spidal after being repurposed as an inn, which was demolished in 1928, and the stone with the inscription was used for a wall. It was saved by parish priest Josip Volarić in 1956, who transferred it to the storage of the parish church.
Near the inscription of Petar Panceta. Inscription by a priest on the occasion of the burial of his father in law Možar. Engraver: priest Jakov Valković. Ligatures for ⰕⰑ, ⰍⰑ, ⰐⰑ, ⰃⰀ, ⰓⰀ, ⰮⰑ.
An inscription on a gravestone beneath the porch before the church. The porch was built in 1584 according to the register of the lay fraternity responsible for the church (kept at Arhiv HAZU as VIII 194). The gravestone likely dates to around the same time.
Engraver: parish priest Martin Lušćić or someone on his behalf. Uses ligature ⰒⰎ. Although it is now in a wall around a house, it may have originally been part of the architrave of the parish priest's house.
It was on one of the older layers of facade in the inner face of the eastern wall of the church, to the left of the altar. It was partially washed off and partially physically damaged. Discovered in 1949 by Fučić when he pealed off layers from the wall.
The text is a paraphrase of some verses from the Epistle to the Romans, possibly linked to the Protestant movement in Istria. Engraver: Grgur. Ligatures: ⰀⰂ, ⰁⰑ, ⰂⰑ, ⰃⰓ.
Engraver: Grgur Šindler. The same Grgur Šindler signed a graffito in the Crkva sv. Marije in Vremski Britof in 1564. Ligatures: ⰁⰑ, ⰕⰓ, ⰃⰀ, ⰕⰑ, ⰒⰑ, ⰃⰓ.
Serving as a bench by the outer wall of a residential house in the southern part of the city once owned by a doctor Likar and currently by Danijela Šorgo.
On a stone beam in the wall of a house in the old part of Karojba currently owned by a lady from Ljubljana. It is thought to come from the Pauline monastery on the hill Sv. Spas that operated until 1792, which had been a Benedictine monastery before that.
Ligatures: ⰂⰕ. It was originally in the ruins of the old church by the Ribnik castle, used during the construction of the Crkva sv. Vida in 1769. Engraver: lawyer Petrica Grubišić.
Engraver: pre Stipan Brajinović. Ligatures: ⰒⰓ, ⰁⰓ, ⰈⰀ, ⰁⰓⰋⰀ?, ⰮⰖ, ⰁⰖⰄ?, ⰂⰑ, ⰂⰖ, ⰄⰀ. Extisting photographs cut part of the inscription off, made from a video.
Natpis na ulomku kamena. Found repurposed in a small wall next to the staircase of a public passage below a house. In 1954 it was extracted and taken to the parish church Sv. Andrija for safe keeping.
In the floor by the south wall, once covered by the choral seats. In 1973, a mason accidentally destroyed the inscription. Only a reproduction by Toma Lesica survives, reproduced by Fučić 1982.
On four stones once owned by Josip Grabar who dug them up in 1973 in his garden near the polača. Originally likely in the belltower. Ligatures: ⰀⰕ, ⰮⰓ, ⰖⰍ.
Pečatnjak iz Ivanića. On a seal. First described by Milan Mihaljević on 30 August 2016, who learned it was in the possession of an unknown man in Ivanić, either in the Ivanić area or to its south during demining activity (as indicated by the source).[1 4] Present location unknown. The family of the engraver is unknown, though a Frankopan has been argued.[1 10]
The grave of a parish priest. It was discovered on 8 August 1946 by Branko Fučić in a pile of rubble before the entrance to the graveyard where it had recently been placed as part of the renovation and expansion of the graveyard wall. Ligatures: ⰕⰑ, ⰒⰎⰂ.
Once on a stone lintel above the entrance to the nave before the church, destroyed in 1940 when the nave was demolished and the stones used to build the new belltower and expand the sanctuary.
↑ Called "dominus Stephanus Comes de Posaga et de Zala" in the text as given in Ljubić's Listine III pp 371-373.
↑ See Klaić's Krčki knezovi Frankapani p 157, but he was not the first to make the identification.
↑ See the grant of Anž Frankopan kept at the Archive of the Franciscan monastery in Ljubljana. Already in 1309, Dujam Frankopan was issuing Glagolitic documents but presumably by another hand.
↑ Among the earliest examples is the crest on the 1561 tombstone of Juraj Parixevich photographed by Đuro Griesbach (Strossmayerova galerija SFA-586).
↑ First attested on the 1571 edition of their crest, but it is held by a lion.
↑ On the evidence of the previous holder of the title Comes de Posaga, the Stephanus[1 5] of the Treaty of Zadar was proposed by Vjekoslav Klaić to have been a Krčki.[1 6] And that family is known to have issued Glagolitic documents as early as 1372,[1 7] And if the cross is part of the crest, then it could be of Italian inspiration, which would be consistent with Krčki origins. But the complete absence of the a 6-pointed star already in use by that family generations earlier[152] and the apparent lack of early inland penetration of the heraldic mace/sceptre for non-royal families from the same region[1 8] make the Krčki (later Frankopan) family, or even an early date, unlikely.[153] Even the Babonići, whose heraldry is similarly well-attested, only adopted the mace/sceptre as a secondary feature later on,[1 9] completely absent from their seals.[154] None of the noble families from the Sisak-Moslavina County with known heraldry match this seal.[155] The Knights Hospitaller had possessions near Kloštar Ivanić and elsewhere in the region, and emplyed crosses in their heraldry, but the use of the Glagolitic script among them was limited to a few exceptional individuals. Among the nobility and priesthood, "Štefan" was a common name, and no comprehensive study has been conducted on this seal yet.
