This article includes a list of general references, but it lacks sufficient corresponding inline citations .(November 2010) |
"Sinner Man" | |
---|---|
Single by Les Baxter Chorus and Orchestra with Will Holt | |
A-side | "Tango of the Drums" |
Released | 1956 |
Recorded | 1956 |
Genre | Gospel, jazz, pop |
Length | 3:07 |
Label | Capitol |
Songwriter(s) | Les Baxter, Will Holt |
"Sinner Man" or "Sinnerman" is an African American traditional spiritual song that has been recorded by a number of performers and has been incorporated in many other media and arts. The lyrics describe a sinner attempting to hide from divine justice on Judgment Day. It was recorded in the 1950s by Les Baxter, the Swan Silvertones, the Weavers and others, before Nina Simone recorded an extended version in 1965.
The earliest recording of the song to bear the title "Sinner Man" was by the Les Baxter Orchestra in 1956, as the B-side of the Capitol Records single "Tango of the Drums". The lead vocal was by folk singer Will Holt, who shared the credit for writing the song with Baxter. However, the song clearly bears a close resemblance, in both melody and lyrics, to "On the Judgement Day", which was recorded by gospel group The Sensational Nightingales in 1954 and released the following year on the Peacock label. The writing of The Sensational Nightingales' song was credited to two of the group's singers, Julius Cheeks and Ernest James. [1] [2] Some of the lyrics in "Sinner Man", including "The rock cried out, 'No hiding place'", appear to derive from those in the spiritual, "No Hiding Place Down Here", recorded in 1928 by the Old South Quartette. [3]
A version of "Sinner Man" released in 1956, by Swedish-American folk singer William Clauson, credited Baxter, Holt, Cheeks and James as co-writers. [4] Another gospel group, the Swan Silvertones, released their version of the song in 1957 on the Vee-Jay label, and folk singer Guy Carawan issued a version in 1958. Carawan wrote that he had learned the song in 1956 from Bob Gibson. [5] Pete Seeger also refers to Bob Gibson as the one who 'taught us' the song, during his Live concert at Mandel Hall, Chicago, in 1957. Most modern recorded versions derive from the 1956 recording by Les Baxter. [6] [7] Further changes and additions were codified in 1959 by the folk music group the Weavers. The Weavers' performance of the song appears on their compilation albums Gospel and Reunion at Carnegie Hall Part 2.
"Sinnerman" | |
---|---|
Song by Nina Simone | |
from the album Pastel Blues | |
Released | May 20, 1965 |
Recorded | New York City |
Genre | Jazz, gospel music |
Length | 10:20 |
Label | Philips |
Songwriter(s) | Traditional |
Producer(s) | Hal Mooney |
"Sinnerman" (spelled as one word) is one of Nina Simone's most famous songs. She recorded her definitive 10-minute-plus version on her 1965 album Pastel Blues , on which the credit is simply given as "Arranged by Nina Simone". Simone learned the lyrics of the song in her childhood when it was used at revival meetings by her mother, a Methodist minister, to help people confess their sins. In the early days of her career during the early sixties, when she was heavily involved in the Greenwich Village scene, Simone often used the long piece to end her live performances. An earlier version of the song exists, recorded live at The Village Gate, but was not used on the 1962 Colpix album Nina at the Village Gate . It was added as a bonus track to the 2005 CD release.
Simone's version of "Sinnerman" has been sampled by Kanye West for the Talib Kweli song "Get By" (2003), by Timbaland for the song "Oh Timbaland" (2007), and by Felix da Housecat for Verve Record's "Verve Remixed" series (Verve Remixed 2 (2003), Verve Remixed Plus (2005)). French rapper Abd al-Malik sampled Simone's version for the title track of his 2006 album Gibraltar. The 2018 Hozier track "Nina Cried Power" and the 2020 Celeste track "Stop This Flame" also sample the song. In 2021 the song was remixed by American DJ duo Sofi Tukker.
