| So Long, Astoria | ||||
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| Studio album by | ||||
| Released | March 4, 2003 | |||
| Recorded | August 19 – November 1, 2002 | |||
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| Genre | Pop punk | |||
| Length | 48:55 | |||
| Label | Columbia | |||
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| The Ataris chronology | ||||
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| Singles from So Long, Astoria | ||||
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So Long, Astoria is the fourth studio album by American rock band The Ataris, released on March 4, 2003. The album's title song alludes to the 1985 film The Goonies , which is set in Astoria, Oregon.
In February 2001, The Ataris released their third album End Is Forever through independent label Kung Fu Records. [1] In May, vocalist/guitarist Kris Roe revealed that the group would start writing for their next album later in the year. [2] In June, guitarist Marco Peña left the group due to creative and personal differences. He was replaced by their guitar tech John Collura, formerly of the band Beefcake. [3] Roe said Collura "definitely brought us back to [being the] best of friends", as well making them "realize that this band has got a lot of life in it". [4] Also in June, the group contributed a new track to the Warped Tour 2001 compilation, "Looking Back on Today". The band signed with major label Columbia Records in July. [2] Roe explained: "We wanted to go somewhere where we knew that even if our record didn't do well, that we would have a career still as a band". [4]
Later in July, Roe revealed that the group would be releasing their next album in mid-2002 and that it would be in the musical style of their second album Blue Skies, Broken Hearts...Next 12 Exits (1999). In October, Roe said the album was tentatively titled Don't Ever Compromise What You Believe. In December, the group said they had 13 songs that they were working on, and were planning to record in March 2002. In January 2002, the group contributed a new song to the Orange County soundtrack. In April, Roe said the group were expected to begin recording in May. [2] When looking for producers, bassist Mike Davenport said a few names came up: "Lou [Giordano] was always my choice. Ric Ocasek said [']I don't get it.' Mark Trombino told us to keep writing." [5] Davenport pushed for Giordano, "and the minute [Roe and Giordano] spoke, it worked." [5] In early July, Roe said the album would be titled So Long, Astoria. [2] Later that month, Giordano was enlisted as the album's producer and that recording would finally occur in August. [6]
Demos were initially tracked at drummer Chris Knapp's house in Hollywood, California. Roe said they "never got anything done" and subsequently went to Orange Whip Recording in Santa Barbara, California to record more demos. [7] With the aid of Angus Cooke and Thom Flowers, demos were recorded live-in-the-studio with minimal overdubs. Roe said they spent "a lot of time fine tuning" the songs before the album sessions. [7] He added that the demos "capture[d] a certain honesty" and toyed with releasing the demos in lieu of recording a proper album. [7] The group went into pre-production with Giordano, despite him thinking that the songs were "already pretty complete '"as is'", according to Roe. [7] Recording began on August 19 and ended on November 1. Sessions took place at Ocean Studios in Burbank, California, Grandmaster Recorders in Hollywood, California and Orange Whip Recording. [8]
Giordano produced all of the songs except for "Looking Back on Today", which was produced by Thom Flowers, Elissa Meihsner and Eric Palmquist. Bradley Cooke, Andrew Alekel and Flowers acted as engineers with assistance from Jason Nelson, Dean Cupp and Dave Ashton. Giordano mixed all of the songs, except for "The Saddest Song" and "My Reply", at Larrabee Studios in Hollywood, California. "The Saddest Song" and "My Reply" were mixed by Jack Joseph Puig. Additional tracking was done by Angus Cooke and Meihsner at Orange Whip Recording, while additional tracking was done by Ashton at Larrabee Studios. Several other people contributed to the album: James Muhawi (piano on "The Saddest Song"), Angus Cooke (cello), Jonathan Cox (programming), and Glen Phillips of Toad the Wet Sprocket, Mike Herrera of MxPx and Tim Pagnotta of Sugarcult (backing vocals). [8]
Early in the writing process for the record, Roe found a book that gave him the theme for the album. The book, which was Go Now by Richard Hell, contained a chapter "where he had a quote that said memories are better than life ... I wanted this record to portray, that life is only as good as the memories we make." [4] Roe said the group "focus[ed] on writing good songs [and] straightforward rock songs". [4] Musically, the album's sound has been described as pop punk, [9] [10] [11] [12] pop rock, [13] punk rock [14] and rock, [15] drawing comparison to Blink-182, Green Day, [14] Good Charlotte, New Found Glory, [13] Lit and A, with Roe sounding like A frontman Jason Perry. [16] All of the songs were written by Roe, except for "The Hero Dies in This One" and "All You Can Ever Learn Is What You Already Know" by Roe, Collura, Davenport and Knapp, and "The Boys of Summer" by Don Henley and Michael Campbell. [8]
