Patrick Dehm | |
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Dehm in 2012 | |
Born | 1962 (age 57–58) |
Education | University of Würzburg |
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Patrick Dehm (born 1962) is a German Catholic theologian, supervisor and clinical Gestalt therapist. He and his brother founded the Eugen Dehm foundation, supporting a holistic health concept, in memory of their father.
Dehm is director of the Dehm Verlag publishing music of the genre Neues Geistliches Lied (NGL), and president of the ecumenical association inTAKT for the support of NGL, which he initiated.
Born in Freigericht, Dehm studied Catholic theology at the University of Würzburg, and was trained to be a Personalentwickler (Human resource manager) and Gestalt therapist. [1]
He worked for the Diocese of Fulda as Jugendreferent für kirchliche kommunale Jugendarbeit in Freigericht. He moved to the Diocese of Limburg in 1989, where he worked for 11 years as a member of the leading team for the ministry to young people. From 1996, he was president of the Arbeitskreis Kirchenmusik und Jugendseelsorge im Bistum Limburg. He published several song books with modern sacred songs (Neues Geistliches Lied), such as in 2011 a collection of 720 songs titled Ein Segen sein – Junges Gotteslob, and supported bands and youth choirs. From 2001, Dehm was director of the Haus der Begegnung (House of Meeting) in Frankfurt where he encouraged hospitality and openness, and a meeting of therapy, education and culture. He was suspended on 29 June 2012, allegedly because of a hostile remark about Bishop Franz-Peter Tebartz-van Elst, [2] which caused protests from within the Church. [3]
Dehm and Eugen Eckert, who expressed his solidarity with Dehm by stepping back from his posts in the diocese, responded by announcing the founding of an ecumenical association inTAKT for the support of Neues Geistliches Lied. [4] On 8 April 2013 it was founded, with Dehm as president, Eckert as vice president, and Annette Kreuzer and Thomas Gabriel on the board, among others. [5]
Together with his mother and his brother, Dehm founded the Eugen-Dehm-Stiftung (Eugen Dehm foundation) in 2008, after the death of his father Eugen Dehm, supporting a holistic health concept. [6] [7] The Eugen-Dehm-Stiftung was acknowledged on 11 November 2008 as a Stiftung des bürgerlichen Rechts. [8]
Dehm has been the director of the Dehm Verlag from 2008, publishing mostly compositions, songbooks, choral books and oratorios of the genre Neues Geistliches Lied. [9]
"Gott sei gelobet und gebenedeiet" is a Lutheran hymn of 1524 with words written by Martin Luther who used an older first stanza and melody. It is a song of thanks after communion. Luther's version in three stanzas was printed in the Erfurt Enchiridion of 1524 and in Johann Walter's choral hymnal Eyn geystlich Gesangk Buchleyn the same year. Today, the song appears in German hymnals, including both the Protestant Evangelisches Gesangbuch, and in a different version in the Catholic Gotteslob.
Lothar Zenetti was a German Catholic theologian, priest, and author of books and poetry. In Frankfurt, he was both a minister for young people and a parish priest. He was also active on radio and television. His songs, for example the popular "Das Weizenkorn muss sterben" and "Segne dieses Kind", appear in both Protestant and Catholic hymnals.
Peter Reulein is a German composer, organ improviser, academic teacher and church musician, from 2000 at the church Liebfrauen in Frankfurt am Main. In 2016 he composed for the Catholic Diocese of Limburg the Franciscan oratorio Laudato si'.
Helmut Schlegel OFM is a German Franciscan, Catholic priest, meditation instructor, author, librettist and songwriter. He is known for new spiritual songs, set by various composers.
Neues Geistliches Lied, abbreviated NGL, is a music genre of songs in German intended for church usage, and based on contemporary lyrics and with music by contemporary composers.
Eugen Eckert is a German social worker, minister, singer-songwriter and academic teacher. He is known for his lyrics for new spiritual songs, and his oratorios and musical plays.
Winfried Heurich is a German organist and composer.
