"Never Enough" | ||||
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Single by the Cure | ||||
from the album Mixed Up | ||||
B-side | "Harold and Joe" | |||
Released | 17 September 1990 | |||
Genre | Alternative rock [1] | |||
Length | 4:28 | |||
Label | Fiction | |||
Songwriter(s) | ||||
Producer(s) |
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The Cure singles chronology | ||||
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"Never Enough" is a song by English rock band the Cure, released as a single in September 1990 from their 1990 remix album, Mixed Up . The song topped the US Billboard Modern Rock Tracks chart, reached number three in Finland, and peaked within the top 20 in Germany, Ireland, New Zealand, Spain, and the United Kingdom.
Unlike most other Cure songs of this era, the song was unexpectedly guitar-oriented, featuring no synthesizers. On the album, it is subtitled "Big Mix". Although Perry Bamonte is on the single cover and appears in the music video, he does not have a songwriting credit (as do the other four members). While containing no synthesisers, the song was nonetheless influenced by baggy music. [2] The song's largely electronic B-side "Harold and Joe" was described by Chris Ott of Pitchfork as a "phenomenally adorable ecstasy tribute." [3]
Upon release as a single, "Never Enough" topped the Billboard Modern Rock Tracks chart for three weeks, and reached number 13 in the United Kingdom. [4] The song was re-recorded using acoustic guitars for the 2001 Acoustic Hits album, which contains re-recordings of songs by the band, and was released as a bonus disc to Greatest Hits .
7-inch
12-inch
CD and cassette
Weekly charts
| Year-end charts
|
Region | Date | Format(s) | Label(s) | Ref. |
---|---|---|---|---|
United Kingdom | 17 September 1990 |
| Fiction | [20] |
Japan | 10 December 1990 | Mini-CD |
| [21] |
Disintegration is the eighth studio album by English rock band the Cure, released on 2 May 1989 by Fiction Records. The band recorded the album at Hookend Recording Studios in Checkendon, Oxfordshire, with co-producer David M. Allen from late 1988 to early 1989. Following the completion of the mixing, founding member Lol Tolhurst was fired from the band.
Wish is the ninth studio album by English rock band the Cure, released on 21 April 1992 by Fiction Records in the United Kingdom and Elektra Records in the United States. Wish was the most commercially successful album in the band's career, debuting at number one in the UK and number two in the US, where it sold more than 1.2 million copies.
Bloodflowers is the eleventh studio album by English rock band The Cure. It was first released in Japan on 2 February 2000, before being released in the UK and Europe on 14 February 2000 and then the day after in the US by Fiction Records and Polydor Records. Initially the album was to be released in 1999, as it had been completed by May that year, the record company wanted it to be released “post millennial fever,”.
Mixed Up is a remix album by English rock band the Cure, released on 20 November 1990 by Fiction Records. The songs are remixes of some of their hits, reflecting the popularity of remixing of existing songs and dance culture of the late 1980s and early 1990s. In 2018, a sequel was released titled Torn Down.
Greatest Hits is a greatest hits album by English rock band the Cure. It was first released in Japan on 7 November 2001, before being released in the UK and Europe on 12 November and then in the US the day after. The band's relationship with longtime label Fiction Records came to a close, and the Cure were obliged to release one final album for the label. Lead singer Robert Smith agreed to release a greatest hits album under the condition that he could choose the tracks himself. The band also recorded a special studio album released as a bonus disc to some versions of the album. The disc, titled Acoustic Hits, consists of the eighteen songs from the North American release re-recorded using acoustic instruments.
"Discothèque" is a song by Irish rock band U2. It is the opening track on their 1997 album, Pop, and was released as its lead single on 3 February 1997 by Island Records. The song exhibits influences from electronic dance music, characteristic of the band's musical direction in the 1990s. The music video, directed by Stéphane Sednaoui, was set inside of a mirrorball and featured the band members dressed as members of the disco group the Village People.
"You Get What You Give" is a song by American alternative rock band New Radicals. It was the first and most successful single from their only studio album, Maybe You've Been Brainwashed Too (1998). Released on November 3, 1998, it reached number 36 on the US Billboard Hot 100 and number eight on the Billboard Modern Rock Tracks chart. Outside the US, it reached number five in the United Kingdom, number four in Ireland, and number one in Canada and New Zealand.
"Lovesong" is a song by English rock band the Cure, released as the third single from their eighth studio album, Disintegration (1989), on 21 August 1989. The song saw considerable success in the United States, where it reached the number-two position in October 1989 and became the band's only top-10 entry on the Billboard Hot 100. In the United Kingdom, the single charted at number 18, and it peaked within the top 20 in Canada and Ireland.
