"Milk" | ||||
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Single by Garbage feat. Tricky | ||||
from the album Garbage | ||||
Released | October 7, 1996 | |||
Recorded | April 1994 –May 1995 | |||
Studio | Smart (Madison, Wisconsin) | |||
Genre | Alternative rock [1] | |||
Length | 3:56 | |||
Label | Mushroom, Almo Sounds | |||
Songwriter(s) | Garbage | |||
Producer(s) | Garbage | |||
Garbage feat. Tricky singles chronology | ||||
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"Milk" is a song written and produced by American alternative rock band Garbage from their self-titled debut studio album (1995). The song was released internationally the following year as the album's fifth and final single. Garbage collaborated with trip hop musician Tricky on a new version of "Milk" for single release. Much media comment was made regarding a rumoured fall-out over the sessions, when it became known that Garbage produced a further mix of "Milk" that only incorporated Tricky's vocals from that session. [2]
After an acclaimed live performance of the new recording of "Milk" at the 1996 MTV Europe Music Awards, as well as winning the Best Breakthrough Act, "Milk (The Wicked Mix feat. Tricky)" debuted at number 10 on the UK Singles Chart, [3] outselling the previous single "Stupid Girl". [4] A mix that deleted Tricky's vocal, "Milk (The Siren mix)", charted in Germany, Australia and New Zealand. [5]
In North America, "Milk" was released alongside album cut "Supervixen" as part of a dual-single strategy to build upon the momentum built from the success of previous single "Stupid Girl". The single release was supported by Garbage's support slot for the Smashing Pumpkins Infinite Sadness arena tour [6] and pre-empted the release of a home video compilation of all the band's music videos. Both "Milk" and "Supervixen" failed to chart when alternative radio chose to heavily support their soundtrack feature "#1 Crush" instead. [7]
"Milk" was written and recorded by the band at their own recording studio in Madison, Wisconsin during the 1994–95 sessions for Garbage, and was the first track that Shirley Manson wrote from scratch. [8] Guitarist Duke Erikson had happened to walk past Manson as she strummed an acoustic guitar in their studio lounge. He thought the melody she was humming was interesting and took the idea to the rest of the band: Steve Marker and drummer Butch Vig. Within an hour, they had set up a mic in the control room, Vig programmed some drum loops, Marker played bass and Erikson fired up the mellotron. Shirley's vocal (aside from overdubs) was recorded in a single take facing the control room speakers. [9] The main body of the song was recorded in 45 minutes. [9] At a later point, Garbage recorded some ambient textures for the track, and even had a clarinet part recorded, but these were ultimately removed in favour of keeping the production simple. "It just had a really beautiful kind of feeling to it", explained Manson, "We tried to recreate it in the booth, but it just sounded flat." [9] Vig elaborated: "When it came to mix, we just left it the way we had [originally] recorded it". [9]
Manson had told the rest of the band [when she joined Garbage] that she was a songwriter, but the truth was that she had little input in the songwriting team that formed the core of her previous band: "As the lead singer, I was left most of the time with coming up with the melody and the licks," Manson remembered, ""Milk" was obviously augmented by the rest of Garbage, but the melody and the words are mine". [10] She was inspired by a line in Michael Ondaatje's The Collected Works of Billy the Kid ("her throat is a kitchen") and alluded to it in her lyrics for the song. [11] Manson later described the composition was "a seduction, almost like a siren song", [12] "I really like the vulnerable and sinister side of "Milk". It sounds like it's an innocuous love song and it's not" [9] and again elaborated further: "It's been dismissed by people as the ballad at the end of the album. To me "Milk" is the darkest, most hopeless of the songs. People say "Oh, it's lovey-dovey, so therefore it's a love song". But it's a very bleak song, it's about loss and the fear of loss; about things you can't have and things you will forever wait for." [13]
After Garbage's fifth single "Stupid Girl" had been released internationally, the band's record label were considering what the follow-up single would be; at one point "Supervixen", "Fix Me Now", and "Milk" were all considered. The band performed a headline concert at New York City's Roseland Ballroom in mid-April 1996 and were joined at the aftershow by English trip hop musician Tricky. The two groups hung out for the night, and decided to collaborate on a duet version of "Milk" featuring both Manson and Tricky on vocals. [14] In May, the two acts spent a session in Chicago's CRC Studios working on the new recording. [2] The session was setback with numerous glitches including a malfunctioning tape machine and a mixing console caught fire. [2] Manson found the experience of working with a male vocalist "enchanting and illuminating". [15] Tricky turned off all the lights in the vocal booth and pressed his mic against Manson's as they performed their parts. [16]
Internet rumors abounded that the session had been a disaster, with the band's audio engineer claiming the results were not as expected, and that Tricky himself had been difficult to work with. [2] The band's manager disputed the reported events, placing blame on problems at the recording studio. The band eventually put out a press statement to deny the rumours stating that the session had in fact gone well, the rework of "Milk" was still a work in progress and that further production by both Tricky and Garbage was required. [2] Tricky finished his duet version of "Milk" in New York's Platinum Island Studios; Garbage completed their own guitar-led version of "Milk" in Madison during a break in their world tour. [17] Garbage's rework was finished in two versions; the first was titled the Siren mix and featured only Manson's vocal; the second also incorporated Tricky's vocal and was titled the Wicked mix. [18] Tricky took exception to Garbage releasing their own version as a single instead of his, and complained about the situation to the press.
