"Mother of Muses" | |
---|---|
Song by Bob Dylan | |
from the album Rough and Rowdy Ways | |
Released | June 19, 2020 |
Recorded | January–February 2020 |
Studio | Sound City (Los Angeles) |
Genre | Folk |
Length | 4:29 |
Label | Columbia |
Songwriter(s) | Bob Dylan |
Producer(s) | None listed |
Rough and Rowdy Ways track listing | |
"Mother of Muses" is a song written and performed by the American singer-songwriter Bob Dylan and released as the seventh track on his 2020 album Rough and Rowdy Ways . It is a spare and meditative acoustic folk song in which the first person-narrator offers a paean to Mnemosyne, the goddess of memory in Greek mythology who gave birth to the nine Muses (the inspirational goddesses of literature, science and the arts).
In an article published online in July 2020, one month after the release of Rough and Rowdy Ways , Dylan scholar Rolf Säfström theorized that "Mother of Muses" had been inspired by Dylan's having won the Nobel Prize in Literature in 2016. Dylan had formally received the prize on April 1, 2017, before playing a concert in Stockholm, Sweden, in a small ceremony with no press or photographers present as per Dylan's request. [1] Säfström noted that Sara Danius, secretary of the Swedish Academy, nonetheless published a short book on Dylan later that year in which she described his reaction to receiving the prize: "When he had the golden medal in his hand, he turned the backside up, looked at it for a long time and seemed amazed" by an engraving that depicted a poet listening to and writing down the song of a Muse playing a lyre. [2] The engraving is accompanied by a Latin inscription, adapted from Virgil's Aeneid , "Inventas vitam iuvat excoluisse per artes", which literally translates to: "It is beneficial to have improved (human) life through discovered arts". [3]
Dylan scholar Laura Tenschert agrees with Säfström's theory and sees "Mother of Muses" as part of a diptych of songs, along with "My Own Version of You", that explicitly explore the "myth and mystery of creation" on Rough and Rowdy Ways. [4] Niall Brennan also sees the song as "the most direct statement yet of how seriously Dylan has mediated upon the Nobel honours" but argues that the "central verses seem to suggest that he sees himself as undeserving of such high recognition, mentioning heroes both named and unnamed who might be more worthy". [5]
In the 2022 edition of their book Bob Dylan All the Songs: The Story Behind Every Track, authors Philippe Margotin and Jean-Michel Guesdon describe the song as "a very fine ballad with more or less Celtic influences, in a style that is not a million miles away from Mark Knopfler. The arrangements are once more deliberately reduced: we hear lots of acoustic and electric guitars, the bowed double bass and some sporadic contributions from Matt Chamberlain on bass drum (or orchestral kettledrum)". [6] The song is performed in the key of A major. The second line in each verse contains an E6-E7 guitar figure (sometimes played as E minor) that Dylan previously used when covering Charles Aznavour's song "The Times We've Known" live in concert.
The song is a prayer for inspiration and artistic skill, featuring an invocation to the "Mother of Muses" to sing for (and through) the narrator. Dylan scholar Tony Attwood has observed that this is similar to how, in Ancient Greece, Mnemosyne was "called upon by poets who seek her help so that they may correctly remember the lines that they are to recite". The opening line to Dylan's song, "Mother of Muses, sing for me", [7] even seems to explicitly recall the opening lines of Homer's Odyssey and Iliad (which begin, "Sing in me, Muse..." and "Sing, goddess...", respectively). [8] Dylan had previously quoted Robert Fitzgerald’s 1961 translation of the opening invocation of Homer's Odyssey (“Sing in me, O Muse, and through me tell the story”) at the end of his Nobel lecture, which he delivered in June 2017. [9]
Historian and Harvard Latinist Richard F. Thomas notes that in much the same way that Homer and Virgil prayed to the Muse to help them in "memorializing the fighters of old", so too does Dylan ask for help in memorializing "those generals who fought for the freedoms that America enjoys, in the wars against the Confederacy and Nazi Germany" (e.g., William Tecumseh Sherman, Bernard Montgomery, Winfield Scott, Georgy Zhukov and George S. Patton). Thomas also believes that the song serves an important structural function as "the introduction to the rest of the album" whose final three "increasingly longer songs" ("Crossing the Rubicon", "Key West (Philosopher Pirate)" and "Murder Most Foul") form a trilogy that deal with the assassination of political figures (Julius Caesar, William McKinley and John F. Kennedy). [10]
"Mother of Muses" has frequently been described by critics as a "hymn". [11] [12] [13] Nick Tavares wrote that it is "one of the record’s highest moments" and describes it as "a quiet lament, calling for those spirits to help him carry on, and for new ones to carry forward when he’s gone". [14] In a review of Rough and Rowdy Ways at Hot Press , Anne Margaret Daniel noted that it possesses a "stately, quiet grace". [15] Johnny Borgan compared its "beautiful melody" and lyrics to Dylan's earlier "Ring Them Bells". [16] Ewan Gleadow called it "a beautiful track, perhaps some of the best writing Dylan has offered up since his early days of freewheelin’ fun". [17] Ludovic Hunter-Tilney praised Dylan's vocal performance in Financial Times , writing that "he sandpapers his rough and rowdy voice and croons the words as tenderly as he can". [18]