"So Long, Astoria" is about Roe writing songs in his bedroom in Anderson, Indiana. [4] The track was reminiscent of Matchbox Twenty; [13] its name is a reference to the town Astoria, Oregon in the film The Goonies (1985). [14] "Takeoffs and Landings" deals with saying goodbye to a long-distance partner. [17] "In This Diary", alongside "Summer '79" talk about nights out in town and pulling pranks. [4] Discussing "In This Diary", Roe said he attempted to "encapsulate one of the most fun summers we’ve had". [18] Roe wrote "My Reply" about a fan who was in a hospital and close to death. [19] "Unopened Letter to the World" details the life of American poet Emily Dickinson. [19] "The Saddest Song" is about Roe's relationship with his estranged daughter and his upbringing without a father. [20]
"Summer '79" sees Roe reminiscing on days when spent as a teenager sneaking into drive-in theatres and listening to Queen. [11] "The Hero Dies in This One" refers to past girlfriends that had been left behind. [4] Collura said "The Boys of Summer" was included due to Roe's nostalgia for it, and "it just kind of fit into the rest of the record." [21] He altered one line, switching a reference from Deadhead to Black Flag. "Radio #2" was indebted to "Radio" by Teenage Fanclub. [11] Roe wrote "Looking Back on Today" about his wife, and called it the sole relationship-centric song on the album. Roe said "Eight of Nine" is about a number of "really close calls that we've had with death." [19]
In October 2002, it was announced that So Long, Astoria would be released in March 2003. [22] On January 12, the group posted the songs "Takeoffs and Landings" and "In This Diary" online. [23] "In This Diary" was released to radio on February 11. [24] So Long, Astoria was released on March 4 through Columbia Records. [25] The Japanese version included the bonus tracks "A Beautiful Mistake" and "I Won't Spend Another Night Alone", an acoustic version of "The Saddest Song", and a cover of the Ramones song "Rock 'N' Roll High School". [26] A music video for "In This Diary" was posted online on March 3, [27] directed by Steven Murashige. Roe said the video was mainly crowd-focused as the group wanted to channel their stage performance and energy. [28] On May 19, "In This Diary" was released as a CD single. It featured "A Beautiful Mistake", a demo of "Eight of Nine", a live version of "In This Diary", and "Rock 'N' Roll High School" as B-sides. [29]
"My Reply" was set to be the group's next single, [30] but "The Boys of Summer" was released to radio on June 3 instead. [24] This was a result of the K-Rock and KROQ radio stations playing the track, with others following shortly after. [30] Collura said the group did not want to release the track as a single. He added that they were naïve to assume it would be released as such, since it wasn't promoted as one, "That was all American radio doing that on its own". [21] Roe revealed Columbia Records had warned the band about including the track on the album in the first place as there would be "a chance that somebody's going to put it out as a single". [30] The video treatment for the song's music video, which was directed by Murashige, was initially intended for "My Reply" until it was adjusted for "The Boys of Summer". Roe said the video was about "the story of a darker summer" and features "a girl trying to let go of a lot of the things she had in the summer." [30]
The Ataris released their first video album Live at Capitol Milling in July 2003, which featured the music video for "In This Diary" (directed by Marc Smerling), the making-of video, and live performances taken from music video shoot. [31] [32] In August, Davenport revealed a music video had been filmed for "My Reply", but was "so far from coming out". [20] He added, "It's animated, and it's like A-ha meets White Stripes." [20] On September 8, "The Boys of Summer" was released as a CD single. It featured live versions of "Takeoffs and Landings" and "Unopened Letter to the World", "A Beautiful Mistake" and an acoustic version of "In This Diary" as B-sides. [33] "The Saddest Song" was released to radio on September 9. [24] In February 2004, the band released the live album Live at the Metro, which had been recorded the previous October. In addition to the show, it featured acoustic renditions, one of which was from So Long, Astoria. [34]
In November and December 2002, the group went on a US tour with Sugarcult, Autopilot Off and Rufio. During the tour, the group premiered material from So Long, Astoria. [22] In late December and January 2003, the group embarked on the Australian leg of the Kung Fu Records Tour with the Vandals. [35] The day following the album's release, an in-store performance was held at a record store in Tempe, Arizona. However, due to 1,000 people showing up, the performance was moved to the Arizona State University campus. [36] In mid-March, the band appeared on Total Request Live and Late Night with Conan O'Brien . [37] Following this, they toured with the Juliana Theory and Further Seems Forever on a two-month tour of the US. [38] On May 8, the band appeared on The Late Late Show . [39] In mid-June, the group performed at KROQ's Weenie Roast festival. [40]