"Milk" was first released as a single in Australia and New Zealand by Mushroom Records imprint label White. The single was released on October 7, 1996, on CD and cassette single and featured the Siren mix as the A-side, and was backed up with the Wicked mix, Tricky's remix and the original album version. [19] The single coincided with the band's first live dates in both countries, which saw the release of a tour edition of the album reach number four on the ARIA chart and number one on the RIANZ chart. [20] [21] Garbage made their first televised performance on Australian television on Hey Hey It's Saturday performing the single. A second "Milk" CD single was subsequently issued to stores containing the B-side "Alien Sex Fiend", the band's own house mix of "Dog New Tricks", and remixes of "Milk", "Stupid Girl" and "Queer" by Rabbit In the Moon, Todd Terry and Danny Saber respectively. [22] "Milk" debuted at number 48 on the Australian Singles Chart in early November 1996; the single then re-entered the chart in December and peaked at number 44. [23] In New Zealand, "Milk" spent a single week at number 50. [24]
The Wicked remix of "Milk" featuring Tricky impacted UK radio stations in mid-October 1996 and was A-listed by both BBC Radio 1 and Virgin Radio. [25] "Milk" subsequently reached number 19 on the airplay chart. [25] Mushroom pre-empted the UK release of "Milk" by issuing three limited "taster" 12-inch singles through HMV stores in late October; the actual commercial release was on November 11. Two CD singles and a limited-edition 7-inch vinyl were distributed to stores, each featuring the Wicked mix, and with remixes of "Milk" by Massive Attack, Goldie, Tricky and Rabbit in The Moon, and remixes of "Stupid Girl" by Danny Saber and Todd Terry spread across the formats. [5] The 14,000 copy limited edition 7-inch vinyl format came housed in a white ripple-effect card sleeve, with a videogram image mounted on front, and a nine-panel white and blood red poster within. [5] During the week of release, Garbage won the Best Breakthrough Act award and performed "Milk" live at the MTV Europe Music Awards in London. "Milk" debuted on the UK Singles Chart at number 10, becoming the band's second top-10 entry on the chart. [3] To mark the high position, Garbage performed a live videolink performance of the song from Atlanta for broadcast on Top of The Pops . "Milk" spent eight weeks on the UK charts, and sold over 135,000 copies. [4]
Across Europe, "Milk" received heavy support from radio, peaking at number three on Music & Media's Alternative Rock chart in December [26] and climbing to number 24 on the European Top 50 airplay chart by January. [27] Bertelsmann Music Group released two CD singles for "Milk", backed with remixes, to record stores. In Germany, modest sales of "Milk" led to a seven-week run on their singles chart, peaking at number 84. [28]
In North America, Almo Sounds enacted a dual-single release strategy; "Supervixen" would go to alternative radio, followed by "Milk" at Triple A radio stations [29] However, only "Milk" would be commercially released to retail, [30] a cassette single initially, followed by the CD single a week later, both backed with the new versions and a Rabbit in the Moon remix. [31] On November 18, Almo serviced additional Rabbit in the Moon mixes to nightclubs. [32] The single sales of "Milk" posted a modest number-18 entry on the Bubbling Under Hot 100 Singles chart, which ranks the most popular songs in the United States that have yet to enter the Hot 100. [33]
The chart impact of both singles was curtailed by the late October impact of a new remix of "#1 Crush" (from William Shakespeare's Romeo + Juliet: Music from the Motion Picture ) on Capitol Records, which alternative stations quickly added, [34] dropping "Supervixen" almost immediately from their playlists throughout the country. [35] As the soundtrack was not on their label, Almo refused to support "#1 Crush" and were adamant on making "Milk" a hit. [7] Despite this resistance, in January 1997, "#1 Crush" hit number one on the alternative charts in both the United States and Canada; [36] [37] and gain modest traction at Top 40 radio. [38] Despite not gaining much traction at radio, commercial sales of "Milk" enabled the single to re-enter the Bubbling Under Hot 100 Singles chart at number 15 and peak a week later at number six [39] and hanging on until at the end of February. [40]
The music video for "Milk" was shot in London by director Stéphane Sednaoui. Originally scheduled to shoot in Paris while the band were in France on tour, it was more-cost effective to relocate the shoot to the UK and fly the band over and back. Two edits were completed: a single-take version for the album mix and a second version with some extra shots of Shirley for the Wicked/Siren mix.
