Mold control and prevention is a conservation activity that is performed in libraries and archives to protect books, documents and other materials from deterioration caused by mold growth. Mold prevention consists of different methods, such as chemical treatments, careful environmental control, and manual cleaning. Preservationists use one or a combination of these methods to combat mold spores in library and archival collections.
Due to the resilient nature of mold and its potential for damage to library collections, mold prevention has become an important activity among preservation librarians. Although mold is naturally present in both indoor and outdoor environments, under the right circumstances it can become active after being in a dormant state. Mold growth responds to increased moisture, high humidity, and warm temperatures. [1] Library collections are particularly vulnerable to mold since mold thrives off of organic, cellulose-based materials such as paper, wood, and textiles made of natural fibers. Changes in the moisture in the atmosphere can lead to mold growth and irreparable damage to library collections. [2]
Mold is a generic term for a specific type of fungi. Mildew may also refer to types of mold. Since there are so many species of mold, their appearance varies in color and growth habit. [3] In general, active mold has a musty odor and appears fuzzy, slimy, or damp. Inactive mold looks dry and powdery. [4]
Mold propagates via spores, which are always present in the environment. Mold spores can be transferred to an object by mechanical instruments or air circulation. When spores attach to another organism, and the environment is favorable, they begin to germinate. Mold produce mycelium which growth pattern resembles cobwebs. Mycelium allows the mold to obtain food and nutrients through the host. Inevitably, the mycelium produces spore sacs and release new spores into the air. [3] Eventually the spores land on new material, and the reproductive cycle begins again.
Identifying mold can be a challenge, because some species resemble dust, dirt, or spiderwebs. In addition, staining caused by mold can be confused with water damage. Ultraviolet light and magnification are two tools to aid in identifying mold on library collections. [4]
Poor air circulation, moisture, high temperatures, and environmental humidity are the main causes of mold outbreaks in library collections. When the temperature is above 70 °F (21 °C) and the relative humidity is above 55 percent, mold begins to develop. [5] Collections kept in basements or environments with uncontrolled temperature and humidity are most likely to be impacted by a mold outbreak. [3]
Mold is a dangerous library pest because of the damage it causes to the collections. Mold thrives off of paper and books; these objects provide the fungi a source of nutrition, namely the sugar and starches present in the cellulose materials. [6] Mold feeds on cloth, leather, glues, adhesives, cellulose starch and starches in the sizing. Frequently, mold is noticed on the bindings long before it begins on the text blocks. By feeding on books, mold can cause the paper to become thin, soft, or spongy. Images and decorative elements can be completely destroyed or, at the very least, become stained.
When a book or paper becomes moldy, the fungi will digest its food source, paper and cloth (such as book covers and bindings) in order to survive. This process stains and destroys books, papers, and other library collections over time. [7] During their growth mold and mildew produce citric, gluconic, oxalic, or other organic acids that can damage paper, leather, cloth, etc. They also at times produce color bodies, leading to staining which is difficult to remove. [8] [ better source needed ] Mold will continually grow until it uses up its food source, which means a library collection could be totally consumed. Unless every mold spore is treated, the issue will just return. Mold's enduring nature makes treatment difficult and prevention all the more necessary.
The only way to control mold is by altering conditions conducive to its growth. [9] The generally accepted threshold for mold growth is about 15% moisture content because the predominant cause of mold is excess water. Excess water can come from liquid water, as a result of leaks, or water vapor, as a result of high relative humidity due to improper storage, faulty humidifiers, or HVAC malfunctions. While most research shows that fungal growth is most prevalent in conditions in which relative humidity is above 60%, humidity levels below this threshold alone will not prevent mold growth, given the fact that favorable germination environments vary from species to species. [10]
Many libraries monitor a building's atmosphere through the use of HVAC systems. These built-in ventilation systems help to combat mold growth that occurs as a result of relative humidity levels greater than 65% and temperature greater than 70 °F (21 °C), as well poor air circulation. [11] Proper use and monitoring of HVAC systems can help to prevent mold problems before they occur. Air ventilation removes existing mold spores from the air and keeps the atmosphere relatively dry and cool. Effective HVAC systems have a good system design and the ability to provide environmental control over entire building areas. Proper maintenance of equipment also lowers the chances that issues will arise due to system outages . [12] At 70 °F (21 °C) and 50% relative humidity, the equilibrium moisture content of the environment would be 9.2%, low enough to prevent mold growth. However, proper air flow and air exchange is required to effectively disrupt the boundary layers of air around room contents, which can have high water vapor levels within the surrounding dry air and promote mold amplification.