From June to August, the Ataris toured as part of the 2003 Warped Tour. [41] On July 11, the group appeared on Jimmy Kimmel Live! . [42] The group performed at the 2003 MLB All-Star Game in late July. [43] In August and September, the band embarked on a European tour, with Matchbook Romance. [44] In October and November 2003, the band embarked on the VW Music Ed Tour with Vendetta Red. [45] In November, the group went on a US tour with Planes Mistaken for Stars, Vendetta Red, Hopesfall, The Go Reflex and Squirtgun. [46] The group appeared on The Late Late Show and The Jay Leno Show on December 1 and December 29, respectively. [47] [48] In February and March 2004, the group went on a UK tour with Planes Mistaken for Stars and Cursive. [49] In April, the group went on a tour of Canada. [50] In May, the group co-headlined the RiverFusion festival with Something Corporate. [21] They then played a few shows with the National Trust, which consisted of Roe and Matt Hart of Squirtgun, and appeared at Hellfest. [51] [52]
| Aggregate scores | |
|---|---|
| Source | Rating |
| Metacritic | 57/100 [53] |
| Review scores | |
| Source | Rating |
| AllMusic |   [14] |
| CMJ New Music Report | Favorable [9] |
| Exclaim! | Favorable [10] |
| Ink 19 | Unfavorable [13] |
| Melodic |  [16] |
| The Morning Call | Mixed [54] |
| PopMatters | Favorable [11] |
| Punknews.org | [15] |
| Rolling Stone | [55] |
| Sputnikmusic | 4.0/5 [12] |
Initial critical response to So Long, Astoria was very average. At Metacritic, which assigns a normalized rating out of 100 to reviews from mainstream critics, the album has received an average score of 57, based on seven reviews. [53]
So Long, Astoria sold 33,000 in its first week, debuting at number 24 on the Billboard 200. [56] It charted at number 38 in Australia [57] and number 92 in the UK. [58] "In This Diary" charted at number 11 on the Alternative Songs chart. [59] "The Saddest Song" charted at number 27 on the Alternative Songs chart. [59] "The Boys of Summer" charted at number two on the Alternative Songs chart, [59] number 10 on the Mainstream Top 40 chart, [60] number 18 on the Adult Top 40 chart, [61] number 20 on the Hot 100 chart, [62] number 22 on the Radio Songs chart, [63] number 36 on the Mainstream Rock chart, [64] in the US. It also charted at number 17 in New Zealand, [65] number 24 in Australia, [66] number 49 in the UK, [58] and number 87 in Switzerland. [67] In August, So Long, Astoria was certified gold in the US. [68] By November, the album had sold 516,000 copies. [69] In March 2006, "The Boys of Summer" was certified gold in the US. [68] In December 2013, sales stood at 693,000 copies. [43]
The album was included at number 25 on Rock Sound's "The 51 Most Essential Pop Punk Albums of All Time" list. [70] They later ranked it at number 97 on the list of best albums in their lifetime. [71] In December 2013, the band released demos that had been recorded for the album. [72] In February and March 2014, the group performed the album in its entirety in the US. [43] They were supported by Versus the World, Authority Zero, Drag the River and Gasoline Heart. [73] To promote the tour, a short documentary was made in the style of VH1's music documentary series Classic Albums . [74] In June 2016, the group performed in Australia, playing songs solely from Blue Skies, Broken Hearts...Next 12 Exits and So Long, Astoria. [75] In February 2018, the group went on a celebratory 15th anniversary tour for the album in the UK. [76]
All songs written by Kris Roe, except where noted. [8]
| No. | Title | Writer(s) | Length |
|---|---|---|---|
| 1. | "So Long, Astoria" | 3:22 | |
| 2. | "Takeoffs and Landings" | 3:56 | |
| 3. | "In This Diary" | 3:54 | |
| 4. | "My Reply" | 4:14 | |
| 5. | "Unopened Letter to the World" | 2:38 | |
| 6. | "The Saddest Song" | 4:15 | |
| 7. | "Summer '79" | 3:57 | |
| 8. | "The Hero Dies in This One" | Roe, John Collura, Mike Davenport, Chris Knapp | 4:07 |
| 9. | "All You Can Ever Learn Is What You Already Know" | Roe, Collura, Davenport, Knapp | 3:31 |
| 10. | "The Boys of Summer" | Don Henley, Michael Campbell | 4:18 |
| 11. | "Radio #2" | 3:27 | |
| 12. | "Looking Back on Today" | 3:53 | |
| 13. | "Eight of Nine" | 3:30 | |
| 14. | "I Won't Spend Another Night Alone" (hidden track) | 3:50 | |
| 15. | "The Saddest Song" (acoustic hidden track) | 4:09 | |
| Total length: | 48:55 | ||
| No. | Title | Writer(s) | Length |
|---|---|---|---|
| 16. | "A Beautiful Mistake" | 3:13 | |
| 17. | "Rock 'N' Roll High School" | Joey Ramone, Dee Dee Ramone | 2:17 |
Credits adapted from liner notes. [8]
The Ataris
Additional musicians
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Artwork
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Weekly charts
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The Ataris are an American punk rock band from Anderson, Indiana. Formed in 1996, they released five studio albums between 1997 and 2007. Their best-selling album is So Long, Astoria (2003), which was certified gold. Their high-charting single is their cover of Don Henley's "The Boys of Summer" from So Long, Astoria. The only constant member throughout their history has been singer/songwriter/guitarist Kristopher "Kris" Roe.
