Rock violin is rock music that includes violin in its instrumental lineup. This includes rock music only and does not include classical style music using melodic motifs from rock.
Rock music and rock and roll bands typically use electric guitar for the high range, and thus deploy violin only exceptionally. Nevertheless, some rock musicians have experimented with violin in a rock setting as either part of the backup (such as Paul McCartney's "Eleanor Rigby") or as a dual lead instrument sharing the spotlight, or alternating, with lead guitar. [1] Violin as the featured lead instrument in the rock genre is a rarity and is more frequently associated with regional bands.
The emergence of rock music in the 1950s and 1960s is rooted in the basic instrumentation of drum kit, electric bass guitar and lead electric guitar; all of this instrumentation was fed into tube amplifiers until the emergence of the transistor. Building on this basic setup, other instruments were added as transistor technology advanced, typically the electric keyboard, which became popular after the introduction of the Moog synthesizer. Rock violin emerged in the art rock movement, which had experimented with classical instruments and musical influences associated with early music. Examples include Jethro Tull, King Crimson, Velvet Underground, and later Kansas. In the same era that Ian Anderson popularized the use of flute in rock, others added violin to their line up. These bands included Jefferson Airplane, Fairport Convention, Mahavishnu Orchestra and John Mayall's Bluesbreakers.
Rock violin is played on solid body electric violins or on violins fitted with electric pickups. These are mounted on the bridge, on the sound post or stuck onto the body much as is done with acoustic guitar. Sizzling effects are achievable using aggressive bowing technique and runs high up the neck up to the limits of human hearing range. Due to the typical accompaniment of electric guitar, bass and rock drums, playing into the microphone may lead to impossibly high levels of feedback.
Rock fiddle, like rock music in general, owes much to blues. Incorporation of violin into rock, as with jazz, has been a slow process, resisted by some critics as an "unlikeliest and perverse misuse of an instrument". [2] Categorization is more appropriately conducted using the flexible methodology of fuzzy logic insofar as the categories tend to overlap and ambiguity. However, rock has roots in folk music particularly the American folk revival of the 1960s, and thus as a matter of usage some writers refer to "rock fiddle" when discussing playing by classically trained musicians who join rock bands and thus import classical style rather than fiddle style into their playing. Rock is itself highly varied and violin is used in some forms more than others, notably art rock, British folk rock such as Fairport Convention, Southern rock, in a different manner more reminiscent of American fiddle styles. In the 70s and early 80s, the band Kansas used violin on many of their songs including "Dust in the Wind" (1978), "Play the Game Tonight" (1982), and "Hold On" (1980).
Rock violinists often use solid body electric violins to reduce feedback. Rock is an international phenomenon, and rock violin is consequently influenced by cross fertilization from rock players such as Ashley MacIsaac [3] Nevertheless, American rockers continue to experiment. For instance, eclectic rocker Natalie Stovall, [4] a graduate of Berklee School of Music, [5] covers Led Zeppelin, AC/DC, Michael Jackson, Lenny Kravitz, The White Stripes, Lynyrd Skynyrd, Jimi Hendrix, all the while alternating between standard rock vocals and fiddle/violin riffs. [6]
Progressive rock, or art rock, moves beyond established means by experimenting with different instruments, including violin. [7] From the mid-1960s The Left Banke, The Beatles, The Rolling Stones and The Beach Boys, had pioneered the inclusion of harpsichords, wind and string sections on their recordings to produce a form of Baroque rock and can be heard in singles like Procol Harum's "A Whiter Shade of Pale" (1967), with its Bach inspired introduction. [8] The Moody Blues used a full orchestra on their album Days of Future Passed (1967) and subsequently created orchestral sounds with synthesisers [7] and the mellotron. Classical orchestration, keyboards and synthesisers were a frequent edition to the established rock format of guitars, bass and drums in subsequent progressive rock. [9]
Papa John Creach played with Jefferson Airplane, Jefferson Starship, and Hot Tuna. He played in a style more closely approaching true fiddle as opposed to violinistic style. He is reputed to have started playing as early as 1935 before joining Chicago's Chocolate Music Bars. [10]
Sugarcane Harris played with John Mayall Bluesbreakers, Frank Zappa's Mothers of Invention and later fronted Pure Food and Drug Act. Other credits include John Lee Hooker: Folk Blues – 1959, Little Richard: Little Richard is Back – 1964 and with Johnny Otis.
