Cosmic Slop is the fifth studio album by Funkadelic, released in July 1973 on Westbound Records. While it has been favorably reevaluated by critics long after its original release, the album was a commercial failure, producing no charting singles, and reaching only #112 on the Billboard pop chart and #21 on the R&B chart. The album was re-released on CD in 1991.
Tales of Kidd Funkadelic is the eighth studio album by the band Funkadelic, released in September 1976. It was their final album on the Westbound record label. The tracks were recorded during the same sessions as their first release for Warner Bros. Records, Hardcore Jollies; which was released a month later. Two tracks from Tales of Kidd Funkadelic, the single “Undisco Kidd” and the party anthem “Take Your Dead Ass Home!” have been staples in the band’s live performances since the album’s 1976 release, and can be heard on the 1977 Parliament concert album Live: P-Funk Earth Tour. The album opener “Butt-To-Buttresuscitation” and the song “I’m Never Gonna Tell It” were included in the band’s live shows during the early 2000s. The song "Let's Take It to the People" has been sampled by hip-hop band A Tribe Called Quest for their song "Everything Is Fair", on their album The Low End Theory.
Funkentelechy vs. the Placebo Syndrome is the sixth studio album by the American funk band Parliament, released in 1977.
Invasion of the Booty Snatchers is the second studio album by the P-Funk spin off group Parlet. Released in June 1979, it was the final Parlet album to feature Mallia Franklin and the first to feature Janice Evans. The album was produced by George Clinton and Ron Dunbar. The cover art was created by Ronald "Stozo" Edwards. The album's highest-charting single was "Riding High". The album leaned more toward disco, in an effort to keep up with musical trends.
Play Me or Trade Me is the third and final studio album by the P-Funk spin off act Parlet. The album was released by Casablanca Records in May of 1980 and was produced by George Clinton and Ron Dunbar. Like many albums released by the label during this year, it would be totally ignored in terms of promotion due to the label being bought by Polygram Records. The vocal line up for this album remained the same as the previous album. Play Me or Trade Me failed to enter on the Billboard R&B album charts.
Chocolate City is the third album by the funk band Parliament, released in 1975. It was a "tribute to Washington D.C.", where the group had been particularly popular. The album's cover includes images of the United States Capitol, the Washington Monument, and the Lincoln Memorial in the form of a chocolate medallion, as well as sticker labeled "Washington DC". The album was very popular in the capitol city, selling 150,000 copies alone there.
Gloryhallastoopid (Or Pin the Tale on the Funky) is the eighth album by the American funk band Parliament. It was their penultimate album on the Casablanca Records label, and is another concept album that tries to explain that Funk was responsible for the creation of the universe (see P Funk mythology). It reuses samples from previous albums, notably Mothership Connection and Funkentelechy vs. the Placebo Syndrome.
Trombipulation is the ninth album by the funk band Parliament. It was released by Casablanca Records. It was the last album of original material produced by the group for 38 years, until Medicaid Fraud Dogg in 2018. Unlike previous Parliament albums, George Clinton did not serve as sole producer of the album, as other P-Funk figures assisted in producing individual tracks. Bassist Bootsy Collins emerged as the principal musician on this album, playing virtually all of the instruments on a number of tracks. The track "Let's Play House" was sampled by the hip-hop group Digital Underground for their single "The Humpty Dance".
Live: P-Funk Earth Tour is a live double album by Parliament that documents the band's 1977 P-Funk Earth Tour. The performances include songs from Parliament's albums through The Clones of Dr. Funkenstein as well as songs from the Funkadelic repertoire. The album is made up of portions of two performances from January 1977 at the Oakland Coliseum Arena and the Los Angeles Forum.
All The Woo In The World is the debut funk album by Parliament-Funkadelic keyboardist Bernie Worrell, released in 1978 by Arista Records. The album was produced by Bernie Worrell and P-Funk leader George Clinton and features various P-Funk alumni including Garry Shider, Bootsy Collins, Junie Morrison, Billy Bass Nelson, and Eddie Hazel.
Mothership Connection Newberg Session is a live album by George Clinton and Parliament-Funkadelic. It was recorded in Hangar E at Stewart Airfield in Newburgh, New York, on September 26, 1976, during the rehearsals for the P-Funk Earth Tour. The live album was released by P-Vine Records in Japan on December 25, 1995.
George Clinton: The Mothership Connection is a DVD released in 1998 and then reissued in 2001, featuring George Clinton and Parliament-Funkadelic. The DVD features a concert performed by Parliament-Funkadelic at The Summit in Houston, Texas on October 31, 1976. The DVD documents the beginning of famed P-Funk Earth Tour, which would run for almost two years.
Testing Positive 4 the Funk is the fourth installment of the George Clinton Family Series collection. The album was released in 1993 by P-Vine Records in Japan, and then was released later in the same year by AEM Records in the United States and Sequel Records in the U.K. This collection is noted for the inclusion of tracks such as a re-recording of "Live Up " which was originally recorded by the soul quartet, The Fantastic Four. The track marked the debut of P-Funk vocalist Glenn Goins.
P Is the Funk is the second installment of the George Clinton Family Series collection. The album was released in 1992 by P-Vine Records in Japan, and then was released later in the same year by AEM Records in the United States and Sequel Records in the United Kingdom. The album contains notable tracks such as the first song ever recorded by the Brides of Funkenstein entitled "Love Is Something" featuring P-Funk lead guitarist Eddie Hazel, as well radio commercials for the Ultra Wave album by Bootsy Collins.
Plush Funk is the third installment of the George Clinton Family Series collection. The album was released in 1993 by P-Vine Records in Japan, and then was released the next year by AEM Records in the United States and Sequel Records in the United Kingdom. The CD features the track "May Day (S.O.S)", which was an outtake from the Funkadelic album "The Electric Spanking of War Babies".
A Fifth of Funk is the fifth and final installment of the George Clinton Family Series collection by Parliament-Funkadelic collective members. The album was released in Japan in 1993 by P-Vine Records, and later in the same year by AEM Records in the United States and Sequel Records in the United Kingdom. The compilation's producer and P-Funk leader George Clinton gives his final thoughts about the tracks on the album, as well as his feelings on the entire Family Series project, for A Fifth of Funk's final track. The title is a play on words of Beethoven's Symphony No. 5, as well as Walter Murphy's 1976 disco hit "A Fifth of Beethoven".
Go Fer Yer Funk is the first installment of the George Clinton Family Series collection. The album was released in 1992 by P-Vine Records in Japan, and then was released the next year by AEM Records in the U.S. and Sequel Records in the U.K.. The Family Series was designed to present previously unreleased recordings done by various bands in the Parliament-Funkadelic musical stable. The first CD is notable in that it features the title cut "Go Fer Yer Funk" which originally featured a collaboration between P-Funk and Funk legend James Brown.
The Best of the Early Years, Volume 1 is a compilation album by the American Funk band Funkadelic. It was released on Westbound in 1977 while the label was distributed by Atlantic Records. The Best of the Early Years, Volume One compiles material from Funkadelic's tenure at Westbound from 1969 to 1974.
Live...Madison Square Garden 1977 is a live album by the American funk band Parliament-Funkadelic. The album was released on CD and vinyl in the UK in November 2017 by the RoxVox label. The CD incorrectly states that it features a live performance from the band at Madison Square Garden in 1977, when in actuality, the recording features the rehearsals for the Mothership Connection tour, done on September 26, 1976 at Stewart International Airport in Newburgh, New York. The liner notes feature a transcription of a December 1977 article about Parliament-Funkadelic from Circus (magazine) magazine.