Spectrum Culture included the song on a list of "Bob Dylan's 20 Best Songs of the '10s and Beyond". In an article accompanying the list, critic Peter Tabakis considered that the song would not have been out of place on Dylan's Time Out of Mind: "There’s a gentleness, if not a wariness, to the song that harmonizes better with tracks like 'Not Dark Yet' and 'Standing in the Doorway' than some of the more rip-roaring compositions that followed. And its contemplative reckoning with mortality and one’s own legacy of course mirrors the central themes of his 1997 opus. In the end, it’s unclear if Dylan is begging Mnemosyne for help with his own memory, or perhaps ours with regard to him long after he’s gone. Either way 'Mother of Muses' is another late-period track that, to put too fine a point on it, is unforgettable". [19]
A 2021 Guardian article included it on a list of "80 Bob Dylan songs everyone should know". [20] A 2021 article at Inside of Knoxville listed it as one of the "25 Best Dylan Songs from the Last 25 Years". [21]
Folk singer (and former Dylan paramour) Joan Baez, who believes Rough and Rowdy Ways is as good as anything Dylan has ever done, [22] quoted the song while paying tribute to the recently deceased Ruth Bader Ginsburg in a Rolling Stone interview in 2020: "She had outlived her life by far". [23]
The fourth verse, about "falling in love with Calliope", explicitly references Mnemosyne's daughter Calliope, the Greek goddess of music, song and dance, and the muse of Epic Poetry. [24]
The song's last line, "I'm traveling light and I'm slow coming home", may refer to the journey of Odysseus (Richard F. Thomas has written extensively about Dylan seeing himself as "Odysseus transfigured" [25] ) while also alluding to songs that appeared on each of the final three albums by Dylan's friend Leonard Cohen ("Traveling Light", "Slow" and "Going Home"). [26]
"Mother of Muses" received its live debut at the Riverside Theater in Milwaukee, Wisconsin on November 2, 2021, the first concert of Dylan's Rough and Rowdy Ways World Wide Tour. [27] He played it at all 230 shows of the tour through its conclusion in London, England on November 14, 2024. [28]
The song was covered by blues singer Rory Block on her 2024 album Positively 4th St. [29]
"Tangled Up in Blue" is a song by American singer-songwriter Bob Dylan, which was released as the opening track of his 15th studio album Blood on the Tracks (1975). The song was written by Dylan and produced by David Zimmerman, Dylan's brother. Released as a single, it reached No. 31 on the Billboard Hot 100. The song concerns relationships and contains different narrative perspectives. Dylan has altered the lyrics in subsequent performances, changing the point of view and details in the song.
Bob Dylan is an American singer-songwriter. Often considered one of the greatest songwriters of all time, Dylan has been a major figure in popular culture over his 60-year career. He rose to prominence in the 1960s, when songs such as "The Times They Are a-Changin'" (1964) became anthems for the civil rights and antiwar movements. Initially modeling his style on Woody Guthrie's folk songs, Robert Johnson's blues and what he called the "architectural forms" of Hank Williams's country songs, Dylan added increasingly sophisticated lyrical techniques to the folk music of the early 1960s, infusing it "with the intellectualism of classic literature and poetry". His lyrics incorporated political, social and philosophical influences, defying pop music conventions and appealing to the burgeoning counterculture.
"With God on Our Side" is a song by Bob Dylan, released as the third track on his 1964 album The Times They Are A-Changin'. Dylan first performed the song during his debut at The Town Hall in New York City on April 12, 1963.
"Ain't Talkin" is a song written and performed by the American singer-songwriter Bob Dylan, appearing as the tenth and final track on his 2006 album Modern Times. As with most of Dylan's 21st century output, he produced the song himself under the pseudonym Jack Frost.
"High Water " is a song written and performed by the American singer-songwriter Bob Dylan, released as the seventh track on his 31st studio album "Love and Theft" in 2001 and anthologized on the compilation album Dylan in 2007. Like much of Dylan's 21st century output, he produced the track himself under the pseudonym Jack Frost.
"When I Paint My Masterpiece" is a 1971 song written by Bob Dylan. It was first released by The Band, who recorded the song for their album Cahoots, released on September 15, 1971.
"Murder Most Foul" is a song by the American singer-songwriter Bob Dylan, the 10th and final track on his 39th studio album, Rough and Rowdy Ways (2020). It was released as the album's lead single on March 27, 2020, through Columbia Records. The song addresses the assassination of John F. Kennedy in the wider context of American political and cultural history. Lasting 16 minutes, 56 seconds, it is the longest song he has released, eclipsing 1997's "Highlands" which runs for 16 minutes, 31 seconds.