Jerry Goodman played violin with jazz-rock fusion pioneer John McLaughlin, first on McLaughlin's third solo album and thereafter with the Mahavishnu Orchestra, which included Billy Cobham on drums, Rick Laird on bass guitar, Jan Hammer on electric and acoustic piano and synthesizer. The first major release was 1970 on McLaughlin's album My Goal's Beyond (1970) followed by Mahavishnu Orchestra's, The Inner Mounting Flame (1971) followed shortly thereafter with Birds of Fire (1973). Jean-Luc Ponty played on subsequent albums Apocalypse and Visions of the Emerald Beyond .
Scarlet Rivera played with Bob Dylan on "Hurricane".
Jethro Tull are a British rock band formed in Blackpool, Lancashire in 1967. Initially playing blues rock and jazz fusion, the band soon incorporated elements of English folk music, hard rock and classical music, forging a signature progressive rock sound. The group's founder, bandleader, principal composer, lead vocalist, and only constant member is Ian Anderson, a multi-instrumentalist who mainly plays flute and acoustic guitar. The group has featured a succession of musicians throughout the decades, including significant contributors such as guitarists Mick Abrahams and Martin Barre ; bassists Glenn Cornick, Jeffrey Hammond, John Glascock, Dave Pegg, Jonathan Noyce, and David Goodier; drummers Clive Bunker, Barrie "Barriemore" Barlow and Doane Perry; and keyboardists John Evan, Dee Palmer, Peter-John Vettese, Andrew Giddings, and John O'Hara.
John Brumwell Mayall was an English blues and rock musician, songwriter and producer. In the 1960s, he formed John Mayall & the Bluesbreakers, a band that has counted among its members some of the most famous blues and blues rock musicians. A singer, guitarist, harmonica player, and keyboardist, he had a career that spanned nearly seven decades, remaining an active musician until his death aged 90. Mayall has often been referred to as the "godfather of the British blues", and was inducted into the Rock and Roll Hall of Fame in the musical influence category in 2024.
John McLaughlin, also known as Mahavishnu, is an English guitarist, bandleader, and composer. A pioneer of jazz fusion, his music combines elements of jazz with rock, world music, Western classical music, flamenco, and blues. After contributing to several key British groups of the early 1960s, McLaughlin made Extrapolation, his first album as a bandleader, in 1969. He then moved to the U.S., where he played with drummer Tony Williams's group Lifetime and then with Miles Davis on his electric jazz fusion albums In a Silent Way, Bitches Brew, Jack Johnson, Live-Evil, and On the Corner. His 1970s electric band, the Mahavishnu Orchestra, performed a technically virtuosic and complex style of music that fused electric jazz and rock with Indian influences.
John Henry Creach, better known as Papa John Creach, was an American blues violinist who also played classical, jazz, R&B, pop and acid rock music. Early in his career, he performed as a journeyman musician with Louis Armstrong, Fats Waller, Stuff Smith, Charlie Christian, Big Joe Turner, T-Bone Walker, Nat King Cole and Roy Milton.
Edwin Jobson is an English musician noted for his use of synthesizers. He has been a member of several progressive rock bands, including Curved Air, Roxy Music, U.K. and Jethro Tull. He was also part of Frank Zappa's band in 1976–77. Aside from his keyboard work Jobson has also gained acclaim for his violin playing. He won the Lifetime Achievement Award at the 2017 Progressive Music Awards. In March 2019 Jobson was inducted into the Rock and Roll Hall of Fame as a member of Roxy Music.
Minstrel in the Gallery is the eighth studio album by British rock band Jethro Tull, released in September 1975. The album sees the band going in a different direction from their previous work War Child (1974), returning to a blend of electric and acoustic songs, in a manner closer to their early 1970s albums such as Benefit (1970), Aqualung (1971) and Thick as a Brick (1972). Making use of a newly constructed mobile recording studio commissioned and constructed specifically for the band, the album was the first Jethro Tull album to be recorded outside of the UK, being recorded in tax exile in Monte Carlo, Monaco.
An electric violin is a violin equipped with an electronic output of its sound. The term most properly refers to an instrument intentionally made to be electrified with built-in pickups, usually with a solid body. It can also refer to a violin fitted with an electric pickup of some type, although "amplified violin" or "electro-acoustic violin" are more accurate then.
Martin Lancelot Barre is an English guitarist best known for his longtime role as lead guitarist of British rock band Jethro Tull, with whom he recorded and toured from 1968 until the band's initial dissolution in 2011. Barre played on all of Jethro Tull's studio albums from their 1969 album Stand Up to their 2003 album The Jethro Tull Christmas Album. In the early 1990s he began a solo career, and he has recorded several albums as well as touring with his own live band.