"A Forest" is a song by the English rock band the Cure. Co-produced by Mike Hedges and the band's Robert Smith, it was released as a single from the band's second album Seventeen Seconds on 28 March 1980. It was their debut entry on the UK Singles Chart, reaching number 31. The accompanying music video was first shown on BBC's Top of the Pops programme on 24 April 1980.
"Every Day Is Exactly the Same" is the third and final single by American industrial rock band Nine Inch Nails from their album With Teeth. It is the twenty-first official Nine Inch Nails release. The commercial single was released on April 4, 2006, as an EP.
"Pictures of You" is a song by English rock band the Cure. It was released on 19 March 1990 by Fiction Records as the fourth and final single from the band's eighth studio album, Disintegration (1989). The song has a single version which is a shorter edit of the album version. The single reached No. 24 on the UK Singles Charts.
"Fascination Street" is a song by English rock band the Cure from their eighth studio album, Disintegration (1989). It was issued as a single only in North America, as the band's American record company refused to release the band's original choice, "Lullaby", as the first single. The song became the band's first number-one single on the US Billboard then-newly created Modern Rock Tracks chart, staying on top for seven weeks.
"Lullaby" is a song by English rock band the Cure from their eighth studio album, Disintegration (1989). Released as a single on 10 April 1989, the song is the band's highest-charting single in their home country, reaching number five on the UK Singles Chart. It additionally reached number three in West Germany and Ireland while becoming a top-10 hit in several other European countries and New Zealand. The music video, directed by Tim Pope, won the British Video of the Year at the 1990 Brit Awards.
"High" is a song by English rock band the Cure, released as the lead single from their ninth album, Wish (1992), on 16 March 1992. The track received mostly positive reviews and was commercially successful, reaching number one on the US Billboard Modern Rock Tracks chart, number six on the Irish Singles Chart, and number eight on the UK Singles Chart. It charted within the top five in Portugal, where it peaked at number two, and in Australasia, reaching number five in Australia and number four in New Zealand; it is the band's highest-charting single in both countries.
"Friday I'm in Love" is a song by British rock band the Cure. Released as the second single from their ninth studio album, Wish (1992), in May 1992, the song was a worldwide hit, reaching number six in the UK and number 18 in the United States, where it also topped the Modern Rock Tracks chart. It also won the award for European Viewer's Choice for Best Music Video at the 1992 MTV Video Music Awards.
"Here's Where the Story Ends" is a song by English alternative rock band the Sundays. It was the second single released from the band's debut album, Reading, Writing and Arithmetic (1990). The song was the Sundays' breakthrough hit, topping the US Billboard Modern Rock Tracks chart. "Here's Where the Story Ends" has been covered by Tin Tin Out, who had a top-10 hit in the United Kingdom with their version and won an Ivor Novello Award for Best Contemporary Song.
"Steppin' Out" is a song by English musician Joe Jackson, originally included on his 1982 album Night and Day. The song, inspired by Jackson's time in New York City, was his highest-charting single in America, where it peaked at number 6 on the Billboard Hot 100. It reached the same position in Jackson's native UK.
"Cuts You Up" is a song by English musician Peter Murphy, released in 1990 as the second single from his third solo studio album, Deep (1989). The song became Murphy's most successful release, topping the US Billboard Modern Rock Tracks chart and appearing on the Billboard Hot 100 and Billboard Album Rock Tracks charts.
"The Only One" is a single by the British band The Cure which was released on 13 May 2008 on Geffen Records in the United Kingdom. The single was released in the United States on 20 May 2008. It is the first single to be released by The Cure in over three and a half years — their last single being 2004's "Taking Off" / "alt.end". It is also the first single from the 2008 album, 4:13 Dream. The single was produced by Robert Smith and Keith Uddin. The song debuted live on 7 October 2007 in Mountain View, California at a festival and was also played in Mexico City the next week. During that time, the song was known as "Please Project". It was not until early on in the European tour in early 2008 was "The Only One" established as the title.
"The Emperor's New Clothes" is a song written and recorded by Irish singer-songwriter Sinéad O'Connor for her second studio album, I Do Not Want What I Haven't Got (1990). The song was released as the album's second single on 5 June 1990 by Ensign and Chrysalis Records and reached number three in Canada, number five in Ireland, and the top 20 in Australia, Italy and Switzerland. In the United States, the song topped the Billboard Modern Rock Tracks chart for a week.