Laudato si' is an oratorio composed in 2016 by Peter Reulein on a libretto by Helmut Schlegel. Subtitled Ein franziskanisches Magnificat, it includes the full Latin text of the Magnificat, expanded by writings of Clare of Assisi, Francis of Assisi and Pope Francis. The composer set it for five soloists, children's choir, Choralschola, mixed choir, symphony orchestra and organ. It was published in 2016 by the Dehm Verlag, and was premiered on 6 November 2016 at the Limburg Cathedral, conducted by the composer.
Joachim Raabe is a German church musician and a composer of sacred music, especially of the genre Neues Geistliches Lied.
inTAKT is a German ecumenical association (Verein) for the promotion of new Christian songs for church services, and of art, culture and musical education. Its members are mostly hymnwriters and composers interested in NGL.
TAKT is a group of writers and composers of new songs for use in Christian churches, initiated in 1947. The genre which the members promoted was later called Neues Geistliches Lied. The name is short for TextAutor/innen- und Komponist/innen-Tagung, a name that the group adopted in 1997.
"Herr, segne uns" is a poem in three stanzas by Lothar Zenetti, written in 1971. With a 1972 melody by Karl Fink, it became a Christian hymn of the genre Neues Geistliches Lied (NGL), appearing in German hymnals. It is usually sung at the end of a service before the blessing. The full title is "Herr, segne uns, lass uns dir dankbar sein".
"Glauben können wie du" is a Christian poem by Helmut Schlegel, written in 2009, and made a hymn of the genre Neues Geistliches Lied with a melody by Joachim Raabe the same year. It addresses Mary, the mother of Jesus, to be imitated living the theological virtues of faith, hope and love. The song is included in song books and the Catholic hymnal Gotteslob.
"Macht hoch die Tür" is a German popular Advent hymn, written in Ducal Prussia in the 17th century. The incipit is the first line, "Macht hoch die Tür, die Tor macht weit. The lyrics were written by Georg Weissel in 1623, for the inauguration of the Altroßgärter Kirche in Königsberg. The melody that is now associated with the text appeared first in 1704 in the hymnal by Johann Anastasius Freylinghausen.
"Christ fuhr gen Himmel" is a German Ascension hymn. The church song is based the medieval melody of the Easter hymn "Christ ist erstanden". It was an ecumenical song from the beginning, with the first stanza published in 1480, then included in a Lutheran hymnal in 1545, and expanded by the Catholic Johannes Leisentritt in 1567. It appears in modern German Catholic and Protestant hymnals, and has inspired musical settings by composers from the 16th to the 21st century.
Stern über Bethlehem is a German sacred Christmas carol which Alfred Hans Zoller created in 1964 in the genre Neues Geistliches Lied. Used by star singers around Epiphany, it has become a popular song and is part of many German hymnals and songbooks.
"Ob ich sitze oder stehe" is a Christian poem by Eugen Eckert, written in 1988, and made a hymn of the genre Neues Geistliches Lied with a melody and setting by Torsten Hampel the same year. It is based on Psalm 139. The song is also known by its refrain "Von allen Seiten umgibst du mich". It is included in song books and the Catholic hymnal Gotteslob.
"Gott, der du warst und bist und bleibst" is a Christian hymn with text by Eugen Eckert and a melody by Herbert Heine. It is also known by the title of its refrain, "Wir haben hier keine bleibende Stadt". The song was written in 1993, in the genre Neues Geistliches Lied (NGL). It appears in several regional sections of the German Catholic hymnal Gotteslob, and in other songbooks.
"Seht, er lebt" is a Christian poem written by the Catholic priest Lothar Zenetti in 1973. With an Israeli melody, it became an Easter hymn in the Neues Geistliches Lied (NGL) genre, first published in 1975. In the 2013 Catholic hymnal Gotteslob, it appears as GL 781 in the regional section for the Diocese of Limburg.
"Meine engen Grenzen" is a Christian poem by Eugen Eckert, written in 1981, and made a hymn of the genre Neues Geistliches Lied with a melody and setting by Winfried Heurich the same year. The song, bringing one's shortcomings and limitations before God and praying for a broader perspective, is part of the common German Protestant and Catholic hymnals, and of other songbooks.