Manual methods such as HEPA filtered vacuuming serves as a backup to eliminating mold via environmental control. HEPA vacuums possess air filters that do not allow mold to be spread into the air again. Installing drying fans, wiping dry books and surrounding furniture, as well as air ducts and shelves will also help to prevent further infestations. In extreme cases, some books and items are discarded to protect the rest of the collection from being affected. These preservation activities are provided by available library staff or hired contractors. [13] [14]
Proper storage practices can be effective in preventing mold growth. Storing materials away from exterior walls and damp areas like basements can reduce the risk of mold growth. [15] In addition, the use of desiccants can control humidity inside enclosed containers. [16]
Proper handling of affected or damaged materials prevents mold from spreading. Because mold spores are released into the air, it is recommended to wear an NIOSH-rated respirator before coming into contact with affected materials. [17] Nitrile gloves should be worn to protect the skin from contact with mold. [18] In extreme cases, a full-body hazmat suit may be required. Materials must always be treated on a surface that can be cleaned with bleach or on neutral, disposable materials such as unprinted newsprint.
Mold is harmful to materials, and may cause mold health issues in humans. When a library collection experiences a mold outbreak, actions need to be taken to ensure preservation of materials and the good health of the people involved. Mold is more hazardous to those who have allergies or suffer from respiratory problems such as asthma. [19] Some mold species can irritate other parts of the body through prolonged exposure. In some cases, protective clothing is necessary when handling mold found on library collections.
Mold spores are always present in the environment and when conditions are favorable, mold will occur. [20] Regular monitoring of the collection through visual inspection and environmental controls is essential to prevent an outbreak.
Mold leaves a visual indication of its presence. Though mold can be any color, gray and black spots coupled with a musty odor can indicate the presence of mold. [21] [ better source needed ] Books with these indicators can be isolated and treatment steps can be implemented. Books in the surrounding area can be monitored in case of further infestation. Presence of water or condensation and dust are other factors to look out for that can encourage mold growth. Regular cleaning and inspections will help monitor for mold growth.
The control and regular monitoring of temperature and humidity levels is vital to prevent mold growth. Guidelines suggest that temperatures be maintained between 65–70 °F (18–21 °C) and relative humidity between 45%-65%. [22] HVAC systems can be utilized and monitored to ensure these levels are maintained. Temperature and humidity values can be systematically measured and recorded to document conditions, to alert of severe fluctuations, and to indicate the functionality of the climate control systems. [23] The systems themselves should be regularly checked for accuracy and functionality.
Preservation librarians use a number of different chemicals to prevent the growth of mold spores. Chemical compounds such as ethylene oxide, thymol, and orthophenyl phenol are regularly used. [24]
Chlorine dioxide is a chemical that started growing in popularity in the early 2000's due its safety level for library employees and patrons. [25] These chemicals act as effective sporicides in a variety of library settings. They are applied on books and surrounding shelves by manual wiping or using chlorine packets that release the chemicals in gaseous form into the air. [26]
Chemical treatments are often used in enclosed storage areas with little air circulation. They are also used to deal with emergency situations involving mold outbreaks caused by pipe leaks in buildings. In 2000, the University of Oklahoma Libraries conducted an evaluation of the effects of chlorine packets on mold growth. Paper items that had been exposed to the substance showed lower overall pH levels than items that had not been treated. Although long-term effects of chemical treatments on paper permanence and other library materials have not been documented, libraries use this newer method of controlling mold in the stacks. [27]
Freeze drying or ultraviolet light exposure are other ways to inhibit mold growth, although they do not kill mold spores permanently. Eliminating mold through these methods is challenging due to paper degradation caused by light exposure over time. There are also some mold species that have preferences for colder temperatures. Freezing and UV exposure are used as a temporary means to stop mold from spreading throughout library collections. [28]
A mold or mould is one of the structures that certain fungi can form. The dust-like, colored appearance of molds is due to the formation of spores containing fungal secondary metabolites. The spores are the dispersal units of the fungi. Not all fungi form molds. Some fungi form mushrooms; others grow as single cells and are called microfungi.