"I Contain Multitudes" is a song by the American singer-songwriter Bob Dylan, the opening track on his 39th studio album, Rough and Rowdy Ways (2020). It was released as the album's second single on April 17, 2020, through Columbia Records. The title of the song is taken from Section 51 of the poem "Song of Myself" by Walt Whitman.
Rough and Rowdy Ways is the thirty-ninth studio album by American singer-songwriter Bob Dylan, released on June 19, 2020, through Columbia Records. It is Dylan's first album of original songs since his 2012 album Tempest, following three releases that covered traditional pop standards. The album was recorded at Sound City Studios from January to early March 2020. The session musicians included all of the then-current members of Dylan's Never Ending Tour band alongside other musicians, such as Blake Mills and Fiona Apple. The album's sound was described by critics as Americana, folk, blues, and rhythm and blues.
"False Prophet" is a song by American singer-songwriter Bob Dylan, the second track on his 39th studio album, Rough and Rowdy Ways (2020). It was released as the album's third and final single on May 8, 2020, through Columbia Records. The music is based on Billy "The Kid" Emerson's 1954 Sun Records single "If Lovin' Is Believin'".
"Black Rider" is a minor-key folk ballad written and performed by the American singer-songwriter Bob Dylan and released as the fifth track on his 2020 album Rough and Rowdy Ways. It is the shortest song on the album and features a sparse acoustic arrangement but its musical complexity and ambiguous lyrics have generated substantial critical analysis.
"I've Made Up My Mind to Give Myself to You" is a song written and performed by the American singer-songwriter Bob Dylan and released as the fourth track on his 2020 album Rough and Rowdy Ways. The song is performed in 6/8 time and has a lilting melody that has caused some critics to compare it to a "lullaby".
"Key West " is a song written and performed by the American singer-songwriter Bob Dylan, released as the ninth track on his thirty-ninth studio album, Rough and Rowdy Ways (2020). The tracks for the album were written by Dylan at his home in Point Dume in late 2019 and early 2020. It was recorded at Sound City Studios in Los Angeles in January and February 2020 and released in June 2020. The song is an accordion-driven ballad that incorporates references to other songs and to the City of Key West.
"Ring Them Bells" is a song written and performed by American singer-songwriter Bob Dylan, released in 1989 as the fourth track on his album Oh Mercy. It is a piano-driven, hymn-like ballad that is considered by many to be the best song on Oh Mercy and it is the track from that album that has been covered the most by other artists.
"Goodbye Jimmy Reed" is an uptempo blues song written and performed by the American singer-songwriter Bob Dylan and released as the sixth track on his 2020 album Rough and Rowdy Ways. A tribute to blues giant Jimmy Reed, the song has been singled out for praise by critics for being the most raucous number on an album otherwise predominated by quieter, slow-to-mid-tempo songs, and for playful lyrics that deliberately juxtapose "the sacred and the profane".
"My Own Version of You" is a song written and performed by the American singer-songwriter Bob Dylan and released as the third track on his 2020 album Rough and Rowdy Ways. Inspired by Mary Shelley's novel Frankenstein, this darkly comical song features a narrator who describes bringing "someone to life" using the body parts of disparate corpses in what has been widely interpreted as an elaborate metaphor for the songwriting process.
"Crossing the Rubicon" is a song written and performed by the American singer-songwriter Bob Dylan and released as the eighth track on his 2020 album Rough and Rowdy Ways. It is a slow electric blues featuring lyrics that heavily reference classical antiquity and the life of Julius Caesar in particular.
The 2016 Nobel Prize in Literature was awarded to the American singer-songwriter Bob Dylan "for having created new poetic expressions within the great American song tradition". The prize was announced by the Swedish Academy on 13 October 2016. He is the 12th Nobel laureate from the United States.
Shadow Kingdom is a 2021 concert film featuring American singer-songwriter Bob Dylan. Directed by Israeli-American filmmaker Alma Har'el, it was shot on a soundstage in Santa Monica, California, over seven days in 2021 while Dylan was sidelined from his Never Ending Tour due to the COVID-19 pandemic. The film features Dylan and a group of masked musicians performing 13 songs from the first half of Dylan's career in an intimate club-like setting.
Rough and Rowdy Ways World Wide Tour is a concert tour by American singer-songwriter Bob Dylan in support of his 39th studio album Rough and Rowdy Ways (2020). The tour began in Milwaukee, Wisconsin on November 2, 2021 and concluded at the Royal Albert Hall, London, on November 14, 2024.
{{cite book}}
: CS1 maint: location missing publisher (link){{cite book}}
: CS1 maint: location missing publisher (link)