Mr. Shing-a-Ling | ||||
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Studio album by | ||||
Released | Mid January 1968 [1] | |||
Recorded | October 27, 1967 | |||
Studio | Van Gelder Studio Englewood Cliffs, NJ | |||
Genre | Jazz, soul blues | |||
Length | 37:46 | |||
Label | Blue Note BST 84271 | |||
Producer | Francis Wolff | |||
Lou Donaldson chronology | ||||
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Review scores | |
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Source | Rating |
AllMusic | ![]() ![]() ![]() ![]() ![]() |
Mr. Shing-a-Ling is an album by American jazz saxophonist Lou Donaldson, recorded on October 27, 1967 and released on Blue Note in January 1967. The quintet features trumpeter Blue Mitchell, organist Lonnie Smith, guitarist Jimmy Ponder, and drummer Idris Muhammad (born Leo Morris). [3]
No. | Title | Writer(s) | Length |
---|---|---|---|
1. | "Ode to Billie Joe" | Bobbie Gentry | 6:33 |
2. | "The Humpback" | Donaldson | 5:28 |
3. | "The Shadow of Your Smile" | 6:25 |
No. | Title | Writer(s) | Length |
---|---|---|---|
1. | "Peepin'" | Lonnie Smith | 8:21 |
2. | "The Kid" | Harold Ousley | 10:59 |
Richard Allen "Blue" Mitchell was an American trumpeter and composer who worked in jazz, rhythm and blues, soul, rock and funk. He recorded albums as leader and sideman for Riverside, Mainstream Records, and Blue Note.
Idris Muhammad was an American jazz drummer and bandleader. He had an extensive career performing jazz, funk, R&B, and soul music and recorded with musicians such as Ahmad Jamal, Lou Donaldson, Pharoah Sanders, Bob James, and Tete Montoliu.
Ernest Andrew Royal was a jazz trumpeter. His older brother was clarinetist and alto saxophonist Marshal Royal, with whom he appears on the classic Ray Charles big band recording The Genius of Ray Charles (1959).
Lonnie Smith, styled Dr. Lonnie Smith, was an American jazz Hammond B3 organist who was a member of the George Benson quartet in the 1960s. He recorded albums with saxophonist Lou Donaldson for Blue Note before being signed as a solo act. He owned the label Pilgrimage, and was named the year's best organist by the Jazz Journalists Association nine times.
Quartet/Quintet/Sextet is an album by jazz saxophonist Lou Donaldson featuring his earliest recordings as a leader on the Blue Note label performed by Donaldson's Quartet with pianist Horace Silver, bassist Gene Ramey and drummer Art Taylor, his Quintet with Silver, trumpeter Blue Mitchell, drummer Art Blakey and bassist Percy Heath, and a Sextet with Heath, Blakey, trumpeter Kenny Dorham, trombonist Matthew Gee and pianist Elmo Hope. The album was originally released as a 10" LP, then as a 12" long-playing record, and finally as a CD with additional tracks added.
The Time Is Right is an album by jazz saxophonist Lou Donaldson recorded for the Blue Note label and performed by Donaldson with trumpeter Blue Mitchell, pianist Horace Parlan, bassist Laymon Jackson, drummer Dave Bailey, and congalero Ray Barretto with Sam Jones and Al Harewood replacing Jackson and Bailey on one track. The album was awarded 3 stars in an Allmusic review. It was released on CD only in Japan.
A Man With a Horn is an album by jazz saxophonist Lou Donaldson featuring 1961 & 1963 sessions recorded for the Blue Note label, one performed by Donaldson with organist Brother Jack McDuff, guitarist Grant Green and drummer Joe Dukes, and the other with Grant Green, trumpeter Irvin Stokes, Big John Patton and drummer Ben Dixon.
Alligator Bogaloo is an album by jazz saxophonist Lou Donaldson recorded for the Blue Note label in 1967 and featuring Donaldson with Melvin Lastie, Lonnie Smith, George Benson, and Leo Morris.
Midnight Creeper is an album by jazz saxophonist Lou Donaldson recorded for the Blue Note label in 1968 and featuring Donaldson with Blue Mitchell, Lonnie Smith, George Benson, and Leo Morris.
Say It Loud! is an album by jazz saxophonist Lou Donaldson recorded for the Blue Note label in 1968 and featuring Donaldson with Blue Mitchell, Charles Earland, Jimmy Ponder, and Leo Morris.
Hot Dog is an album by jazz saxophonist Lou Donaldson recorded for the Blue Note label in 1969 and featuring Donaldson with Ed Williams, Charles Earland, Melvin Sparks, and Leo Morris. The album features Donaldson using the varitone amplification system for his saxophone.
Everything I Play is Funky is an album by jazz saxophonist Lou Donaldson recorded for the Blue Note label featuring Donaldson with Blue Mitchell, Lonnie Smith, Melvin Sparks, Jimmy Lewis and Idris Muhammad and two tracks with Eddie Williams and Charles Earland replacing Mitchell and Smith.
Pretty Things is an album by jazz saxophonist Lou Donaldson recorded for the Blue Note label featuring Donaldson with Blue Mitchell, Leon Spencer, Ted Dunbar, and Idris Muhammad and one track with Lonnie Smith and Melvin Sparks replacing Spencer & Dunbar and Jimmy Lewis added.
The Scorpion: Live at the Cadillac Club is a live album by jazz saxophonist Lou Donaldson recorded in Newark, New Jersey in 1970 for the Blue Note label featuring a performance by Donaldson with Fred Ballard, Leon Spencer, Melvin Sparks, and Idris Muhammad.
Sweet Lou is an album by jazz saxophonist Lou Donaldson, his final recorded for the Blue Note label, featuring Donaldson with a big band arranged and conducted by Horace Ott.
Caracas is an album by jazz saxophonist Lou Donaldson, his third recording for the Milestone label, featuring Donaldson with Lonnie Smith, Peter Bernstein, Kenny Washington, and Ralph Dorsey.
Relaxing at Sea: Live on the QE2 is a live album by jazz saxophonist Lou Donaldson recorded on the Queen Elizabeth 2 ocean liner and released on the Chiaroscuro label featuring Donaldson with Lonnie Smith, Randy Johnston, and Danny Burger with Nicholas Payton added on trumpet on two tracks.
A Date with Jimmy Smith, Vols. Oneand Two are a pair of separate but related albums by American jazz organist Jimmy Smith recorded between February 11–13, 1957 and released on Blue Note later that year.
This is the discography for American jazz musician Lou Donaldson.