The Glagolitic script is the oldest known Slavic alphabet. It is generally agreed that it was created in the 9th century for the purpose of translating liturgical texts into Old Church Slavonic by Saint Cyril, a monk from Thessalonica. He and his brother Saint Methodius were sent by the Byzantine Emperor Michael III in 863 to Great Moravia to spread Christianity there. After the deaths of Cyril and Methodius, their disciples were expelled and they moved to the First Bulgarian Empire instead. The Cyrillic alphabet, which developed gradually in the Preslav Literary School by Greek alphabet scribes who incorporated some Glagolitic letters, gradually replaced Glagolitic in that region. Glagolitic remained in use alongside Latin in the Kingdom of Croatia and alongside Cyrillic until the 14th century in the Second Bulgarian Empire and the Serbian Empire, and later mainly for cryptographic purposes.
The Liber Linteus Zagrabiensis is the longest Etruscan text and the only extant linen book, dated to the 3rd century BC, making it arguably the oldest extant European book. Much of it is untranslated because of the lack of knowledge about the Etruscan language, though the words and phrases which can be understood indicate that the text is most likely a ritual calendar. Miles Beckwith points out with regard to this text that "in the last thirty or forty years, our understanding of Etruscan has increased substantially," and L. B. van der Meer has published a word-by-word analysis of the entire text.
Ivan Kukuljević Sakcinski was a Croatian historian, politician, and writer, most famous for delivering the first speech in Croatian before Parliament. Considered a renowned patriot, Kukuljević was a proponent of Illyrian movement and avid collector of historical documents, primarily those for his work in Croatian historiography and bibliography.
Plomin tablet is a Glagolitic inscription in Croatian at the outer wall of the church of Saint George in Plomin, Croatia. Roman god of flora and fauna Silvanus is portrayed. This inscription bears witness of early parallelism of two cultural currents on Istrian territory: Romance symbol is an Antique relief, and Slavic, i.e. Croatian symbol is the Croatian language and Glagolitic script.
Viktor Novak was a Yugoslav Croat historian, professor at the University of Belgrade and full member of the Serbian Academy of Sciences and Arts (SANU), and a corresponding member of the Yugoslav Academy of Sciences and Arts (JAZU).
The Church of St. Lucy in Jurandvor near Baška, Krk, Croatia is a Romanesque Catholic church from the year 1100 with two major medieval Croatian artifacts: the Baška Tablet, and a checkerboard-pattern carving on the bell tower that is suspected to be one of the first instances of the Croatian coat of arms.
Branko Fučić was a Croatian art historian, archeologist and paleographer.
Missal of duke Novak was a 14th-century Glagolitic missal. The letters of the missal were later used for the first Croatian printed book Missale Romanum Glagolitice.
Angular Glagolitic, also known as Croatian Glagolitic, is a style of Glagolitic book hand, developing from the earlier Rounded Glagolitic. Many letters present in Rounded Glagolitic were gradually abandoned: ⱏ, ⱐ, ⱔ, ⱘ, ⱙ, ⱚ, ⱛ and to a large extent ⰿ and ⱗ. Others were introduced, like ⱜ.
Dimitri's Psalter is an 11th-century Glagolitic manuscript containing verses from the Psalms.
↑ Hrvatsko arheološko društvo (1891). Vjesnik Hrvatskog arheološkog društva. 13 (3).{{cite journal}}: Missing or empty |title= (help)
1 2 3 Jelić, Luka (1898). "Povjesno-topografske crtice o biogradskom primorju (Tkonski samostan)". Vjesnik Hrvatskog arheološkog društva, NS. 3.
↑ Klarić, M. (1929). "Važan neopaženi natpis iz hrvatske prošlosti na nadvratniku crkve Bl. Gospe u Tukljači". Vjesnik za arheologiju i historiju dalmatinsku. 50: 200–226.
1 2 3 Bošnjak, Mladen (1964). "Tragom prvih hrvatskih tiskara". Bulletin razreda za likovne umjetnosti Jugoslavenske akademije znanosti i umjetnosti. 12 (1–2). Zagreb: 88–92.
↑ Sila, M. (21 July 1883). "Kontovelj-Mokolán-Prosek". Edinost. Vol.58. Trieste.
↑ Sila, M. (29 July 1883). "Kontovelj-Mokolán-Prosek". Edinost. Vol.59. Trieste.