Sticks and Stones is the third studio album by American rock band New Found Glory.
End Is Forever is the third studio album by American rock band The Ataris, released on Kung-Fu Records in 2001. The album features a mix of punk and pop punk similar to the band's previous works along with catchy pop rhythms. It contains lyrics that span nostalgia, growing up, love, relationships, and singer Kris Roe's childhood. End is Forever is notable for its many pop culture references and numerous lyrics that Roe describes as having "hidden meanings" encoded within.
War All the Time is the third studio album by American rock band Thursday. Following the release of their second album Full Collapse (2001), the group had a series of negative experiences with their label Victory Records regarding promotion. While this was happening, the group was contacted by major labels, and in May 2002, signed to Island Records. The signing was made official later in the year when an exit agreement was made with Victory Records. In November, the group started writing new material. In January 2003, they began recording their next album with Sal Villanueva at Big Blue Meenie Recording Studios in Jersey City, New Jersey. Sessions lasted six months, aside from a break in April to play shows. In late April, "For the Workforce, Drowning" was released as a single, followed by "Signals Over the Air" in August.
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The Room's Too Cold is the debut studio album by the American rock band The Early November, released on October 7, 2003 through Drive-Thru Records.
Finch is an American rock band from Temecula, California. The band is best known for their single "What It Is to Burn" from the album of the same name (2002). Their second album, Say Hello to Sunshine (2005), peaked within the top 30 on the Billboard 200. Following setbacks within the group, they released the album Back to Oblivion (2014).
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The Movielife is a Long Island punk rock band composed of vocalist Vinnie Caruana, guitarist Brandon Reilly, and drummer Brett Romnes. The band originally formed in 1997 and disbanded in 2003, but announced their official reunion in December 2014.
Anthem is the fifth studio album by American ska punk band Less Than Jake, released on May 20, 2003 on Sire Records, a Warner Bros. imprint. A year after their fourth studio album Borders & Boundaries (2000), the band had spent sometime at their practice space writing new material; by the middle of 2002, the band said their next album would be with Warner Bros. Records. Following a meeting with Rob Cavallo, he was enlisted as the producer for the album. Sessions were held at Piety Street Recording in New Orleans and Morning View Studio in Malibu, California, occurring between October and December 2002.
How to Ruin Everything is the seventh studio album by the punk rock band Face to Face, released in 2002.
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An American Paradox is the fourth album by punk band Strung Out, released by Fat Wreck Chords. The album was the band's first to debut on the Billboard 200. This is their first album with current bassist, Chris Aiken.
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The Places You Have Come to Fear the Most is the second studio album by American rock band Dashboard Confessional, released on March 20, 2001, through Vagrant Records.
Name Taken was an American rock band from Orange, California. They were originally known as All That's Left in October 1999 until they discovered that the name was already taken; thus the name "Name Taken". The band started in the ninth grade where they would play shows in their amphitheatre at lunch. They later succeeded to record for such compilations as Atticus I and Warped Tour 2002.
Over It was a rock band based in Orange County, California. Originally from Alexandria, Virginia, the band formed in 1998 to play pop punk. Most recently signed to Virgin Records, Over It is currently unsigned and inactive.
Citations
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