Big Brother is a character and symbol in George Orwell's dystopian 1949 novel Nineteen Eighty-Four. He is ostensibly the leader of Oceania, a totalitarian state wherein the ruling party, Ingsoc, wields total power "for its own sake" over the inhabitants.
Eric Arthur Blair was an English novelist, poet, essayist, journalist and critic who wrote under the pen name of George Orwell. His work is characterised by lucid prose, social criticism, opposition to all totalitarianism and support of democratic socialism.
Eric Gordon Corley, also frequently referred to by his pen name of Emmanuel Goldstein, is a figure in the hacker community. He directs the non-profit organization 2600 Enterprises, Inc., publishes a magazine called 2600: The Hacker Quarterly, and hosts the hacker convention Hackers on Planet Earth (HOPE). His pseudonym is derived from the fictional opposition leader in George Orwell's dystopian novel Nineteen Eighty-Four.
In the dystopian novel Nineteen Eighty-Four, thoughtcrime is the offense of thinking in ways not approved by the ruling Ingsoc party. In the official language of Newspeak, the word crimethink describes the intellectual actions of a person who entertains and holds politically unacceptable thoughts; thus the government of The Party controls the speech, the actions, and the thoughts of the citizens of Oceania.
A fictional country is a country that is made up for fictional stories, and does not exist in real life, or one that people believe in without proof. Sailors have always mistaken low clouds for land masses, and in later times this was given the name Dutch capes. Other fictional lands appear most commonly as settings or subjects of myth, literature, film, or video games. They may also be used for technical reasons in actual reality for use in the development of specifications, such as the fictional country of Bookland, which is used to allow European Article Number "country" codes 978 and 979 to be used for ISBNs assigned to books, and code 977 to be assigned for use for ISSN numbers on magazines and other periodicals. Also, the ISO 3166 country code "ZZ" is reserved as a fictional country code.
Telescreens are two-way video devices that appear in George Orwell's dystopian novel Nineteen Eighty-Four. Omnipresent and almost never turned off, they are an unavoidable source of propaganda and tools of surveillance.
We is a dystopian novel by Russian writer Yevgeny Zamyatin that was written in 1920–1921. It was first published as an English translation by Gregory Zilboorg in 1924 by E. P. Dutton in New York, with the original Russian text first published in 1952. The novel describes a world of harmony and conformity within a united totalitarian state that is rebelled against by the protagonist, D-503. It influenced the emergence of dystopia as a literary genre. George Orwell said that Aldous Huxley's 1931 Brave New World must be partly derived from We, although Huxley denied this. Orwell's own Nineteen Eighty-Four (1949) was also inspired by We.
Sonia Mary Brownell, better known as Sonia Orwell, was the second wife of writer George Orwell. Sonia is believed to be the model for Julia, the heroine of Nineteen Eighty-Four.
Paradyzja is a 1984 science fiction novel by Polish writer Janusz A. Zajdel.
Social science fiction is a subgenre of science fiction, usually soft science fiction, concerned less with technology or space opera and more with speculation about society. In other words, it "absorbs and discusses anthropology" and speculates about human behavior and interactions.
The mythology of the Stargate franchise is a complex and eclectic fictional backstory, which is presented as being historical, of the Stargate premise. A "rich mythology and world-building" are used to establish "a vast cosmology and an interesting alternate take on the history of Earth"; a defining feature is "its use of ancient mythology, with stories that take inspiration from multiple places around the globe". Narratives center around xeno-mythology as experienced by humans during episodic contact with alien races. Audiences across a variety of platforms - including TV series, novels, comics and movies - witness the people of Earth exploring a fictional universe using the Stargate. Species established early on in the franchise recur throughout, with one adversary often dominating a particular story arc, which can continue across several seasons.
A parallel novel is an in-universe pastiche piece of literature written within, derived from, or taking place during the framework of another work of fiction by the same or another author with respect to continuity.
Planets outside of the Solar System have appeared in fiction since at least the 1850s, long before the first real ones were discovered in the 1990s. Most of these fictional planets do not differ significantly from the Earth, and serve only as settings for the narrative. The majority host native lifeforms, sometimes with humans integrated into the ecosystems. Fictional planets that are not Earth-like vary in many different ways. They may have significantly stronger or weaker gravity on their surfaces, or have a particularly hot or cold climate. Both desert planets and ocean planets appear, as do planets with unusual chemical conditions. Various peculiar planetary shapes have been depicted, including flattened, cubic, and toroidal. Some fictional planets exist in multiple-star systems where the orbital mechanics can lead to exotic day–night or seasonal cycles, while others do not orbit any star at all. More fancifully, planets are occasionally portrayed as having sentience, though this is less common than stars receiving the same treatment or a planet's lifeforms having a collective consciousness.
George Orwell's 1949 dystopian political novel Nineteen Eighty-Four, has been adapted for the cinema, radio, television, theatre, opera and ballet.
Emmanuel Goldstein is a fictional character and the principal enemy of the state of Oceania in the dystopian novel Nineteen Eighty-Four (1949), by George Orwell. The political propaganda of The Party portrays Goldstein as the leader of The Brotherhood, a secret, counter-revolutionary organization who violently oppose the leadership of Big Brother and the Ingsoc régime of The Party.
A dystopia, also called a cacotopia or anti-utopia, is a community or society that is extremely bad or frightening. It is often treated as an antonym of utopia, a term that was coined by Thomas More and figures as the title of his best known work, published in 1516, which created a blueprint for an ideal society with minimal crime, violence, and poverty. The relationship between utopia and dystopia is in actuality, not one of simple opposition, as many dystopias claim to be utopias and vice versa.
The bibliography of George Orwell includes journalism, essays, novels, and non-fiction books written by the British writer Eric Blair (1903–1950), either under his own name or, more usually, under his pen name George Orwell. Orwell was a prolific writer on topics related to contemporary English society and literary criticism, who has been declared "perhaps the 20th century's best chronicler of English culture." His non-fiction cultural and political criticism constitutes the majority of his work, but Orwell also wrote in several genres of fictional literature.
Nineteen Eighty-Four is a dystopian novel and cautionary tale by English writer George Orwell. It was published on 8 June 1949 by Secker & Warburg as Orwell's ninth and final book completed in his lifetime. Thematically, it centres on the consequences of totalitarianism, mass surveillance, and repressive regimentation of people and behaviours within society. Orwell, a staunch believer in democratic socialism and member of the anti-Stalinist Left, modelled the Britain under authoritarian socialism in the novel on the Soviet Union in the era of Stalinism and on the very similar practices of both censorship and propaganda in Nazi Germany. More broadly, the novel examines the role of truth and facts within societies and the ways in which they can be manipulated.
The near future has been used as a setting in many works, usually but not limited to the genre of science fiction. It has become increasingly common in works from the 18th century onward, with some of the classic works in the genre being Jules Verne's Journey to the Centre of the Earth (1864) and H. G. Wells' The War of the Worlds (1898). 20th century saw works such as George Orwell's Nineteen Eighty-Four (1949) or the novels of William Gibson, the latter representing the emergence of the popular cyberpunk genre. While some, particularly early, works of this genre are optimistic showcases of technological and societal progress, many others are discussing emergent social problems such as environmental problems, overpopulation, oppressive political regimes or the possibility of a nuclear holocaust.