In the United States, VH1 added the "Milk" video to its playlist from November 11, [41] MTV following suit. a week later. [42] In December, MTV Europe certified the video a Buzz Bin clip. [43]
The single-take album version "Milk" video was first commercially released on 1996's Garbage Video VHS and Video-CD. [44] A remastered version (a hybrid of the footage from the remix dubbed with the album version) was included on Garbage's 2007 greatest hits DVD Absolute Garbage . [45]
David Christophere, who produced under the name of Rabbit in the Moon, was solicited to remix Garbage by Butch Vig himself, through DJ Jason Bentley, after hearing Christophere's work on Sarah McLachlan's "Fear". He remixed "Milk", which was his preferred choice, after completing remixes of both "Queer" and "Stupid Girl". Christophere produced two versions of "Milk"; one downtempo ("Butchered Vegas mix"), and one in a club style ("Got It mix"), utilizing Manson's breathing vocal track over a house beat inspired by Deep Dish. Christophere sampled sounds from various sources, such as Pink Floyd, Kraftwerk, Madonna, Plastikman, Portishead and musical cues from Monty Python and Halloween in his mixes.
"Milk" was the first major remix project undertaken by Massive Attack in four years. One of their mixes, the "D Mix" featured a 22-piece live orchestra. [18]
In the three weeks before the commercial release of "Milk", Mushroom distributed to HMV stores a three-part 12-inch vinyl set as a "taster release". These were limited to 500 copies each and were packaged in a die-cut embossed card sleeve (one leather look, one gravel, one rippled), each with a different Dayglo colour inner jacket to identify which mix it is. [5] In May 1997, Mushroom pressed a set of four remix 12-inch vinyl (one each of "Queer" and "Stupid Girl", and two of "Milk") to record stores in plain black card sleeves. The first "Milk" 12-inch featured three remixes by Massive Attack and the second featured the two Goldie mixes.
In 2007, "Milk" was remastered and included on Garbage's greatest hits album Absolute Garbage . [45] In 2015, "Milk", the Tricky remix, both Wicked and Siren mixes, and nine club remixes were remastered and released on Garbage (20th Anniversary Super Deluxe Edition). The digital bundle also included the previously unreleased "Primal mix" by Massive Attack. [46]
In a review of the debut album for Kerrang! , Paul Rees called "Milk" an "elegant hymn", adding that "impressive and evocative of Ridley Scott's vision of the dark, decaying cityscape of future Los Angeles in Blade Runner . [47] A year later, the same publication reviewed the "Wicked Mix", stating "a bristling, brilliant reworking of the album track... an inspired fusion. Deep blue shuddering beats and a guitar sound so chilled out it's virtually refrigerated." [48] Jackie Hayden, in an album review for Hot Press , told readers to "pay attention to the "Strawberry Fields Forever"-keyboards which float in to make fleeting appearances". [49] RASP! magazine declared the track the album's highlight, writing ""Milk", a song SexKylie would die for, is an indie-"Confide In Me" that soars ever upward in its frosty majesty". [50] In their album review, The Guardian wrote, "Manson gives her dreamy all on this one, an unbearably lovely, lush ballad. [51] "A divinely spooked, penumbral beauty", wrote Sharon O'Connell in her Melody Maker album write-up, "["Milk" recalls] Julee Cruise's work with Angelo Badalamenti". [52] "Depeche Mode in a pensive mood" wrote Emma Morgan in her NME review, [53] while her colleague M.B.'s write-up for their sister-title Vox described "Milk" as "a stoners midnight Manhattan taxi tour". [54] Pippa Lang, in a review for Metal Hammer , referred to the subtle strain of sadness within songs such as "A Stroke of Luck" and "Milk", describing them as "beautifully melancholic pieces of trancey tragedy". [55]
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Weekly charts
| Year-end charts
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Region | Date | Format | Label |
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Australia | October 7, 1996 | White | |
United States | October 22, 1996 | Airplay: Triple A | Almo Sounds |
November 5, 1996 | Airplay: Top 40 radio [62] | ||
United Kingdom | November 11, 1996 |
| Mushroom |
Europe | 2-CD maxi single set | BMG | |
United States | November 12, 1996 | Cassette single | Almo Sounds |
November 19, 1996 | CD single | ||
United Kingdom | May 5, 1997 | 2-12-inch single set (as Milk Remixes) | Mushroom |
Garbage is a Scottish-American rock band formed in 1993 in Madison, Wisconsin. The band's line-up consisting of Scottish singer Shirley Manson (vocals) and American musicians Duke Erikson, Steve Marker, and Butch Vig has remained unchanged since its inception. All four members are involved in the songwriting and production process. Garbage has sold over 17 million albums worldwide.
