Parliament was an American funk band formed in the late 1960s by George Clinton as part of his Parliament-Funkadelic collective. More commercial and less rock-oriented than its sister act Funkadelic, Parliament drew on science-fiction and outlandish performances in their work. The band scored a number of Top 10 hits, including the million-selling 1976 single "Give Up the Funk ," and Top 40 albums such as Mothership Connection (1975).
Funkadelic was an American funk rock band formed in Plainfield, New Jersey in 1968 and active until 1982. The band and its sister act Parliament, both led by George Clinton, pioneered the funk music culture of the 1970s. Initially formed as a backing band for Clinton's vocal group the Parliaments, Funkadelic eventually pursued a heavier, more psychedelic rock-oriented sound. They released acclaimed albums such as Maggot Brain (1971) and One Nation Under a Groove (1978).
Maggot Brain is the third studio album by the American funk band Funkadelic, released by Westbound Records in July 1971. It was produced by band leader George Clinton and recorded at United Sound Systems in Detroit during late 1970 and early 1971. It was the final album recorded by the original Funkadelic lineup; after its release, original members Tawl Ross (guitar), Billy Nelson (bass), and Tiki Fulwood (drums) left the band for various reasons.
America Eats Its Young is the fourth album by Funkadelic, released in May of 1972. This was the first album to include the whole of the House Guests, including Bootsy Collins, Catfish Collins, Chicken Gunnels, Rob McCollough and Kash Waddy. It also features the Plainfield-based band U.S.(United Soul), which consisted of guitarist Garry Shider and bassist Cordell Mosson, on most of the tracks. Unlike previous Funkadelic albums, America Eats Its Young was recorded in Toronto, Ontario, Canada, and in the UK. The original vinyl version contained a poster illustrated by Cathy Abel. The bottom of the poster features the first widespread appearance of the Funkadelic logo, which would later appear on the cover of the album Standing On The Verge Of Getting It On.
Tales of Kidd Funkadelic is a compilation album of outtakes by the band Funkadelic, released in September 1976 on the Westbound record label, after the band had left the label, in order to capitalize on Funkadelic's new-found fame. The tracks were recorded around the same time as Hardcore Jollies and given to Westbound by George Clinton as a contractual obligation. The tracks were belatedly thrown together by Westbound to form another album for release, Tales of Kidd Funkadelic. The song "Let's Take It to the People" has been sampled by hip-hop band A Tribe Called Quest for their song "Everything Is Fair", on their album The Low End Theory.
Standing on the Verge of Getting It On is the sixth studio album by Funkadelic, released on Westbound Records, released in July 1974.
Funkadelic is the debut album by the American funk band Funkadelic, released in 1970 on Westbound Records.
Play Me or Trade Me is the third and final studio album by the P-Funk spin off act Parlet. The album was released by Casablanca Records in 1980 and was produced by George Clinton and Ron Dunbar. Like many albums released by the label during this year, it would be totally ignored in terms of promotion due to the label being bought by Polygram Records. The vocal line up for this album remained the same as the previous album. Play Me or Trade Me failed to enter on the Billboard R&B album charts.
Osmium is the debut album of American funk band Parliament, led by George Clinton. The album has a psychedelic soul sound with a spirit of experimentation that is more similar to early Funkadelic than the later R&B-inspired Parliament albums. It was originally released in July 1970 on Invictus Records. The original vinyl release contained a glossy lyric sheet.
Never Buy Texas from a Cowboy, released on Atlantic Records in November 1979, was the second album from the American female funk band, The Brides of Funkenstein. Morphing into a trio on the second album release, the vocalists consisted of Dawn Silva, Sheila Horne, and Jeanette McGruder. Horne and McGruder served as background vocalists on subsequent P-Funk concert tours.
I Am What I Am is the second album by English singer Ruth Copeland. The album was released by Invictus Records in 1971 and was produced and arranged by Ruth Copeland, though it is widely believed that the actual producer of the album was her then husband Jeffrey Bowen. As with her debut, Self Portrait, I Am What I Am contains contributions from George Clinton and the musicians from Parliament-Funkadelic, as well as local Detroit session players such as guitarist Ray Monette.
Funkadelic Live: Meadowbrook, Rochester, Michigan 12th September 1971 is a 1996 live release featuring the only official in-concert recording from early in the career of Funkadelic. Westbound Records owner Armen Boladian had decided to record the show without the band's prior notice, for a possible official live album release. Boladian then decided not to go forward with the project. The soundboard recording resided with engineer Ed Wolfram until being unearthed in 1996. The album contains the entire live performance of September 12, 1971 minus approximately three minutes of between-song chatter.
Toys is a compilation consisting of unreleased music by the funk band Funkadelic. It was released by Westbound Records in 2008 and consists of previously unreleased sessions recorded during the band's tenure for Westbound. The album was originally scheduled to be released in 2002, but was delayed numerous times, presumably due to legal issues. The CD also features a video clip of the song "Cosmic Slop", which can only be viewed on a PC.
Testing Positive 4 the Funk is the fourth installment of the George Clinton Family Series collection. The album was released in 1993 by P-Vine Records in Japan, and then was released later in the same year by AEM Records in the United States and Sequel Records in the U.K.. This collection is noted for the inclusion of tracks such as a re-recording of "Live Up " which was originally recorded by the soul quartet, The Fantastic Four. The track marked the debut of P-Funk vocalist Glenn Goins.
P Is the Funk is the second installment of the George Clinton Family Series collection. The album was released in 1992 by P-Vine Records in Japan, and then was released later in the same year by AEM Records in the United States and Sequel Records in the United Kingdom. The album contains notable tracks such as the first song ever recorded by the Brides of Funkenstein entitled "Love Is Something" featuring P-Funk lead guitarist Eddie Hazel, as well radio commercials for the Ultra Wave album by Bootsy Collins.
Ruth Copeland is an English-born former singer, based in the United States since the 1960s and known for her collaborations with George Clinton and Parliament-Funkadelic.
Contact is Freda Payne's fourth American released album and her second for Invictus Records. The majority of the material on this album contains sad themes, with the exception of "You Brought the Joy." The album begins with a dramatic 11-minute medley of "I'm Not Getting Any Better" and "Suddenly It's Yesterday," both of which were written by Brian Holland and Lamont Dozier. Some people thought that Holland and Dozier were trying to compete with Diana Ross's hit "Ain't No Mountain High Enough" as both songs contain spoken segments and dramatic musical arrangements. The only cover song is "He's in My Life", which was an album track by The Glass House featuring Freda's sister Scherrie Payne. It was written by Brian Holland, Lamont Dozier and Eddie Holland, jointly with Ron Dunbar.
Donald Charles Baldwin is an American musician, arranger, and composer. He achieved significant commercial success with recordings he wrote, arranged, and performed for Motown Records and Invictus/Hot Wax Records from 1970 to 1980. His Notable works include his recordings with many widely known musical acts including: Temptations, Commodores, and Bonnie Pointer, as well as record producers Holland-Dozier-Holland and Jeffrey Bowen.
The Best of the Early Years, Volume 1 is a compilation album by the American Funk band Funkadelic. It was released on Westbound in 1977 while the label was distributed by Atlantic Records. The Best of the Early Years, Volume One compiles material from Funkadelic's tenure at Westbound from 1969 to 1974.