Indoor air quality (IAQ) is the air quality within and around buildings and structures. IAQ is known to affect the health, comfort, and well-being of building occupants. Poor indoor air quality has been linked to sick building syndrome, reduced productivity, and impaired learning in schools. Common pollutants of indoor air include: secondhand tobacco smoke, air pollutants from indoor combustion, radon, molds and other allergens, carbon monoxide, volatile organic compounds, legionella and other bacteria, asbestos fibers, carbon dioxide, ozone and particulates. Source control, filtration, and the use of ventilation to dilute contaminants are the primary methods for improving indoor air quality.
Mildew is a form of fungus. It is distinguished from its closely related counterpart, mould, largely by its colour: moulds appear in shades of black, blue, red, and green, whereas mildew is white. It appears as a thin, superficial growth consisting of minute hyphae produced especially on living plants or organic matter such as wood, paper or leather. Both mould and mildew produce distinct offensive odours, and both have been identified as the cause of certain human ailments.
Structural dampness is the presence of unwanted moisture in the structure of a building, either the result of intrusion from outside or condensation from within the structure. A high proportion of damp problems in buildings are caused by ambient climate dependent factors of condensation and rain penetration. Capillary penetration of fluid from the ground up through concrete or masonry is known as "rising damp" and is governed by the shape and porosity of the construction materials through which this evaporation-limited capillary penetration takes place. Structural damp, regardless of the mechanisms through which it takes place, is exacerbated by higher levels of humidity.
With respect to cultural property, conservation science is the interdisciplinary study of the conservation of art, architecture, technical art history and other cultural works through the use of scientific inquiry. General areas of research include the technology and structure of artistic and historic works. In other words, the materials and techniques from which cultural, artistic and historic objects are made.
The conservation and restoration of parchment constitutes the care and treatment of parchment materials which have cultural and historical significance. Typically undertaken by professional book and document conservators, this process can include preventive measures which protect against future deterioration as well as specific treatments to alleviate changes already caused by agents of deterioration.
Mold or mould, also sometimes referred to as mildew, is a fungal growth that develops on wet materials. Mold is a natural part of the environment and plays an important part in nature by breaking down dead organic matter such as fallen leaves and dead trees; indoors, mold growth should be avoided. Mold reproduces by means of tiny spores. The spores are like seeds, but invisible to the naked eye, that float through the air and deposit on surfaces. When the temperature, moisture, and available nutrient conditions are correct, the spores can form into new mold colonies where they are deposited. There are many types of mold, but all require moisture and a food source for growth.
Byne's disease, more accurately known as Bynesian decay, is a peculiar and permanently damaging condition resulting from an ongoing chemical reaction which often attacks mollusk shells and other calcareous specimens that are in storage or on display for long periods of time. It is a form of efflorescence of salts formed by the reaction of acidic vapors with the basic calcareous surface. The efflorescence can sometimes superficially resemble a growth of mold. Although first described in the early 19th century, Bynesian decay was not well understood until almost a hundred years later. The condition is named after the man who is best known for describing it in the late 19th century, even though he was not the first person to describe it in print. In addition, Byne mistakenly assumed that the condition was caused by bacteria, and thus the condition came to be referred to as a "disease".
Conservation and restoration of movable cultural property is a term used to denote the conservation of movable cultural property items in libraries, archives, museums and private collections. Conservation encompasses all the actions taken toward the long-term preservation of cultural heritage. Activities include examination, documentation, treatment, and preventive care, which is supported by research and education. Object conservation is specifically the actions taken to preserve and restore cultural objects. The objects span a wide range of materials from a variety of cultures, time periods, and functions. Object conservation can be applied to both art objects and artifacts. Conservation practice aims to prevent damage from occurring, a process known as 'preventive conservation'. The purpose of preventive conservation is to maintain, and where possible enhance, the condition of an object, as well as managing deterioration risks, such as handling and environmental conditions. Historically, object conservation was focused on the category of fine arts but now many different types of objects are conserved. Each type of object material, typically denoted by organic or inorganic then the specific medium, requires a specialized professional conservator and often requires collaborative work between museum staff, scientists, and conservators.