Garbage is the debut studio album by American rock band Garbage. It was released on August 15, 1995, by Almo Sounds. The album was met with critical acclaim upon its release, being viewed by some as an innovative recording for its time. It reached number 20 on the US Billboard 200 and number six on the UK Albums Chart, while charting inside the top 20 and receiving multi-platinum certifications in several territories. The album's success was helped by the band promoting it on a year-long tour, including playing on the European festival circuit and supporting the Smashing Pumpkins throughout 1996, as well as by a run of increasingly successful singles culminating with "Stupid Girl", which received Grammy Award nominations for Best Rock Song and Best Rock Performance by a Duo or Group in 1997.
"Stupid Girl" is a song by American rock band Garbage from their self-titled debut studio album (1995). The song was written and produced by band members Duke Erikson, Shirley Manson, Steve Marker and Butch Vig. "Stupid Girl" features lyrics about a young woman's ambivalence and is a musical arrangement centered on a repetitive bassline and a drum sample from the Clash's 1980 song "Train in Vain".
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"Push It" is a song by American rock band Garbage from their second studio album, Version 2.0 (1998). It was released on April 20, 1998, as the album's lead single. Lead singer Shirley Manson elaborated on the song's dreamy verse structure versus the confrontational chorus: "[It's about] the schizophrenia that exists when you try to reconcile your desires and demons with the need to fit in. It's a song of reassurance". The track contains a musical quotation of the Beach Boys' 1964 song "Don't Worry Baby".
"Androgyny" is a rock, pop, and funk song released by American alternative rock group Garbage as the lead single from their third studio album, Beautiful Garbage. Released worldwide in 2001, "Androgyny" represented a shift in the group's style, overtly embracing current music elements into their repertoire. Drummer/producer Butch Vig explained: "To me, some of the most cutting edge music out there is in the Top 40. Some of the songs on Beautiful Garbage, like "Androgyny" and "Untouchable" are influenced by Timbaland and Dr. Dre."
"#1 Crush" is a song by the American rock band Garbage, released internationally as a b-side to their debut single "Vow" (1995), and in the United Kingdom on the b-side to second single "Subhuman" (1995).
"Queer" is a song by American rock band Garbage from their self-titled debut studio album (1995). The song started as a demo during sessions between band members Butch Vig, Duke Erikson, and Steve Marker, and finished after singer Shirley Manson joined the band. Manson rewrote the sexualized lyrics to be more ambiguous, and rearranged the song into a subdued trip hop and rock crossover composition.
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Rabbit in the Moon is an American electronic music group that formed in 1991. Their style draws from psychedelic trance, house music and breakbeat, along with other diverse influences. They were among the first to mix theatrical stage performance with rave music.
"Supervixen" is an alternative rock song written and performed by alternative rock band Garbage and is the opening track on their self-titled debut studio album (1995). The song was titled after Russ Meyer's 1975 sexploitation film Supervixens but was influenced by Pier Paolo Pasolini's period horror art film Salò, or the 120 Days of Sodom, which had been playing on a monitor above the soundboard at Smart Studios when the band were working on it.
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Garbage is an American rock band formed in Madison, Wisconsin, in 1993. The group's discography consists of seven studio albums, three compilation albums, one remix album, one extended play, 37 singles, four promotional singles, three video albums, and 38 music videos. The line-up consists of Scottish vocalist Shirley Manson and Americans Duke Erikson, Steve Marker, and Butch Vig. They have amassed worldwide album sales of over 17 million units.
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ignored (help)SR0000227767; Milk / Garbage; AMSDS 89007; 4 versions; ℗ Almo Sounds, Inc.
SR0000231063; Milk; Queer / Garbage; 33 1/3 rpm; 12 in; ℗ Almo Sounds, Inc.
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