The Monteleone chariot is an Etruscan chariot dated to c. 530 BC, considered one of the world's great archaeological finds. It was uncovered in 1902 in Monteleone di Spoleto, Umbria, Italy, in an underground tomb covered by a mound, and is currently a major attraction in the collection of the Metropolitan Museum of Art in New York City. [1]
Though about 300 ancient chariots are known to still exist, only six are reasonably complete, and the Monteleone chariot is the best-preserved [2] and most complete [3] [4] of all known surviving examples. Carlos Picón, curator of the museum's Greek and Roman department, has called it "the grandest piece of sixth-century Etruscan bronze anywhere in the world". [5]
The Monteleone chariot was part of a chariot burial, containing the remains of two human corpses, along with two drinking cups. Measuring 131 cm (51+5⁄8 in) in height and designed to be drawn by two horses, the chariot itself is constructed of wood covered with hammered bronze plates and carved ivory decoration. It is thought to be a "parade chariot" rather than one used in warfare. [1]
The bronze plates are decorated with Homeric iconography in relief; the main panel depicts Achilles being handed his replacement armor by his mother, Thetis, after his first set had been fatally lent to Patroklos. Below the helmet is a shield decorated with a Gorgon's head. The left side panel shows two warriors in combat, thought to be Achilles and the Trojan ally Memnon. The right panel shows the apotheosis of Achilles, as he ascends in a chariot pulled by winged horses. The chariot's shaft emerges from the mouth of a boar; the dead deer below the shield may be meant to be shown carried by the boar. Rows of smaller scenes run along the base of the chariot platform. These are thought to show "Achilles as a youth in the care of the centaur Chiron and Achilles as a lion felling his foes, in this case, a stag and a bull". Two nude male figures flank the central scene. [1]
The chariot's frame and plating are additionally adorned with animals and legendary creatures rendered in detail. The chariot's decorations would also have included inlaid amber and other exotic materials, but only the bronze and ivory decorations have survived. The chariot's wheels have nine spokes (rather than the classical Greek four, the Egyptian six, or the Assyrian and Persian eight; excavated chariots from Celtic burials have up to twelve spokes). [1] Curators at the Museum had long suspected that the chariot's original 1903 reconstruction was not historically accurate. In 1989, under the direction of Italian archaeologist Adriana Emiliozzi, the Metropolitan Museum began a five-year reexamination and restoration of the chariot. During the restoration, it was discovered that the chariot had in fact been originally assembled incorrectly; additionally, evidence was uncovered indicating that the chariot, previously thought to have seen little actual use, had in fact been involved in a serious accident at some point during its life. [6] The newly restored chariot opened to the public on April 20, 2007.
It was found in 1902 in Monteleone di Spoleto, near Spoleto in the region of Umbria, by a farmer named Isidoro Vannozzi who inadvertently unearthed it while digging a wine cellar or basement barn. Its history from that time is the subject of controversy. According to some accounts, Vannozzi hid the chariot in his barn, concerned that the authorities might confiscate it, and later sold it to two Frenchmen in exchange for two cows. Another account, related by Vannozzi's son Giuseppe, holds that the chariot was immediately sold as scrap metal, and the proceeds from the sale used to buy roof tiles. [7] Changing hands several times after its initial sale, the chariot was eventually purchased in Paris by J. P. Morgan, who sent it to the Metropolitan Museum in 1903, where its first restoration took place.
In January 2005, the commune of Monteleone began a campaign aimed at recovering the chariot from the Met; their efforts, however, did not receive the backing of the Italian government. The Metropolitan Museum has responded that the chariot was "purchased in good faith". [7] A full-size copy was made in the mid-20th century, which is on display in Monteleone.
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Ruscio is a village of east central Umbria, a small Frazione ('Fraction') of Monteleone di Spoleto, located at 42°38N 12°58E in the upper valley of the Corno River at about 900 metres (2953 ft) above sea-level. It is 2 km SE of Monteleone and 11 km (7 mi) N of Leonessa. Its population is estimated at 200.
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Monteleone di Spoleto, is a town and comune of Italy, in the province of Perugia in southeast Umbria at 978 meters (3,209 ft) above sea-level overhanging the upper valley of the Corno River. It is one of the more remote towns in Umbria, on a mountain road from Norcia and Cascia to Leonessa and Rieti in the Lazio. It is one of I Borghi più belli d'Italia.
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(T)he bronze chariot from Monteleone ... easily passes as the most splendid, as well as the most perfectly preserved, example of Archaic metal art in our possession.
The only complete ancient bronze chariot is the one from Monteleone ... the most notable example of ancient metal work.
For the past decade, the Met has been carefully restoring the chariot, said to be the only intact Etruscan chariot ever found, to its former glory.