Collection maintenance is an area of collections management that consists of the day-to-day hands on care of collections and cultural heritage. The primary goal of collections maintenance or preventive conservation is to prevent further decay of cultural heritage by ensuring proper storage and upkeep including performing regular housekeeping of the spaces and objects and monitoring and controlling storage and gallery environments. Collections maintenance is part of the risk management field of collections management. The professionals most involved with collections maintenance include collection managers, registrars, and archivists, depending on the size and scope of the institution. Collections maintenance takes place in two primary areas of the museum: storage areas and display areas.
The conservation and restoration of books, manuscripts, documents, and ephemera is an activity dedicated to extending the life of items of historical and personal value made primarily from paper, parchment, and leather. When applied to cultural heritage, conservation activities are generally undertaken by a conservator. The primary goal of conservation is to extend the lifespan of the object as well as maintaining its integrity by keeping all additions reversible. Conservation of books and paper involves techniques of bookbinding, restoration, paper chemistry, and other material technologies including preservation and archival techniques.
Integrated pest management in museums, libraries, archives and private collections is the practice of monitoring and managing pest and environmental information with pest control methods to prevent pest damage to collections and cultural property. Preserving cultural property is the ultimate goal for these institutions. The pests come in many different forms: insects, mites, rodents, bats, birds, and fungi and the two most common types are insects and fungi. It is widely recommended that every museum have some form of pest control in place and monitoring system to protect their collection and that museums review their storage and museum facilities to determine how to best control and prevent pest infestations while utilizing an Integrated Pest Management plan.
Conservation-restoration of bone, horn, and antler objects involves the processes by which the deterioration of objects either containing or made from bone, horn, and antler is contained and prevented. Their use has been documented throughout history in many societal groups as these materials are durable, plentiful, versatile, and naturally occurring/replenishing.
The conservation and restoration of paintings is carried out by professional painting conservators. Paintings cover a wide range of various mediums, materials, and their supports. Painting types include fine art to decorative and functional objects spanning from acrylics, frescoes, and oil paint on various surfaces, egg tempera on panels and canvas, lacquer painting, water color and more. Knowing the materials of any given painting and its support allows for the proper restoration and conservation practices. All components of a painting will react to its environment differently, and impact the artwork as a whole. These material components along with collections care will determine the longevity of a painting. The first steps to conservation and restoration is preventive conservation followed by active restoration with the artist's intent in mind.
The conservation and restoration of film is the physical care and treatment of film-based materials. These include photographic film and motion picture film stock.
The conservation and restoration of wooden artifacts refers to the preservation of art and artifacts made of wood. Conservation and restoration in regards to cultural heritage is completed by a conservator-restorer.
The conservation and restoration of photographic plates is caring for and maintaining photographic plates to preserve their materials and content. It covers the necessary measures that can be taken by conservators, curators, collection managers, and other professionals to conserve the material unique to photographic plate processes. This practice includes understanding the composition and agents of deterioration of photographic plates, as well as the preventive conservation and interventive conservation measures that can be taken to increase their longevity.
The conservation and restoration of quilts refers to the processes involved in maintaining the integrity of quilts and/or restoring them to an acceptable standard so that they may be preserved for future generations. Quilts have been produced for centuries, as utilitarian blankets, decorations, family heirlooms, and now treasured museum collections objects. Quilts are three-layered textile pieces with a decorated top, a back, and a filler in the middle. The composite nature of these objects creates an interesting challenge for their conservation, as the separate layers can be made of different textile materials, multiple colors, and therefore, varying degrees of wear, tear, and damage.
The conservation and restoration of waterlogged wood is the process undertaken by conservator-restorers of caring for and maintaining waterlogged wooden artefacts to preserve their form, and the information they contain. It covers the processes that can be taken by conservators, archaeologists, and other museum professionals to conserve waterlogged wood. This practice includes understanding the composition and agents of deterioration of waterlogged wood, as well as the preventive conservation and interventive conservation measures that can be taken.
The 'ten agents of deterioration' are a conceptual framework developed by the Canadian Conservation Institute (CCI) used to categorise the major causes of change, loss or damage to cultural heritage objects. Also referred to as the 'agents of change', the framework was first developed in the late 1980s and early 1990s. The defined agents reflect and systematise the main chemical and physical deterioration pathways to which most physical material is subject. They are a major influence on the applied practice of conservation, restoration, and collection management, finding particular use in risk management for cultural heritage collections.