Nina Simone's version was used as a soundtrack to the art gallery theft scene in the 1999 film The Thomas Crown Affair . Her version is also played during the end credits of David Lynch's 2006 experimental film Inland Empire, and was featured in the video game Marc Ecko's Getting Up . It was featured in episode 3 of the second season of Sherlock. It was featured in a fight scene during the first season of The Umbrella Academy, and was also featured in the end credits of an episode of Life on Mars. Furthermore, it played during a scene in Taika Waititi's 2016 film Hunt for the Wilderpeople. In Season 1, Episode 11 of Scrubs titled "My Own Personal Jesus," the song is playing in the background towards the end of the episode as Turk runs to save a woman who is giving birth in a park. The song is also used in season 1, episode 7 of “Person of Interest”.
Region | Certification | Certified units/sales |
---|---|---|
United Kingdom (BPI) [8] | Silver | 200,000‡ |
‡ Sales+streaming figures based on certification alone. |
"Sinner Man" has also been recorded as ska and reggae versions several times by the Wailers.
It was first recorded by the group at Studio One in Kingston, Jamaica in early 1966; Peter Tosh and Bunny Wailer shared lead vocals.
A different version entitled "Downpressor" was recorded by Peter Tosh & The Wailers in 1970 ("downpressor" meaning "oppressor" in Rastafarian vocabulary). The song featured Tosh on lead vocals and Bunny Wailer on background. An instrumental version was also released. Songwriting credit for this version is sometimes given to Peter Tosh.
Another version was recorded in 1971 as "Oppressor Man". This version was billed as a Peter Tosh solo single, and the B Side of the single featured an instrumental version. It was one of the rarer songs from the period before being included, along with its version, on JAD's Black Dignity compilation in 2004.
Tosh recorded the song again as "Downpresser Man" for his 1977 solo album Equal Rights and released a live recording of the song in a medley with "Equal Rights" on his 1983 album Captured Live.
Irish singer/songwriter Sinéad O'Connor recorded a cover of Tosh's 1977 version for her 2005 reggae album Throw Down Your Arms at the then-Tuff Gong studio in Kingston, Jamaica.
Cory Wells & The Enemys recorded a version of the song in 1965, included on the 1993 Three Dog Night album Celebrate: The Three Dog Night Story, 1965–1975. [9]
Another version of this song appears on the 1968 album El folklore de Nuestro Pequeño Mundo by Spanish band Nuestro Pequeño Mundo .
A cover of the song was the title track of the 1996 debut album, Sinnerman, by Atlantic Records recording artists Extra Fancy, led by openly gay singer Brian Grillo. The homoerotic music video made for the track featured Alexis Arquette as a closeted street preacher.
The band His Name Is Alive released a version of the song on their 1997 EP Nice Day (as "Oh Sinner Man").
The song has also been covered by 16 Horsepower on their album Folklore (2002); by Irish singer Sinéad O'Connor on her 2005 album Throw Down Your Arms ; and by the ska-punk band Goldfinger.
In 2020, Vika and Linda covered the song for their album, Sunday (The Gospel According to Iso) . [10] [11]
Other works to have featured the song in their soundtracks include The Chestnut Man (TRILLS), [12] [13] Lucifer , Lovecraft Country (Alice Smith), [14] The Righteous Gemstones (The Travelers Three), and Cirque du Soleil's Crystal (Béatrice Bonifassi).
Nina Simone was an American singer, songwriter, pianist, composer, arranger, and civil rights activist. Her music spanned styles including classical, folk, gospel, blues, jazz, R&B, and pop. Her piano playing was strongly influenced by baroque and classical music, especially Johann Sebastian Bach, and accompanied expressive, jazz-like singing in her contralto voice.
Leslie Thompson Baxter was an American musician, composer and conductor. After working as an arranger and composer for swing bands, he developed his own style of easy listening music, known as exotica and scored over 250 radio, television and motion pictures numbers.
Bob Marley and the Wailers were a Jamaican ska, rocksteady and reggae band. The founding members, in 1963, were Bob Marley, Peter Tosh, and Bunny Wailer.
The Sensational Nightingales are a traditional black gospel quartet that reached its peak of popularity in the 1950s, when it featured Julius Cheeks as its lead singer. The Nightingales, with several changes of membership, continue to tour and record.