↑ Cuscito, Giuseppe (1982). Storia di Trieste Cristiana attraverso le sue chiese. Vol.1. Trieste.{{cite book}}: CS1 maint: location missing publisher (link)
↑ von Rziha, Franz Ritter (1890). "207". Mitteilungen der K.K. Zentral-Kommission zur Erforschung und Erhaltung der Kunst- und Historischen Denkmale: 267.
1 2 Šupuk, Ante (1957). Šibenski glagoljski spomenici (in Croatian). Zagreb.{{cite book}}: CS1 maint: location missing publisher (link)
1 2 Gnirs, Anton (1917). Alte und neue Kirchenglocken (in German). Vienna.{{cite book}}: CS1 maint: location missing publisher (link)
1 2 Muzejski povjerenici (1901). "Izvještaj muzejskih povjerenika i prijatelja". Vjesnik hrvatskog aheološkog društva. 5: 253.
↑ von Littrow, Heinrich (1884). Fiume und seine Umgebungen. Rijeka.{{cite book}}: CS1 maint: location missing publisher (link)
↑ Doocesi di Trieste (1940). Prospetto della diocesi di Trieste e Capodistria.
1 2 Fučić, Branko (1912). "Glagoljski natpis iz Šterne". Slovo: časopis Staroslavenskoga instituta u Zagrebu (in Croatian). 11–12: 167–180.
↑ Szabo, Gjuro (1940). Arhitektura grada Senja. Hrvatski kulturni spomenici. Vol.1. Zagreb.{{cite book}}: CS1 maint: location missing publisher (link)
↑ Rančić, Hrvoje (2014). "Izgubljeni privlački natpis iz 1546. godine". Slovo rogovsko. 2: 41–42.
↑ Bobanović, Mate (2020). "Glagoljaška ostavština don Luke Jelića". Svećenici glagoljaši i njihova ostavština. Zagreb, Zadar. pp.111–138.{{cite book}}: CS1 maint: location missing publisher (link)
↑ Milčetić, Ivan (1883). "Glagoljski nadpis iz Belog na otoku Cresu". Vjesnik hrvatskog arheološkog društva (in Croatian). V (3): 77–80.
↑ Mader, Brigitta (1987). "Non procul a fonte Timavi: Ein glagolitisches Graffito in San Giovanni di Duino". Österreichische Osthefte. 29. Vienna: 340–346.
1 2 Fučić, Branko (1978). "Rekonstrukcija glagoljskih natpisa u Humu". Rad JAZU. 381. Zagreb: 128–130.
↑ Fučić, Branko (1966). "Istarski glagoljski grafiti". Bulletin za likovne umjetnosti JAZU. 14 (1–3).
1 2 3 4 5 6 7 Kobler, Giovanni (1898). Memorie per la storia della liburnica città di Fiume (in Italian). Vol.1. Rijeka.{{cite book}}: CS1 maint: location missing publisher (link)
1 2 3 4 Bistrović, Željko. "Kulturnopovijesna važnost crkve Sv. Ivana u Lovranu". Zbornik Lovranšćine (1): 255–279.
1 2 3 4 Ljubić, Šime (1874). Razvod istarski u latinskom i talijanskom jeziku. Zagreb.{{cite book}}: CS1 maint: location missing publisher (link)
↑ Barbalić, Fran (1931). Vjerska sloboda Hrvata i Slovenaca u Istri, Trstu i Gorici. Zagreb.{{cite book}}: CS1 maint: location missing publisher (link)
1 2 Strgačić, A. (1935). "Svećenici iz župe Sali od početka XVII vijeka do danas". Croatia sacra. 5 (9–10).
↑ Štefanić, Vjekoslav (1953). "Glagoljica u Rijeci". Zbornik Rijeka. Zagreb.
↑ Deković, Darko (2005). Zapisnik misni kaptola riečkoga: Istraživanja o riječkome glagoljaškome krugu. Posebna izdanja (in Croatian). Rijeka: Matica hrvatska – Ogranak u Rijeci. ISBN953-6035-16-2.
↑ Deković, Darko (2011). Istraživanja o riječkome glagoljskom krugu. Hrvatska jezična baština (in Croatian). Zagreb: Matica hrvatska. ISBN978-953-150-908-4.
↑ Borri, Giuseppe; Parentin, Luigi (1972). "I graffiti della Basilica di Muggia Vecchia". Atti e memorie della Societa istriana di archeologia e storia patria. 20–21: 127–182.
↑ Geitler, Lavoslav Václav (1879-04-01). "Glagoljski nadpisi". Viestnik Hrvatskoga arkeologičkoga družtva (in Croatian). 1 (2): 44–45.
↑ Fučić, Branko (1980). "Glagoljica i dalmatinski spomenici"[The "Glagolitsa" and the Dalmatian Monuments]. Prilozi povijesti umjetnosti u Dalmaciji (in Croatian). 21 (1): 274–284.
↑ Iveković, Ćiril Metod (1928). "Dugi otok i Kornat". Rad JAZU (in Croatian). 235. Zagreb: 245–279.
↑ Petricioli, I. (1974). "Građevni i umjetnički spomenici srednjega vijeka na zadarskim otocima". Zadarsko otočje. Zadar. pp.92–93.{{cite book}}: CS1 maint: location missing publisher (link)
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