Crest of a Knave is the sixteenth studio album by British rock band Jethro Tull, released in 1987. The album was recorded after a three-year hiatus caused by a throat infection of vocalist Ian Anderson, resulting in his changed singing style. Following the unsuccessful electronic rock album Under Wraps, Crest of a Knave had the band returning to a more hard rock sound. The album was their most successful since the 1970s and the band enjoyed a resurgence on radio broadcasts, appearances in MTV specials and the airing of music videos. It was also a critical success, winning the 1989 Grammy Award for Best Hard Rock/Metal Performance Vocal or Instrumental in what was widely viewed as an upset over the favorite, Metallica's ...And Justice for All. The album was supported by "The Not Quite the World, More the Here and There Tour".
Don Francis Bowman "Sugarcane" Harris was an American blues and rock and roll violinist and guitarist. He is considered a pioneer in the amplification of the violin.
The Friday Rock Show was a radio show in the United Kingdom that was broadcast on BBC Radio 1 from 10pm to midnight on Friday nights, from 17 November 1978 until 2 April 1993. For most of its existence, it was hosted by Tommy Vance.
Don and Dewey were an American rock, blues, and R&B duo, comprising Don "Sugarcane" Harris and Dewey Terry.
Jonathan Mark Thomas Noyce is an English musician. He is primarily a bass guitar player. Noyce is known for being a member of British rock group Jethro Tull for 12 years, and also for his collaborations with guitarist Gary Moore, film composer Daniel Pemberton, the band Archive and French artist Mylène Farmer. In 2018 he was awarded an ARAM by the Royal Academy of Music.
Randy Resnick is an American guitarist, songwriter and saxophonist who has played with many prominent blues and jazz musicians, such as Don "Sugarcane" Harris, John Lee Hooker, John Mayall, Canned Heat and Freddie King. He was developing both one- and two-handed tapping style in the early 1970s. He published a CD of his own music in 1995, "To Love" under the name Randy Rare. There is an example of his tapping work in the recording from that CD below. In 2020, he began publishing new music, much of it on saxophone, on the streaming platforms like Spotify, Tidal (service) and iTunes under his own Each Hit label.
Ann Marie Calhoun is an American classically trained violinist who has performed as a bluegrass and rock musician in a number of prominent acts, including Jethro Tull, Steve Vai, Widespread Panic, Dave Matthews Band, Ringo Starr, A.R. Rahman and Mick Jagger's SuperHeavy. She has closely collaborated with Hans Zimmer on numerous film scores, including Sherlock Holmes, Interstellar, 12 Years a Slave, The Lone Ranger, The Little Prince, Man of Steel, and Captain Phillips. She is the sister of violinist Mary Simpson.
American fiddle-playing began with the early European settlers, who found that the small viol family of instruments were more portable and rugged than other instruments of the period. According to Ron Yule, "John Utie, a 1620 immigrant, settled in the North and is credited as being the first known fiddler on American soil". Early influences were Irish, Scottish, and English fiddle styles, as well as the more upper-class traditions of classical violin playing. Popular tunes included "Soldier's Joy", for which Robert Burns wrote lyrics, and other tunes such as "Flowers of Edinburgh" and "Tamlin," which have both been claimed by both Scottish and Irish lineages.
"Blues fiddle" is a generic term for bowed, stringed instruments played on the arm or shoulder that are used to play blues music. Since no blues artists played violas, the term is synonymous with violin, and blues players referred to their instruments as "fiddle" and "violin".
The mandolin has had a place in North American culture since the 1880s, when a "mandolin craze" began. The continent was a land of immigrants, including Italian immigrants, some of whom brought their mandolins with them. In spite of the mandolin having arrived in America, it was not in the cultural consciousness until after 1880 when the Spanish Students arrived on their international performing tour. Afterwards, a "mandolin craze" swept the United States, with large numbers of young people taking up the instrument and teachers such as Samuel Siegel touring the United States. The fad died out after World War I, but enough had learned the instrument that it remained. The mandolin found a new surge with the music of Bill Monroe; the Gibson F-5 mandolin he played, as well as other archtop instruments, became the American standard for mandolins. Bowlback mandolins were displaced. The instrument has been taken up in blues, bluegrass, jug-band music, country, rock, punk and other genres of music. While not as popular as the guitar, it is widespread across the country.