Equal Rights is the second studio album by Peter Tosh. It was released in 1977 on Columbia Records.
"Don't Look Back" is a 1965 song recorded by The Temptations for the Gordy (Motown) label. The flip side to their Top 20 hit "My Baby", "Don't Look Back" broke out and became a hit among the R&B audience on its own, reaching #14 on the R&B charts.
Throw Down Your Arms is the seventh studio album by Sinéad O'Connor, also known as her reggae album. O'Connor sings cover versions of classic roots reggae songs, with production by Sly and Robbie.
"Who Knows Where the Time Goes?" is a song written by the English folk-rock singer and songwriter Sandy Denny.
"Feeling Good" is a song written by English composers Anthony Newley and Leslie Bricusse for the musical The Roar of the Greasepaint – The Smell of the Crowd. It was first performed on stage in 1964 by Cy Grant on the UK tour.
"Michael, Row the Boat Ashore" is a traditional spiritual first noted during the American Civil War at St. Helena Island, one of the Sea Islands of South Carolina. The best-known recording was released in 1960 by the U.S. folk band The Highwaymen; that version briefly reached number-one hit status as a single.
Pastel Blues is a studio album by American singer Nina Simone, released in October 1st, 1965, by Philips Records.
The Amazing Nina Simone is the second studio album by Nina Simone, released in July 1959. It was her second album, and her first recording for Colpix Records. The album contains a variety of material, including jazz, gospel, and folk songs. Compared to her debut, which showcased Simone's piano playing ability in addition to her singing, the piano was downplayed on Amazing in favor of string arrangements.
"Ain't Got No, I Got Life" is a 1968 single by American singer-songwriter Nina Simone, from her album 'Nuff Said. It is a medley of two songs, "Ain't Got No" and "I Got Life", from the musical Hair, with lyrics by James Rado and Gerome Ragni and music by Galt MacDermot. The combination of the two songs was rewritten by Simone to suit her purpose.
"Four Women" is a song written by jazz singer, composer, pianist and arranger Nina Simone, released on the 1966 album Wild Is the Wind. It tells the story of four African American women. Each of the four characters represents an African-American stereotype in society. Thulani Davis of The Village Voice called the song "an instantly accessible analysis of the damning legacy of slavery, that made iconographic the real women we knew and would become."
"Sea Lion Woman" is a traditional African-American folk song originally used as a children's playground song.
"Get By" is a song by American hip hop recording artist Talib Kweli. It was released on March 11, 2003, as the third single from his debut studio album Quality (2002). Produced by Kanye West, the hip hop track samples "Sinnerman" as performed by Nina Simone and features background vocals from Abby Dobson, Chinua Hawk, Kendra Ross, Vernetta Bobien, and William "Na2" Taylor. The song peaked at number 77 on the US Billboard Hot 100 and at number 29 on the US Billboard Hot R&B/Hip-Hop Songs, becoming Kweli's most successful solo hit.
Donald Kinsey was an American guitarist and singer, best known as a member of the Word Sound and Power Band, the reggae backing group for Peter Tosh.
Neville O'Riley Livingston, known professionally as Bunny Wailer, was a Jamaican singer-songwriter and percussionist. He was an original member of reggae group The Wailers along with Bob Marley and Peter Tosh. A three-time Grammy Award winner, he is considered one of the longtime standard-bearers of reggae music. He was also known as Jah B, Bunny O'Riley, and Bunny Livingston.
"Nina Cried Power" is a song recorded by Irish singer-songwriter Hozier, featuring vocals from American rhythm and blues and gospel singer Mavis Staples. It was released on 6 September 2018 as the lead single from Hozier's second studio album Wasteland, Baby!.
"Funkier Than a Mosquito's Tweeter" is a song written by Alline Bullock, sister of Tina Turner. It was first released by Ike & Tina Turner on their 1970 album Workin' Together with Tina Turner and the Ikettes on vocals. Mosquita's was the original spelling of Mosquito's, but after jazz singer Nina Simone released her version in 1974, most subsequent releases of the song have used the latter spelling including Ike & Tina Turner reissues.